Retro Television Reviews: The Love Boat 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for another cruise!

Episode 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

(Dir by Allen Baron, originally aired on November 11th, 1978)

The Love Boat is haunted!

Well, no, not really.  Instead, one of the passengers is haunted.  Ellen Garner (Vernee Watson) is having a difficult time getting over the death of her husband, Mickey (Jimmie Walker, who also appeared on the very first episode of The Love Boat, though as a different character).  It’s been two years since Mickey died and Ellen still has not been able to move on.  Some of that might be because Mickey’s ghost is still following Ellen around.  Only Ellen can see and hear Mickey.  This leads to a lot of scenes of her arguing with Mickey while everyone standing around her assumes that she’s talking to herself.

(To be honest, I think most people would be made nervous by a woman who spent the entire cruise loudly arguing with herself but the passengers and the crew of The Love Boat are oddly unconcerned.  It was the 70s so I assume everyone just assumed it was due to the cocaine.)

Mickey wants Ellen to move on and he pressures her to find a new husband on the cruise.  In fact, Mickey thinks that Ellen should spend some time with Greg Elkins (Greg Morris), who is handsome, polite and wealthy.  At first, Ellen resists Mickey’s attempts to push them together but finally, she gives in.  Suddenly, Mickey starts to get jealous.  By the end of the cruise, though, Mickey is at peace with Ellen moving on and Ellen accepts Greg’s marriage proposal.  Mickey tries to congratulate Ellen, just to discover that she can no longer see or hear him.  Mickey vanishes into thin air, giving this otherwise frothy story a somewhat bittersweet aftertaste.

Whether you were being haunted or not, would you get married after only knowing someone for a week?  I know that there are reality shows built around this very idea but still, I have to wonder how many of these spontaneous Love Boat marriages ended in divorce.  Speaking of divorce….

Also on the cruise is a young married couple, Linda (a young Jamie Lee Curtis, looking relieved to not have to deal with Michael Myers or any other knife-wielding madmen) and Wayne (Peter Coffield).  Linda and Wayne are on the verge of divorce.  Ever since her parents, Les and Gail (Conrad Bain and Curtis’s real-life mother, Janet Leigh), acrimoniously split up, Linda hasn’t believed in love.  Linda and Wayne spend most of the cruise fighting, though it’s never quite clear what they’re fighting about.  What they don’t know is that Les and Gail are on the cruise as well.  Les and Gail came to the ship to see their daughter off and then, as they tried to exit, they accidentally got locked in an unused cabin.  Trapped together and subsisting only on peanuts, water, and stowaway sex, Les and Gail discover that they are still in love and they agree to get married for a second time.  At the end of the cruise, everyone is reunited and, seeing that her parents are going to give marriage another shot, Linda agrees to give Wayne another shot. Awwwww!

(Again, it should be kept in mind that Les and Gail fell back in love because they literally didn’t have anything else to do.  They were trapped in cabin for several days!  Will their rekindled love continue once they have to deal with each other in the real world?  Considering how much they hated each other before getting trapped, it’s easy to be pessimistic.  Can you imagine how Linda will feel if her parents get married a second time just to then get a second divorce?  Then again, this is The Love Boat.  Perhaps the whole point is not to give it too much thought….)

Finally, Gopher is super excited that his sister will be celebrating her 18th birthday on the cruise!  However, Gopher is shocked and horrified to discover that Jennifer (Melissa Sue Anderson) has grown up and now has every guy on the ship hitting on her.  Gopher asks Doc Bricker to look after her, which is an odd request given that Doc is a walking HR nightmare.  That said, for once, Doc tries to do the right thing.  However, Jennifer is eager to lose her virginity and she’s decided that Doc would be the perfect man to which to lose it….

Really?  Out of all the guys on that cruise, you’re going to pick Doc?

Stories in which Doc is portrayed as being a legendary lover are always a bit strange because Doc was played be Bernie Kopell, a likable actor who gave off suburban Dad vibes as opposed to international playboy vibes.  Kopell, Anderson, and the usually underused Fred Grandy all give likable performances in this storyline but it’s still just odd to think that Jennifer has apparently spent years dreaming about Doc Bricker.

It’s also strange that Captain Stubing mentions that it’s been years since he last saw Gopher’s sister.  The previous season established that Captain Stubing had just recently been assigned to the boat and that he was still getting to know the crew.  So, either several years passed between the first and the second season or someone in the writer’s room wasn’t paying attention to continuity.  Then again, I imagine that continuity wasn’t as big a concern in the days before the Internet.  Even if someone did notice the mistake, who would they tell?

