Horror On The Lens: Satan’s School For Girls (dir by David Lowell Rich)


For today’s horror on the lens, we have a 1973 made-for-TV movie called Satan’s School For Girls.

After her sister turns up dead, Elizabeth (Pamela Franklin) refuses to accept that official conclusion that it was a suicide.  Instead, Elizabeth is convinced that it was murder and that it has something to do with the exclusive school that her sister attended, the Salem Academy for Women.

Well, honestly, the Salem part is a dead giveaway.  I think we can all agree on that.

Anyway, this movie features a Satanic cult, an old school clique, and plenty of early of 70s fashion choices.  It may be silly but it’s also definitely entertaining.

 

Guilty Pleasure #86: The Horror at 37,000 Feet (dir by David Lowell Rich)


I imagine that it should go without saying that, if you’re on an airplane and you’re flying high above the ground, the last thing that you want to deal with is a bunch of angry ghost druids.

And yet, that’s exactly what happens in this made-for-TV horror film from 1973.

The ghost druids are upset because two architects (played by Roy Thinnes and Jane Merrow) have traveled to England, specifically so that they can supervise the deconstruction of ancient druid altar. Now, they’re flying the pieces of the altar back over the ocean so that the altar can be reconstructed in the United States. The spirits of the ancient druids aren’t happy about being moved so they start doing everything they can to make the journey difficult.

First, they attempt to freeze the plane. When that doesn’t work, they decide to rip it in half. One of the passengers, Mrs. Pinder (Tammy Grimes), suggests that maybe the druids will settle down if they’re offered a sacrifice. When the druids reject an offer of a doll, the passengers start to wonder if maybe the spirits would be happier with a human sacrifice.

Although some of the passengers are reluctant to buy into the whole sacrifice thing, a few of them do start to come around. For instance, there’s a perpetually angry businessman who is played by Buddy Ebsen. Once he realizes that the druids aren’t going anywhere, he has no problem with the idea of a human sacrifice. There’s also a cowboy played by Will Hutchins. If sacrificing a human is what he has to do to have another chance to ride the range, that’s what he’s going to do. Paul Winfield plays a distinguished doctor who tries to keep everyone calm while Chuck Connors is stuck in the cockpit, trying to keep the plane in the air while his passengers and crew debate the ethics of human sacrifice.

And then there’s William Shatner.

Shatner plays a former priest who has lost his faith. From the minute he gets on the plane, he starts drinking and he doesn’t stop for almost the entire movie. It doesn’t matter what’s happening on the plane, Shatner always has a glass in his hand. Playing a character who never has anything positive to say, Shatner smirks through the entire film. Shatner delivers all of his lines in his standard halfting and overdramatic fashion and it’s something of a wonder to behold. Shatner has said that The Horror At 37,000 Feet may be the worst movie in which he ever appeared and just one look at his filmography will show why this is such a bold statement.

The Horror at 37,000 Feet is definitely a film of its time. The plane comes complete with a swinging cocktail lounge, William Shatner wears a turtle neck, and all of the flight attendants wear boots and miniskirts. Everything about this film screams 1973. It’s an incredibly silly but undeniably fun movie. With a running time of only 73 minutes, the pace is fast and the druids don’t waste any time getting down to business. The film’s on YouTube so check it out the next time you’ve an hour and 13 minutes to kill.

