Sock! Pow! Zok!: STARRING ADAM WEST (documentary, 2014)

Posted on July 22, 2015 by gary loggins

Holy high camp! STARRING ADAM WEST is a fun documentary about the quest to get a star on the Hollywood Walk of Fame for 60s TV star Adam BATMAN West. The film also serves as a biography of the cult actor, from his humble beginnings as a child in Walla Walla, Washington to his rise as TV’s biggest star of the mid-60s, and his fall after being typecast as the Caped Crusader reduced to performing in crappy car shows and carnivals. West later resurrected his career as an ironic icon in the 90s and still does voice work today, notably on the animated FAMILY GUY. Through all the ups and downs, the star has retained both his sense of humor and love of family. An entertaining look at a down to earth guy in the what-have-you-done-for-me-lately world of show biz, STARRING ADAM WEST is playing all this month on Showtime.

Batman v. Superman Finally States It’s Case to the Public

Posted on April 17, 2015 by Arleigh

A funny thing happened to the Batman v. Superman: Dawn of Justice trailer that was set for a release at a special IMAX screening event next week. No one bothered to tell someone with a cellphone not to secretly record the trailer. A lo-res cam version of the first teaser trailer for Batman v. Superman: Dawn of Justice was leaked just hours after Disney released the second teaser trailer for the upcoming Star Wars: The Force Awakens.

Warner Brothers scrambled to take down the lo-res trailer and made sure to use their power to threaten with legal stuff if people continued to disseminate the illegal recording. During the 24 hours since the leak someone with a much more cooler head over at WB decided to just go the Avengers: Age of Ultron route (that film’s first teaser was also leaked ahead of a planned event) and release the hi-res version of the teaser trailer instead of waiting days for the planned screening event.

So, here’s the very first teaser trailer as Warner Bros. and DC Entertainment finally make their case that whatever Disney and Marvel can do they can do as well.

Batman v. Superman: Dawn of Justice is set for a March 25, 2016 release date.

Con Report: Another Anime Convention 2014

Posted on November 14, 2014 by pantsukudasai56

Hey all, I’d usually start this post off with me saying why I haven’t made a post in forever. I’m lazy. Plus Arleigh forgot to remind me when I’m at home. Plus again, I have been working my ass off for the most part this year. But, I figure I started to feel bad about not posting much considering how much Arleigh is paying me. And then I realized that I’m not being paid anything, so I stopped feeling so bad.

Now, with that out of the way, let’s talk about my adventures at Another Anime Convention in Manchester, New Hampshire during the weekend of October 17-19. Arleigh and I have attended 5 conventions together, 3 Anime Bostons and 2 Anime Expos in LA. But there’s still many conventions that I attend solo, even though it’s incredibly expensive. So, whenever I can, I try and go with someone like Arleigh. However, small local conventions are just not something that I’d call him out from the wrong coast out to the right coast, especially since both of us are pretty much exclusively interested in Japanese guests. Small, local conventions on the east coast are not going to get any Japanese guests ever. Anime Boston barely gets any, and they bring in well over 20,000 people. Another Anime Convention is lucky to get 4,000 people. But you know what? The location works so well for that. The convention is held in the convention center of the Manchester Radisson and even though the attendance is only between 3000 and 4000, it makes it feel every bit as busy as Anime Boston. Not anywhere near Anime Expo or Otakon, but that’s not a bad thing, because both those conventions are stupidly crowded.

This particular convention has a lot going for it. For one thing, even though I said it’s nowhere near an AB, since it’s a much smaller venue, it certainly feels every bit as big. At no time will it take you longer than 10 minutes to get from one end of the convention center to the other, but that’s something that can only be truly appreciated with a smaller convention like this.

So what does this convention have going for it anyways? Well, let’s say for a moment that you’re a fan of English dubs. If you want to meet certain dub actors, then this is the place to do it without a doubt. If English dub actors were my thing, I’d have been able to get several autographs no problem. Now, even thought it’s a smaller convention, it still would normally be as tough to get an autograph as any convention. However, AAC does something that I would encourage other larger conventions to do. And to an extent Anime Expo does this as well. What I’m talking about is that for an extra upcharge, one can essentially buy extra perks. Basically for $50 extra, you get a free t-shirt, unlimited line skips (yes, any line, at any time, every time any and every day. But there are maybe 3 events total over the course of the weekend that that would actually be an issue for), front of line access to guest autographs. Basically, the perks are there to lord it over the cheap ass normals. Did I do such? Oh hell yeah. If I saw a huge line for a panel, even if I didn’t give half a shit about the panel, I jumped the line just because I could, and I knew I was taking a closer seat away from some skinflint.

Now, Arleigh and I typically go to panels hosted by the Japanese guests and/or panels done by industry, such as your Funimations, Sentai Filmworks, Aniplex of America, or Viz Media. With none of those industry members present at a small convention like this, I had to go into it with a much different mindset. And you know what? I still managed to have a ton of fun and still couldn’t see everything I wanted to. What I did was take part in things that are in even the giant conventions, but we just never had time for. For example, I actually went and watched the entire AMV contest, including voting on my favorites. Because I am always ready to pass the buck, I long ago gave Arleigh the list of AMV winners, so instead of me posting them all, I’d hate to take away future AMV of the Day posts. Buck officially passed.

