Retro Television Reviews: The Love Boat 2.14 “Julie Falls Hard / Double Wedding / The Dummies”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard.  Don’t expect much from your cruise this week.

Episode 2.14 “Julie Falls Hard / Double Wedding / The Dummies”

(Dir by Bob Claver, originally aired on December 16th, 1978)

Agck!  It’s the most horrifying episode in the history of the Love Boat!

Your eyes do not deceive you.  There are indeed two ventriloquists on this week’s cruise.  Married entertainers Patti Harmon (Ruth Buzzi) and Michael Harmon (Sid Caesar) have been hired to amuse the ship’s passengers.  Unfortunately, they’ve recently separated.  Patti thinks that Michael is incapable of expressing his emotions unless he’s carrying around his dummy.  And it turns out that she’s right because Michael really does carry that dummy around with him everywhere and he has frequent conversations with it.  Even when Michael inevitably apologizes for being a bad husband and asks Patti for another chance, he has to use the dummy to do it.

Seriously, it’s creepy!  I mean, everything works out in the end.  Michael and Patti decide to give their marriage a second chance and their dummies end up kissing as well.  But seriously, ventriloquist dummys are just weird.  Have you seen that episode of The Twilight Zone where the guy tries to switch one dummy out for another so the original dummy gets mad and destroys his replacement?  Have you seen the classic Anthony Hopkins film, Magic?  CREEPY!

Of course, this episode features not just the scariest story in Love Boat history.  It also features the stupidest.  Two twins (Cyb Barnstable and Trish Barnstable) board the cruise with their fiancés (played by David Nelson and Fred Travelena).  No one can tell the twins apart!  Not even Isaac!

Anyway, the twins worry that they might be making a mistake because it seems like each one is marrying a man with the opposite personality.  The twin who likes to stay up late is engaged to the man who goes to bed early.  The twin who likes to be responsible and level-headed is engaged to man who is wild and unpredictable.  So, when the twins disembark the boat so that they can get married in Mexico, they decide to switch places on their wedding day.  But then when the twins return to the boat with their new husbands, they decide that they made a mistake so they switch back.  They can do that because they’re twins!  Seriously, that’s the entire story.

Bleh!  This was so stupid.  Even writing about it was painful.

Finally, Julie’s in love!

Jack Chenault (Tony Roberts) is taking the cruise with his two young daughters and, when he sees Julie, it’s love at first sight.  The daughters wants their Dad to marry Julie as well.  One of the daughters is played by a very young Melora Hardin, who would grow up to play Jan Levinson on The Office.

After knowing Julie for one day, Michael announces that he’s in love with her and he wants her to come live with him in Alaska.  Julie is tempted but ultimately, she can’t leave her life on the boat behind.  Jack is heart-broken but Julie promises to see him the next time that she’s in Alaska.  So, I imagine we will never hear about Jack again.

This third storyline wasn’t bad.  Especially when compared to the other two, it was actually sweet and rather touching.  It helps that Tony Roberts gave a convincing performance Jack.  That said, asking someone to marry you after only knowing them for one day?  Unless you’re a young king looking to legitimize the Treaty of Troyes, that’s never a good idea.

This week’s cruise was not a good one.  Hopefully, next week’s will be less scary and less dumb.

Retro Television Reviews: The Love Boat 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Welcome aboard!  Get ready for tonal whiplash on this week’s episode of The Love Boat!

Episode 2.13 “El Kid/The Last Hundred Bucks/Isosceles Triangle”

(Dir by Allen Baron, originally aired on December 9th, 1978)

Wes (David Madden) and Renee Larson (Dena Dietrich) are happy to be setting sail with their friend and business partner, April (Rue McClanahan).  They’re even more excited when the widowed April meets Van Milner (Dabney Coleman), a recently divorced businessman.  Not only is April falling in love with Van but it also appears that Van might even be willing to join the board of April’s hospital and invest some of his money into fixing the place up.  Except, of course, Van lost his job over a year ago and he really doesn’t have that much money left.  April is crestfallen to discover that Van is not the wealthy man that she believed him to be.  Was he just romancing her for her money?  When Van wins a few thousand dollars at the craps table, he donates the money to the hospital and April realizes that he was being honest about his feelings towards her.

This was a pretty predictable story and April was way too quick to forgive Van for his dishonesty but it was interesting to see an actor like Dabney Coleman, someone who brought a naturally cynical edge to any character that he played, on a show like The Love Boat.  As played by Coleman, Van seemed to be suffering from very real inner pain.  For once, the emotional drama on The Love Boat felt, if not quite real, then at least credible.

Speaking of pain, that’s what Larry (Robert Urich) and Cybill Hartman (Heather Menzies) had waiting for them when they took the Love Boat to Mexico so they could adopt a baby.  Upon arriving at the local orphanage, they were told that the mother of their baby had changed her mind and would not be giving up her baby after all.  Instead, Larry and Cybill left with 12 year-old Pepito (Gabriel Melgar), a little brat who steals Larry’s watch and sells it on the boat.  When Larry gets upset, Pepito grabs an inflatable lifeboat and prepares to jump overboard.  Fortunately, Larry and Cybill talk him out of it and he agrees to be their son and to stop stealing stuff.  This was an annoying story, largely because Pepito was so whiny.  It was hard not to feel that Larry and Cybill deserved better than having to raise Pepito.