This episode was a fairly entertaining one.  Janet Leigh and Conrad Bain were definitely the highlight of this episode and it was fun to watch Leigh and Curtis acting opposite of each other.  (That said, you just know the show’s producers probably tried to convince Tony Curtis to play Janet Leigh’s ex-husband before they asked Bain.)  The ghost subplot had a few funny moments and Gopher finally got to do something.  All in all, it was a pleasant cruise on the Love Boat.

Retro Television Reviews: The Love Boat 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, hearts are broken on a special 90-minute episode of The Love Boat!

Episode 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

(Dir by Roger Duchowny, originally aired on November 4th, 1978)

What a sad episode!

Seriously, this cruise is all about heart break.

For instance, when Russian Commissar  Anoushka Mishancov (Loretta Swit) first boards the boat, Doc Bricker is upset when he’s assigned to keep an eye on her.  As has been established over the previous 32 episodes, Doc prefers to spend his time talking to women who are about twenty years younger than him and who are from capitalist countries.  Anoushka, on the other hand, is a communist (boo!) who, for some reason, is boarding the Pacific Princess so that she can learn about how Americans handle catering.  (I said it was weird.)  At first, Anoushka is so determined to do her duty that she insists on wearing her uniform at all times.

However, after Anoushka reveals that she does find old Doc Bricker to be a little bit intriguing, Julie tells her that she’s going to have to loosen up if she’s going to capture Doc’s attention.  Which, Anoushka does at dinner that night….

Eyes up, Gopher!

Doc does notice Anoushka.  In fact, he falls in love with her and, at the end of the cruise, he asks her to marry him!  Anoushka confesses to having fallen in love with Doc but then she explains that she also loves her country.  (Really?  It’s just Russia.)  Doc loves America and Anoushka loves Russia and, as a result, they cannot marry.  Anouska leaves the ship and a heart-broken Doc looks like he’s actually about to cry.  And let’s give credit where credit is due.  It’s a really well-acted scene.  Doc Bricker has always been a fairly ludicrous character but, in this episode, Bernie Kopell does a good job of suggesting that, even if he is a lecher, Doc Bricker is a lecher with a heart.

While Doc is falling in love with a commie, Captain Stubing is getting to know Vicki (Jill Whelan), the 9 year-old daughter of Captain Stubing’s former lover, the late Georgina (played, in flashbacks, by Melendy Britt).  Vicki was originally supposed to travel with her aunt, Delores (Sandra Deel).  However, something has come up and Delores will not be able to travel with her.  Captain Stubing agrees to look after Vicki and even allows Vicki to stay in his quarters.  Over the course of the cruise, Captain Stubing and Vicki bond.  Everyone agrees that they have the same eyes.  Of course, that’s because Vicki is actually Captain Stubing’s daughter!

Vicki wants to live on the ship but the Captain explains that a cruise ship is not a good place for a nine year-old to grow up.  Stubing considers retiring and living on dry land but Doc Bricker reminds Stubing that he would never be happy if he wasn’t on the ocean.  Stubing promises that Vicki can return to the boat whenever she has time off from school and he tells her that, when she gets older, she could even “be a cruise director, like Ms. McCoy.”

(In other words, don’t even think of trying to become a captain, girl!)

Now, of course, Vicki did later return to the ship.  In fact, she returned just a year later and became a regular during the third season.  I guess Captain Stubing decided that going to school on dry land wasn’t that important after all.  (We’ll find out when we reach the third season!)  That said, even with that in mind, it was undeniably sad to watch as Stubing sat in his cabin and struggled to hold back the tears after Vicki left the ship.  Much like Bernie Kopell, Gavin MacLeod gave a surprisingly heartfelt and sincere performance in this episode.

It wasn’t all sadness

Luckily, it wasn’t all heartbreak on this episode.  After getting drunk and boarding the boat by mistake, Sandy Beal (Jo Anne Worley) and Victor Marshall (Soupy Sales) fell in love for real.  And jingle writer Charlie Godwin (Robert Goulet) ran into his old song-writing partner (Richard Dawson) and the two of them saved Charlie’s marriage to June (Juliet Mills).  There were two happy endings but they were overshadowed by all the sadness.