One thing I can’t very well pass off to anyone else is the very fundamental thing of cosplay. I’ll admit, I went into this thinking that the cosplay would be mediocre at best. I grossly underestimated the dedication of anime fans. Possibly due to the fact that there were less people around and so those that were there really stepped up their game, there was a big percentage of high class cosplay. Alright, admittedly there were the predictables like Kill la Kill, and Attack on Titan, which has now become the new Bleach and Naruto, but if there’s quality, then repeatablity doesn’t much matter. So, for right now, I’d like to regale you with pictures I took during my trip there. Admittedly, I don’t always know what I took a picture of, but if I don’t know there’s two reasons why I took the picture. Either the costume is cool looking, or the model is very hot. I’d say it’s up to you to decide, but screw that, I’ll tell you what I thought.

First off, we have a Little Mac cosplay. This is near and dear to me because I have previously cosplayed as King Hippo. Obviously King Hippo is a million times better, but hey, Little Mac is still pretty cool.

Pretty decent Zach (seriously, the proper contraction of Zachary is Zack. Enough with this lazy bullcrap) Galaphanakis. Frankly, I’ve never seen any of the movies, but even I can recognize somewhat famous movie scenes.

No idea what this is. Looks pretty elaborate though, so I reward people that take the effort to make a decent costume even if they obviously can’t pull it off.

My hotel room faced out to the courtyard. As I was up in my room taking a break, I happened to see this Sailor Pluto take a seat. I immediately headed out to try and catch her. Again, due to it being a small convention, the elevators weren’t crazy busy, so I was able to get out there and get her picture. If she doesn’t look crazy hot, then that’s due to my poor photography skills and not her own natural hotness.

The first of a few Kill la Kill cosplay photos.

May Chang from Full Metal Alchemist. The charm point is the panda in her hair. I love when people take the time to bring out the small details like that.

More KlK cosplay. Is this the last? Probably not. I mean, it was only the hottest anime property in the last year, so obviously no one would ever want to cosplay as it.

Again, I dunno, probably some video game. If it’s familiar to you, then sure, you know the game. Either way, she’s pretty nice to look at, no?

Another that I’m not really certain of, but she’s showing her panties for everyone to see. Do you honestly expect someone with the username of pantsukudasai (panties please) to not immediately see this and need to take a picture? My picture does not do her justice. Very hot. If you’re her and you’re reading this, color me surprised. What are the odds? You’re also some anonymous pervert on the internet who likes looking at attractive women in cosplay.

Like I said before, one of the most overdone cosplay in recent times is Attack on Titan. So if you want to stand out to me, the best way to do it isn’t to be one of a million Potato Girls, nor one of three million Levis, or the same number of Mikasas. No, if you want to stand out, be like this one and be a half eaten Marco. Brilliant!

No doubt this will be done often in the next several conventions, but SAO II (Gun Gale Online) Kirito was a novelty at the time, so I was surprised to see anyone with this costume already.

From Chuunibyou demo Koi ga Shitai, I can’t resist a Rika.

Another rare male cosplayer. Most Sir Crocodile cosplayers don’t bother with the cigar. If you don’t go with the cigar, then what the hell is the point? Seriously, to anyone that’s considering it, at the very least buy a cheap cigar. Oh no, you’ll have to spend a day with tobacco on your lip. You’re not gonna get cancer from one goddamn day. Stop being a cop out bitch. Go with realism.

Generally I don’t take pictures of non anime properties, but I’ve always had a soft spot for Batman and Catwoman.

The girls here spent the entire weekend making chalk art. All in all, I can’t help but be impressed.

Frozen is pretty much the most popular movie in America and the rest of the world. It’s the top selling BD in Japan as well. It’s a shame that there wasn’t snow on the ground, but on the other hand if it was that kind of cold out I probably wouldn’t have gotten these pictures in the courtyard.

Again, keeping it all very topical, we have a cosplay of Luffy, or Lucy. Honestly, I don’t think people truly appreciate what cosplayers like this do. Most people aren’t reading the manga as it comes out, so the fact that someone gets a current arc cosplay made up is pretty impressive.

Not the greatest of any one of the Honnouji Academy group, it’s just not often that you see them all grouped together.

Again, I usually don’t pay any mind to non anime cosplay, but here we have Bob Ross. If you don’t know who Bob Ross is, then you are a grade A moron. Perhaps it’s not nice to insult the readership, but come on, anyone that’s at least been in college should know who the hell Bob Ross is.

Pretty good looking Mami. Know what would have made her look better? No head. Ooops, spoilers.