Finally, Julie’s friend, Karen Maynard (Connie Stevens), boards the boat and both Captain Stubing and Doc Bricker spend the entire voyage pursuing her because it’s not like the Captain and the ship’s doctor would actually be expected do their job while the ship is floating in the middle of the ocean.  Gopher, Ike, and Julie take bets on who Karen will choose but, in the end, Karen chooses neither because both Doc and Stubing decide to respect the other’s feelings and stop pursuing Karen.  This whole storyline was silly because there was really no doubt about who Karen would have picked.  Seriously, anyone who is a passenger on a cruise is automatically going to fall for the captain because the captain is the most powerful person on the boat.  But, on the plus side, the storyline showed off the chemistry between all of the show’s regulars.  It was likable, even if it never quite felt plausible.

This was an episode about which I had mixed feelings.  The three storylines were so tonally dissimilar that they didn’t really seem that they all should have been happening on the same cruise.  Plus, Pepito was the most obnoxious orphan since the kids on One World.  I’m glad things worked out for Dabney Coleman, though.

Retro Television Reviews: The Love Boat 2.12 “The Captain’s Cup/ The Folks From Home/ Legal Eagle”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, the Love Boat departs on one weird cruise.

Episode 2.12 “The Captain’s Cup / The Folks from Home / Legal Eagle”

(Dir by Alan Rafkin, originally aired on December 2nd, 1978)

This was a strange episode.

Let’s start with the simplest of our three stories first.  Danny Holt (Bert Convy) is recently divorced and still crying over having to pay his wife alimony.  When he boards the boat, he specifically asks Gopher if there are any single men onboard who might be interested in marrying his ex-wife.  His ex isn’t even on the cruise!  Danny is one bitter passenger.  From the minute he boards the boat, he’s whining about how unfair his divorce was and how badly he was treated by his wife’s divorce lawyer, Ann Sterling (Leigh Taylor-Young).

Uh-oh, it turns out that Ann is one the cruise as well!  And she’s been assigned to be Danny’s dinner companion.  Danny isn’t happy about this but then, from out of seemingly nowhere, the two of them end of falling in love.  It’s hard to say why they suddenly fall in love.  Danny is superbitter over his divorce and Ann knows all of the details about what type of husband he was so it seems like the last thing that would ever happen would be them leaving the ship, arm-in-arm.  But somehow, that’s what happens.  It was a straight-forward story but it lacked any scenes that would have explained why the two of them fell in love.  They just did because they were characters on The Love Boat.  (It certainly wasn’t due to any noticeable romantic chemistry between Bert Convy and Leigh Taylor-Young.)  This story felt lazy and generic.

In the episode’s second storyline, Captain Stubing is excited because he’s due to receive the Captain of the Year Cup.  Diane DiMarzo (Florence Henderson, proving that former Bradys just cannot stay off The Love Boat) boards the ship with the Cup but she’s shocked to discover that 1) her boss — the guy who actually decided to give Stubing the Cup — will not be on the ship and 2) Stubing fully expects her boss to personally present him with the Cup.  Now, I’m not really sure how the logic works here but apparently, Diane could lose her job if her boss isn’t there to give Stubing the cup.  But why would that be Diane’s problem?  She did what she was supposed to do.  She boarded the ship with the Cup.  Her boss is the one who decided not to show up and he is the boss so it’s not like there was anything Diane could have done about it.

Anyway, Diane recruits one of the ship’s handymen to pretend to be her boss.  Though he works on the boat and the rest of the crew know him, it appears that the Captain himself has never met Hank Vosnik (Pat Harrington, Jr.), which kind of leads one to wonder if Stubing really deserves his award.  Anyway, Hank falls in love with Diane and is crestfallen when she turns down his marriage proposal.  (Seriously, at this point, they had only known each other for like three days so I’m not sure what Hank was expecting.)  But, despite being turned down, Hank still pretends to be Diane’s boss.  So, Diane decides that she might as well marry him.  WHAT!?

Finally, Doc Bricker is happy to meet two passengers from his hometown.  George (John McIntire) and Gloria (Jeanette Nolan) spend every moment with Doc and they even announce that, as far as they’re concerned, the 40-something Doc is a member of their family.  Doc is touched.  But then Gloria falls down a flight of stairs and Doc has to do emergency surgery on her.  Gopher calls a doctor in San Francisco and he talks Doc through the surgery.  Doc removes Gloria’s spleen and saves her life!  Yay!  Only at the end of the surgery does he get George to sign a consent form.  In real life, that would lead to Doc to losing his job and the cruise line getting sued.  But, on The Love Boat, it just leads to more laughter.

On the plus side, this storyline featured the charming performances of McIntire and Nolan, who were married in real life.  The story was also written by Fred “Gopher” Grandy and Bernie “Doc” Kopell so, not surprisingly, it actually allowed Grandy and Kopell to do something more than just leer at the passengers.  The show rarely gave Grandy or Kopell a chance to show off the fact that they were both capable of giving good dramatic performances so, whenever they got that rare chance to do so, they took advantage of it.  That said, it was still a bit awkward to see Doc suddenly performing major surgery in his tiny examination room.  It was all for the best on the show but, in real life, it would have led to a major lawsuit.  Even though Doc Bricker saved Gloria’s life, it still seems like the ship could probably be held liable for her getting injured in the first place.  I mean, the boat is in the middle of the ocean.  Shouldn’t there at least be a warning posted on the stairs?

