Retro Television Review: The Love Boat 3.27 “Invisible Maniac/September Song/Peekaboo”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, The Love Boat has a very special passengers!

Episode 3.27 “Invisible Maniac/September Song/Peekaboo”

(Dir by George Tyne, originally aired on April 19th, 1980)

This week, the pop cultural stars align as a young David Hasselhoff boards the Love Boat!

Hasselhoff plays Tom Bell, a 20-something attorney who is dating a 30-something attorney named Cathy (Shelley Fabares).  Cathy insists that they keep their romance a secret due to the age difference.  She doesn’t want people to think that she’s a cradle robber or an older woman with a gigolo.  (Cathy might also want to consider that she’s a senior partner at the firm while Tom is just a junior partner.)  Tom doesn’t care about the age difference.  In fact, he wants to marry Cathy!

And yes, they do eventually get married.  Tom even has his grandparents waiting for them when the boat docks in Los Angeles so that they can act as witnesses.  There’s not really any suspense as to whether or not Tom and Cathy will end up married because this is The Love Boat, the show that combined the swinging culture of the 70s with the morality of the 50s.  The Hoff is his usual dramatic but self-aware self while Shelley Fabares is endlessly likable.  They’re a cute couple and, minor age difference aside, they just look like they belong together.  It was a sweet story.

As for the other passengers:

Fay Piermont (Peggy Cass) is married to Bill (Gordon Jump).  Bill’s a nice guy but Fay fears that they’ve become a boring couple.  She wants to be an exciting couple and she’s figured out that the way to do this is to get a makeover, buy a new wardrobe, and then toss her glasses and all of her frumpy clothes overboard.  (At first, both Julie and Vicki are worried that Fay is planning on throwing herself overboard.  One would think that would be cause for ship-wide alarm but Julie and Vicki just check on Fay occasionally to make sure she’s still alive.)  At first, Bill is freaked out by Fay’s new attitude but, eventually, he comes to accept it and Fay comes to realize that she loves Bill, even if he is a bit reserved.  This is the type of story that The Love Boat did frequently.  Fay and Bill are a nice couple, even if they’re no Tom and Cathy.

Finally, Isaac is reunited with a former high school classmate, a model named Janet (BernNadette Stanis).  Janet is upset that her husband (Clifton Davis) is more into sports than romance so she tries to make him jealous by lying about what a womanizer Isaac was in high school.  Gopher overhears and tells Isaac that Janet referred to him as being “all hands” in high school.  Now, most people would understand that Janet was just trying to make her husband jealous but Isaac somehow becomes convinced that he is a womanizer but he just can’t remember his actions because he suffers from dissociative identity disorder and he even goes to Doc Bricker for help!  Why would Isaac believe that?  It makes no sense that Isaac — cool, calm Isaac — would suddenly be so stupid.  This is something that would happen to Gopher not Isaac.

That one silly storyline aside, this was a pleasant cruise on The Love Boat.  I’m glad things worked out for Tom and Cathy.  Seriously, the world is so lucky to have The Hoff.

Retro Television Review: The Love Boat 3.26 “Vicki’s First Love/The High Cost of Living/Accident Prone”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

The Love Boat promises something for everyone!

Episode 3.26 “Vicki’s First Love/The High Cost of Loving/Accident Prone”

(Dir by George Tyne, originally aired on April 5th, 1980)

It’s not easy growing up on a cruise ship.  That was one of the main takeaways that I took from this week’s episode of The Love Boat.  Vicki is really excited when singer Mark Redding (Rex Smith) boards the ship.  She has a huge crush on him and she even gets to give him a tour of the boat.

Of course, despite his teen idol status, Mark is an adult and famous and being pursued by almost every woman on the ship.  Vicki feels insecure compared to the other women who are pursuing Mark.  (Of course, those women are all in their 20s while Vicki is 12.)  Eventually, Captain Stubing has one of his fatherly conversations with her and Vicki realizes that she doesn’t have to grow up quickly.  It’s a simple storyline but it’s nicely performed by both Jill Whelan and Gavin MacLeod and, speaking as someone who wanted to be an adult when she was 12, I could relate to Vicki’s feelings.  I was also glad that Mark turned out to be not a sleazy rock star, even if he was a bit superficial.  The Love Boat is a place for romance, not debauchery.