This was a good episode.  Even The Love Boat needs a little heartbreak every once and a while.

Retro Television Reviews: The Love Boat 2.7 “Ship of Ghouls”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vincent Price comes aboard for a special Halloween episode!

This is actually, the second time that I’ve reviewed this episode.  I also watched and reviewed it back in 2021.  I enjoyed it the first time that I watched it and my opinion remained the same the second time I watched it.  Still, I’m glad that I rewatched the episode as opposed to trying to write a second review from memory.  There were a few details that I had forgotten.

Anyway, it’s time for…. SHIP OF GHOULS!

Episode 2.7 “Ship of Ghouls”

(Originally aired on October 28th, 1978, dir by Roger Duchowny)

It’s time for the annual Halloween cruise and Captain Stubing is super excited because he has hired The Amazing Alonzo (Vincent Price) to provide the cruise’s entertainment.  Alonzo is a master illusionist and hypnotist, who can trick people into seeing just about anything.  The episode really doesn’t explain just how exactly Alonzo is able to hypnotize people by just saying a few words to them but no matter.  This is The Love Boat and Vincent Price is …. well, he’s Vincent Price.  Vincent comes across like he’s having the time of his life in this episode and, as such, we accept that Alonzo can cause a bunch of people to think that Gopher and Doc have been turned into two donkeys.  We accept that he can fool the Captain into thinking that the ship’s pool has been turned into a giant ice cream sundae.  We even accept that he can make Isaac’s head appear in a glass of beer.  We accept all of it because it just feels wrong to get hung up on logic when Vincent Price is involved.

The Amazing Alonzo is having so much fun flirting with his elderly groupies and casting spells that his long-suffering fiancé, Ramona (Joan Blondell), dumps him and instead moves into the Captain’s quarters.  At first, Alonzo is jealous of the Captain but he soon comes to realize that the Captain is not romantically interested in Ramona and is just letting her stay in his quarters because she needs some place to stay.  Alonzo also discovers that he can no longer hypnotize people without Ramona’s support.  At the big Halloween party, Alonzo freezes time and apologizes to Ramona.  He also confesses to her that his real name is Wendell.  They walk out of the ship’s ballroom, hand-in-hand.  Yay!

Needless to say, Vincent Price was the highlight of this episode.  However, as was always the case with The Love Boat, there were other passengers on the cruise.

For instance, nine year-old Bobby Diller (Charlie Aikman) is a habitual liar and prankster.  His behavior may be bratty but that’s largely due to the fact that his parents (Gary Collins and Mary Ann Mobley) are getting back together after previously getting a divorce and he’s worried that they’re going to split up again.  Fortunately, Bobby’s lying comes in handy when he spots Karen (Barbara Anderson) preparing to throw herself overboard.   Bobby tells Karen that his mother committed suicide and that he’s never gotten over it.  Karen changes her mind about committing suicide.  Once Karen is safely back on deck, Bobby admits that he lied but then adds, “It’s the last lie I’ll ever tell!”

Why was Karen suicidal?  Karen was a model until a car accident left her with a scar on her face.  Karen is convinced that no one will ever find her to be beautiful again.  Of course, Gopher and Doc both find her to be beautiful and they spend the entire cruise hitting on her and arguing over which one of them has the right to dance with her and have dinner with her.  (As I’ve said in the past, The Love Boat really was a floating HR nightmare.)  Karen, unfortunately, thinks that they’re just doing this as a favor to Karen’s best friend, cruise director Julie.  Fortunately, Bobby’s lie convinces Karen that people can sincerely care about one another.  Also, Karen realizes that she’s too good for either Gopher or Doc.  Good for her!

This was a good episode.  Vincent Price was a delight as always and Barbara Anderson was sympathetic Karen.  All Halloween cruises should be as entertaining as The Love Boat‘s!

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Retro Television Reviews: The Love Boat 2.6 “Mike and Ike / The Witness / The Kissing Bandit”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, I learned that there’s no way to escape the Bradys!

Episode 2.6 “Mike and Ike / The Witness / The Kissing Bandit”

(Dir by Allen Baron and Roger Duchowny, originally aired on October 21st, 1978)

This week, The Love Boat continued to be a floating HR nightmare as Newton Weems (a very young Billy Crytsal) donned a mask and spent his nights running around the ship and kissing every single woman that he came across.  Fortunately, Newton’s such a fantastic kisser that no one demands that the police be alerted.  Unfortunately, with every woman on board eager to get kissed, that means that no one is reacting to the lame flirtations of Doc, Gopher, and the Captain.  The Captain decides that the best way catch the Kissing Bandit would be to use Julie as a decoy.  If I was Julie, I would point out how reasonable I was about the Captain’s uncle and demand more money.  Instead, Julie allows herself to be kissed and soon, she’s in love with the Kissing Bandit as well.

