Rock and Roll Creation: Zombie Nightmare (1986, directed by Jack Bravman)


When muscle-bound teen baseball player Tony (Jon-Mikl Thor) does a good deed by stopping a grocery store robbery, he’s rewarded by getting run down by a bunch of stupid teenage joyriders.  Luckily, there’s a voodoo priestess in the neighborhood and, while she can’t revive Tony permanently, she can bring him back as a zombie so he can kill those who killed him.  Soon, Zombie Tony is killing all of the teens (including Tia Carrere) and Detective Tom Churchman (Adam West) is on the case.  Detective Churchman, however, has a previous connection to both the voodoo priestess and the murder of Tony’s father.

Zombie Nightmare is best known for later being shown on Mystery Science Theater 3000.  It was one of the best episodes of MST 3K but Zombie Nightmare is just as great even without commentary from Mike and the Bots.  This film features Jon-Mikl Thor, Adam West, Tia Carrere, zombies, and a heavy metal soundtrack that features Girlschool, Virgin Steel, Thor, and Motorhead!  What more do you need?  Jon-Mikl Thor is actually really convincing as the zombie and it’s always interesting to see Adam West play a role straight.  West even gets to be the bad guy here, and he does it without winking at the camera once.

Jon-Mikl Thor followed up Zombie Nightmare with the even better Rock ‘n’ Roll Nightmare.  He was also the subject of a recent and revealing documentary, I Am Thor, which should be required viewing for anyone who thinks they want to be a star.

Scenes That I Love: The Witch Melts In The Wizard Of Oz


I’ve reviewed two movies about witches today and I should be posting a review of a movie about Rasputin in a few more hours.  Needless to say, all of this witch talk might be disturbing to some.  Well, fear not!  Today’s scene that I love is for you!

Book Review: Rapture by Thomas Tessier


Like 666, Rapture is a novel that I read after coming across the cover in Grady Hendrix’s Paperbacks From Hell….

“Ah!” you’re saying, “so this is all Grady Hendrix’s fault!”

Well, kind of but not really.  Unlike 666, Rapture was actually a well-written and legitimately frightening book.  I mean, I probably wouldn’t have ever heard of this book if it wasn’t in Paperbacks from Hell but it’s not like anyone owes me an apology for inspiring me to read it or anything.

Anyway, Rapture deals with a guy named Jeff.  Jeff grew up in Connecticut but then he left for California, where he made a fortune in computers and suffered through one bad marriage.  Now, he’s nearly 40 and he can’t escape the feeling that maybe something is missing from his life.

When Jeff’s father dies, Jeff returns to Connecticut and accidentally on purpose runs into Georgianne.  Jeff grew up with Georgianne.  They were best friends in high school but they were never more than friends.  Now, years later, Jeff thinks that was a missed opportunity.  In fact, he soon convinces himself that he and Georgianne were meant to be together.  The only problem is that Georgianne is happily married and has a teenage daughter, Bonnie.  In fact, as Jeff observers, Bonnie looks almost exactly the same way that her mother did at that age….

It looks like Jeff is going to have to murder a few people if he wants to find true love.  Jeff turns out to be surprisingly skilled when it comes to killing people.  Either that or the police are just totally incompetent.  (Rapture was written in 1987, which might explain some of Jeff’s success.  If it was written today, DNA, texting, and social media would have rendered the entire story implausible.)  But is Jeff really as clever as he thinks he is?

While I was reading Rapture, I kept thinking that it would make a good Lifetime miniseries.  (I then checked the imdb and I discovered that Rapture apparently was turned into a made-for-TV movie in 1991.)  It’s a shamelessly sordid little tale, one that is all the more disturbing because Thomas Tessier tells almost the entire story from Jeff’s twisted point of view.  Though Tessier wisely resists the temptation to use a first person narrator, he still puts you in the head of a madman.  It’s more than a little icky.  At the same time, it’s undeniably effective and creepy.

In fact, I would say that it’s time for Lifetime to remake Rapture.  Pair it up with the latest episode of YOU.  It’ll be great, I promise!

