Lisa Marie’s Week In Television: 10/17/21 — 10/23/21

Posted on October 23, 2021 by Lisa Marie Bowman

Here’s a few thoughts on what I watched this week!

(How’s that for a detailed intro?)

Allo Allo (Sunday Night, PBS)

This week, yet another attempt to smuggle the British airmen out of France failed. As usual, the plan was too complicated to succeed and the British airmen themselves remained cheerfully oblivious to the danger that they’re putting everyone else into. (“I say,” one of them said after missing his chance to get smuggled out on a fish truck, “When’s the next fish truck?”) This episode’s highlight was Crabtree getting to speak perfect English to all of the British airmen who had gathered in Rene’s Cafe before then switching back to his usual mangled French to speak with Rene. Episodes of Allo Allo are not particularly easy to describe but they almost always make me laugh.

The Bachelorette (Tuesday Night, ABC)

I don’t know. Going straight from one season of the Bachelorette to Bachelor in Paradise to another season of the Bachelorette is a little bit too much. It works better when there’s some downtime between the seasons. I have to admit that I was pretty bored with the premiere of the new season. I mean, the first episode wasn’t even over and already, I was having to listen to all of that crap about whether or not the men were there for “the right reasons.” The whole thing with Ryan getting kicked off the show felt very staged and pre-planned and Michelle seems like she’ll be canceling a lot of cocktail parties to get right to kicking people off the show. I think I’ve just been oversturated with this dumb show for the past few months.

Baywatch (Friday Afternoon, H&I)

H&I has changed up their schedule. Instead of daily showing of Baywatch, they now air a five-hour block on Fridays. I watched two episodes. They were both from the 2nd season and I remembered them both from when I binged the show a few months ago. The first episode featured Eddie trying to clear his name after being accused of assaulting a teenager. The 2nd was yet another episode where a mysterious woman stayed with Mitch while someone with a gun hunted for her. This seemed to happen quite frequently to Mitch but he never commented on either the strangeness or the familiarity of it all.

The Brady Bunch (Sunday Afternoon, MeTV)

I watched three episodes on Sunday while working on my Cry Macho review. The Brady kids were so self-centered that Alice quit. Greg conspired to make Marcia the head cheerleader. Marcia fell in love with a much older dentist and decided she was too mature to go on a date with a classmate. The Bradys were the worst.

Court Cam (Wednesday Evening, A&E)

I watched two episodes when I got home from work on Wednesday. One episode featured a loser who was arrested several times for pretending to be a traffic cop. Maybe he wanted to get on Parking Wars. Regardless of his motivation, everyone he stopped could tell he wasn’t a cop and no one treated him with the respect that he very loudly demanded. That was kind of fun to watch.

Day of the Dead (Friday Night, SyFy)

I finally watched last week’s premiere on Thursday and I reviewed it for the site.

Fear the Walking Dead (Sunday Night, AMC)

I reviewed the season premiere here!

Friday the 13th: The Series (YouTube)

Once Horrorthon is over and I have the time, I’m going to go back and binge this entire series.

Hunter (Weekday Mornings, ZLiving)

I watched two episodes of this surprisingly violent 80s cop show on Friday. I was also working at the time so the show mostly served as background noise. (I find having the TV on helps me to focus, oddly enough.) From what I did see, it seemed like an awful lot of people ended up getting shot. In fact, Hunter’s main personality trait appears to be that he’ll shoot anyone. (The second episode featured Hunter blowing away a psycho motorcyclist played by Don Swayze.) One thing I will say about the show, though, is that I love the propulsive music that plays over the opening credits.

King of the Hill (Weekday Afternoons, FXX)

I watched two episodes of Tuesday. In the first one, Bobby became a peer counselor and quickly started to abuse his position. This is actually one of my favorite episodes, even though Bobby definitely owed Stacy an apology. The highlight of the episode was Stacy singing, “I’m your Stacy in a bottle.” The second episode featured Hank visiting the Platter Ranch in Montana and discovering that Henry Winkler was refusing to allow the ranchers to herd their cattle across his land. Yes, that Henry Winkler.

The Office (Saturday afternoon, Comedy Central)

I watched some classic episodes from season 5. Dwight and Michael conducted corporate espionage against Prince Family Paper. Pam and Michael hit the lecture circuit. Stanley had a heart attack. Michael’s golden ticket promotion blew up in his face. I always say that this show started to go downhill after the third season but Season 5 was actually pretty good.