As for the other two storylines, one featured Steve Kanaly as Mr. Massey, a wealthy man who is paying a former lover palimony.  At his lawyer’s insistence, he boards the boat with a series of contracts.  Before he get involved with any woman, he is supposed to get her to sign an agreement not to sue him for palimony.  Needless to say, this does not make Massey’s romantic life easy.  Finally, he decides to forget about the contract, just for his shipboard hook-up to present him with a contract of her own.  Apparently, everyone’s scared of getting sued!

Speaking of getting sued, Tom Barry (Alan Feinstein) boards the boat with a broken leg and is shocked to discover that the bad driver responsible for the accident that injured him is on the boat as well!  Karen (Britt Ekland) is a bit accident-prone but, despite the awkwardness of their first meeting, Tom and Karen fall in love.  Tom even agrees to not sue her.  Yay!  I love a happy ending.

This was an enjoyable episode of The Love Boat.  With the exception of Tom and Karen’ story, there really wasn’t much romance.  There was just Vicki feeling insecure but coming to realize that she was just fine the way she was and then there was Mr. Massey trying to balance getting laid with remaining legally safe.  But the Vicki storyline was sensitive and intelligent while the Mr. Massey storyline featured some nice comedic desperation from Steve Kanaly.  Even Alan Feinstein and Britt Ekland had a really likable chemistry.  All in all, this was a pleasant cruise.

Retro Television Reviews: The Love Boat 3.17 “April’s Love/We Three/Happy Ending”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, a special guest returns!

Episode 3.17 “April’s Love/We Three/Happy Ending”

(Dir by George Tyne, originally aired on January 12th, 1980)

Let’s see.  This week’s episode is entitled April’s Love/We Three/Happy Ending and….

Wait?

Whose love?

April?

Oh no (or oh yes, depending on how you view things), it’s a Charo episode!

Charo was hardly the only celebrity to frequently appear on The Love Boat but she was the only one to always play the same character.  April first boarded the ship as a stowaway and then she returned as an entertainer.  She appeared at least once in almost every season.  In many ways, Charo was the perfect fit for The Love Boat.  She was loud, flamboyant, and shameless.  She was sexy but innocent.  She was the epitome of The Love Boat aesthetic.  At the same time, a little Charo went a long way and, whenever she boarded the ship, you knew the episode was pretty much going to be 75% Charo.

That’s the case here, in which the crew makes such a big deal over April that you have to wonder if they’re aware that there are other passengers on board.  April boards the ship with her manager and fiancé, Honest Tex (Forrest Tucker).  The crew doesn’t trust Honest Tex, especially when they find out that he was a used car salesman before he met April.  When Honest Tex hears Julie playing her flute and offers to get her a recording contract, the crew assumes that he wants to cheat on April!

(Side note: Since when did Julie start playing the flute?)

Fortunately, Honest Tex turns out to be sincere and he really does have a heart as big as Texas.  After April tells him what the crew has been saying about him, Honest Tex admits that he has been lying about something.  He was actually born in New Jersey.  April sings a song, the crew apologizes, and April and Honest Tex leave the boat a happy couple.

While this is going on, William and Betty Robinson (Don Adams and Juliet Mills) board the boat so they can get some work done.  They are married screenwriters but they are on the verge of divorce.  Once they finish their current script, they can split up.  The only problem is that William doesn’t want to split up with her.  Isaac suggests that William just never finish the script.  William hides the script in his nightstand and then, saying that it’s been lost, he works with Betty to write a new script in which a couple stays together.  Betty and William realize that they still love each other.  Betty discovers that William hid the script but she then confesses that she had another copy of the original script the whole time.  Awwwwwww!  This was a cute story.  Don Adams was a lot more likable here than he is on Check It Out! and Juliet Mills is a lot less annoying than her sister Hayley.

(Admittedly, I really only know Hayley from her time as Miss Bliss on those weird episodes of Saved By The Bell.  But seriously, Miss Bliss was the worst!)

Finally, Tom Thornton (Ross Martin) boards the boat and is surprised to see his ex-girlfriend, Martha (Marjorie Lord), and Martha’s adopted daughter, Laura Rogers (Laurie Walters).  Laura happens to be Tom’s daughter!  Tom isn’t sure whether or not he should reveal he is Laura’s father but meeting Vicki and hearing about how happy Vicki was when she discover Captain Stubing was her father leads to Tom telling Laura the truth.  Laura is happy to have a father and Martha is happy to reunite with Tom.  This was another sweet story, featuring sincere performances from both Ross Martin and Marjorie Lord.  (Plus, Vicki finally did something to justify breaking all of the labor laws that are undoubtedly being violated by having a 12 year-old working on a cruise ship.)