Well, who knows?  Strange things happen at sea.  Let’s just be happy that everything worked out in the end.

Retro Television Reviews: The Love Boat 2.11 “Heads or Tails/Mona of the Movies/The Little People”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Let’s set sail for adventure!

Episode 2.11 “Heads or Tails/Mona of the Movies/The Little People”

(Dir by George Tyne, originally aired on November 25th, 1978)

The Love Boat crew is super excited because the glamorous movie star, Mona Maxwell (Rhonda Flemming), is going to be on the cruise.  Apparently, this is not her first time to sail on the Love Boat.  Captain Stubing can’t wait to get reacquainted with her.  The walking HR nightmare that is Doc Bricker can’t wait to flirt with her.  Artie D’Angelo (Orson Bean), a passenger who owns a chain of garages, is shocked to see that his favorite movie star in on the boat.

Artie may be a big fan of Mona’s but, whenever he tries to talk to her, he finds that he simply cannot find the words.  With Doc’s help, Artie finally works up the courage to ask Mona to have dinner with him.  Mona accepts and the two of them soon find themselves falling in love.  The only problem is that Artie just cannot bring himself to believe that a big movie star like Mona would be interested in a guy like him.  Really, Artie is being way too hard on himself.  He’s a likable guy!  And, fear not, he and Mona leave ship arm-in-arm.

Meanwhile, two frat dudes — Alex (Adam Arkin) and Wally (Richard Gilliand) — have made a bet over who will be the first to sweep Julie off of her feet.  When they start the betting, it’s for money but eventually, they decide to just bet a pizza.  Julie spends time with both of them and has fun, especially with Alex.  But then a jealous Wally reveals the truth about the bet and Julie announces that she doesn’t want anything else to do with either of them.  Gopher tells Julie that she should actually be flattered that the two guys were both so determined to date her.  Apparently deciding that she’s not really bothered by the fact that both of her suitors just spent an entire weekend lying to her, Julie forgives them and then says that she’s going to spend an equal amount of time with both Alex and Wally so neither one of them will win or lose the bet.

Finally, Doug Warren (Edward Albert) is on the cruise with his parents, who are celebrating their anniversary.  Coincidentally, Doug’s co-worker, Beth (Patty McCormack), is also on the cruise!  Doug and Beth quickly fall in love but then Beth is freaked out when she sees two little people in the ship’s lounge.  She explains to Doug that little people make her nervous.  She always worries about what would happen if her child turned out to be a little people.  What she doesn’t know is that the little people — Ralph (Billy Barty) and Dottie (Patty Maloney, who also guest-starred on the famous disco-themed episode of The Brady Bunch Hour) — are Doug’s parents!

Without telling Beth why, Doug says that he can no longer see her.  A heart-broken Beth goes to the Acapulco Lounge where she gets into a conversation with Ralph and Dottie.  She discovers that Ralph and Dottie are just like everyone else and she also finds out that Doug is their very tall son.  She tells Doug that she’s no longer worried about their potential children being little people and …. you know, this plot line is just ridiculous.  Beth is prejudiced against people based on their height and she’s basically told Doug that she would freak out if her child was anything other than “normal.”  And yet, Doug and his parents act all excited when Beth announces that she still loves Doug, regardless of who his parents are.  Doug, sweetie — you can do better!

I definitely had mixed feelings about this episode.  Orson Bean and Rhonda Fleming were both perfectly charming in their storyline but the other two stories were both pretty icky.  I spent the entire episode waiting for Julie to tell off Alex and Wally and for Doug to tell off Beth and, in both cases, it didn’t happen.  This was definitely not one of the better cruises of the Pacific Princess.

Hopefully, next week’s destination will be a bit nicer.

Retro Television Reviews: The Love Boat 2.10 “Man of the Cloth / Her Own Two Feet / Tony’s Family”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time to give thanks as the Love Boat sets sail for another holiday adventure!

Episode 2.10 “Man of the Cloth / Her Own Two Feet / Tony’s Family”

(Dir by Richard Kinon, originally aired on November 17th, 1978)

It’s time for the big Thanksgiving cruise and love is in the air!

Unfortunately, the ship’s chief engineer calls in sick the day of the cruise.  The ship can’t sail without a chief engineer!  Rather than cancel the cruise, Captain Stubing decides that assistant engineer Tony Santini (Larry Storch) will just have to give up his Thanksgiving and work on the cruise.  Needless to say, Tony is not happy about this.  As he explains to Gopher and Julie, his entire family is in town and he was planning on spending his holiday with them.  Julie comes up with a brilliant idea!  Maybe Tony’s family could secretly take the cruise with Tony.  They can just sneak on board and remember to stay away from the captain.  Tony agrees.  Of course, it then turns out that Tony has a gigantic family.  Along with his wife and his children, he is also accompanied by his parents, neither of whom speak English.  His parents bring a chicken with them.

The crew goes out of their way to keep the Captain from discovering the stowaways but, eventually, the chicken gets loose and Stubing figures out what is going on.  The entire crew — including the Captain — volunteers to pay for the family’s tickets but Tony announces that he doesn’t take charity.  He’ll figure out a way to pay the bill.