My goddamn unicorn! If that doesn’t make sense, then please hear my story. First off, a unicorn refers to something that if you don’t have pics, it didn’t happen. The backstory to all this goes as such. I saw this girl while I was having breakfast, heading down to an area where there is only on way to go. I didn’t sweat it, because I figured small convention, only one access point, I should easily find her and get her picture. After eating, during which she definitely did not come back that way, I headed down there to find her. I got distracted because I saw the barrel of that gun and figured I had her, but it turned out I was chasing down a Seras Victoria cosplayer. Then later in the day, as I was on the second floor waiting for a panel to open, I saw her walk by on the first floor. I rushed down to the first floor, heading to the direction that she was walking. Amazingly, I could not find her. Again, this is a small convention, with a basically small floor area. Finally, I saw her while I was on the same floor as her and got this picture. FYI, she’s Sinon from Sword Art Online II. Again, it’s a fairly new show, so I’m amazed that there is a great quality cosplay as this so soon. Plus, I’m very impressed that she didn’t go running to security when I told her that I had been hunting her down all day. Yes, I used those exact terms. Thank you Sinon for not getting me arrested. Also, I never saw her again the rest of the day, so I’m glad I was able to get a picture of this unicorn and turn her into reality.

Not the greatest I’ve ever seen, but it’s been so long since I’ve seen any Rinoa cosplay that it’s almost fresh again.

Finishing off the day, and the weekend, we have Shiro from No Game, No Life. This same girl was busy doing a professional shoot earlier in the day. I suppose I could have just shot a picture, but that’s not how I roll. Believe it or not, a guy whose username is begging to see panties does have morals. Luckily for me, I saw her later on in the day. During the photoshoot, she was wearing a crown. I think I got the better picture with her wearing panties on her head, which is actually canon in the show.

(To note, every picture taken here was done with the full permission of the person whose picture was being taken. If for whatever reason you have changed your mind and do not like the way your picture has been taken, contact me and I will take it down, no complaints or questions asked.)

So, with all that said and done, more has been said than done. But really, while I wouldn’t say break the bank and fly across country to attend, if you find yourself in the Northeast and hear that Another Anime Convention is gonna be going on that weekend, by all means fish out the $50, plus whatever your hotel costs, and you’ll find yourself having a great time!

Trash TV Guru — “Gotham” Episode 1, “Pilot”

Posted on September 24, 2014 by Ryan C. (fourcolorapocalypse)

Okay, fair enough, I’m kinda late to the party here since Arleigh has already chimed in with his thoughts on the rather unimaginatively-titled first episode of Fox’s new Gotham TV series, Pilot, but as the closest thing to a “Bat-fanatic” here at TTSL, I thought I’d go ahead and offer a second opinion — even if it’s not terribly different from the first one you fine folks have read here.

Let’s start by stating the obvious — between Year One, Earth One, Zero Year, and Batman Begins, the origins of the Dark Knight detective have been done to death on the printed page and the silver screen over the last couple of decades, so only the venue is really “new” here, the basic outlines of the story this show is going to present are already well-known — aren’t they?

Well, yes and no. We all know how the series “ends,” whenever that happens to be — Bruce Wayne dons the cape and cowl and becomes Batman. Similarly, we all know how the story begins — wealthy socialites Thomas and Martha Wayne are gunned down in the notorious “Crime Alley” neighborhood of Gotham City in front of their young-at-the-time son, (here played by David Mazouz) and his life is, obviously, forever changed.

It’s what happens in between those well-established “bookends” that events in Gotham will be playing out, and there does seem to be ample room for either whole-cloth invention, or creative re-interpretation, within the confines of that territory, and this pilot episode shows that, as was done with Smallville over the course, of — what, ten seasons? — the principal creative minds at work here, most notably executive producer (and writer of this opening salvo) Bruno Heller, will be doing a little of both.

Apparently the main plot thread, at least running through the first season, will see clean-cut rookie detective Jim Gordon (Ben McKenzie) and his crooked partner, Harvey Bullock (Donal Logue), investigating the Wayne murders, and this initial episode largely focuses on them chasing a red herring in the form of a small-time hood named Mario Pepper (Daniel Stewart Sherman) , who they end up killing while he’s trying to escape, to the equal parts relief and despair of his wife and young plant-loving daughter, Ivy (Clare Foley). There’s some painfully strained dialogue that will probably make long-time Bat-fans cringe interspersed here and there, and a couple of scenes that are downright painful to watch, but by and large the story moves along at a reasonable enough little clip, the twists and turns our two protagonists encounter are generally involving, and the stage seems to be set for at least a modestly entertaining yarn as things progress.

Was the episode a great intro to the series? Not by any stretch of the imagination. Was it good enough? Sure, what the hell — I’ll be back next week for more, at any rate, and we’ll see where it goes from there.