However, Newton eventually realizes that he’s actually in love with another passenger, Roberta (Laurie Walters), and that he doesn’t have to wear a mask to be romantic.  Though this disappoints his biggest fans (played by Nancy Kulp, Pat Carroll, and Sharon Acker), it does make the rest of the crew happy.  It seems like the Captain should be worrying more about running the ship than hitting on every woman who comes aboard but I guess big luxury liners pretty much run themselves.

While this was going on, Isaac was reconnecting with his old friends, Lenore (Marilyn McCoo) and Mike (Billy Davis, Jr.).  When they were younger, they used to perform on street corners for spare change.  Now, Mike is an executive vice president and he’s so work-obsessed and stuffy that his own son (Todd Bridges) thinks that his father doesn’t love him!  Fortunately, things work out in the end.  Mike realizes that there are things more important than business.  Ted Lange gets to show off his dance moves, though it’s hard to forget that Isaac once accused another passenger of being a sell-out for doing the same thing.

Finally, Frank McLean (Robert Reed) is taking a cruise so that he can avoid testifying in a murder trial.  He is spotted by Suzanne (Toni Tennille), who knows Frank from the old neighborhood.  At first, Frank denies even being from New York but, eventually, he tells Suzanne his story.  Suzanne falls for Frank but she has a secret of her own.  By Love Boat standards, this story is fairly dramatic but it ultimately fails because there’s not a hint of chemistry between Reed and Tennille.  In fact, Robert Reed looks even more miserable after he falls in love than he did before.

On a personal note, I just can’t escape The Brady Bunch, can I?  Last week, even as I was finishing up The Brady Bunch Hour, Robert Reed showed up on Fantasy Island.  This week, Eve Plumb went to the island while Robert Reed boarded the ship.  There’s just no way to escape those Bradys!

Retro Television Reviews: The Love Boat 2.5 “Julie’s Aunt/Where Is It Written?/The Big Deal”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Things get a bit icky this week.  Ugh!

Episode 2.5 “Julie’s Aunt/Where Is It Written?/The Big Deal”

(Dir by Allen Baron, originally aired on October 14th, 1978)

How icky can one cruise get?

Well, consider this.  On this week’s episode of The Love Boat, Captain Stubing’s uncle (Red Buttons) is a passenger on the boat.  Uncle Cyrus decides that he likes Julie.  How does he express how much he likes Julie?  He invites her to his cabin and then lunges at her and starts kissing her.  Julie runs out of the cabin and Uncle Cyrus chases her through the corridors of the boat.  Once Julie does get away from him, she tells Doc and Gopher about what happened.  Doc and Gopher both think that it’s funny.

(Uhmm, guys, this isn’t some old guy with a crush.  This is someone who invited the cruise director to his cabin …. AND ATTACKED HER!)

Everyone agrees that Julie should just try to avoid Cyrus and that she should not tell the Captain about what happened.  Unfortunately, because Uncle Cyrus told the Captain about how much he enjoys Julie’s company, Stubing insists that Julie spend as much time as possible with Uncle Cyrus.  Every time that Julie goes down to his cabin, Cyrus grabs her and starts kissing her.  Scene after scene, Julie has to push Cyrus off of her so that she can escape, screaming, into the hallway.

Finally, realizing that she can’t go on like this, Julie realizes that she has to do something, even if both Doc Bricker and Gopher refuse to take the situation seriously.  Out of the three choice below, which do you think she goes with?

  1. Call the police
  2. Tell Captain Stubing and demand that he call the police
  3. Have Gopher dress up like a woman and pretend to be a member of the police

If you picked number three, you could have been a writer for The Love Boat!

Ugh!  I hated everything about this storyline!