This episode featured two sweet and sincerely-acted stories but both of them are overshadowed by April and Honest Tex.  Personally, I think April is an amusing character and, as I said, Charo was the epitome of the ideal Love Boat celebrity guest.  But it’s still hard not to feel that the other passengers deserved just as much attention as Charo received in this episode.  That said, this was still an enjoyable cruise.  A good time was had by all.  I know Charo will return in future episodes but I have a feeling we’ll never hear from Honest Tex again.

Retro Television Reviews: The Love Boat 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This cruise is all about deception!  Welcome aboard, it’s love!

Episode 3.12 “The Brotherhood of the Sea/Letter to Babycakes/Daddy’s Pride”

(Dir by George Tyne, originally aired on November 17th, 1979)

Julie’s birthday is coming up and the crew is planning to throw her a surprise party.  However, to keep Julie from catching on to what they’re planning, Doc, Gopher, and Isaac decide that they need to keep her occupied.  They tell her that they are all member of the “The Brotherhood of the Sea” and that they’re now prepared to make Julie a member as well.

Somehow, Julie falls for this very obvious lie and she spends almost the entire cruise doing all of the silly activities that Doc, Gopher, and Isaac have set up for her.  As I watched this, I found myself wondering if maybe Julie had somehow forgotten when her birthday was because, seriously, it couldn’t have been any more obvious what Doc, Gopher, and Isaac were doing.  Even worse, Julie gets so busy trying to join the Brotherhood of the Sea that she neglects her latest romantic partner, Rory Daniels (Christopher Connelly).

It’s time that we just face facts.  Until Julie gets off that boat, she’s never going to find the husband that she always says that she’s looking for.  The Boat pretty much dominates Julie’s life and there’s no way that her male co-workers are ever going to stop out of the way and allow Julie to find any sort of happiness.  It’s an interesting dynamic and I think it’s one that’s familiar to any woman who has worked with mostly male co-workers.  On the one hand, the ground you walk on is worshipped.  On the other hand, they don’t ever want to let you go.

While Julie is trying to join the Brotherhood of the Sea, Olympic gymnast Penny Barrett (Nancy McKeon) just wants to hang out with Kevin (Stephen Manley), a passenger who is her own age.  Unfortunately, Penny’s father (Alex Cord) is also her coach and he wants her to devote all of her time, even her time on the Boat, to training.  Poor Penny!  Seriously, back when my whole life was about going to dance class, I met so many people like Penny, whose parents basically lived their entire lives through them and never allowed them to have a childhood.  I was glad my parents supported me but didn’t pressure me.

Finally, wealthy Bart (Demon Wilson) boards the ship with his girlfriend, Tracy (Telma Hopkins), and his assistant, Wally (Jimmie Walker).  After Bart meets Ginger (Sydney Goldsmith), he decides that he wants to cheat on Tracy and he expects Wally to help him pull it off by keeping Tracy busy while Bart goes off with Ginger.  Needless to say this leads to Tracy and Wally falling in love.  Ha!  Take that, Bart!  This storyline would have been a bit more interesting if the two leads actors weren’t so boring in their roles.

This was a so-so cruise but at least Julie knows where she stands now.

Retro Television Reviews: The Love Boat 3.8 “Play By Play/Cindy/What’s A Brother For?”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

It’s time for a Halloween cruise!

Episode 3.8 “Play by Play/Cindy/What’s A Brother For?”

(Dir by James Sheldon and George Tyne, originally aired on October 27th, 1979)

Yes, this episode does feature the Love Boat’s annual Halloween cruise but sadly, it doesn’t do much with the theme.  Last season’s Halloween cruise featured Vincent Price as an illusionist.  This season, there is a costume ball but it’s mostly just there so that the show can do a take off on Cinderella.