So, how about a rundown of what Heller and director Danny Cannon get right, and what they get wrong, shall we? First, the good stuff : Mazouz is excellent as the pre-pubescent Bruce Wayne, and shows pretty remarkable acting range for a kid. He’s by turns heartbroken, sullen, withdrawn, and determined. Good show all around. McKenzie displays a requisite amount of “regular-guy charm” as the show’s ostensible lead. Logue is a magnificent casting choice for a gruff and cynical veteran detective who’s definitely on the take — probably from more than one source — but may not be completely beyond redemption. Camren Bicondova largely lurks behind the scenes as a young Selina Kyle, but she exudes mysterious charisma to spare and you’ll definitely want to see more of her. John Doman seems intent on giving crime boss Carmine Falcome a whole new layer of depth and a set of complex motivations that really have me interested in finding out just what makes him tick. Cory Michael Smith is the perfect blend of genius and creepy in his role as police scientist Edward Nygma, who will “grow up” to become, of course, The Riddler. And Robin Lord Taylor as Oswald Cobblepot delivers his lines — and performs his physical actions — with a kind of just-beneath-the-surface insanity that shows that if and when he does become The Penguin, he’ll probably be more of the Danny DeVito ilk than the Burgess Meredith one.

The real show-stealer, though, is Jada Pinkett Smith as new character Fish Mooney, a second-tier — for now — player in the local mob scene who has brains, ambition, cunning, and sex appeal to spare. She seems to be having the time of her life sinking her teeth into the role, and it certainly shows. And if she’s not enjoying herself, well then — guess her acting is even better than I’m giving it credit for.

Oh, and just as a quick aside : does anyone else think the scene where she’s auditioning a struggling young stand-up comic for her club might be the first appearance in this series of, well — you-know-who? Maybe I’m over-thinking things, but I had to put it out there regardless.

It’s not as if Heller isn’t prone to offering other subtle hints in this episode’s script, either — one of Gordon’s superior officers just happens to be named Sarah Essen (Zabryna Guevara), and folks who have read Frank Miller and David Mazzuchelli’s Batman : Year One know that name well. Likewise, fans of the Gotham Central comics series will already be well familiar with the names Crispus Allen and Renee Montoya (played by Andrew Stewart-Jones and Victoria Cartagena, respectively), who pop up here as GCPD internal affairs agents. They’re not given much to do, admittedly, but a word of warning to Heller and all other series writers as far as this subject goes : Renee Montoya, in particular, is someone with a lot of hard-core fans, being that she represents one of the few positive portrayals of strong, independent, lesbian women of color anywhere in mainstream comics. Treat her right, or ignore her altogether, but don’t get this one wrong. There are some lurid hints dropped that she has “a past” with Gordon’s fiancee, Barbara (Erin Richards), but I wouldn’t suggest playing Montoya for pure soap opera value — it would be tremendously disrespectful to a character that was truly groundbreaking on the printed page.

Which brings us to what Gotham, at least so far, seems to be getting wrong (apart from some occasionally dodgy set design and CGI work and the script flaws previously mentioned) : Sean Pertwee (son of my second-favorite Doctor to Tom Baker) is a good casting choice as Alfred, and his protectiveness of his young charge certainly shows through, but Heller writes him as a semi-militaristic hard-ass in a move that seems to be a direct nod to the risible work of writer Geoff Johns in his limp Batman :Earth One graphic novel (please note I’m only singling out Johns’ script for criticism, as Gary Frank’s art on that book was superb). I hope they don’t go too far down that road with the world’s most famous fictional butler. Poison Ivy appears to be the victim of a radically different “re-imagining” that, so far, looks a lot less than promising. The overall tone of the proceedings appear overly concerned with shoe-horning in too many specific Bat-elements and not doing enough to establish the city as an entity separate from its most famous vigilante crime-fighter. And having Barbara be a well-heeled, glamorous socialite is a bit of a betrayal of the working-class roots of Jim Gordon and his family that we’ve all come to know — he just doesn’t look right lounging around in her fashionable penthouse apartment.

All in all, then, what we’ve got is a case of “some good, some bad.” By the time the episode was over I was reasonably optimistic that, despite the “mix n, match” approach to re-invention and outright invention that I mentioned earlier, we’re not looking at another Smallville clone here — i.e. a show that amounts to little more than Beverly Hills, 90210 with super-powers. The jury is still out, though, on whether or not this show’s creators have enough of a different spin to add to the Bat-mythos to make this a worthwhile project. They’re borrowing influences from a wide range of sources, some of which I would’ve preferred having them ignore altogether, but it’s probably safe to assume that only some of those things will prove to be major factors in the series going forward. How far forward I go along with it remains to be seen, as there was nothing in the pilot episode to make me say “alright, awesome, I’m all in!” — nor was there enough to make me throw up my hands and walk away in disgust. We’ll call how I feel about things “cautious optimism” for now, with the greater emphasis being on “cautious.” Heller and co. have me interested — not it’s time to impress me.

‘Interstellar’ Trailer #3

Posted on July 30, 2014 by leonth3duke

(Trailer pulled from the official website where it can also be accessed with code: 7201969)

‘Interstellar’, directed by Christopher Nolan (‘Inception’, ‘The Dark Knight’), stars Matthew McConaughey, Jessica Chastain, Anne Hathaway, Casey Affleck, Michael Caine and many others. It is set in a not so distant future in which resources on earth are running low and a group of astronauts/explorers blast off to utilize “wormholes” to find habitable and resource rich planets outside of our solar system. The music is by Nolan’s go-to composer Hans Zimmer, and the cinematography by Hoyte Van Hoytema (‘Her’, ‘Let The Right One In’).