I wasn’t a fan of the other two storylines as well.  The first featured Hope Lange as Sandra Newberry, the wife of publisher Alfred Newberry (Gene Barry).  She is upset to discover that Alfred has invited a Norman Maileresque writer named Mark Littlejohn (Richard Mulligan) to accompany them on the cruise.  Alfred wants Mark to hurry up and finish the final chapter of his autobiography.  Make wants to steal Sandra away.  In the end, Alfred and Mark get into a fight.  They’re too clumsy to actually hit each other but they do manage to knock out Captain Stubing.  Again, you would think that this would be the sort of thing that would eventually involve the police but instead Stubing just accepts a payment that will come from the royalties of Mark’s book.  Whatever.  Go deal with your uncle, Captain.

Finally, Martin Scott (Allen Ludden) is a businessman who is selling his business to Brad Collins (Sam Groom).  Martin’s daughter, Allison (Mackenzie Phillips), feels like she has to date Brad even though she’s actually in love with a musician named Jim Warren (Erik Estrada).  It was hard not to feel that, intentionally or not, Martin was basically pimping out his daughter.  Again, it was just icky.

This was not a fun cruise.  Hopefully, next week will be better.

Retro Television Reviews: The Love Boat 2.4 “The Man Who Loved Women / A Different Girl / Oh, My Aching Brother”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Come aboard!

Episode 2.4 “The Man Who Loved Women / A Different Girl / Oh, My Aching Brother”

(Dir by Allen Baron, originally aired on September 30th, 1978)

This week’s cruise is all about deception …. and love!

For instance, Joe (Marty Ingels) and Harold Nash (Sonny Bono) are two brothers who thrive on deception.  Harold specializes in pretending to get injured.  Joe specializes in threatening to sue until the brothers get paid off.  Apparently, it’s a scheme that works well for them, though Joe seems to be a lot more enthusiastic about it than Harold.  In fact, Harold seems to be a nice guy who mostly just wants to enjoy the cruise and flirt with another passenger, Rita (Judy Landers).  Still, Joe insists that Harold pretend to hurt his back so Harold takes a dramatic fall on the shuffleboard course.

Of course, the crew can spot a fake injury from miles away.  For once, Doc Bricker actually does his job and announces that, despite all of his yelling and groaning, there does not appear to be anything wrong with Harold’s back.  Still, if Harold goes through the entire cruise without walking, the Pacific Princess will probably pay a settlement.  Joe’s happy about that.  Harold’s unhappy because he wants to get up and walk over to Rita’s cabin.  In the end, it is Harold’s love for Rita that defeats the scheme.  When he sees Rita actually trip and take a fall, Harold can’t stop himself from jumping out of his wheelchair to help her.  Awwwwwww!

This storyline was dumb but kind of sweet.  Sonny Bono was not a particularly good actor but there was something rather genuine about his chemistry with Judy Landers.

Meanwhile, the Captain Stubing’s godson, Dave Stanton (Grant Goodeve), is taking the cruise with his wife, Laura (Bess Armstrong).  Though they’ve been married for two years, they are only now getting to take their honeymoon.  (Dave was in the army and Laura was caring for her terminally ill mother.)  During the trip, they discover that they’ve both changed over the past two years.  Laura’s more independent now.  Plus, she had an affair while  Dave was gone.  Dave gets pretty upset but Captain Stubing asks Dave if he can really say that he’s never cheated on Laura.  Dave admits that he cheated on her too.  Now that they know that they’re both cheaters, Dave and Laura’s marriage is strong than ever!

This storyline was defeated by the fact that neither Dave nor Laura were particularly sympathetic characters.  At one point, Dave actually says that his cheating was different from Laura’s cheating because he’s a guy and she’s a woman.  AGCK!  Probably the most interesting part of this story is that it gave Stubing a chance to talk about why his own marriage fell apart.  This show has often hinted that there is a lot of darkness and trauma in Stubing’s past and Gavin MacLeod always brings a lot of sincerity to the scenes where the captain admits that he has regrets.

Finally, Charlotte (Cathryn Damon), Bonnie (Jo Ann Pflug), and Anita (Brett Sommers) are three divorcees who take the cruise together.  All three of them end up meeting a man.  Charlotte meets a man named Alvin, who she decides to call him by his middle name, “Cornelius.”  Bonnie meets a man who she calls Vinny.  Anita meets a man who she calls by his last name, “McNair.”  What they don’t know is that all of them have met the same man, Alvin Cornelius McNair (David Doyle).  Alvin goes out with all three of the women but he starts to feel guilty when he realizes that they’re all cabinmates.  However, Charlotte, Bonnie, and Anita tell him that it doesn’t matter to them because Alvin was always honest with them and didn’t try to manipulate any of them.  Awwwww!  I liked this story.  Damon, Pflug, and Sommers were believable as old friends and Doyle was likable as Alvin.