Italian Horror Showcase: The Long Hair of Death (dir by Antonio Margheriti)


This 1964 Italian horror film takes place in a feudal village in the 15th century.  It’s a time of fear, corruption, and ignorance, which is a dangerous combination.  The village is ruled over by the corrupt Count Humboldt (Giulliano Raffaelli).  With his villagers panicking about every day problems like poor crops, banditry, and disease, the Count understand that the best thing to do is just blame it all on a witch.  Of course, it doesn’t do much good to blame a witch unless you also burn her and that’s exactly what the count decides to do Adele Karnstein.  When Adele’s daughter, Helen (Barbara Steele), goes to the castle to make an appeal for her mother’s life, the Count responds by raping her and then tossing her over the edge of a cliff.

Adele’s other daughter, Lisabeth (Halina Zalewska), is adopted by the Count and grows up in his castle.  Eventually she is married off to the count’s evil and greedy nephew, Kurt (George Ardisson).  Knowing fully well what Kurt’s family did to her mother and her sister, Lisabeth is not all happy about the arrangement but what can she do?  She has absolutely no one to help her.

And then, one night, lightning strikes Helen’s grave.  Not only does the grave fly open but Helen is now suddenly walking around the village and heading for the castle.  Except, of course, she is now calling herself Mary.  When Mary arrives at the castle, Kurt is immediately taken with her, so much so that he starts to plot the murder of Lisabeth.  However, is it possible that this is all a part of Mary’s plan?

Meanwhile, the black plague has once again struck the village and again, the villagers are starting to demand a sacrifice….

Obviously, the main reason to see The Long Hair of Death is for Barbara Steele’s performance in the dual roles of Helen and Mary.  In the early 60, Steele appeared in several Italian gothics and she almost inevitably always seemed to play a character who, after being unjustly killed by a member of the upper class, returned from the dead to get revenge.  (This was a template that was set down by her best-known Italian film, Mario Bava’s Black Sunday.)  While I’ve read that it’s a role that Steele got tired of playing, that doesn’t change the fact that she was very good at it.  Steele’s characters always returned to punish the men who had previously used and abused her, which is one reason why her performances remain popular to this day.

That’s certainly the case with The Long Hair of Death, in which the entire film is basically leading up to Kurt being punished for both his sins and the sins of his uncle.  George Ardisson gives a wonderful performance as Kurt, effortlessly going from arrogant and lecherous to terrified and helpless without missing a beat.  Director Antonio Margheriti plays up the story’s gothic atmosphere, giving the film an occasionally dream-like feel.  He emphasizes not just the villainy of the Humboldts but also the superstition of the villagers, making clear that evil cannot prosper without ignorance.

The Long Hair of Death is hardly perfect.  The middle part of the film drags and the low-budget is occasionally a hindrance.  (The village often looks like it’s made out of cardboard.)  But the film comes alive whenever Barbara Steele is on-screen and the ending is a brilliantly macabre.  Lovers of Italian gothic horror will find much to appreciate about The Long Hair of Death.

4 Shots From 4 Witchy Films: Burn, Witch, Burn, Season of The Witch, The Craft, Maleficent


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we celebrate witches everywhere with….

4 Shots From 4 Witchy Films

Burn, Witch, Burn (1962, dir by Sidney Hayers)

Season of the Witch (1973, dir by George Romero)

The Craft (1996, dir by Andrew Fleming)

Maleficent (2014, dir by Robert Stromberg)

Horror Film Review: From Within (dir by Phedon Papamichael Jr.)


Strange things are happening in Grovetown, Maryland.

Sitting out on the dock, Sean (Shiloh Fernandez) reads from a book while his girlfriend, Natalie (Rumer Willis), waits.  After he finishes reading, he promptly shoots himself in the head.

Natalie staggers back to her father’s dress shop and says that someone is following her.  She then ducks into a backroom and stabs herself in the neck with a pair of scissors.

The next day, Natalie father (Jared Harris) hangs himself in the back of his shop.

And the deaths continue, one after another.  One girl crashes her car while screaming that someone is following her.  Another cuts her wrists on a broken window.  A recovering alcoholic drinks drain cleaner….

Normally, all of this death would be a cause for panic (or, at the very least, a sudden surge of people moving out of town) but the citizens of Grovetown are all confident in their ability to survive.  That’s because almost all of them are members of the same megachurch, led by the charismatic Pastor Joe (Steven Culp).  They believe that the deaths are the results of witch’s curse.  Perhaps all they have to do is kill the witch’s descendants….