Cindy (Melissa Sue Anderson) is a shy girl who boards the ship with her wicked stepmother (Carolyn Jones) and her two less-than appealing step-sisters (Ronda Bates and Lila Kent).  While the stepmother tries to find an eligible bachelor for either one of her biological daughters, Cindy is expected to stay in the cabin and do the laundry.  However, Gopher hears Cindy singing Witchcraft and decides that Cindy simply has to sing for “the prince of pop,” Preston Maddox (Frank Sinatra, Jr., who looks like a cross between his father and Jerry Lewis).  However, how can Cindy escape from the cabin?  Gopher arranges for her to go to the costume ball and he even steals Julia’s Cinderella costume so Cindy can go incognito.  Cindy impresses Preston but, when Julie sees that Cindy is wearing her costume, Cindy makes a run for it.  She leaves behind one glass slipper and …. well, you know where this is going, right?  As everyone disembarks in Los Angeles, Preston has them try to on the slipper.  Cindy, however, doesn’t have to try on the slipper to prove her identity.  She just has to start singing Witchcraft.  By the end of the episode, you’ll wonder if Cindy knows any other songs.

While all that is going on, Bud Pomeroy (Christopher George) and Peggy Rossmore (Lynda Day George) are two sportscasters who work together but actually dislike each other.  Peggy thinks Bud is a chauvinist and Bud thinks that Peggy was only hired for her looks.  They decide to compete in a series of athletic events to determine who will stay at their station and who will quit.  Bud wins at arm wrestling.  Peggy wins a 5-mile race around the ship.  To determine their third event, Peggy randomly draws a piece of paper from Captain Stubing’s hat and discovers that the next competition will be weight-lifting!  When Bud throws his back out, it looks like Cindy is going to win but then Cindy asks Bud to stay and they discover that they actually love each other.  Yay!  Neither the story nor the characters were that interesting but Christopher George and Lynda Day George were married in real life and they made an attractive couple.

Finally, Tom Benton (Tom Hallick) has devoted his entire life to looking after his brother, Matt (Patrick Wayne), who uses crutches.  When Tom meets and falls in love with Kris (Joan Van Ark), Matt realizes that it is time for Tom to move on and find some happiness of his own.

For the most part, this was a typically pleasant episode of The Love Boat but, as a Halloween episode, it was a major disappointment.  They should have had some fun with season but, unfortunately, they didn’t.  This was like going on a Christmas cruise and not getting any presents.

Retro Television Reviews: The Love Boat 3.7 “The Reunion/Haven’t I Seen You?/Crew Confessions”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week is all about mistaken identity!

Episode 3.7 “The Reunion/Haven’t I Seen You?/Crew Confessions”

(Dir by George Tyne, originally aired on October 20th, 1979)

After discovering that a guy that he went to high school with in Oakland is now a published author, Isaac decides that maybe he should spend the cruise writing a novel of his own.  The other members of the crew encourage him to try his hand at being a literary genius because, seriously, how hard can it be?  (Gopher suggests that anyone can be a writer!  Okay, Gopher….)  Isaac attempts to write a western, just to discover that he can’t get past the first two sentences.  He then tries to write a romance and can’t get past the first two sentences.  Finally, he attempts to do a science fiction novel and can’t get past …. well, you get the idea.

Finally, Isaac realizes that his mistake is that he’s not writing about what he knows.  Instead, he starts writing a book about life on a cruise ship!  (There’s a bit of an inside joke here as The Love Boat itself was inspired by a “non-fiction” book written by a former cruise director.)  Unfortunately, the rest of the crew soon recognizes themselves in Isaac’s writing.  Doc is offended at being portrayed as a sex-crazed womanizer who rarely practices medicine.  Gopher is upset to discover that the fiction ship’s purser is a klutz named Muskrat.  Julie is upset at the character of the “perky” cruise director.  Only Captain Stubing seems to be truly supportive of Isaac.  Upset that his friends are upset, Isaac rips his book in half.  Guilt-stricken, the rest of the crew decides to support Isaac and they start giving him ideas for his novel.  For instance, Doc Bricker tells Isaac that he served in the U.S Navy after medical school, adding yet another piece of the puzzle to the enigma of Adam Bricker.

The novel-writing storyline, I liked.  I could relate to it because I’ve noticed that people are always willing to support your literary ambitions until they realize that you’re writing about them.  I kind of hope that Isaac will keep writing.  Knowing The Love Boat, though, I know this is probably one of those things that will be forgotten by the next episode.