This was actually a pretty enjoyable episode.  It may not have been perfect but it was a pleasant trip.

Retro Television Reviews: The Love Boat 2.3 “Rocky/Julie’s Dilemma/Who’s Who?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Julie’s parents set sail on The Love Boat!

Episode 2.3 “Rocky/Julie’s Dilemma/Who’s Who?”

(Dir by Allen Baron and Roger Duchowny, originally aired on September 23rd, 1978)

After last week’s hurricane and hostage situation, things calm down a bit for this week’s episode of The Love Boat.

Julie is super-excited because her parents, Bill (Norman Fell) and Martha (Betty Garrett), are going to be on this cruise.  Her parents, meanwhile, are only slightly excited about seeing where Julie works and getting to see all of the members of the crew.  They would perhaps be more excited if not for the fact that they’re planning on getting a divorce as soon as the cruise is over.  They haven’t told Julie, of course.  In fact, they tell Captain Stubing before they tell Julie.  Why would they tell someone whom they’ve only know for ten minutes before they would tell their own daughter?  What awful parents!

When they do eventually tell Julie, she has an emotional breakdown and runs through the corridors of the ship, sobbing.  Listen, I’ve been there.  When my parents told me that they were getting divorced, I had a difficult time with it as well.  Of course, I was twelve years old, whereas Julie is in her late 20s.  Still, it’s never easy.  Fortunately, Julie realizes that her parents still love each other so she just sets them up with different people on the boat so that they can get jealous and fall back in love.  And it works!  Julie’s parents get back together….

Which is nice, I guess.  I mean, one doesn’t watch The Love Boat because one wants to see a realistic story about the complexities of love and marriage.  Still, the show made it look so simple that it got on my nerves.  It’s not that simple and any actual child of divorce can tell you that.  Again, it’s The Love Boat so perhaps I shouldn’t judge too harshly but I would have had so much more respect for the show if Bill and Martha had told Julie that they were still getting a divorce at the end of the cruise.  It would have been a lot more honest than presenting a story where a marriage can be saved by wishful thinking.

While Julie was trying to save her parent’s marriage and prevent several years of awkward holidays, a young girl named Rocky (Melissa Gilbert) was developing her first crush on a boy named Norman (Jimmy Baio).  It was actually a sweet little story and both Melissa Gilbert and Jimmy Baio gave likable performances.  When Rocky learned that her family would be moving after the cruise, she was upset until she learned that their new home would be in El Paso, which was also where Norman and his family lived.  Again, it was simple but sweet.  And it went along well with the divorce storyline.  While one relationship nearly ended, another began.

Finally, in the silliest story of the week, TV network censor Pat (Dody Goodman) boards the ship and is told that she will be sharing a cabin with Marion Atkins.  That’s fine with Pat.  Her main concern is making sure that nothing shocking or sordid happens on the cruise.  However, it turns out that Marion Atkins (played by James Coco) is actually a guy!  Fortunately, Marion turns out to be just as puritanical as Pat.  He even brings a bunch of pamphlets on chastity with him for the cruise.  Pat and Marion first meet while wandering around the ship and they fall very chastely in love.  Since their morals forbid them from following each other to their  cabin, they somehow manage to go nearly the entire cruise without realizing that they are living together.  When they do realize that they’re cabinmates, they resolve to get married as soon as the boat docks.  This whole story was just incredibly dumb and not in a fun way either.  Obviously, The Love Boat was taking a swipe at the same network censors who probably insisted that the show be relatively discreet about what was going on behind the closed doors of the ship’s cabins.  But Pat and Marion were both so incredibly clueless that it was hard to care about them one way or the other.

This was a bit of uneven episode but, in the end, the boat still looked like a fun place on which to hang out and work.  And really, that’s the important thing.

Retro Television Reviews: The Love Boat 2.1 and 2.2 Marooned / The Search / Issac’s Holiday: Parts 1 & 2


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the second season begins with a super-sized episode!

Episodes 2.1 & 2.2 “Marooned / The Search / Issac’s Holiday”

(Dir by Paul Stanley, originally aired on September 16th, 1978)

The second season of The Love Boat started with double-sized episode, promising twice the romance, twice the comedy, and twice the running time!