Now, the witch’s son, Aidan (Thomas Dekker), is willing to admit that yes, it’s possible that his mother put a curse the town.  And it’s also possible that it was the suicide of his brother Sean that unlocked the curse and activated all of the deaths.  But Aidan still swears that it’s the townspeople themselves who are choosing to commit suicide.  If anything, the curse is just pushing them toward the inevitable….

Of course, complicating things is the fact that Aidan has kind of fallen in love with Lindsay (Elizabeth Rice) and Lindsay is dating Dylan (Kelly Blatz), the fanatical son of Pastor Joe.  Aidan and Lindsay think that they may have found a way to stop the curse but Dylan is more interested in just killing Aidan.  Working with Dylan is a white trash pyromaniac named Roy (Adam Goldberg) and you really haven’t lived until you’ve seen Adam Goldberg play a white trash pyromaniac.

Anyway, From Within is a film about which I have mixed feelings.  On the one hand, the film is full of creepy moments.  On the other hand, it keeps getting bogged down in its attempt to say something meaningful about religious fanaticism.  I mean, we know that Pastor Joe, Dylan, and Roy are all bad news as soon as they start talking about how religious they are because this is a movie and religious people are always evil hypocrites in movies.  At times, this movie comes across as if it thinks it’s the first movie to ever suggest that maybe not all religious people are as perfect as they claim.

Far more effective are the scenes involving the curse.  Whenever someone falls victim to the curse, they find themselves being chased by their own doppelgänger, which leads to some incredibly creepy moments.  (When the doppelgänger appeared in a mirror and compelled one woman to drink bleach, it totally freaked me out.)  These scenes reminded me a bit of It Follows, though it’s important to note that From Within was released in 2008, seven years before It Follows.

From Within is an uneven film, a bit frustrating in its pretensions but undeniably effective in its scares.

Horror on the Lens: What Waits Below (dir by Don Sharp)


What waits below?

Find out in today’s horror on the lens!

First released in 1984, What Waits Below is a film about a bunch of soldiers and explorers that make the mistake of exploring a cave system in Central America.  Needless to say, they’re not alone in that cave!

This film, to be honest, starts a bit slow but things do pick up once they get underground.  Included in the cast is Richard Johnson, who all good horror fans remember for his role as Dr. Menard in Lucio Fulci’s Zombi 2.

Enjoy!

Horror On TV: Thriller 1.28 — Yours Truly, Jack The Ripper (dir by Ray Milland)


Since I reviewed Robert Bloch’s novel, The Night of the Ripper, earlier today, it seems only appropriate that tonight’s excursion into televised horror should be based on another Robert Bloch story about Jack the Ripper!

Yours Truly, Jack The Ripper is a classic episode of the 60s anthology series, Thiller.  This episode aired on April 11th, 1961 and it was directed by the Oscar-winning actor, Ray Milland!

Enjoy!

 

The TSL’s Horror Grindhouse: Bits and Pieces (dir by Leland Thomas)


You’re sitting down and you’re watching the 1985 slasher film Bits and Pieces on YouTube.

“The Bits and Pieces Murderer has struck again!” a television news reporter solemnly intones after a homeless woman finds a dismembered body in a trash bag.

Meanwhile, in a dark bedroom, a phone rings and wakes up Lt. Carter (Brian Burt), a balding man with a mustache.  He answers it and is told that the murderer has struck again.  “SHIT!” he yells….

A few blocks away, a sweaty man named Arthur (S.E. Zygmont) sits in a filthy basement, surrounded by plastic mannequin heads, half-eaten breakfasts, and flies.  He hears a voice telling him to kill and he says, “Yes, mommy…”

Down the street, in a club that appears to be populated largely by elderly woman, the world’s greasiest male strippers perform while a deathless song plays in the background.  Do you want/want my body/do you like it like that....

The next morning, college student Rosie Talbot (Suzanne Snyder) tells her mother about the strip club.  “I was surprised by the wide variety of the routines,” she says as her mom nods along.  Rosie says she never would have had the courage to go to the club if not for her best friend, Tanya (Sheila Lussier).  However, for some reason, Tanya is not answering her phone….

That night, Arthur has flashbacks to being abused by his mother so he kills again.  When the latest body is found, Lt. Carter receives that call.  “SHIT!” Lt. Carter yells….

The next morning, Rosie looks at the newspaper and sees a drawing of the girl who was found in the trash bag and she immediately screams because it looks just like Tanya!  She meets Lt. Carter who asks her if Tanya had any strange sexual proclivities.  “What type of sexist question is that!?” Rosie shouts….