While that’s going on, Rev. Gerald Whitney (Peter Graves) is excited to find love on the cruise.  The only problem is that the woman who he’s fallen in love with (Roz Kelley) is also a stripper!  Rev. Whitney doesn’t care but unfortunately, Barbara Sharp (Vivian Blane) does.  Barbara just happens to be a member of Whitney’s church and she is shocked to see the reverend and the stripper together on the cruise.  Barbara gets so judgmental that her husband, Phil (Alan Young), threatens to divorce her.  Barbara and Phil finally have a heart-to-heart talk in the casino.  Barbara agrees to stop being so judgmental.  Phil agrees to stop gambling as soon as he puts his last silver dollar in the ship’s slot machine.  That silver dollar was given to him by one Tony’s kids and when the slot machine pays off, Phil and Barbara give all of the money to Tony’s family.  Yay!  Now Tony can pay for the cruise.

(I guess the lesson here is that, if you’re going to be a stowaway, make sure the ship has a casino.)

Finally, Bert (Van Johnson) and his wife, Audrey (June Allyson), are having to adjust to life now that Audrey has gone blind.  Fortunately, Doc Bricker takes a break from hitting on every woman on the boat and gives them some words of encouragement.  Soon, Bert is no longer lying about Audrey’s condition and Audrey is using her cane and learning how to read braille.

This episode felt a bit weird.  Obviously, the most interesting story was the reverend falling in love with a stripper but the show itself devoted more energy to Tony and his family and Phil gambling.  To be honest, with the amount of time that Phil spent in the casino, he came across like he might have a problem.  Hopefully, he went straight from the cruise to Gamblers Anonymous.  The guest stars themselves just seemed to be going through the motions and the end result was a fairly forgettable Thanksgiving.

Retro Television Reviews: The Love Boat 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for another cruise!

Episode 2.9 “Till Death Do Us Part–Maybe / Locked Away / Chubs”

(Dir by Allen Baron, originally aired on November 11th, 1978)

The Love Boat is haunted!

Well, no, not really.  Instead, one of the passengers is haunted.  Ellen Garner (Vernee Watson) is having a difficult time getting over the death of her husband, Mickey (Jimmie Walker, who also appeared on the very first episode of The Love Boat, though as a different character).  It’s been two years since Mickey died and Ellen still has not been able to move on.  Some of that might be because Mickey’s ghost is still following Ellen around.  Only Ellen can see and hear Mickey.  This leads to a lot of scenes of her arguing with Mickey while everyone standing around her assumes that she’s talking to herself.

(To be honest, I think most people would be made nervous by a woman who spent the entire cruise loudly arguing with herself but the passengers and the crew of The Love Boat are oddly unconcerned.  It was the 70s so I assume everyone just assumed it was due to the cocaine.)

Mickey wants Ellen to move on and he pressures her to find a new husband on the cruise.  In fact, Mickey thinks that Ellen should spend some time with Greg Elkins (Greg Morris), who is handsome, polite and wealthy.  At first, Ellen resists Mickey’s attempts to push them together but finally, she gives in.  Suddenly, Mickey starts to get jealous.  By the end of the cruise, though, Mickey is at peace with Ellen moving on and Ellen accepts Greg’s marriage proposal.  Mickey tries to congratulate Ellen, just to discover that she can no longer see or hear him.  Mickey vanishes into thin air, giving this otherwise frothy story a somewhat bittersweet aftertaste.

Whether you were being haunted or not, would you get married after only knowing someone for a week?  I know that there are reality shows built around this very idea but still, I have to wonder how many of these spontaneous Love Boat marriages ended in divorce.  Speaking of divorce….

Also on the cruise is a young married couple, Linda (a young Jamie Lee Curtis, looking relieved to not have to deal with Michael Myers or any other knife-wielding madmen) and Wayne (Peter Coffield).  Linda and Wayne are on the verge of divorce.  Ever since her parents, Les and Gail (Conrad Bain and Curtis’s real-life mother, Janet Leigh), acrimoniously split up, Linda hasn’t believed in love.  Linda and Wayne spend most of the cruise fighting, though it’s never quite clear what they’re fighting about.  What they don’t know is that Les and Gail are on the cruise as well.  Les and Gail came to the ship to see their daughter off and then, as they tried to exit, they accidentally got locked in an unused cabin.  Trapped together and subsisting only on peanuts, water, and stowaway sex, Les and Gail discover that they are still in love and they agree to get married for a second time.  At the end of the cruise, everyone is reunited and, seeing that her parents are going to give marriage another shot, Linda agrees to give Wayne another shot. Awwwww!

(Again, it should be kept in mind that Les and Gail fell back in love because they literally didn’t have anything else to do.  They were trapped in cabin for several days!  Will their rekindled love continue once they have to deal with each other in the real world?  Considering how much they hated each other before getting trapped, it’s easy to be pessimistic.  Can you imagine how Linda will feel if her parents get married a second time just to then get a second divorce?  Then again, this is The Love Boat.  Perhaps the whole point is not to give it too much thought….)