(Subsequently, this episode was split in two for syndication, hence the double numbering.)

Among the passengers on this cruise is none other than Isaac Washington (Ted Lange)!  The Love Boat’s iconic bartender has decided to spend his vacation where he works and he’s bought a ticket to sail on the Pacific Princess.  It might seem strange to want to spend your vacation at the office but in Isaac’s case, I can see the appeal.  As we saw during the first season, no one works harder than Isaac.  He somehow always manages to be behind every single bar on the ship and it often appears that he’s the only bartender on the boat!  To top it off, he’s always on call.  He’s earned a vacation and he’s earned the right to be served for once.  From the minute Isaac boards the boat, he’s playfully asking the crew to do things for him and none of them mind because he’s their friend Isaac.  One of the key reasons why The Love Boat worked was that the friendships between the members of the crew felt very real.  As such, there’s never any doubt that Isaac would want to spend his vacation with Gopher, Doc, and Julie.

(Interestingly enough, the Captain doesn’t seem to realize that Isaac’s on the boat until Isaac takes his seat at the captain’s table.)

Of course, there are some problems with Isaac’s vacation.  Isaac quickly notices that the substitute bartender, Wally (played by Norm Crosby), is a bit sullen and not very knowledgeable about his drinks.  As well, Isaac has lied to a passenger named Mara (Lola Falana), telling her that he’s a wealthy race car driver.  Bitter old Wally just can’t wait to tell Mara the truth.

Even worse, when Captain Stubing goes to visit a nearby island, Deputy Captain Cunningham (Dick Martin) is left in charge and he quickly proves himself to be thoroughly incompetent.  (The show makes a point of assuring viewers that Cunningham actually works for a different cruise line and is just training on the Pacific Princess.)  Cunningham ignores the news that a hurricane is on the way.  When the hurricane hits, it’s falls on Isaac to take charge and make sure the passengers are safe.  Of course, to do this, he has to admit that he’s not a race car driver.  He’s just a bartender who, in a just world, would probably be a captain.

Meanwhile, Stubing, Doc, Gopher, Julie, and a group of passengers (Avery Schreiber, Barbi Benton, Edie Adams, and Audra Lindley) are all being held captive on that nearby island.  Their captor is an eccentric hermit named David Crothers (played by John Astin, who was often cast as eccentric hermits).  David has a gun, one that later turns out to be full of not bullets but dirt.  Unfortunately, the hurricane that threatens the Pacific Princess also maroons everyone else on the island and they have to wait for someone to rescue them.  Injured by a falling tree, Gopher spends his time deliriously speaking to imaginary women in foreign accents.  Doc, for once, actually gets to do some medical stuff and assures everyone that Gopher will be fine.  Interestingly enough, no one seems to be that worried about being captured by a crazed hermit.  Perhaps that’s because John Astin is just too naturally friendly to be viewed as a threat.

Finally, Jeannie Carter (Donna Mills) is on the boat because she’s been told that one of the passengers is her long-lost mother.  Soap opera actor Mike Adler (David Birney) offers Jeannie the moral and emotional (and romantic) support to confront the woman but the woman (Laraine Day) turns out to be Mike’s mother as well!  Agck!

The 2nd season premiers, with its mix of melodrama, broad comedy, romance, and hurricane-strength winds, is pretty much exactly what most viewers would want out of a show like The Love Boat.  Isaac gets to save the day while John Astin hams it up and David Birney, Donna Milles, and Laraine Day wring every emotion that they can out of their soap opera-style storyline.  It’s a fun and undemanding show, one that gets by on its breezy style and the likable chemistry between the cast.

This episode is also important because it was the second episode (after the first season’s supersized episode) in which the opening credits featured video images of the guest stars as well as their names.  This would continue in every subsequent episode and eventually become of the show’s trademarks.

Next week: Julie’s parents board the boat!

Retro Television Reviews: The Love Boat 1.25 “Pacific Princess Overtures / Gopher, the Rebel / Cabin Fever”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat

Today, we wrap up season one of The Love Boat!  All aboard!