As for the other storylines this week, they were okay if slight.  Don Knotts plays a shoe salesman named Herb Groebeck who looks just like a television start named Devon King.  At first, Herb keeps correcting everyone about his identity but, when he’s approached by Marla (Julie Newmar), he decides to pretend to be Devon for a while.  Marla reveals that she has a baby and she says that Devon is the father, the result of a one-night stand in Las Vegas.  Herb, having fallen in love with Marla, asks her to marry him.  Marla suddenly reveals that she’s never actually met Devon and that she was lying about him being the father because she wanted a husband who could take care of her baby.  Herb says that’s okay because he’s not even Devon King.  Marla and Herb share a good laugh and leave the cruise as an engaged couple which …. I mean, is this really a relationship that’s really going to last?  It’s pretty much built on lies.

Speaking of lies, Laurette Ferot (Jane Wyatt) has boarded the boat so she can be reunited with her long-missing husband, Gilbert (Jean-Pierre Aumont).  Laurette and Gilbert were married in 1939 but the Nazi invasion of France tore them apart.  Laurette was taken off to Denmark.  Gilbert vanished and was presumed dead.  Laurette has spent the last 40 years looking for Gilbert.  Unfortunately, the man who shows up on the cruise is not her Gilbert.  Instead, he’s a former member of the French Resistance who befriended the real Gilbert in a concentration camp and who fell in love with Laurette as a result of listening to the real Gilbert talk about her.  When the real Gilbert died in the camp, the fake Gilbert assumed his identity.  Having survived the war, the fake Gilbert came to America and made millions as a lock manufacturer while also looking for Laurette.  Laurette is surprisingly forgiving of Fake Gilbert and even goes through with the ceremony to “renew” their vows on the ship.  Laurette marries Fake Gilbert and they leave the ship together.  Jane Wyatt and Jean-Pierre Aumont both gave heartfelt performances but this storyline, involving concentration camps and Nazi cruelty, felt a bit out-of-place when partnered up with stories about Isaac writing a salacious book and Don Knotts pretending to be an action star.  It was a bit too serious for The Love Boat format.

Overall, this episode was uneven but genuinely well-acted.  Just as last week’s episode gave Fred Grandy a chance to show off the fact that he actually could act, this episode gives the spotlight to Ted Lange and Lange, again, proves himself to be capable of more than just making drinks and pointing.  I hope his book was best seller.

Retro Television Reviews: The Love Boat 2.26 “April’s Return/Super Mom/I’ll See You Again”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise features Cyd Charisse!

Episode 2.26 “April’s Return/Super Mom/I’ll See You Again”

(Dir by George Tyne, originally aired on May 5th, 1979)

This episode’s writers would want us to believe that the most important thing that happens during this cruise is that April Lopez (played by Charo) returns to the ship.  During the first season, April was introduced as a stowaway who managed to charm the entire crew despite traveling illegally.  With the help of Captain Stubing, April has gone on to become the cruise line’s most popular entertainer and this week, she’s returns to the Love Boat!

The crew is super-excited because April is such a vivacious force of energy.  Or, at least, she was.  When she shows up on the boat, she seems to be feeling a bit down.  As she explains it to Julie, April has discovered that show business is not all that it’s cracked up to be and that it’s full of lecherous men.  (Shocker!)  April has decided that she would rather be a cruise director.  Julie agrees to show April what the job entails and …. well, it turns out that Julie actually has a pretty easy job.  She just goes to Acapulco Lounge at night, spots people who are alone or shy, and offers to dance with them.  I do that on a regular basis.  I should be a cruise director.

Anyway, April eventually realizes that she makes people happy by performing.  Charo was a popular guest star on The Love Boat and, unlike a lot of other actors who appeared in multiple episodes, she always played April.  (In this episode, she sings the show’s theme song.)  In many ways, Charo was the epitome of The Love Boat, in that her act was meant to be both sexy and old-fashioned at the same time.  The Love Boat was a show where everyone on the boat was constantly looking to get laid but the camera still cut away as soon as the cabin door closed and it was understood that sex on the boat would always lead to marriage on dry land.  It was a show with the customs of the 70s and the morals of the 50s.

The episode spends a lot of time on April’s search for happiness.  Personally, I was more excited by the fact that Cyd Charisse was on the boat.  Cyd Charisse is one of my favorite dancers of all time and was one of my personal role models when I was younger.  From the minute that Charisse boards the boat, the cameras are focused on her legs, which were just as spectacular as they were 20 years earlier in Singin’ In The Rain and Silk Stockings.  Charisse plays Eve Mills, a former USO entertainer who, by an amazing coincidence, happens to be on the same cruise as the man that she fell in love with during World War II, Frank Pearse (Craig Stevens).  By another amazing coincidence, Frank just happens to be an old friend of Captain Stubing’s!

