Horror on the Lens: Dementia 13 (dir by Francis Ford Coppola)


(I originally shared this film back in 2011, 2019, 2022, and 2023 — can you believe we’ve been doing this for that long? — but the YouTube upload keeps getting taken down!  So, I’m resharing it today!)

For today’s excursion into the world of public domain horror, I offer up the film debut of Francis Ford Coppola.  Before Coppola directed the Godfather and Apocalypse Now, he directed a low-budget, black-and-white thriller that was called Dementia 13.  In a possible sign of things to come, producer Roger Corman and Coppola ended up disagreeing on the film’s final cut and Corman reportedly brought in director Jack Hill to film and, in some cases, re-film additional scenes.

Regardless of whether the credit should go to Coppola, Corman, or Hill, Dementia 13 is a brutally effective little film that is full of moody photography and which clearly served as an influence on the slasher films that would follow it in the future.  Speaking of influence, Dementia 13 itself is obviously influenced by the Italian giallo films that, in 1963, were just now starting to make their way into the drive-ins and grindhouses of America.

Speaking of giallo films, keep an eye out for Patrick Magee, who gave a memorable performance in Lucio Fulci’s The Black Cat.  Luana Anders, who plays the duplicitous wife in this film, showed up in just about every other exploitation film made in the 60s and yes, the scene where she’s swimming freaks me out to no end.  Other films featuring Luana Anders include Night Tide and Easy Rider, in which she played one of the hippies who unsuccessfully enticed Peter Fonda and Dennis Hopper to stay at the commune.

As for Francis Ford Coppola, well, he’s gone on to have quite a career, hasn’t he?  It’s been quite a journey from Dementia 13 to Megalopolis!

Horror on the Lens: The Terror (dir by Roger Corman, Francis Ford Coppola, Jack Hill, Monte Hellman, Dennis Jakob, and Jack Nicholson)


Have you ever woken up and thought to yourself, “I’d love to see a movie where a youngish Jack Nicholson played a French soldier who, while searching for a mysterious woman, comes across a castle that’s inhabited by both Dick Miller and Boris Karloff?”

Of course you have!  Who hasn’t?

Well, fortunately, it’s YouTube to the rescue.  In Roger Corman’s 1963 film The Terror, Jack Nicholson is the least believable 19th century French soldier ever.  However, it’s still interesting to watch him before he became a cinematic icon.  (Judging from his performance here and in Cry Baby Killer, Jack was not a natural-born actor.)  Boris Karloff is, as usual, great and familiar Corman actor Dick Miller gets a much larger role than usual.  Pay attention to the actress playing the mysterious woman.  That’s Sandra Knight who, at the time of filming, was married to Jack Nicholson.

Reportedly, The Terror was one of those films that Corman made because he still had the sets from his much more acclaimed film version of The Raven.  The script was never finished, the story was made up as filming moved alone, and no less than five directors shot different parts of this 81 minute movie.  Among the directors: Roger Corman, Jack Hill, Monte Hellman, Francis Ford Coppola, and even Jack Nicholson himself!  Perhaps not surprisingly, the final film is a total mess but it does have some historical value.

(In typical Corman fashion, scenes from The Terror were later used in the 1968 film, Targets.)

Check out The Terror below!

Megalopolis Trailer, Dir. Francis Ford Coppola Review by Case Wright


ALERT! They took down their whiny trailer because all those bad reviews from Christmas Past were FAKE! Francis listen, I get it- everyone likes attention or whatever, but you playing the I’m so Put-Upon card is really really really ANNOYING! Cut it out! Paisan, you’ve had a great career and made BANK- BE HAPPY.

Welcome all, I’m going to review the “Megalopolis” trailer and just so you know – this was directed by a GENIUS. Really, that’s in the trailer and not just for a little while; they give a middle-finger to anyone who didn’t like a Coppola film for a solid 44 seconds! If you don’t think this movie is genius, too bad moron- it’s awesome, you’re a filthy plebe!

From what I can glean from the trailer, Cesar Catilina (Adam Driver) is tired of New York decadence; so, he wants to make a new city that’s way fancier and weirder. I’ve played Sim City before; so, maybe it’s got like a lot of happy faces when the plumbing works and sad faces if there’s not enough power? Without question, that was a fun game and if you didn’t enjoy it – you are part of the great unwashed!

This trailer has A LOT of scowling. Cesar Catilina scowls A LOT in the trailer and no one can scowl like Adam Driver. He was born to scowl!!!! Cesar appears to be a magical city planner who wants to make a better city that is vaguely or overtly communist- it is difficult to discern. If it’s anything like real communism, Francis will like it a lot theoretically without any consequences.