Finally, Gopher is super excited that his sister will be celebrating her 18th birthday on the cruise!  However, Gopher is shocked and horrified to discover that Jennifer (Melissa Sue Anderson) has grown up and now has every guy on the ship hitting on her.  Gopher asks Doc Bricker to look after her, which is an odd request given that Doc is a walking HR nightmare.  That said, for once, Doc tries to do the right thing.  However, Jennifer is eager to lose her virginity and she’s decided that Doc would be the perfect man to which to lose it….

Really?  Out of all the guys on that cruise, you’re going to pick Doc?

Stories in which Doc is portrayed as being a legendary lover are always a bit strange because Doc was played be Bernie Kopell, a likable actor who gave off suburban Dad vibes as opposed to international playboy vibes.  Kopell, Anderson, and the usually underused Fred Grandy all give likable performances in this storyline but it’s still just odd to think that Jennifer has apparently spent years dreaming about Doc Bricker.

It’s also strange that Captain Stubing mentions that it’s been years since he last saw Gopher’s sister.  The previous season established that Captain Stubing had just recently been assigned to the boat and that he was still getting to know the crew.  So, either several years passed between the first and the second season or someone in the writer’s room wasn’t paying attention to continuity.  Then again, I imagine that continuity wasn’t as big a concern in the days before the Internet.  Even if someone did notice the mistake, who would they tell?

This episode was a fairly entertaining one.  Janet Leigh and Conrad Bain were definitely the highlight of this episode and it was fun to watch Leigh and Curtis acting opposite of each other.  (That said, you just know the show’s producers probably tried to convince Tony Curtis to play Janet Leigh’s ex-husband before they asked Bain.)  The ghost subplot had a few funny moments and Gopher finally got to do something.  All in all, it was a pleasant cruise on the Love Boat.

Retro Television Reviews: The Love Boat 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, hearts are broken on a special 90-minute episode of The Love Boat!

Episode 2.8 “A Time for Everything / The Song Is Ended / Accidental Cruise / Anoushka”

(Dir by Roger Duchowny, originally aired on November 4th, 1978)

What a sad episode!

Seriously, this cruise is all about heart break.

For instance, when Russian Commissar  Anoushka Mishancov (Loretta Swit) first boards the boat, Doc Bricker is upset when he’s assigned to keep an eye on her.  As has been established over the previous 32 episodes, Doc prefers to spend his time talking to women who are about twenty years younger than him and who are from capitalist countries.  Anoushka, on the other hand, is a communist (boo!) who, for some reason, is boarding the Pacific Princess so that she can learn about how Americans handle catering.  (I said it was weird.)  At first, Anoushka is so determined to do her duty that she insists on wearing her uniform at all times.

However, after Anoushka reveals that she does find old Doc Bricker to be a little bit intriguing, Julie tells her that she’s going to have to loosen up if she’s going to capture Doc’s attention.  Which, Anoushka does at dinner that night….

Eyes up, Gopher!

Doc does notice Anoushka.  In fact, he falls in love with her and, at the end of the cruise, he asks her to marry him!  Anoushka confesses to having fallen in love with Doc but then she explains that she also loves her country.  (Really?  It’s just Russia.)  Doc loves America and Anoushka loves Russia and, as a result, they cannot marry.  Anouska leaves the ship and a heart-broken Doc looks like he’s actually about to cry.  And let’s give credit where credit is due.  It’s a really well-acted scene.  Doc Bricker has always been a fairly ludicrous character but, in this episode, Bernie Kopell does a good job of suggesting that, even if he is a lecher, Doc Bricker is a lecher with a heart.

While Doc is falling in love with a commie, Captain Stubing is getting to know Vicki (Jill Whelan), the 9 year-old daughter of Captain Stubing’s former lover, the late Georgina (played, in flashbacks, by Melendy Britt).  Vicki was originally supposed to travel with her aunt, Delores (Sandra Deel).  However, something has come up and Delores will not be able to travel with her.  Captain Stubing agrees to look after Vicki and even allows Vicki to stay in his quarters.  Over the course of the cruise, Captain Stubing and Vicki bond.  Everyone agrees that they have the same eyes.  Of course, that’s because Vicki is actually Captain Stubing’s daughter!

Vicki wants to live on the ship but the Captain explains that a cruise ship is not a good place for a nine year-old to grow up.  Stubing considers retiring and living on dry land but Doc Bricker reminds Stubing that he would never be happy if he wasn’t on the ocean.  Stubing promises that Vicki can return to the boat whenever she has time off from school and he tells her that, when she gets older, she could even “be a cruise director, like Ms. McCoy.”

(In other words, don’t even think of trying to become a captain, girl!)

Now, of course, Vicki did later return to the ship.  In fact, she returned just a year later and became a regular during the third season.  I guess Captain Stubing decided that going to school on dry land wasn’t that important after all.  (We’ll find out when we reach the third season!)  That said, even with that in mind, it was undeniably sad to watch as Stubing sat in his cabin and struggled to hold back the tears after Vicki left the ship.  Much like Bernie Kopell, Gavin MacLeod gave a surprisingly heartfelt and sincere performance in this episode.

It wasn’t all sadness

Luckily, it wasn’t all heartbreak on this episode.  After getting drunk and boarding the boat by mistake, Sandy Beal (Jo Anne Worley) and Victor Marshall (Soupy Sales) fell in love for real.  And jingle writer Charlie Godwin (Robert Goulet) ran into his old song-writing partner (Richard Dawson) and the two of them saved Charlie’s marriage to June (Juliet Mills).  There were two happy endings but they were overshadowed by all the sadness.