Anyway, Frank and Eve recognize each other and they eventually work up the courage to approach each other.  Eve thought Frank was killed in the war.  Frank thought that Eve ignored all the letters that he sent her while he was recovering from being wounded in action.  (It turns out the letters were never mailed because Frank’s nurse was in love with him.)  Frank is still in love with Eve but he sees that she’s accompanied by a handsome young Frenchman named Francois (Stephen Schnetzer).  Eve reveals to Frank that Francois is not her boyfriend.  Instead, Francois is her son!  And guess who Francois’s father is?  (Really, the fact that he was named Francois should have given it away.)

Finally, Bud (Jerry Stiller) and Margaret (Anne Meara) are on their second honeymoon but, unfortunately, they’ve had to bring along their four bratty kids (one whom is played by a very young Corey Feldman).  Bud wants to have a good time.  Margaret keeps worrying about the kids.  Bud gets a dance lesson from April, which leads to Margaret getting jealous.  Don’t worry, they work it out.  Jerry Stiller and Anne Meara were adorable together but this story was stressful for me to watch, just because the kids were so hyperactive and never stopped running around.  Still, the image of Charo teaching Jerry Stiller how to dance feels like it should be enshrined in a museum devoted to the 1970s.

This episode seemed to exist because the show’s producers really liked Charo and it’s hard not to feel that the rest of episode’s storylines were just treated as being afterthoughts.  That said, I enjoyed the Cyd Charisse/Craig Stevens story.  Stevens was stiff and dull but Cyd Charisse was Cyd Charisse and that’s all that really matters!

Retro Television Reviews: The Love Boat 2.23 “A Funny Valentine/The Wallflower/Home is Not a Home”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

After the past few cruises, I think we’re overdue for a good episode of The Love Boat.  Let’s see if this week’s episode can deliver!

Episode 2.23 “A Funny Valentine/The Wallflower/Home is Not a Home”

(Dir by George Tyne, originally aired on March 3rd, 1979)

Julie has decided that this week’s voyage is going to have a carnival theme and, in order to get everyone in the mood, she’s hired a fortune teller!  Mary Louise (Samantha Eggar) claims that she can read palms but she’s even more interested in the art of phrenology, the study of heads.  When she sees that Captain Stubing is bald, she can’t wait to see what the top of his shiny head says about his romantic future.  Unfortunately, Stubing is in one of his depressed moods and says that fortune telling is for the young.  He explains that he’s old and he already knows that he’s destined to spend the rest of his life alone.

Awwwww!

Luckily, Mary Louise has other ideas!  The Captain is soon won over by Mary Louise’s free-spirited ways and her joi de vivre.  But the Captain also realizes that, unless he holds a carnival every cruise, there’s really not much place for a fortune teller on the ship.  The best that he can offer Mary Louise is a job in the gift shop.  Realizing that their lives are just too different, Mary Louise leaves the boat without saying goodbye the Captain …. but then she returns to tell the Captain that maybe she will take that gift shop job.

Awwwwww!

But then the Captain tells her that she would be miserable working in a gift shop.  (Hopefully, none of the other gift shop employees overheard him.)  The Captain and Mary Louise part ways.

Again, awwwwwww!

It was a simple story but I have to say that Samantha Eggar and Gavin MacLeod had a surprising amount of chemistry and both of them gave really heartfelt performances in this episode.  I found myself caring about them as a couple and hoping that things would work out.  Of course, I knew things couldn’t work out because then the show would have to find a new captain.

While all that is going on, shy Sylvia (Patty Freedman) has finally taken the advice of her neighbor, Gopher.  She has booked a cruise on the Love Boat!  However, Sylvia is painfully shy and doesn’t even realize that there’s a passenger named Monroe (Zane Lasky) who has a crush on her.  (Of course, Monroe is pretty shy himself.)  Gopher decides that Sylvia needs a confidence boost so he sends her a rose at dinner and tells her it’s from a secret admirer.  Unfortunately, Sylvia becomes so obsessed with finding her secret admirer that she continues to fail to notice Monroe trying to talk to her.  When Sylvia returns to her cabin, she discovers hundreds of roses.  When she tells Gopher about it, Gopher is confused because he didn’t send any roses to her cabin.  For some reason, Gopher assumes that Sylvia is now delusional and that she only thought she saw all of the flowers in her cabin.  Seeking to restore her sanity, Gopher confesses that he sent Sylvia the rose.  Sylvia assumes that Gopher means that he sent all of the roses so, when Monroe confesses to sending the flowers to her cabin, she assumes that Monroe is making fun of her and….