I have the distinct impression that this movie is more like a painting; it is visually stunning but with no plot. If you don’t like the film, remember you’re a petite bourgeois rube who brushes his teeth with his fingers. This film seems like “The Darjeeling Limited”- really pretty and Jason Schwatzman was in that film too and it revolved around finding good … tea??? I originally wrote it as “The Darjeeling UNLIMITED” now that would’ve been a film- Think of all the tea we could’ve watched them drink! Remember kids, you only rent Darjeeling Tea!!!

If you want a film where if you say you liked it, you’re 12% more sophisticated- “Megalopolis” is for you! For me, after this trailer, I think I’m going watch something with Dwayne “THE ROCK” Johnson in it. Maybe he’ll do a “Rampage 2”?

In conclusion, this film is GENIUS and the director is a GENIUS and if you don’t think so, I’m going to register you as a pederast and put garbage on your lawn!

Scenes That I Love: Vito and Michael In The Godfather With Dialogue By Robert Towne


Yesterday, it was announced that the legendary screenwriter Robert Towne had passed away.  One of the premier talents of Hollywood’s second Golden Age, Towne was rightly remembered as the man who wrote the intelligent and challenging scripts for films like Chinatown, The Last Detail, and Shampoo.

Towne was also a well-known script doctor, one whose work was not always credited but which always contributed to the overall quality of the films to which he contributed.  In 1971, when Francis Ford Coppola realized that he needed a scene for The Godfather that would allow Vito to open up to his son and successor, Michael, Robert Towne was the man who wrote the scene.  The result was one of the best moments in a film that is full of great dialogue.

Here’s The Long-Awaited Trailer For Megalopolis!


The Cannes Film Festival opens today.  One of the most anticipated films on this year’s program is Francis Ford Coppola’s Megalopolis, a long-time passion project from Coppola that the studios apparently judged to be unsellable.

I have to admit that, from what I heard about the film, I was a bit skeptical about it.  But, earlier today, I saw the trailer and I’ll just say that it won me over.  The visuals, the humor, the fact that Coppola seems to be aware that his film is vision is a bit over the top, all of them fill me with a new-found hope for this film.

Here’s the trailer for Megalopolis!

Here Is The Official Cannes Lineup!


The lineup for the Cannes Film Festival has been announced.  After a rather subdued Sundance, film lovers like me are desperately looking to Cannes to add some excitement to 2024.  Considering that Cannes is going to see the premiere of new films from Francis Ford Coppola, Paul Schrader, Sean Baker, Kevin Costner, Andrea Arnold, George Miller, David Cronenberg, and Yorgos Lanthimos, it might do just that!

In the past, Cannes has always been hit-and-miss when it comes to the Oscars.  But lately, films like The Zone of Interest, Parasite, and The Tree of Life have followed success at Cannes with success with the Academy.

With that in mind, here’s the lineup.  If you’re going to Cannes in May, you’re going to have a good time!

Full lineup of the 2024 Cannes film festival.

The Second Act Quentin Dupieux (Opening Film) (Out of Competition)