Previous Guilty Pleasures

  1. Half-Baked
  2. Save The Last Dance
  3. Every Rose Has Its Thorns
  4. The Jeremy Kyle Show
  5. Invasion USA
  6. The Golden Child
  7. Final Destination 2
  8. Paparazzi
  9. The Principal
  10. The Substitute
  11. Terror In The Family
  12. Pandorum
  13. Lambada
  14. Fear
  15. Cocktail
  16. Keep Off The Grass
  17. Girls, Girls, Girls
  18. Class
  19. Tart
  20. King Kong vs. Godzilla
  21. Hawk the Slayer
  22. Battle Beyond the Stars
  23. Meridian
  24. Walk of Shame
  25. From Justin To Kelly
  26. Project Greenlight
  27. Sex Decoy: Love Stings
  28. Swimfan
  29. On the Line
  30. Wolfen
  31. Hail Caesar!
  32. It’s So Cold In The D
  33. In the Mix
  34. Healed By Grace
  35. Valley of the Dolls
  36. The Legend of Billie Jean
  37. Death Wish
  38. Shipping Wars
  39. Ghost Whisperer
  40. Parking Wars
  41. The Dead Are After Me
  42. Harper’s Island
  43. The Resurrection of Gavin Stone
  44. Paranormal State
  45. Utopia
  46. Bar Rescue
  47. The Powers of Matthew Star
  48. Spiker
  49. Heavenly Bodies
  50. Maid in Manhattan
  51. Rage and Honor
  52. Saved By The Bell 3. 21 “No Hope With Dope”
  53. Happy Gilmore
  54. Solarbabies
  55. The Dawn of Correction
  56. Once You Understand
  57. The Voyeurs 
  58. Robot Jox
  59. Teen Wolf
  60. The Running Man
  61. Double Dragon
  62. Backtrack
  63. Julie and Jack
  64. Karate Warrior
  65. Invaders From Mars
  66. Cloverfield
  67. Aerobicide 
  68. Blood Harvest
  69. Shocking Dark
  70. Face The Truth
  71. Submerged
  72. The Canyons
  73. Days of Thunder
  74. Van Helsing
  75. The Night Comes for Us
  76. Code of Silence
  77. Captain Ron
  78. Armageddon
  79. Kate’s Secret
  80. Point Break
  81. The Replacements
  82. The Shadow
  83. Meteor
  84. Last Action Hero
  85. Attack of the Killer Tomatoes

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)


Today, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet.  This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport.    What they don’t know is that celebrity is not the only thing flying across the ocean!  There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening!  Truly, it’s a horror at 37,000 feet!

This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun.  To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong?  Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen.  Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet. 

Happy October and enjoy The Horror at 37,000 Feet!

Retro Television Review: The Chadwick Family (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1974’s The Chadwick Family!  It  can be viewed on YouTube.

Who are the Chadwicks?

They’re a family living in San Francisco.  They claim to be an average middle class family but, as has apparently been typical of television since its very first broadcast day, they live in a way that can only be explained by having a good deal of wealth.

Consider this: Patriarch Ned Chadwick (Fred MacMurray) is a prominent newspaper columnist who writes so well that a mere column from him can settle a potential labor strike.  A national magazine has noticed the power of Ned’s words and they’ve offered him a job.  They want to turn him into a national figure.  The only catch is that he and his wife (Kathleen Maguire) would have to leave their beloved San Francisco and move to Chicago.  There’s no ocean in Chicago, as Ned puts it.  Sure, it would mean more money but who needs money when you’re a fabulously wealthy couple pretending to be middle class?

Moving would also mean leaving behind their children, all of whom have dramas of their own to deal with.  Tim (Stephen Nathan) is a college student, struggling to make the grade.  Lisa (Jane Actman) is engaged to Lee (Frank Michael Liu) and, for some reason, decides that it would be a good idea to tell her future mother-in-law that her desire for a long engagement is “bad chop suey.”  (Lee’s family is Chinese.)  Eileen (Lara Parker) is pregnant and her husband worries this will sabotage their support for “zero population growth.”  And Joan (Darleen Carr) is having to deal with the fact that her charismatic and fun-loving husband, Duffy (a young Barry Bostwick), is seriously ill and might even die before he can finish teaching Ned how to play the bagpipes.  Like all middle class people, Duffy owns his own airplane.

This is one of those movies that was obviously meant to serve as a pilot for a weekly television series and it’s easy to imagine Ned handing out wisdom to his kids on a weekly basis as they tried to navigate their way through the 70s.  Fred MacMurray gives off a nice grandfatherly vibe as Ned, so much so that it’s hard to believe that he’s the same actor who brought to life memorable heels in Double Indemnity, The Caine Mutiny, and The Apartment.  Unfortunately, the rest of the cast is not as memorable as MacMurray, largely because their roles are underwritten and their characters never feel like more than caricatures.  Barry Bostwick acts up a storm as Duffy but the fact that he’s listed as being a “special guest star” in the opening credits pretty much gives away his fate from the start.  As for Lisa, I usually like any character who shares my name but how much sympathy can you have for someone dumb enough to use a phrase like “bad chop suey” while speaking to her Chinese future in-laws.  Indeed, it was kind of weird how everyone in the family seemed to be totally comfortable with making jokes about Lee being Chinese and speaking with an accent.  One has to wonder how Lee felt about that.