This was a good episode.  Even The Love Boat needs a little heartbreak every once and a while.

Retro Television Reviews: The Love Boat 2.7 “Ship of Ghouls”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, Vincent Price comes aboard for a special Halloween episode!

This is actually, the second time that I’ve reviewed this episode.  I also watched and reviewed it back in 2021.  I enjoyed it the first time that I watched it and my opinion remained the same the second time I watched it.  Still, I’m glad that I rewatched the episode as opposed to trying to write a second review from memory.  There were a few details that I had forgotten.

Anyway, it’s time for…. SHIP OF GHOULS!

Episode 2.7 “Ship of Ghouls”

(Originally aired on October 28th, 1978, dir by Roger Duchowny)

It’s time for the annual Halloween cruise and Captain Stubing is super excited because he has hired The Amazing Alonzo (Vincent Price) to provide the cruise’s entertainment.  Alonzo is a master illusionist and hypnotist, who can trick people into seeing just about anything.  The episode really doesn’t explain just how exactly Alonzo is able to hypnotize people by just saying a few words to them but no matter.  This is The Love Boat and Vincent Price is …. well, he’s Vincent Price.  Vincent comes across like he’s having the time of his life in this episode and, as such, we accept that Alonzo can cause a bunch of people to think that Gopher and Doc have been turned into two donkeys.  We accept that he can fool the Captain into thinking that the ship’s pool has been turned into a giant ice cream sundae.  We even accept that he can make Isaac’s head appear in a glass of beer.  We accept all of it because it just feels wrong to get hung up on logic when Vincent Price is involved.

The Amazing Alonzo is having so much fun flirting with his elderly groupies and casting spells that his long-suffering fiancé, Ramona (Joan Blondell), dumps him and instead moves into the Captain’s quarters.  At first, Alonzo is jealous of the Captain but he soon comes to realize that the Captain is not romantically interested in Ramona and is just letting her stay in his quarters because she needs some place to stay.  Alonzo also discovers that he can no longer hypnotize people without Ramona’s support.  At the big Halloween party, Alonzo freezes time and apologizes to Ramona.  He also confesses to her that his real name is Wendell.  They walk out of the ship’s ballroom, hand-in-hand.  Yay!

Needless to say, Vincent Price was the highlight of this episode.  However, as was always the case with The Love Boat, there were other passengers on the cruise.

For instance, nine year-old Bobby Diller (Charlie Aikman) is a habitual liar and prankster.  His behavior may be bratty but that’s largely due to the fact that his parents (Gary Collins and Mary Ann Mobley) are getting back together after previously getting a divorce and he’s worried that they’re going to split up again.  Fortunately, Bobby’s lying comes in handy when he spots Karen (Barbara Anderson) preparing to throw herself overboard.   Bobby tells Karen that his mother committed suicide and that he’s never gotten over it.  Karen changes her mind about committing suicide.  Once Karen is safely back on deck, Bobby admits that he lied but then adds, “It’s the last lie I’ll ever tell!”

Why was Karen suicidal?  Karen was a model until a car accident left her with a scar on her face.  Karen is convinced that no one will ever find her to be beautiful again.  Of course, Gopher and Doc both find her to be beautiful and they spend the entire cruise hitting on her and arguing over which one of them has the right to dance with her and have dinner with her.  (As I’ve said in the past, The Love Boat really was a floating HR nightmare.)  Karen, unfortunately, thinks that they’re just doing this as a favor to Karen’s best friend, cruise director Julie.  Fortunately, Bobby’s lie convinces Karen that people can sincerely care about one another.  Also, Karen realizes that she’s too good for either Gopher or Doc.  Good for her!

This was a good episode.  Vincent Price was a delight as always and Barbara Anderson was sympathetic Karen.  All Halloween cruises should be as entertaining as The Love Boat‘s!

Retro Television Reviews: Half Nelson Episodes 1 & 2 “The Pilot”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!

The year was 1985 and actor/singer Joe Pesci was at an interesting place in his film career.

In 1980, Joe Pesci was nominated for Best Supporting Actor for his performance as Robert De Niro’s brother in Raging BullRaging Bull was Pesci’s second film and he earned critical acclaim for his performance as the second most angry member of the LaMotta family.  In the years immediately following his first Oscar nomination, Pesci went on to play character roles in a handful of other films, including Dear Mr. Wonderful, Easy Money, Once Upon A Time In America, and Eureka.  While no one could deny Pesci’s talent or his unique screen presence, it was also obvious that Hollywood wasn’t quite sure what to do with him.  While Pesci was apparently high on everyone’s list when it came to playing gangsters with hair-trigger tempers, no one was willing to give Pesci a starring role.

Fortunately, television always has room for an Oscar nominee and, in 1985, Half Nelson came calling.  Created by veteran television producers Glen A. Larson and Lou Shaw, Half Nelson was a detective show.  Joe Pesci starred as Rocky Nelson, a tough New York cop who relocated to Los Angeles to pursue his acting career.  While waiting for his big break, Rocky worked for Beverly Hills Security and lived in Dean Martin’s guest room.  And when I say that Rocky was living in Dean Martin’s guest house, what I mean is that Dean Martin actually appeared on the show, playing himself.