Open All Hours (Sunday Night, PBS)

This week’s episode was actually kind of charming, as it featured Granville dancing in the rain while holding a mop. For a second, it seemed like Granville might be something other than incredibly depressed. It didn’t last long but it was still good to see him vaguely smile. Of course, once the rain stopped, it was time to go back to plotting Arkwright’s death.

Saved By The Bell (Sunday Morning, MeTV)

I watched two episodes on Sunday morning. The first one featured Zack launching a hostile takeover of the student store and then secretly photographing all of the girls for a calendar. That was kind of icky but at least Kelly got a modeling career out of it. She even went to Paris, something that was never mentioned in subsequent episodes. This was followed by the infamous Running Zack episode, in which Zack learned he was Native American and Jessie demanded that Lisa forgive her for being from a family of slave traders. The important thing is that Zack was able to compete at the track meet. So cringey!

Silk Stalkings (Weekday Afternoons, ZLiving)

Agck! Where are Chris and Rita!? It’s been over a month since I last caught any episodes of this 90s cop show. I watched two episodes on Friday and Rob Estes and Mitzi Kapture were gone! Apparently, they left the show and were replaced by two other cops who had the exact same backstory as Chris and Rita. What a coincidence! Anyway, the show still featured the same mix of murder, sex, and attractive people getting undressed but these new detectives just didn’t have the same chemistry.

That said, both of Friday’s episodes were enjoyably sordid, featuring a lot of sem-clad, attractive rich people doing a lot of very bad things. It was fun! I may have to start binging this show.

Survivor (Wednesday Night, CBS)

I wrote about the latest episode of Survivor here!

Talking Dead (Sunday Night, AMC)

This week’s episode was a bit by-the-numbers. Even Chris Hardwick seemed to be struggling to pretend to be interested in either Fear the Walking Dead or Walking Dead: World Beyond, which was odd since both of those shows were fairly good this week.

Walking Dead: The World Beyond (Sunday Night, AMC)

This week’s episode was actually pretty good. It still feels like Christopher Pike’s The Walking Dead (or maybe Saved By The Dead) but this week’s episode actually did a good job of capturing the contrast between wanting to be a teenager while, at the same time, having to survive in a world that leaves you with little time to actually grow up.

Horror TV Show Review: Day Of The Dead 1.1 “The Thing In The Hole” (dir by Steven Kostanski)

Posted on October 21, 2021 by Lisa Marie Bowman

First off, you may be looking at this review and thinking, “Someone’s a little late.”

Yes, I am. Thank you for pointing that out. I’m sure you’ve never had a busy week either.

That said, despite the fact that you shouldn’t have pointed it out, it is true that Day of the Dead premiered last Friday and it was only today that I finally got around to watching it on the DVR. That wasn’t necessarily intentional on my part. I just haven’t had a chance to sit down and really watch it or any other shows until tonight. In fact, ever since I first saw the commercials for the show on SyFy, I’ve been looking forward to watching it. Even though it looked like yet another Walking Dead rip-off, the fact that it was on SyFy held some promise as SyFy’s shows usually move quickly and feature lots of carnage. If AMC always seems as if it’s trying too hard to turn its zombie franchise into a prestige factory, SyFy promises the opposite approach.

The show is named after George Romero’s Day of the Dead, which featured a group of survivors trying to ride out the zombie apocalypse in an underground bunker. While the first episode did feature zombies and an anti-fracking plotline that felt like it could have come from one of Romero’s later films, it otherwise didn’t have much in common with Romero’s classic shocker. The zombie apocalypse did start about halfway through the episode and apparently the show is going to focus on a group of people trying to survive the end of the world but, during the first episode, there was no bunker. There was no Dr. Logan. No one shouted “Choke on them” while his intestines were being devoured. There was, however, some underground scenes due to the whole fracing subplot and there is a sinister character named Rhodes so I imagine we’ll be heading for some sort of underground bunker soon. I guess we’ll find out over the course of the next few episodes.

After opening with an exciting flashforward the featured plenty of undead chaos, the first episode focused on election day in the town of Mawinhaken. Mayor Paula Bowman (Miranda Frigon) is concerned about getting reelected but the election is brought to halt when the dead suddenly rise up from their graves and start eating all of the voters. I got the feeling that we were meant to dislike Mayor Bowman because she’s an ambitious politician who has apparently put her career before her family but, as far as I’m concerned, Mayor Bowman was the best character on the show. No sooner have the dead arisen than she’s running around with a gun and blowing them away while saying stuff like, “Second amendment, motherfucker!” Hell yeah! Plus, she has a great name. Mayor Bowman has a nice ring to it….