I personally love astronomy and astrophysics. I love space, and have a mild obsession with Saturn. So when I say I am excited for ‘Interstellar’ it isn’t just because I am a fan of Nolan, or I am wrapped up in the wave of hype that tends to surround his films. I have a genuine personal interest in the science and themes involved here and so my expectations for this, even with all the confidence I have in its (amazing) cast and crew, are probably higher than any other release in 2014. Luckily the first full length trailer was beautifully made and was exactly what I wanted to see; and now this new trailer (which showed at Comic-Con) expands on the first, offering us even more of a glimpse as to what we are to expect…and boy oh boy does it look amazing. It has a genuine ‘Inception’ meets ‘2001: A Space Odyssey’ tone and look to it; and I can not wait to see those visuals in IMAX. Sadly it doesn’t hit theaters until November 6th…but until then I’ll be sitting here, with the trailer on loop *cries*.

Quick Review – Injustice: Gods Among Us (by NetherRealm Studios)

Posted on April 21, 2013 by Leonard Wilson

On my way home recently, I saw a subway poster for Injustice: Gods Among Us, depicting DC Comics characters The Joker really to take a crowbar to the Green Lantern. That seemed interesting, but when I found out that it was a fighting game, I didn’t expect much. Most of the fighting games I’ve played will just toss a number of characters together and have them fight without any real reason to do so. The only game of recent memory to do anything different was Marvel vs. Capcom 3, where you eventually found yourself doing battle with Galactus, but even then, getting to that point was merely a set of random battles from Point A to Point C. After finding out that Ed Boon, creator of Mortal Kombat was involved, I had a feeling the fighting would be good but still empty.

Injustice’s single player game is done in such a way that it gives every character (24 in all, half heroes / half villains) a chance to shine or fall. I haven’t gone all the way through it, but each chapter of the game focuses on a particular hero and the events in that have him or her confronting an enemy to further push the narrative. While I’m not familiar with the story behind it (I’ve always been more of a Marvel than DC fan), it’s compelling enough that I at least want to know what happens next.

The story starts with the full on destruction of Metropolis at the hands of The Joker. As Batman interrogates him, Superman intervenes and we come to find that The Joker somehow manipulated him into killing Lois Lane and his unborn son. The result of this knowledge causes the scene to end in a way that reflects some of the darker tones of the Warner Animated movies like Batman: Under the Red Hood. It shifts to an alternate universe story where – from what I tell – Superman is the ruler of the world with some of the heroes siding with him and becoming your enemies. Can he be defeated? Only crazy button mashing and timing will tell.

As fighting games go, the mechanics to Injustice are very simple. Rooted in the Mortal Kombat style of fighting, you have your basics. Back lets you block anything coming at you high or from the air. Down blocks low sweeps and kicks. Using the diamond formation of console buttons, your light attacks from the 360’s X button / PS3s Square button. Medium Attacks are the 360s Y button / PS3’s Triangle and Heavy comes from the A button / X on the PS3. It’s a good layout that helps the battle flow fast. Combos are also very easy to execute, most of them being of the quick left, right, button press or down, forward button variety. The B button / Circle acts as a special character feature. I thought this was really cool in that every character has either an ability that can be enhanced – Green Lantern charges his ring, Aquaman creates a water shield or Superman uses the Sun to make him stronger. For those were are less than meta, their gadgets / weapons change. Batman brings in a swarm of mini bats, Nightwing’s escrimas fuse together to form a staff and Wonder Woman switches from her lasso to her sword & shield.

InJustice also uses a meter system similar to Street Fighter IV. As you get hurt or string attacks, this meter will fill up in stages. You can use a stage to pull off more advanced moves or if you allow it max out, you can unleash a Signature Move. Some of them are very cool – Both Superman and The Flash have one that I love to do – while others – like Green Lantern’s and The Joker are smile inducing. These are fun, but it would have been nice to maybe incorporate 2 different ones per character. That’s just me.

The backgrounds are used very well in Injustice. If you happen to be near an object that can be used – say a car that’s parked in front of Wayne Manor, a quick bumper button tap lets you smack your opponent with it or throw it at them. Other stages have multiple levels that let you take the battle high or low and damage your enemy in the process. From the street of Gotham City, I sent Solomon Grundy into a chemical truck that exploded, and sent him flying upwards, bouncing off of various apartments until he landed on the roof of a building. That was downright awesome, and strung together with the right combo just adds to the feeling that you’re working with some pretty powerful characters. I haven’t smiled like that since some of my little brother’s Dragonball Z games. Other locations include the Hall of Justice, The Batcave, Atlantis, Themyscira, Arkham Asylum and The Fortress of Solitude. Some of the other locations have multiple levels that be accessed.