Later, Rosie walks through a strip mall and runs into her friend Jennifer (Tally Chanel).  Rosie tells Jennifer about Tanya but then mentions that she did meet a really handsome policeman and that’s been the only good thing about her day.  “That sounds promising!” Jennifer says….

Meanwhile, Arthur lurks behind them, unnoticed despite his unwashed hair, his skinny black tie, and the look on his face that practically screams, “I am a psychopathic murderer and I’m stalking you.”  A random man bumps into Arthur and Arthur falls to the ground.  “Watch it, apple ass,” the man snaps….

A few hours later and Lt. Carter calls Rosie at home.  Carter tells her that this is a social call.  Would she like to spend the day at the beach with him?  That seems like a great way to forget about all the dead people who are piling up around the city.  “I’m really looking forward to it!” Rosie says….

Meanwhile, Arthur flashes back to his mother’s boyfriend forcing him to put on lipstick….

And so it goes.

There’s actually a pretty charming little story about this film.  It was told by a student who had just completed a film class.  On the last day of class, the professor announced that he was going to show the class an example of how “not to make a good movie.”  The movie that he showed was Bits and Pieces and the professor was the also the film’s director.  (For the record, the director also appears in the film, as the guy who calls Arthur an apple ass.)

Bits and Pieces may be a bad movie but it’s so amazingly inept that it becomes oddly fascinating.  The night scenes were clearly filmed at night, meaning that it’s often next to impossible to see what anyone’s actually doing for at least 10% of the movie.  In the role of Arthur, S.E. Zygmont gives a performance that’s so over-the-top that it bring to mind the “Egyptian feast” scene in Herschell Gordon Lewis’s Blood Feast.  (“You waaaaaaant to plaaaaaay….” Arthur hisses, at one point.)  As well, I don’t know if there’s many other movies out there that mix scenes of brutal murder with scenes of a middle-aged police detective and a young college student happily frolicking on the beach.  I guess brutal murder and intense emotional pain brings out the romantic side in some people.  The fact that the blood and gore looks real while everything else feels fake gives the film a strangely surreal feel.

Bits and Pieces is currently on YouTube, proving that even inept movies will live forever.

Corey Feldman Goes To College: Voodoo (1995, directed by Rene Eram)


Andy Chadway (Corey Feldman) is an aspiring writer who is attending college in the UK.  When he meets Rebecca (Diane Nadeau), he is so smitten with her that he transfers to a school back in the States so that he can be near her.  Of course, Andy doesn’t bother to tell her ahead of time so, when he arrives at his new school, he’s shocked to discover that Rebecca doesn’t seem to be happy to see him and that, since she lives in a sorority house, he can’t stay with her.

Desperately needing a place to live, Andy checks out the local fraternities but he discovers that there’s only one frat that is willing to take him.  It’s the worst frat on campus, a collection of weirdos led by Cassian Marsh (Joel J. Edwards).  Andy joins anyway but soon discovers that the frat is actually a voodoo cult that is more interested in human sacrifice than raging keggers.

Corey Feldman made a huge number of strange movies in the 90s.  They were all released straight-to-video and almost all of them featured Feldman trying to get away from his teen idol image.  In Voodoo, Feldman battles zombies and voodoo priests and Corey Haim is nowhere to be seen.  Feldman is actually not bad in Voodoo.  He’s always been a better actor than he’s given credit for but he also brings so much personal baggage to every role that it’s impossible to see him as being anyone other than Corey Feldman.  That is definitely the case with Voodoo.

The premise of Voodoo is an interesting one and it had a lot of potential.  The film deserves credit for taking its plot seriously and there is one good sequence where Marsh uses mind control to destroy a rival fraternity.  However, Voodoo has too many scenes that seem like filler and it never fully explores its premise.

Keep an eye out, however, for Jack Nance.  One of the original members of David Lynch’s stock company, Nance played the title role in Eraserhead and also played Pete Martell on Twin Peaks.  Nance plays the father of a former member of the fraternity and he’s the one who warns Andy to be weary of Marsh.  Nance and Feldman previously co-starred in Meatballs 4 and Nance’s eccentric presence livens up their scenes in Voodoo.  This was one of Nance’s final roles before his untimely death in 1996.