(But if I was mayor, would I still have time to watch and review Lifetime films? That’s the question.)

As for the rest of the characters …. well, there’s a lot of them. Hopefully, a few of them will get eaten during the next episode because, otherwise, it’s going to be a struggle to keep everyone straight. I did like Keenan Tracy, who played Cam McDermott, the son of a police detective who mows lawns to bring in extra money. The scene where he mowed over the dead as they rose from their graves was a highlight of the episode. Otherwise, the characters felt a bit interchangeable. The only woman working on the fracking crew is former special forces. The mortuary assistant is sarcastic. There’s two bullies who like to give Cam a hard time. They all made just enough of an impression that I can remember that they’re on the show but I’d by lying if I said any of them jumped out at me the way that Mayor Bowman and Lawnmower Cam did.

Anyway, it was a good enough first episode. The action moved quickly and the zombies were gruesome without being quite as icky as the decaying corpses that pop up on The Walking Dead. So far, the Day of the Dead zombies appear to move faster than the Walking Dead zombies and that’s definitely an improvement. It’s probably debatable whether or not, at this point, there’s anything new that can be done with whole zombie apocalypse thing but I’ll definitely give Day of the Dead a chance to show me what it has in mind.

4 Shots From 4 George Romero Films: Night of the Living Dead, The Amusement Park, The Crazies, Day of the Dead

Posted on October 31, 2020 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

This October, we’ve been using 4 Shots from 4 Films to pay tribute to some of our favorite horror filmmakers! Today, we honor the father of modern horror, George Romero!

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero)

The Amusement Park (1973, dir by George Romero)

The Crazies (1973, dir by George Romero)

Day of the Dead (1985, dir by George Romero)

4 Shots From 4 Steve Miner Films: Friday the 13th Part II, House, Lake Placid, Day of the Dead

Posted on October 3, 2020 by Lisa Marie Bowman

This October, we’re using this feature to recognize and honor some of our favorite horror directors! Today, we honor the one and only Steve Miner!

4 Shots from 4 Films

Friday the 13th Part II (1981, dir by Steve Miner)

House (1985, dir by Steve Miner)

Lake Placid (1999, dir by Steve Miner)

Day of the Dead (2008, dir by Steve Miner)

16 Trailers In Honor of George Romero

Posted on July 16, 2018 by Lisa Marie Bowman

One year ago today, George Romero passed away. In honor of his memory, here’s a very special edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!

In tribute George Romero, here are the trailers for every film Romero directed. Enjoy!

Night of the Living Dead (1968)

2. There’s Always Vanilla (1971)

3. Season of the Witch (1973)

4. The Crazies (1973)

5. Martin (1978)

6. Dawn of the Dead (1978)

7. Knightriders (1981)

8. Creepshow (1982)

9. Day of the Dead (1985)

10. Monkey Shines (1988)

11. Two Evil Eyes (1990)

12. The Dark Half (1993)

13. Bruiser (2000)

14. Land of the Dead (2005)

15. Diary of the Dead (2007)

16. Survival of the Dead (2009)

Rest in peace, George Romero.

4 Shots From 4 Films: Special George Romero Edition

Posted on October 24, 2017 by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order! That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the most important names in the history of American horror cinema, George Romero!

4 Shots From 4 Films

Night of the Living Dead (1968, dir by George Romero)

Dawn of the Dead (1978, dir by George Romero)

Day of the Dead (1985, dir by George Romero)

Land of the Dead (2005, dir by George Romeo)

Review: The Walking Dead S4E04 “Indifference”

Posted on November 3, 2013 by Arleigh

“You can’t be afraid to kill.” — Carol Peletier

This week the godfather of the zombie genre was interviewed and the question of The Walking Dead was brought up. Well, it would seem that George A. Romero turned down the offer to direct a couple of episodes of The Walking Dead. His answer was that the show was really just a soap opera with the occasional zombie. His answer hasn’t sit well with fans of the show while those who have been major critics and detractors of it feel content at hearing their argument validated. Yet, it’s those very words that probably just gave the best answer as to why The Walking Dead the show continues to get huge ratings and just gain more and more fans with each new season…with each new episode.

Yes, it is a soap opera with zombies and we all know just how ridiculously popular soap operas can be when it hits a particular button with the general public. I think the writers and producers of the show know this to be true.