And that power can easily be abused, especially when the game goes online. As previously mentioned, the players are divided between those with superpowered abilities (Shazam, Superman, Green Lantern) and the weapons based fighters. I gave the online game a try, which has a number of different modes. While the one on one battles are nice, I liked the Survivor Mode that puts a player as the one everyone needs to dethrone. What’s sweet here is that you can alternate from a theatre mode that lets you watch two people fight or switch over to the current list of people who have waiting to take on the winner. The reigning champ only has so much health to work with from game to game, and I watched one fellow using Black Adam keep everyone at bay with distance shots. Another used Superman and just kept lasering the opponent. It has room for some cheezy moves, but that’s common with just about any fighter, I think. My Nightwing couldn’t even get close. Then again, I’m not the best fighter in the ring. Every fight you have, whether it’s offline or online gives you some sort of XP, which can be used to unlock and use new Portrait Cards, alternate costumes and backgrounds for your Badge (made popular by Call of Duty).

In terms of problems, the only complaint I have about Injustice is that I hoped there would have been more tailoring to the relationships between the characters. Other than that, the game’s just grand. Marvel vs. Capcom 3 had this system where depending on who you chose and who you were up against, you would get some banter that was character specific. For example, if your tag team of 3 in that game were made up of Thor, Captain America and Iron Man, you’d have an opponent recognize that group as the Avengers. If X-23 faced off against Wolverine, she’d ask him who really was the best at what they do. Injustice does this to a small degree, only happening when you perform a Wager match in a round. Wager matches allow you to bet some of your Meter Power. This results in a scene where the players throw a line at each other before charging at full speed. Whoever wins gains some health. The loser has the opponent’s meter level match his or her damage. Sometimes it works out, other times, it’s just alright. I wanted more of that. My favorite so far is the Nightwing / Joker interaction:

Joker: “I liked you better as Robin.” / Nightwing: “I liked you better in Arkham.”

Overall, Injustice: Gods Among Us is a great game to play if you’re in either into fighting games or are a fan of the DC Universe. I’m curious as to what the downloadable content is going to contain.

Which Way Forward For The “Batman” Movie Franchise? Take Eighteen : Costume Survey Results!

Posted on October 22, 2012 by Ryan C. (fourcolorapocalypse)

Well, the votes are in, and the most popular choice among commentators on this blog for the costume that batman should wear in our new hypothetical trilogy is — not the one in the picture above. By my count we had three votes for the radically different Batman Beyond-style suit, and one for the 1970s-style suit. I can see good arguments to be made for both, but neither, I fear is quite what this new trilogy needs. Nope, the suit that, to me, best fits in with the version of Batman we want to portray here is the costume from Batman : The Animated Series. Let me tell you why —

First off, we’re going for something of a “throwback” iteration of the character here. Less emphasis on physical action, more on detective work. Less grim n’ gritty, and more heroic — but the character should be as mysterious, I feel, as ever. I think the animated series-style suit, as shown above from the Batman : Arkham City costume selection menu, speaks to those qualities a little better than the others. The Batman Beyond suit is too futuristic and too inaccessible to the general, non-Bat-fan public, and the 1970s-style suit , in contrast, goes a bit too far in the other direction , in my opinion — it’s too closely associated with the comic bookas people remember it from their youth.

Now, there are certainly a couple things I’d change even with the animated series-style suit — I’d ditch the yellow oval around the bat, for sure, and lose the blue trunks, hood, and cape in favor of black — but I would keep the lighter grayish-black of the overall costume and then have the bat, sans yellow oval, be very dark black. But one thing I’d definitely leave as unchanged as possible are the exaggerated, whited-out eyes. Let’s face it — we’ve seen Batman’s eyes in every Bat-film, as well as the 1960s TV series, and it’s getting old. Whiting out his eyes gives him added anonymity and a more fierce and determined look.

But how’s he gonna see, you ask? Good question. remember the scene in The Dark Knight where he lowered those blinders over his eyes, whiting them out, and it gave him a kind of night vision? It looked pretty damn cool, didn’t it? Well, I propose the same thing, only it can be adjustable — he can see infrared-style, or with “heat-sensor” type vision, or with a type of “X-ray vision,” or even just standard — all depending on the verbal command he gives his suit via his cowl mic. In addition, the whited-out eyes will function as a type of transmitter to relay visual information back to the Batcave, something we’ll see in the very next scene that I get into. And yes, I changed the font for this paragraph on purpose just to drive home the point I’m trying to make here in the closest way that WordPress will allow.

So that’s how I see things. Even if you, dear reader, disagree with my choice, I hope I’ve laid out my reasoning for why I’ve decided the way I have in a way that makes both aesthetic and logical sense. To me, this costume is both mysterious and heroic and has a sort of retro high-tech feel without being a goddamn suit of armor like we’re used to seeing him wear in recent films.

So that’s it on the costume front, when next we rejoin this series — which will probably be in about a week or so, I’ve got some horror movie reviews to catch up on before Halloween — we’ll jump back into the story proper, so I look forward to seeing all of you back with me then!