Anyway, as far as I know, The Chadwick Family has no further adventures but their sole outing will live forever thanks to YouTube.

Retro Television Review: The Judge and Jake Wyler (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1972’s The Judge and Jake Wyler!  It  can be viewed on YouTube.

Judge Meredith (Bette Davis) is a retired criminal court judge who has developed a severe case of hypochondria.  She lives in a mansion that she never leaves.  Anyone who comes to see her must be personally vacuumed by her butler before they can be allowed to stand in her presence.  She hates people who take too long to get to the point and she also has little use for people who are rude on the phone.  She especially dislikes cigarettes and refuses to have even an unlit one in her presence.

Jake Wyler (Doug McClure) is an ex-con who is currently on supervised probation.  Despite his criminal past, he’s a likable and amiable guy and, every morning, he wakes up with a new woman in his bed.  Jake enjoys tweaking authority and he always has a pack of cigarettes on him somewhere.

Together, they solve crimes!

They actually do!  The judge is dealing with retirement by running her own detective agency, one that is exclusively staffed by people that she previously sentenced to prison.  Jake does most of the leg work as far as the agency is concerned.  The Judge calls him every morning and demands to know why he’s not working harder.  Jake would rather just sleep-in but working for the judge is a part of his parole.  She could easily send him and everyone else working for her back to prison.  This sounds like a pretty unfair situation to me and the Judge is so demanding that I think it could be argued that she’s an abusive boss.  But, because this is a pilot for a TV show and the Judge is played by Bette Davis, everyone is very loyal to her.

At the start of the film, Jake reveals to Robert Dodd (Kent Smith) that his wife, Caroline (Lisabeth Hush), has been cheating on him with Frank Morrison (Gary Conway).  When Robert is later found dead in a hospital room, the official verdict is that he committed suicide.  However, his daughter, Alicia (Joan Van Ark), claims that her father was murdered.  At first, both Jake and the Judge suspect that Alicia just wants to collect a bigger life insurance settlement but it turns out that Dodd’s beneficiary wasn’t even Alicia.  The money is going to his second wife, the one who was cheating on him.  While the Judge yells at people on the phone, Jake investigates the death of Robert Dodd.

The Judge and Jake Wyler is a mix of comedy and mystery.  Jake has a way with a quip and the majority of the suspects, including John Randolph and Eric Braeden, all have their own eccentricities.  Director David Lowell Rich does a good job of keeping the action moving and the mystery itself is actually pretty interesting.  Surprisingly, the show’s only real flaw is Bette Davis, who seems to be rather bored in the role of Judge Meredith.  Even though the character seems to have been specifically written for her trademark caustic line delivery, Davis delivers her lines with little enthusiasm.  One gets the feeling that she wasn’t particularly happy about the idea of having to do a television pilot.

Davis need not have worried.  The Judge and Jake Wyler did not turn into a series.  That said, the movie is an entertaining and diverting murder mystery.

Retro Television Reviews: The Secret Life of John Chapman (dir by David Lowell Rich)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1976’s The Secret Life of John Chapman!  It  can be viewed on Tubi.

John Chapman (Ralph Waite) is a mild-mannered college president and a recent widower.  Everyone tends to assume that John grew up wealthy but John is actually the son of a bricklayer.  As he puts it, his father literally helped to build the college of which John is now president.  John has felt lost and directionless ever since the passing of his wife.  When his rebellious son (Brad Davis) announces that he’s going to drop out of college and pursue a career as a laborer, John is at first outraged but soon, he’s wondering if perhaps his son has a point.  Has John spent so much time cocooned in his college that he’s lost touch with the rest of the world?

John takes a sabbatical and pursues a career as a blue collar worker.  He discovers that it’s not as easy as he assumed.  Because John doesn’t want to reveal that he’s an academic, John doesn’t really have any references to offer up to potential employers.  Because he’s nearly 50, John is continually told that he’s too old for most of the jobs that he applies for.  When he goes into a bar and attempts to order a dry martini, he quickly realizes that he has no idea what it’s like to be blue collar.