NBC liked the idea enough to air the pilot film and then schedule the show as a mid-season replacement.  Audiences were a bit less interested in the show and Half Nelson was canceled after only 8 weeks.  Pesci went on to win an Oscar for Goodfellas and he never starred in another television show.  Half Nelson would probably be forgotten if not for the fact that someone recently came across the opening credits on YouTube.  When shared on Twitter, this video went viral as “the most 80s thing” ever created.

After I watched that video, I knew I simply had to review Half Nelson as soon as I finished up The Brady Bunch Hour.  Fortunately, almost all of the episodes have been uploaded to YouTube so, for the next few weeks, I’ll be taking a look at Half Nelson, starring Joe Pesci!

Episodes 1 & 2 “The Pilot”

(Dir by Bruce Bilson, originally aired on March 24th, 1985)

Half Nelson begins in New York City, with NYPD’s finest, Detective Rocky Nelson (Joe Pesci), disguising himself as a waiter and sneaking into a mafia-owned restaurant.  After punching out two guards, Rocky enters a backroom and discovers a group of guys with a lot of heroin.  Rocky arrests them and becomes a hero.  As Rocky explains in a voice-over, it’s the biggest drug bust in history.  When Hollywood asks for the rights to the story, Rocky insists that he be allowed to audition for the lead role.  Rocky quits the NYPD and heads out to Los Angeles.  Rocky’s going to be a star!

And, at first, it seems like Rocky’s dream might actually come true.  The film’s director (played by the veteran TV character actor, George Wyner) watches Rocky’s audition and announces that Rocky has the screen presence and talent of Al Pacino.  Unfortunately, Rocky is also only 5’3.  “You’re too short to play Rocky Nelson,” the director explains.

“But I am Rocky Nelson!” Rocky exclaims.

Despite the fact that Rocky’s telling the truth, it doesn’t matter.  A tall British actor is cast in the film.  As a dejected Rocky leaves the audition, he’s approached by a security guard who offers Rocky a job with Beverly Hills Patrol, a private security firm.  Rocky’s skeptical until the security guard mentions that Rocky will get to live in Dean Martin’s guest house.

We jump forward six months.  Rocky is now a trusted employee of Beverly Hills Patrol.  When he’s not working as a bodyguard, he’s auditioning for roles.  At the office, his boss is Chester (Fred Williamson) and the office manager is Annie O’Hara (Victoria Jackson).  Chester is cool and all-business.  Annie is flighty and has an obvious crush on Rocky.  She also gives Rocky a pit bull named Hunk.  Hunk is very loyal but also very quick to attack anyone who isn’t Rocky.  I don’t know if a show could get away with a comic relief pit bull today but whatever.  Hunk is a cute dog with a ferocious bark.

In just six months, Rocky has become surprisingly well-known in L.A.  Some of that might be because he lives with Dean Martin.  Martin appears in three scenes of the pilot and, to be honest, he definitely looks and sounds a bit worse for wear.  Half Nelson was Dean’s final acting role.  (He died ten years after the show was canceled.)  But even though Dean was clearly not in the best shape when he appeared in the pilot, his natural charisma still shines through and there’s a lot of pleasure to be found in his scenes with Joe Pesci.  For one thing, Pesci himself seems to be genuinely excited about acting opposite Martin.

Along with becoming friends with Dean Martin, Rocky has also befriended Parsons (George Kennedy), a Los Angeles police chief who is eager for Rocky to quit the Beverly Hills Patrol and to join the LAPD.  Rocky turns down the offer, however.  Rocky is done with police work.  He’s going to be a star!

Of course, he’ll also find time to solve some crimes along the way.

For instance, in the pilot, Rocky investigates the death of his best friend and co-worker, Jerry (Nicholas Surovy).  Parsons insists that all the evidence shows that Jerry murdered his girlfriend, Monika (Morgan Brittany), and then shot himself.  However, Rocky doesn’t think Jerry would do something like that.  When Jerry’s father (veteran screen actor Rory Calhoun) asks Rocky to find the people who killed his son, Rocky doesn’t have to be asked twice.

It turns out that Jerry and Monika were taking money from a tabloid magazine publisher (Terry Kiser).  They had a video tape that would have been very embarrassing to some prominent Angelinos, including a businessman (Rod Taylor), a restauranter (Tony Curtis), a general (Mills Watson), an astronaut (Gary Lockwood), and a television executive (Bernie Kopell).  Rocky assumes that the people on the tape ordered the murders but then he learns that, while the general did send two government agents to find the tape, he also made clear that no one was supposed to be killed.  Instead, someone else who wanted the tapes committed the murders on his own.

Searching for the killer means that Rocky will have to assume many disguises and show off his acting skills.  As an actor, he’s able to wander into the local movie studio and not only raid their wardrobe department but also borrow their cars.  Over the course of the film, Rocky disguses himself as both a cowboy and a traffic cop.  He also drives a Ferrari, a Cadillac, a jeep, a motorcycle, and KITT, the talking car from Knight Rider.  (KITT, unfortunately, does not talk in Half Nelson.)  On the one hand, the use of disguises is a little bit silly because Joe Pesci is always going to be Joe Pesci regardless of what costume he is wearing.  The pilot’s silliest scene involves Rocky dressed up like a cop to confront two men who have been following him.  Somehow, they fail to pick up on the fact that the 5’3 cop with the New York accent is the same 5’3 New Yorker who they’ve been tailing for the last few days.  And yet, it’s one of those things that’s so ludicrous that you can’t help but think that the show was showing a bit of self-awareness and commenting on just how ludicrous most television shows tend to be.