AGGGGGGGGGGGGGGGGGGGG!

Yes, this is another story where all of the problems could have been easily resolved by everyone not acting like an idiot.  But you know what?  As much as stories like this usually tend to drive me crazy, I actually enjoyed this one.  Patty Freedman and Zane Lasky both gave charming performances, even if their characters did things that didn’t always make sense.  I was happy when they finally got together.  This was a rare case where two passengers really did seem perfect for each other.

Finally, the third storyline featured Arthur Godfrey and Minnie Pearl as Ned and Molly, two seniors who were eloping.  Looking to stop the marriage was Ned’s son, Francis (Warren Berlinger), and Molly’s daughter, Rowena (Elinor Donahue).  Of course, Francis and Rowena fell in love and the episode ended with everyone planning to get married in a big double wedding.  This story was pretty predictable and Berlinger and Donahue went a little bit overboard playing their characters as being uptight prudes in their first few scenes.  But, still, at least everyone got a happy ending.

I liked this episode.  The crew was likable, the passengers were charming, and everyone found love.  Yay!

Retro Television Reviews: The Love Boat 2.20 “Best of Friends/Aftermath/Dream Boat”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week’s cruise is just weird.

Episode 2.20 “Best of Friends/Aftermath/Dream Boat”

(Dir by George Tyne, originally aired on February 10th, 1979)

This cruise is all about excitement and letdowns.

For instance, Doc Bricker is super excited because his former mentor, Dr. Art Akers (Richard Anderson), is a passenger on the cruise.  But then Bricker is letdown when he discovers that, due to a traffic accident, Dr. Akers has lost his arm and can no longer practice medicine.  Bricker also discovers that Dr. Akers feels that Bricker has wasted his potential by taking a job as a cruise ship doctor.  As Dr. Akers puts it, Doc Bricker should be performing surgery and working in a hospital and not wasting his time dealing with seasick debutantes.  Obviously, we’re meant to feel that Dr. Akers is being unfair and Akers is definitely a jerk.  At the same time, it is really hard to think of very many times that this show actually showed Dr. Bricker doing anything other than hitting on the passengers.  I know that there was an episode where he delivered a baby and another where he performed surgery while at sea but, for the most part, Doc does seem to spend most of his time drinking at the bar and hanging out at the pool.

Anyway, Doc Bricker does get a chance to prove himself.  He notices that Akers’s wife, Laura (Diana Muldaur), appears to be hooked on the anti-anxiety pills that she’s been taking ever since the car accident that cost her husband his arm.  At first, Akers refuses to listen to Bricker but then Laura ends up stumbling around the ship in a daze and Akers is first to admit that his wife is a junkie and Doc Bricker is actually a doctor.  So, I guess that’s a happy ending to that story.

Carol Gilmore (Carol Lynley) is super excited when she boards the cruise because she’s going to finally meet the man who is engaged to her best friend, Gwen (Donna Pescow).  She’s also excited because a handsome passenger named Paul (Ben Murphy) hits on her as soon as he sees her.  However, she’s letdown when she subsequently discovers that Paul is Gwen’s fiancé!  Even after he learns that Carol is Gwen’s best friend, Paul asks Carol to meet him on the deck at midnight.  Carol does so and Paul tells her that he hit on her because he was feeling nervous about getting married but that he felt terrible and ashamed as soon as he did so and that hitting on Carol only reminded him of how much he loves Gwen.  Carol thinks that is the most romantic thing that she’s ever heard.  Gwen is far less impressed and she dumps both her fiancé and her best friend.  However, Gwen reconsiders when she later sees Paul dancing with Carol and she decides that she needs both of them in her life.

Finally, the crew is super excited when Captain Stubing is offered a job as the captain of the Lorelei, which is a legendary cruise ship.  Though they don’t want to lose him, they do want Stubing to be happy so they spend the entire cruise telling the Lorelei’s owner (Hans Conreid) about what a great guy the Captain is.  However, the Captain does not want to leave the Pacific Princess so he starts acting like a jerk in hope that the offer will be rescinded.  When the Lorelei’s owner announces that Stubing is such a great captain that he’ll hire him even if he is a jerk, Stubing is forced to finally admit that he doesn’t want the job.