John eventually does get a job, helping to lay water pipes.  His boss is the gruff Gus Reed (Pat Hingle), who John eventually discovers is not quite as fearsome a figure as he originally appears.  Once the pipe job is done, John gets a job in a diner and even pursues a tentative romance with a waitress (Susan Anspach) who, as she points out,  comes from a totally different world than him.  And yet, despite John’s efforts, his son remains unimpressed.  According to his son, John is just slumming.  He has the freedom to quit and return to the college whenever he wants.

Yikes!  John’s son is a bit judgmental and it doesn’t help that he’s played by Brad Davis, who was never a particularly likable actor.  (Davis later starred in Midnight Express, in which director Alan Parker used his lack of likability to good effect.)  Yet, watching the film, you can’t help but feel that John’s son has a point.  At times, it seems like John wants a lot of credit for spending a week working in the type of job that most people take because they don’t have any other option.  Indeed, you could argue that John’s project is basically keeping someone who really needs the money from finding a job.  It’s not like John gives up any of his money when he goes to work.  It doesn’t help that John Chapman narrates his story and his voice-over often feels like a parody of liberal noblesse oblige.

Fortunately, Ralph Waite was a likable actor and he plays John Chapman as being well-intentioned if occasionally a bit condescending.  The made-for-TV movie plays like a pilot and it’s easy to imagine a series in which John Chapman would have worked a different job every week.  It’s a slight but pleasant-enough made-for-TV movie.  Seen today, it works best as a time capsule, a portrait of a society still trying to find its identity in the wake of the turbulence of the 60s.

Horror on TV: Ghost Story 1.6 “Alter Ego” (dir by David Lowell Rich)


In tonight’s episode of Ghost Story, a sickly child is upset when he becomes to ill to continue going to school.  Luckily, his doppelganger shows up and starts going to school for him!  Unfortunately, it turns out that the doppelganger isn’t quite as benevolent as one might hope.

This episode co-stars Oscar-winner Helen Hayes and was co-written by Richard Matheson.  It originally aired on October 27th, 1972.

Horror on the Lens: The Horror at 37,000 Feet (dir by David Lowell Rich)


Hi there and welcome to October! This is our favorite time of the year here at the Shattered Lens because October is our annual horrorthon! For the past several years (seriously, we’ve been doing this for a while), we have celebrated every October by reviewing and showing some of our favorite horror movies, shows, books, and music. That’s a tradition that I’m looking forward to helping to continue this year.

To start things off, we have the 1973 made-for-TV movie, The Horror at 37,000 Feet.  This film starts off like a typical disaster film, with a collection of familiar celebrities catching a flight from Heathrow Airport.    What they don’t know is that celebrity is not the only thing flying across the ocean!  There’s a sacrificial altar sitting in the baggage hold and soon, all sorts of strange things are happening!  Truly, it’s a horror at 37,000 feet!

This film is silly and perhaps even a little bit dumb but it’s also definitely a lot of fun.  To be honest, when you’ve got William Shatner playing an ex-priest who is wondering what happened to his faith, how can you go wrong?  Along with Shatner, keep an eye out for Chuck Conners, Buddy Ebsen, Roy Thinnes, Paul Winfield, Tammy Grimes, and France Nuyen.  Basically, every TV actor who needed a job in 1973 boarded The Horror at 37,000 Feet. 

Happy October and enjoy The Horror at 37,000 Feet!

The TSL’s Grindhouse: Satan’s School For Girls (dir by David Lowell Rich)


Have you ever wanted to enroll in a private school so that you could investigate a murder and maybe uncover some sort of occult conspiracy?  Sure, we all have!  Well, don’t worry …. there’s a place for you!  Welcome to Salem Academy, an exclusive all-girl’s college where students learn all the basic subjects, along with taking courses in art and human sacrifice!

Salem Academy is overseen by the feared and intimidating Mrs. Williams (Jo Van Fleet), who keeps a close eye on her students and tries to make sure that they aren’t distracted or corrupted by any outside influences. However, not even Mrs. Williams can keep Martha Sayers (Terry Lumley) from fleeing the school and going to her sister’s house in Los Angeles. When Martha’s sister, Elizabeth (Pamela Franklin), returns home, she discovers that Martha has been hanged. The police say that it was suicide. Elizabeth believes that it’s something else.