Eventually, Rocky figures out that the killer is …. SPOILER ALERT …. Parsons!  That’s right.  The same police chief who kept offering Rocky a job with the LAPD turned out to be the murderer for whom Rocky was looking.  What’s interesting is that, after realizing that Parsons is the killers, Rocky doesn’t arrest Parsons or attack him or do any of the other things that a typical TV detective might.  And Parsons doesn’t try to flee or fight.  Instead, the two men take a leisurely drive and talk about life, morality, and regret.  Parsons talks about how he was once an honest cop but Los Angeles corrupted him.  Rocky expresses some sympathy and says that he hates that he discovered that Parsons was the murderer.  It’s a well-acted and surprisingly well-written scene.  When Rocky asks Parsons about the murders, Parsons replies, “I had to empty my gun, just to drown out their screams.”  (Yikes!)  Parsons lets Rocky out of the car and tells him, “Don’t let them get to you, kid.”  Parsons then drives the car over a cliff as Roberta and Chester (who have been tailing Parsons) run up to Rocky.

“Hard to believe that a man like that would kill himself!” Roberta says.

“That’s just the funeral,” Rocky replies as Parsons car explodes, “He died a long time ago.”

Wow, that’s dark!  Fortunately, the mood is lightened during the show’s final scene, in which Rocky’s pit bull attacks boxer Larry Holmes.

The pilot for Half Nelson was nicely done.  It set up the series and it gave us an introduction to the characters, which is exactly what a pilot is supposed to do.  The cast showed off their chemistry and the final scene between Parsons and Rocky indicated that the show had the potential to be something more than just another mid-80s detective show.  The pilot’s greatest strength, not surprisingly, was Joe Pesci.  Pesci has played so many mobsters and crooked lawyers that it’s easy to forget what a likable actor he can be.  The pilot featured Pesci at his most amiable and it also gave him a chance to show off his comedic timing.  All-in-all, the pilot was a success and I could understand why NBC would have ordered more episodes after watching it.

But what about the series?  Would the series live up to the promise of the pilot or would it just become another generic detective show?  We’ll find out over the next 8 weeks!

Retro Television Reviews: The Love Boat 2.6 “Mike and Ike / The Witness / The Kissing Bandit”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, I learned that there’s no way to escape the Bradys!

Episode 2.6 “Mike and Ike / The Witness / The Kissing Bandit”

(Dir by Allen Baron and Roger Duchowny, originally aired on October 21st, 1978)

This week, The Love Boat continued to be a floating HR nightmare as Newton Weems (a very young Billy Crytsal) donned a mask and spent his nights running around the ship and kissing every single woman that he came across.  Fortunately, Newton’s such a fantastic kisser that no one demands that the police be alerted.  Unfortunately, with every woman on board eager to get kissed, that means that no one is reacting to the lame flirtations of Doc, Gopher, and the Captain.  The Captain decides that the best way catch the Kissing Bandit would be to use Julie as a decoy.  If I was Julie, I would point out how reasonable I was about the Captain’s uncle and demand more money.  Instead, Julie allows herself to be kissed and soon, she’s in love with the Kissing Bandit as well.

However, Newton eventually realizes that he’s actually in love with another passenger, Roberta (Laurie Walters), and that he doesn’t have to wear a mask to be romantic.  Though this disappoints his biggest fans (played by Nancy Kulp, Pat Carroll, and Sharon Acker), it does make the rest of the crew happy.  It seems like the Captain should be worrying more about running the ship than hitting on every woman who comes aboard but I guess big luxury liners pretty much run themselves.

While this was going on, Isaac was reconnecting with his old friends, Lenore (Marilyn McCoo) and Mike (Billy Davis, Jr.).  When they were younger, they used to perform on street corners for spare change.  Now, Mike is an executive vice president and he’s so work-obsessed and stuffy that his own son (Todd Bridges) thinks that his father doesn’t love him!  Fortunately, things work out in the end.  Mike realizes that there are things more important than business.  Ted Lange gets to show off his dance moves, though it’s hard to forget that Isaac once accused another passenger of being a sell-out for doing the same thing.

Finally, Frank McLean (Robert Reed) is taking a cruise so that he can avoid testifying in a murder trial.  He is spotted by Suzanne (Toni Tennille), who knows Frank from the old neighborhood.  At first, Frank denies even being from New York but, eventually, he tells Suzanne his story.  Suzanne falls for Frank but she has a secret of her own.  By Love Boat standards, this story is fairly dramatic but it ultimately fails because there’s not a hint of chemistry between Reed and Tennille.  In fact, Robert Reed looks even more miserable after he falls in love than he did before.

On a personal note, I just can’t escape The Brady Bunch, can I?  Last week, even as I was finishing up The Brady Bunch Hour, Robert Reed showed up on Fantasy Island.  This week, Eve Plumb went to the island while Robert Reed boarded the ship.  There’s just no way to escape those Bradys!