This was a weird episode.  All of the stories felt as if they were only halfway written before filming started.  The stuff with Gwen, Carol, and Paul felt especially strange, as there was really absolutely no reason for Gwen to change her mind about taking Paul back, beyond the fact that the story had to resolve itself somehow.  The storyline about Dr. Akers was a bit more developed but Akers himself was such a jerk that it was hard to really care about him or his bitterness over Bricker having an enjoyable life.  As for Captain Stubing’s storyline, it required Stubing to act in ways that were totally out-of-character for him.  A Stubing who can’t speak his mind is not the Stubing that the viewers know.

Yeah, this was a weird cruise.  I’m just glad everyone made it back home.

Retro Television Reviews: The Love Boat 2.11 “Heads or Tails/Mona of the Movies/The Little People”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

Let’s set sail for adventure!

Episode 2.11 “Heads or Tails/Mona of the Movies/The Little People”

(Dir by George Tyne, originally aired on November 25th, 1978)

The Love Boat crew is super excited because the glamorous movie star, Mona Maxwell (Rhonda Flemming), is going to be on the cruise.  Apparently, this is not her first time to sail on the Love Boat.  Captain Stubing can’t wait to get reacquainted with her.  The walking HR nightmare that is Doc Bricker can’t wait to flirt with her.  Artie D’Angelo (Orson Bean), a passenger who owns a chain of garages, is shocked to see that his favorite movie star in on the boat.

Artie may be a big fan of Mona’s but, whenever he tries to talk to her, he finds that he simply cannot find the words.  With Doc’s help, Artie finally works up the courage to ask Mona to have dinner with him.  Mona accepts and the two of them soon find themselves falling in love.  The only problem is that Artie just cannot bring himself to believe that a big movie star like Mona would be interested in a guy like him.  Really, Artie is being way too hard on himself.  He’s a likable guy!  And, fear not, he and Mona leave ship arm-in-arm.

Meanwhile, two frat dudes — Alex (Adam Arkin) and Wally (Richard Gilliand) — have made a bet over who will be the first to sweep Julie off of her feet.  When they start the betting, it’s for money but eventually, they decide to just bet a pizza.  Julie spends time with both of them and has fun, especially with Alex.  But then a jealous Wally reveals the truth about the bet and Julie announces that she doesn’t want anything else to do with either of them.  Gopher tells Julie that she should actually be flattered that the two guys were both so determined to date her.  Apparently deciding that she’s not really bothered by the fact that both of her suitors just spent an entire weekend lying to her, Julie forgives them and then says that she’s going to spend an equal amount of time with both Alex and Wally so neither one of them will win or lose the bet.

Finally, Doug Warren (Edward Albert) is on the cruise with his parents, who are celebrating their anniversary.  Coincidentally, Doug’s co-worker, Beth (Patty McCormack), is also on the cruise!  Doug and Beth quickly fall in love but then Beth is freaked out when she sees two little people in the ship’s lounge.  She explains to Doug that little people make her nervous.  She always worries about what would happen if her child turned out to be a little people.  What she doesn’t know is that the little people — Ralph (Billy Barty) and Dottie (Patty Maloney, who also guest-starred on the famous disco-themed episode of The Brady Bunch Hour) — are Doug’s parents!

Without telling Beth why, Doug says that he can no longer see her.  A heart-broken Beth goes to the Acapulco Lounge where she gets into a conversation with Ralph and Dottie.  She discovers that Ralph and Dottie are just like everyone else and she also finds out that Doug is their very tall son.  She tells Doug that she’s no longer worried about their potential children being little people and …. you know, this plot line is just ridiculous.  Beth is prejudiced against people based on their height and she’s basically told Doug that she would freak out if her child was anything other than “normal.”  And yet, Doug and his parents act all excited when Beth announces that she still loves Doug, regardless of who his parents are.  Doug, sweetie — you can do better!

I definitely had mixed feelings about this episode.  Orson Bean and Rhonda Fleming were both perfectly charming in their storyline but the other two stories were both pretty icky.  I spent the entire episode waiting for Julie to tell off Alex and Wally and for Doug to tell off Beth and, in both cases, it didn’t happen.  This was definitely not one of the better cruises of the Pacific Princess.

Hopefully, next week’s destination will be a bit nicer.