Competition

L’Amour Ouf Gilles Lellouche

All We Imagine As Light Payal Kapadia

Anora Sean Baker

The Apprentice Ali Abbasi

Bird Andrea Arnold

Caught by the Tides Jia Zhangke

Emilia Perez Jacques Audiard

The Girl With the Needle Magnus von Horn

Grand Tour Miguel Gomes

Limonov: The Ballad Kirill Serebrennikov

Marcello Mio Christophe Honoré

Megalopolis Francis Ford Coppola

Motel Destino Karim Ainouz

Oh Canada Paul Schrader

Parthenope Paolo Sorrentino

The Shrouds David Cronenberg

The Substance Coralie Fargeat

Wild Diamond Agathe Riedinger

Kinds of Kindness Yorgos Lanthimos

Out of Competition

Furiosa: A Mad Max Saga George Miller

Horizon, an American Saga Kevin Costner

Rumours Evan Johnson, Galen Johnson, Guy Maddin

She’s Got No Name Chan Peter Ho-Sun

Un Certain Regard

Armand Halfdan Ullmann Tondel

Black Dog Guan Hu

The Damned Roberto Minervini

L’Histoire de Souleymane Boris Lojkine

My Sunshine Boku No Ohisama

Norah Tawik Alzaidi

On Becoming a Guinea Fowl Rungano Nyoni

Le Royaume Julien Colonna

Santosh Sandhya Suri

September Says Ariane Labed

The Shameless Konstantin Bojanov

Viet and Nam Truong Minh Quý

The Village Next to Paradise Mo Harawe

Vingt Deux! Louise Courvoisier

Who Let the Dogs Bite? Laetitia Dosch

Midnight Screenings

The Balconettes Noémie Merlant

I, The Executioner Seung Wan Ryoo

The Surfer Lorcan Finnegan

Twilight of the Warrior Walled In Soi Cheang

Cannes Premiere

C’est Pas Moi Leos Carax

Everybody Loves Touda Nabil Ayouch

The Matching Bang Emmanuel Courcol

Misericorde Alain Guiraudie

Rendez-Vous Avec Pol Pot Rithy Panh

Le Roman de Jim Arnaud Larrieu, Jean-Marie Larrieu

Special Screenings

Apprendre Claire Simon

La Belle de Gaza Yolande Zauberman

Ernest Cole, Lost and Found Raoul Peck

Le Fil Daniel Auteuil

The Invasion Sergei Loznitsa

Scenes That I Love: Harry’s Nightmare from The Conversation


1974 was a very good year for Francis Ford Coppola.  Not only did he direct the Oscar-winning Godfather Part II but he also directed another film that was nominated for Best Picture, an intense study of paranoia called The Conversation

Today’s scene that I love comes from The Conversation.  Surveillance expert Harry Caul (Gene Hackman, giving one of his best performances) fears that his work may lead to murder.  In this scene, he has a nightmare in which he tries, in vain, to talk to one of the people who he has been surveilling.  This scene perfectly captures the horrific logic and helpless feeling of a nightmare.  Harry, who is not the most open or emotional of men, can only be his true self in his dreams.

4 Shots From 4 Films: Special Francis Ford Coppola Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today is Francis Ford Coppola’s birthday! Coppola is a bit of a controversial figure among some film scholars. While everyone agrees that, with the first two Godfathers, he directed two of the greatest films of all time (and some people would include Apocalypse Now on that list as well) and that he was one of the most important directors of the 70s, his post-Apocalypse Now career is often held up as a cautionary tale. Some say that Coppola’s career suffered because of his own excessive behavior and spending. Others argue that he was treated unfairly by a film industry that resented his refusal to compromise his vision and ambitions. Personally, my natural instinct is to always side with the artist over the executives and that’s certainly the case with Coppola. Coppola has only completed four films since the start of this current century and three of them were not widely released. Say what you will about the films themselves, that still doesn’t seem right. This year will bring us a new Coppola film, Megapolis. I know that we’re all hoping the best.

Regardless of how one views his latter career, Coppola is responsible for some of the best and most important films ever made. And today, on his birthday, it’s time for….

4 Shots From 4 Francis Ford Coppola Films

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)
The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler)
The Godfather, Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)
Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)

4 Shots From 4 Films: Special Marlon Brando Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

One hundred years ago and on this date, Marlon Brando was born in Omaha, Nebraska.  One of the greatest of American actors and one of the main reasons why so many young actors became enamored with the Method, Marlon Brando played many roles in our culture.  When he was young, he was a Broadway bad boy.  When he went out to Hollywood, he became a legitimate movie star.  In the 60s, he was a cautionary tale as his career suffered a series of notorious flops.  In the 70s, he made a comeback and, in during the final years of his career, he was as known for his eccentricities as for his talent.  It’s a shame that those eccentricities overshadowed Brando as an actor.  When he wanted to be, he was one of the best to ever appear on stage or in the movies.

In honor of the wonderful, tragic, and talented Marlon Brando, it’s time for….

4 Shots From 4 Marlon Brando Films

A Streetcar Named Desire (1951, dir by Elia Kazan, DP: Harry Stradling)

On The Waterfront (1954, dir by Elia Kazan, DP: Boris Kaufman)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

Apocalypse Now (1979, dir by Francis Ford Coppola, DP: Vittorio Storaro)

6 Shots From 6 Best Picture Winners: The 1970s


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, I’m using this feature to take a look at the history of the Academy Award for Best Picture.  Decade by decade, I’m going to highlight my picks for best of the winning films.  To start with, here are 6 shots from 6 Films that won Best Picture during the 1970s!  Here are….

6 Shots From 6 Best Picture Winners: The 1970s

The French Connection (1971, dir by William Friedkin, DP: Owen Roizman)

The Godfather (1972, dir by Francis Ford Coppola, DP: Gordon Willis)

The Godfather Part II (dir by Francis Ford Coppola, DP: Gordon Willis)

One Flew Over The Cuckoo’s Nest (1975, dir by Milos Forman, DP: Haskell Wexler and Bill Butler)

Rocky (1976, dir by John G. Avildsen, DP: James Crabe)

The Deer Hunter (1978, dir by Michael Cimino, DP: Vilmos Zsigmond)