“Indifference” marks the fourth episode of the new season and it focuses on that very soap opera-ish aspect of the show that Romero spoke about in his interview. Yet, as the show delves more on the character interactions and conflicts with this episode it does so minus the flaws from past attempts which led to nowhere and no growth for the characters involved. Tonight’s episode explores the theme of not just the indifference which has settled on some of the survivors but also the concept of entropy which the zombie apocalypse itself has ultimately brought to the world from it’s very onset.

We see the time spent between Carol and Rick during this episode a battle of wills between two characters who become integral part of the groups survival dynamics since season 1. Yet, we see only true growth with Carol in this season. She has come a long way from the meek, silent abused housewife from season 1 to a battle-hardened leader-type who’s willing to make the difficult decision in behalf of the group. This used to be Rick’s role in the past three season, but the burden of leadership seemed to have weighed too much on this father of two. His decision during the timeskip to stop being the group’s leader and just become a farmer looks more and more like the very indifference and entropy tonight’s episode has been exploring.

Does Carol’s actions in killing both Karen and David make her out to be villain or does it just goes to show that she’s learned not to be afraid to kill if it means saving the rest of the group. She knows that what she did many wouldn’t understand, but she also knows that Karen and David were already dead and a danger to everyone. Her decision to unilaterally kill the two might have been correct when thought through logically, but Rick doesn’t see it that way. His reaction and decision to exile Carol was Rick’s emotional and attempt to hold onto the concept of humanity for the sake of Carl and Judith. Even as he drives away he understand that his decision might be wrong, but his narrow vision on trying to protect his children from calculated and logical decisions was another form of Rick’s indifference at the world as it is now and not as he wants it to be.

There’s change coming on the show’s group dynamics and we just don’t see it between Carol and Rick, but just as important between Tyreese and the rest of the scavenging group, Bob and Daryl and between Daryl and Michonne. We see Tyreese’s continue his change from the compassionate survivor who confessed to not having the stomach to killing the zombies day in and day out. His inconsolable rage from losing Karen (to a certain extent one of his last grasps in keeping his humanity) has made him a liability as he loses focus in his rage. yet, it’s this very indifference to whether he lives or dies that could become Tyreese’s ultimate wake-up call to become a better survivor in the long-run. The same couldn’t be said for Bob who we find out has already seen two groups of survivors not make it through with him being the only survivor. Just like Rick he has retreated back from trying to make things work through the very bottle he himself confessed probably killed Zach in the season’s premiere episode.

The show has improved from season to season. Season 4 looks to be more focused than seasons past. It still has some problems with having too many characters who do nothing but act as cannon fodder and/or plot devices (example Ana and Sam just for tonight’s episode). But even with the show looking like it’s just about talking and more talking it still manages to move the story forward when in the past it led things in circles. Yes, it’s this very dialogue-heavy and interpersonal conflicts that gives the show it’s soap opera label, but this season it’s this very drama that has made it very interesting on top of entertaining.

While Romero’s decision to turn down directing episodes of the show was based on this very soap opera-ish part of the show one has to remember that zombie fiction, even Romero’s very own classic films from Night of the Living Dead, Dawn of the Dead to Day of the Dead lived off of the very soap opera-like narrative and conflicts that The Waling Dead just happens to use and mine with each new episode. I don’t think the show will ever shed this part of it’s storytelling style. It’s a major appeal to the legion of fans who love and follow the show. It’s both a pro and con for the series. The question that continues to be explored with each new episode is whether Scott M. Gimple as the series’ new showrunner will be able to sustain this pace and not lose it in the end the way Mazzara did in season 3.

Notes

Tonight’s episode, “Indifference”, was directed by Tricia Brock and written by Matt Negrete.
A great cold opening with Carol doing her best warrior-mom role to make sure Lizzie doesn’t fear what needs to be done to survive. All the while this is happening we see Rick walking through the crime scene of Karen and David’s death and imagining just exactly how Carol did the deed.
Tyreese is really raging in tonight’s episode and doesn’t bode well for his long-term well-being if he continues to put the rest of the group in danger.
It looks like tonight’s episode will only use a small part of the cast which should keep irrelevant interactions to a bare minimum.
Bob confesses to having to bear witness to two previous groups of survivors he’s been a part of lose their fight against the zombies (and maybe other humans). I know that there’s been no sign of the Governor since the final episode of last season, but could Bob be talking of having been part of the Woodbury group.
We get two new redshirts in tonight’s episode with the very happy and wanting to help to a fault Ana and Sam. The story they told Rick and Carol about how they’ve survived in the housing community for so long sounds credible enough, but one could see Rick and Carol (especially Rick) not believing most of what’s being told to them.
It will be interesting to see how Rick will explain to the group in the prison (and to Daryl) just exactly what happened to Carol and whether he will tell them the truth of why she’s not with them anymore.
Talking Dead Guests: WWE wrestler Chris Jericho and Community‘s own Britta, Gillian Jacobs.