Which Way Forward For The “Batman” Movie Franchise? Take Seventeen : Costume Survey

Posted on October 19, 2012 by Ryan C. (fourcolorapocalypse)

One of these days, I probably really should get around to playing the Batman : Arkham City video game. Of course that means buying a video game system of some sort and that will inevitably lead to getting more games and more games means less time for things like movies and comics. It could even mean less time with my wife, at which point I know I’d be well and truly beyond all help. So I think I’ll refrain.

But still — a fair amount of what we’ve been discussing in this little (okay, not so little) Bat-thread of mine seems to revolve around ideas presented in this Arkham City game, and it’s rather flabbergasting that I’m freely swiping so many concepts for my imaginary new Bat-movie-trilogy from something I really have no first-hand experience with — but hey, that’s the way it goes sometimes, I guess. All of which brings us to the above-reproduced CG menu from the game.

How does that follow, you ask? Well, we’re at the point in our first Bat-flick where, having hinted at aspects of the costume in silhouette-fashion, and having given the new Batmobile it’s so-called “full reveal,” it’s time for Batman to arrive at the Gotham City docks and crash the little party Lucchesi and his men are holding there, so now seems like as good a time as any to show the Bat-costume in all its glory, hence the picture at the top of the post — which also comes, no surprise, from Arkham City. Apparently you can actually pick which of the various Bat-suits used over the years you want your Batman character to wear in the game, and that pic represents the menu of options that you as a player have to choose from.

Let me start by saying that none of them are exactly perfect for what I have in mind for Batman’s look in this new trilogy, but one of them sure comes damn close, in my opinion. Keep in mind, we’ve already shown that this particular iteration of the Batman is wearing his Kevlar-armor bodysuit underneath his costume, so the suit serve as his armor in and of itself as it has in the Christopher Nolan and, to a lesser extent, Tim Burton Bat-films. So that rules out, going from left to right, option three and six as pictured. So — it’s survey time! In the next, shall we say, 24 hours, should you feel so inclined, please chime in here and let me know the following :

*Which of the remaining options you would choose for Batman to wear in the new hypothetical trilogy;

*And which one you think I have picked out.

If nobody responds — it is the weekend after all — I’ll just chime in tomorrow night with my own choice, as well as detailing the small change or two (or three) I’d make to get things exactly as I picture them. Any and all opinions are welcome, of course, but in the end, as they say, there can be only one, and being the dictator of this thread means I’ll have the final say, but if you can lay out a solid argument in favor of your selection, it may just be enough to get me to change my mind!

Until tomorrow night, then!

Which Way Forward For The “Batman” Movie Franchise ? Take Sixteen : The Batmobile!

Posted on October 18, 2012 by Ryan C. (fourcolorapocalypse)

This actually isn’t a diversion from where we were in the plot of our hypothetical Batman I film. Well, okay, not too much of a diversion.

If you’ll recall, when we last left things the other day, Vincent Lucchesi, Gotham City crime “boss of all bosses,” was headed out to oversee an important shipment coming into town that his guys had neglected to find replacement “security” for once the cop-on-the-take they’d hired to fill that role, the always-crooked Lieutenant Flass, had been sent upriver by Harvey Dent and Jim Gordon. All of which means it’s time to cut to some semi-momentous shit that we’ve all been waiting for (assuming there’s a “we” out there still reading this interminably long series), namely our first scene of the Batman in costume, followed in short order by the debut of this new bat-trilogy’s version of the Batmobile.

So shouldn’t I be doing a post on the Bat-costume first, and then get to the car? Yeah, I suppose that would make sense, but bear with me while I explain how this whole little scene plays out in my mind —

We’ll cut from Lucchesi storming out of his plush penthouse office to Bruce Wayne attentively analyzing a series of shipping manifest numbers on the giant screen of his Bat-computer deep in his cave. Alfred is standing by, attentive as ever, while Bruce says something along the lines of “so if the pattern of Lucchesi’s shipments holds, his next one should be coming in tonight.”

“You intend to be there to meet it, sir?”

“That’s the plan, Alfred. Getting an entire crate of whatever it is he’s shipping in is out of the question, but if I can just get enough to fill up this vial, I’ll transmit an image through to you for analysis.”

“I shall be at the ready then, sir.”

“And speaking of ready — it’s time I got that way myself.”

At this point Wayne will press a button on a keypad control and a plexiglass case containing a Batsuit will rise up from the floor, but I’m thinking for now we should see it only from behind, and that his “dressing” scene should amount to shots of him suiting up in his kevlar under-suit, maybe snapping some gauntlets on his hands, etc. — no full view of him in costume yet, just hints of the overall picture, if you will. This will be followed up by an obscured shot of him breezing by Alfred and mouthing the word “car” into his cowl-mic, at which point a stone dais will rise from the deeper recesses of the cave revealing, in all its glory, the new Batmobile!