So, Elizabeth does what any vengeance-seeking sister would do. Using an assumed name, she enrolls in Salem Academy herself. She meets and befriends three other students (played by Kate Jackson, Jamie Smith Jackson, and Cheryl Ladd). She gets to know two rather suspicious teachers, Prof. Delacroix (Lloyd Bochner) and Dr. Clampett (Roy Thinnes). She also manages to raise the concerns of Mrs. Williams, who doesn’t like the fact that the new girl keeps asking so many questions about why so many students at Salem Academy have died recently.

Still, Elizabeth continues to investigate. Perhaps the secret can be found in a mysterious painting that she comes across, one that appears to be of Martha? Perhaps the teachers and the students know more than they’re telling. But who can Elizabeth trust?

A made-for-television film from 1973, Satan’s School For Girls is frequently as silly as its name.  Fortunately, the film, which was produced by Aaron Spelling and directed David Lowell Rich, seems to understand just how ludicrous it is and it totally embraces both the melodrama and the silliness of its plot. This film is totally product of the time in which it was made, from the dialogue to the hairstyles to the fashions to the ending that you’ll see coming from a mile away. At the same time, that’s also why this film is a lot of fun. It’s such a product of its time that it doubles as a time capsule. Do you want to go back to 1973? Well, go over to YouTube and watch Satan’s School For Girls.  After you’ve watched it, step outside and ask anyone who the president is and they’ll probably say, “Richard Nixon.”  And if you ask them who they’re favorite Brady is, they’ll look at you like your crazy because everyone know that Marcia is the best Brady.  If you even have to ask, it’s obvious that you don’t really watch the show.  After that, you should probably try to find a way to get back to 2021 before you change the future or something.  You know how tricky time travel can be.

As for Satan’s School for Girls, it’s just a really fun movie so check it out and be sure not to be late for class!

Infidelity (1987, directed by David Lowell Rich)


Nick Denato (Lee Horsley) is a world-famous photographer.  His wife, Ellie (Kirstie Alley!), is a renowned doctor.  They have homes in San Francisco and Africa and they regularly fly from one continent to another.  The Denatos used to be called “jet-setters,” back when flying back and forth was seen as a positive instead of as a crime against the environment.

Despite the fact that Ellie is pregnant, Nick leaves his wife behind in San Francisco so that he can explore Nepal with his buddy Scott (Robert Englund!!) and Scott’s young and leggy assistant, Robin (Courtney Thorne-Smith!!!!).  While Nick is away, Ellie has a miscarriage.  Nick flies home but it’s too late.  His wife already resents him for not being there when she needed him.  It doesn’t help that, a week later, Scott and Robin come to visit and Scott tells a story about how he nearly fell off a cliff.  “And where were you, buddy!?”  Scott says to Nick with a laugh, forgetting that Nick was back home with his hospitalized wife.  An awkward silence follows.

Ellie can tell that there is an obvious attraction between Nick and Robin.  Nick denies it and then, to prove Ellie wrong, he cheats on her but not with Robin.  Instead, Nick cheats with Ellie’s best friend, Eileen (Laura O’Brien).  Ellie divorces Nick, stops talking to Eileen, and gets involved with Etienne (Michael Carven).  Nick returns to Africa, where he spends his nights listening to opera in a tent and thinking about how much he loves his his ex-wife.

Infidelity was made for television and it used to come on late night television frequently in the 90s, mostly because of its cast.  Not only did the cast features Rebecca Howe but also Freddy Krueger and whoever it was that Courtney Thorne-Smith played on Melrose Place.  The main problem with the film is that Kirstie Alley and Lee Horsley have zero chemistry so you don’t really care if they get divorced or if they get back together.  The other problem is that Lee Horsley is a convincing cowboy but he’s not as convincing as a sophisticated Italian-American photographer who spends his spare time listening to opera.  The movie also cops out by having Nick cheat with a fairly minor character rather than with Robin.  On the plus side, the movie’s got Robert Englund playing the type of role that he almost always played in his pre-Nightmare on Elm Street days, the loyal friend.  What’s interesting about Englund’s performance here is that he had already played Freddy Krueger three times before playing Scott in Infidelity.  In fact, Infidelity aired at the same time that Nightmare on Elm Street 3: Dream Warriors was still playing in theaters.  Englund is likable as Scott and the film shows what type of career Englund probably would have had if David Warner hadn’t turned the role of Freddy down in the first Nightmare on Elm Street.