Season 4

Let’s Second Guess The Academy: Best Picture 1985

Posted on May 27, 2013 by Lisa Marie Bowman

Jonathan Pryce in Brazil

Last week, we reconsidered whether or not The Hurt Locker deserved the title of Best Picture of 2009.

This week, let’s go back to the year of my birth, 1985. According to the Motion Picture Academy, the five best films of the year were:

1) Steven Spielberg’s controversial adaptation of Alice Walker’s The Color Purple,

2) Witness, a film about a tough cop (Harrison Ford) who hides out with the Amish,

3) Kiss of the Spider Woman, one of the first independent films to ever be nominated for best picture,

4) Prizzi’s Honor, a darker than dark Mafia comedy from John Huston that starred Jack Nicholson,

and finally,

5) Out of the Africa, the film that was eventually named best picture of 1985.

Despite its victory at the Oscars, Out of Africa hasn’t aged well. If any year seems to be worthy of a little second guessing, it would certainly be 1985. If you were a member of the Academy in 1985, which nominee would you have voted for? Personally, I would have voted for Witness. How about you?

Now, here comes the fun part. Let’s say that Out of Africa wasn’t released in 1985. Let’s say that Steven Spielberg never made The Color of Purple and that Jack Nicholson refused to star in Prizzi’s Honor. Let’s say that none of the five nominated film had been eligible in 1985. Which films would you have nominated in their place?

You can vote for five of the film listed below and yes, we do accept write-ins!

(Incidentally, I voted for Brazil, The Breakfast Club, To Live and Die In L.A., The Purple Rose of Cairo, and Insignificance.)

6 Trailers of the Dead

Posted on February 18, 2012 by Lisa Marie Bowman

Hi and welcome to the latest edition of Lisa Marie’s Favorite Grindhouse and Exploitation trailers! To be honest, I’m usually way too ADD to come up with (let alone maintain) any sort of theme with my trailer posts but this weekend — almost by pure chance — a theme has emerged! So, without further hold up, let us consider 6 Trailers of the Dead!

1) Night of the Living Dead (1968)

How have I done nearly a 100 of these posts without featuring the trailer for George Romero’s landmark Night of the Living Dead?

2) The Astro-Zombies (1968)

Apparently, 1968 was a big year for the dead returning to life.

3) The Majorettes (1986)

The Majorettes was directed by the late Bill Hinzman, the guy who played the Cemetary Zombie in Night of the Living Dead.

4) Dawn of the Dead (1978)

To be honest, I think I’ve already featured this trailer in an earlier post. However, there’s no way that you can start a post with Night of the Living Dead and then end it with Day of the Dead without finding some room for Dawn of the Dead in the middle.

5) Dead Heat (1988)

Wow, this looks really, really, really … not good. However, according to Wikipedia, it’s about zombies and it’s got the word “dead” in the title so it works theme-wise.

6) Day of the Dead (1985)

I’ve watched this trailer several times and those arms still make me jump every time!

Horror Scenes I Love: Day of the Dead

Posted on October 28, 2011 by Arleigh

[spoiler]

As I sit here collecting my thoughts on my next horror film review I went over on YouTube to look at a few favorite film scenes to help inspire me. One such scene I came across remains one of my favorite horror scenes ever. In fact, I would consider this one of my favorite film scenes I have ever seen and I have seen more than what’s considered normal.

The film the latest “Scenes I Love” comes from the classic and under-appreciated Day of the Dead. This would be his third zombie film and when it first came out was considered too dark and depressing. I don’t think I would disagree with those descriptions, but that’s not to say the film wasn’t great. The film just took awhile for people to finally appreciate it’s greatness and utter grindhouse vibe.

Now onto the scene that continues to be my favorite from this film. It involves the character of Capt. Rhodes as he tries to flee fro the horde of zombies which has breached the underground haven he and his men had called home. Just like the inspiring leader he was throughout the film, Rhodes leaves his men to fend for themselves as he goes for the cache of weapons and ammo to make a run for it. What he hadn’t counted on was the arrival of one smarter-than-the-average-zombie named Bub who has a bone to pick with dear old Capt. Rhodes.

What happens once the two get to doing their stand-off still remains one of the best scenes in horror ever. What made the scene great was how Rhodes reacted to the final situation he found himself in. If I ever meet such an end I would hope I go out with such words to utter.