Now, when it comes to exactly which Batmobile we’re talking about here, I admit I hunted high and low through various online image archives to find what I felt would be the perfect model. I’m not interested in a repeat of Christopher Nolan’s “Tumbler,” nor did I want a carbon-copy version of Tim Burton’s more classically-inspired ride, although something more akin to the Burton version, based as it was on an amalgamation of several of the better comic book designs, was what I had in mind. Still, the picture-perfect model well and truly escaped me, until —

I found that image reproduced at the top of this post. It’s a conceptual CG mock-up by a guy named Danny Gardner done for the Batman : Arkham City video game. Never having played the game myself I can’t say for certain whether or not it’s the car — or, hell, one of the cars — Batman uses in it, but I think for the overall tone of this new imaginary Bat-trilogy of ours, it’s pretty well goddamn perfect. I’m sure whatever Hollywood designers were working on this film if it ever came to pas would want to tweak it here and there, obviously, but as far as a “this is the kind of thing we’re going for” blueprint goes, I think it’s great. It’s sleek, it’s modern, it’s bad-ass, and yet it’s got something of a timeless quality to it that I think would ensure it ages well along with the film itself. It would also blend into the night pretty seamlessly. What say you, dear readers?

And now, with the car out of the way, tomorrow we can finally get to the business of a “full reveal,” as the saying goes, of the Bat-costume itself!

Which Way Forward For The “Batman” Movie Franchise? Take Fifteen : Meet The New (Crime) Boss

Posted on October 15, 2012 by Ryan C. (fourcolorapocalypse)

The man you see pictured above is one Carmine Falcone, (former, as far as current Bat-continuity goes) crime boss of Gotham City. You may remember him from Batman Begins, of course, where he was played by Tom Wilkinson — a curious choice being that Mr. Wilkinson neither looks nor sounds especially Italian, but whatever.

He’s also largely immaterial to this post given that we’ve already established that the Harvey Dent/Jim Gordon/”Bat-Vigilante” trifecta has already locked him away at the start of our hypothetical Batman I movie, but the slack left in the absence of him and the other incarcerated Crime Lords has been picked up, to an extent, in our imaginary flick by one Vincent Lucchesi, a name I dropped earlier but that we now will be meeting in earnest for the first time in a scene that, I freely admit, is heavily influenced by Nolan’s first Bat-flick.

Now, I confess — last time around, I left you with the distinct impression that our next segment would revolve around a TV interview with Bruce Wayne, but looking at things more closely over the last couple of days, I’ve decided that now might be a good time to introduce Mr. Lucchesi, since he’s going to figure prominently in this (again, completely imaginary) film, and because I think I’d like to show Batman in action for the first time at right about this point — although, fair warning, that’s going to be our focus tomorrow : one thing at a time, as always!

Anyway, I started this post with a picture of Falcone because Lucchesi is an entirely invented character (at this point — he’s going to eventually become a fairly well-known member of the Batman “Rogues’ Gallery,” but again, let’s not get too far ahead of ourselves!) but he’s a bad-ass Gotham crime boss, and if you want to find pics of a bad-ass Gotham crime boss to kick off your blog post with, you’re stuck with Falcone images — this one, needless to say, from Loeb and Sale’s Batman : The Long Halloween (yes, again!).

If you’ll recall, busting Lucchesi has proven tough for the Dark Knight Detective because his deepest, darkest, most well-hidden secret seems to be that he’s importing an entirely legal, if obscure, experimental liquid compound through a string of front companies, and it seems only logical that in the two-day interregnum between Bruce Wayne’s “official” return to Gotham and his Monday morning chat-show appearance, he might want to have a look at one of these shipments in his Bat-persona.

To that effect, our next scene will show Lucchesi in a plush, Penthouse-type office, smoking an imported cigarette in a long holder, and meeting with a few of his less-than-trusted henchmen. Their conversation will be revolving around a shipment coming in that night, and Lucchesi will naturally ask who’s been tasked to provide “security” for the set-up. When one of the goons replies “Flass,” Luchessi will slam his fist on the desk and yell “Flass??????? You imbecile! Dent and Gordon just sent him upriver this morning!!!!!!!!!!,” thus hearkening back to our “Meet Jim Gordon” scene from a posts (but only a few minutes, movie-wise) ago. “Aren’t you clowns on top of any of the information that’s going around this town?”

“Gosh, we’re sorry, Mr. Lucchesi, so many guys been going down it’s gettin’ kinda hard to keep up!,” one of the toadies will stammer in response, to which Lucchesi will reply,” Well, it’s gettin’ too damn late to bring in anybody else, and I sure as hell can’t leave it to you nitwits, so it looks like I’m just gonna have to go down and oversee this operation myself. We’re at too critical a stage right now to leave it to a bunch’a goddamn amateurs!” At that point Lucchesi, immaculately dressed in an expensive Italian suit, will grab his equally-expensive Italian overcoat and hat and storm out of his office, his lackeys in tow behind him as he swears on his mother’s grave extreme vengeance, delivered with interest, upon Harvey Dent for all the trouble he’s been causing his operation.

If he knew the gruesome fate that was in store for him, he’d have stayed back at the office and farmed the job out after all —