Episode 1.25 “Pacific Princess Overtures / Gopher, the Rebel / Cabin Fever”

(Dir by Alan Baron, originally aired on May 20th, 1978)

As I sat down to watch this episode on Paramount Plus, I was once again confronted with that weird commercial featuring P!nk and Michael Phelps tossing a big red COVID germ at each other.  I’ve seen this commercial a few times.  It’s popular not only on Paramount Plus but also on Hulu and Peacock.  For a commercial that’s all about the terrors of COVID, I have to say that representing the risk by using a big rubber ball feels a bit …. well, counterproductive.  (Actually, perhaps silly would be a better way to describe it.)  To be honest, P!nk and Michael Phelps look like they’re almost having too much fun tossing COVID at each other.  Someday, someone will actually take a serious look at how and why the combined efforts of the media and the advertising industry struggled to convince people to take the vaccine and this commercial will hopefully be remembered.  Considering that it’s the elderly who are at the greatest risk when it comes to COVID, it’s interesting that almost all of the vaccination commercials that I’ve seen have been stylistically aimed at older millennials.  Michael Phelps saying that his depression puts him at a greater risk of COVID is not the sort of thing that’s going to convince an 80 year-old to get a booster.

Speaking of commercials, the first season finale of The Love Boat featured Antonio Fargas as an advertising exec named Lee Graham.  When we first see him, he’s saying goodbye to his wife as he boards the ship.  He tells her that he’ll miss her and that the only reason he’s going to be on the boat is because he’s working on ad campaign for the cruise company.  Of course, he’s lying.  He’s actually taking the cruise so that he can spend some time with his mistress, Andrea (Jonelle Allen).  Lee and Andrea are excited to finally have a few days where they can be with each other without feeling like they have to hide for everyone.  However, Lee soon discovers that his nosy neighbors (played by Kaye Bass and Elias Jacob) are also on the boat!  As a result, Lee doesn’t get a chance to cheat on his wife and, at the end of the cruise, he and Andrea realize that they don’t want to continue their adulterous ways.  Fortunately, it turns out that Lee’s wife already knew about the affair and is incredibly forgiving.  I’m not really sure why she’s so forgiving but hey, it was the 70s!  It’s not like The Love Boat is going to end with a divorce.  That’s more of a 90s thing.

While this is going, ruthless business tycoon Mr. Yamashiro (Pat Morita — yes, you read that correctly) is determined to convince Ruth Newman (Diane Baker) to sell him her late husband’s factory.  Yamashiro even orders his assistant, Ken Davis (Gary Collins), to trick Ruth by pretending to fall in love with her.  However, Ken really does fall in love with her and he loses his job as a result.  Fear not, though.  Ruth hires him and agrees to invest in a special, voice-activated word processor that he’s created.  Yamashiro is so impressed that he agrees to invest as well.  Yamashiro says that they can consider his investment to be a wedding present.  Ruth and Ken have only known each other for a few days but sure, why shouldn’t they get married?  I mean, it’s the 70s!  People get married about knowing each other for a weekend and then they forgive each other for cheating.  Love is all around, no need to waste it.  They’re all going to make it, after all.

However, none of those stories can compare to what happens to Gopher.  After starting the cruise in a bad mood because he feels that Captain Stubing doesn’t respect him,  Gopher falls for a young communist named Vanessa!  And Vanessa is played by Eve Plumb.  That’s right!  This episode features the original Jan Brady filling Gopher’s head with a bunch of Marxist nonsense!  Vanessa is traveling on the boat with her wealthy father (Don Porter) and she sure does resent all of the money that’s being spent on the cruise.  When she tells Gopher that he should stop taking orders from the Captain because, as “members of the Personhood,” no one has any right to order anyone else around, Gopher takes her words to heart and he ended up getting fired for insubordination!  Fortunately, it doesn’t take long  for both Vanessa and Gopher to see the errors of their ways and the Captain hires Gopher back, with the understanding that Gopher will never again bring a certain impractical economic theory.  It’s a bit like that episode where the Captain told Isaac that he was spending too much time learning about black history.  The Captain’s not going to let his purser go down the Marxist rabbit hole!

And so, the first season comes to a close.  This was a good episode with which to end the season.  Though his storyline was undeniably icky, Antonio Fargas proved himself to be a talented physical comedian as he tried to keep his neighbors from noticing his girlfriend.  The second story was a bit bland but Pat Morita transcended his stereotypical role.  And seriously, how can you not enjoy Eve Plumb radicalizing Gopher?

When The Love Boat began, the crew was unsure of how to react around Captain Stubing.  As the first season comes to a close, they’ve learned that Stubing will always have their back, as long as they don’t talk about Black History or Marxism.  What will the crew discover about their captain during season 2?  We’ll find out soon!