Here’s What Won At Cannes!

Posted on May 28, 2017 by Lisa Marie Bowman

Here’s what won at this year’s Cannes Film Festival! As always, the list is full of intrigue and surprises.

Also, as always, it’s debatable whether any of this will actually effect that Oscar race. To be honest, other than The Tree of Life, it’s hard to think of any recent Oscar nominee that was undeniably helped by a victory at Cannes. During the Festival, both Robert Pattinson and Adam Sandler (yes, Adam Sandler) started to receive some Oscar buzz but neither of them — nor their films, Good Time or The Meyerowitz Stories — were honored.

(As enjoyably weird as it would be for Adam Sandler to become an Oscar nominee, I imagine The Meyerowitz Stories will be ignored come Oscar time because it’s a Netflix film. If the Academy couldn’t even give one nomination to the previous Netflix contender — the powerful and important Beasts of No Nation — I doubt that they’re going to surrender their bias for a film starring Adam Sandler and Ben Stiller.)

That said, I am very, very happy to see that one of my favorite artists, Sofia Coppola, was honored! I can’t wait to see The Beguiled!

Here’s the winners:

2017 Main Competition winners:

Palme d’Or: The Square (Ruben Ostlund)
Gran Prix: “BPM (Beats Per Minute)” (Robin Campillo)
Jury Prize: “Loveless” (Andrey Zvyagintsev)
Best Director: Sofia Coppola — The Beguiled
Best Actor: Joaquin Phoenix — You Were Never Really Here
Best Actress: Diane Kruger — In The Fade
Best Screenplay: “The Killing of a Sacred Deer” (Yorgos Lanthimos, Efthimis Filippou) and “You Were Never Really Here” (Lynne Ramsay)

OTHER PRIZES

Camera d’Or: “Jeune femme” (Montparnasse-Bienvenüe) (Léonor Serraille)

Short Films Palme d’Or: “Xiao Cheng Er Yue” (Qiu Yang)

Short Films Special Mention: “Katto” (Teppo Airaksinen)

Golden Eye Documentary Prize: “Faces Places” (Visages Villages) (Agnès Varda, JR)

Ecumenical Jury Prize: “Radiance” (Naomi Kawase)

2017 Un Certain Regard winners:

Un Certain Regard Prize: Mohammad Rasoulof – A Man of Integrity
Best Actress: Jasmine Trinca – Fortunata
Best Poetic Narrative: Mathieu Amalric – Barbara
Best Direction: Taylor Sheridan – Wind River
Jury Prize: Michel Franco – April’s Daughter

2017 International Critics Week winners:

Nespresso Grand Prize: Emmanuel Gras – Makala
France 4 Visionary Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain
Leica Cine Discovery Prize for Short Film: Laura Ferrés – Los Desheredados
Gan Foundation Support for Distribution Award: Fellipe Gamarano Barbosa – Gabriel and the Mountain
SACD Award: Léa Mysius – Ava
Canal+ Award: Aleksandra Terpińska – The Best Fireworks

2017 Director’s Fortnight winners:

Art Cinema Award: Chloé Zhao – The Rider
SACD Award: Claire Denis – Let the Sunshine In, Philippe Garrel – Lover for a Day
Europa Cinemas Label Award: Jonas Carpignano – A Ciambra
Illy Prize for Short Film: Benoit Grimalt – Back to Genoa City

Here Are the Reliably Boring Razzie Nominations!

Posted on January 13, 2016 by Lisa Marie Bowman

Yawn! The Razzies are always so boring! Here are this year’s predictable nominations. Talk about them on twitter and impress your friends.

Worst Picture
Fantastic Four
Fifty Shades of Grey
Jupiter Ascending
Paul Blart Mall Cop 2
Pixels

Worst Director
Andy Fickman, Paul Blart Mall Cop 2
Tom Six, Human Centipede 3
Sam Taylor-Johnson, Fifty Shades of Grey
Josh Trank, Fantastic Four
Andy and Lana Wachowski, Jupiter Ascending

Worst Actor
Johnny Depp, Mortdecai
Jamie Dornan, Fifty Shades of Grey
Kevin James, Paul Blart Mall Cop 2
Adam Sandler, The Cobbler and Pixels
Channing Tatum, Jupiter Ascending

Worst Actress
Katherine Heigl, Home Sweet Hell
Dakota Johnson, Fifty Shades of Grey
Mila Kunis, Jupiter Ascending
Jennifer Lopez, The Boy Next Door
Gwyneth Paltrow, Mortdecai

Worst Supporting Actor
Chevy Chase, Hot Tub Time Machine 2 and Vacation
Josh Gad, Pixels and The Wedding Ringer
Kevin James, Pixels
Jason Lee, Alvin and the Chipmunks: Road Chip
Eddie Redmayne, Jupiter Ascending

Worst Supporting Actress
Kaley Cuoco-Sweeting, Alvin and the Chipmunks: Road Chip and The Wedding Ringer
Rooney Mara, Pan
Michelle Monaghan, Pixels
Julianne Moore, Seventh Son
Amanda Seyfried, Love the Coopers and Pan

Worst Screenplay
Simon Kinberg, Jeremy Slater and Josh Trank, Fantastic Four
Kelly Marcel, Fifty Shades of Grey
Andy and Lana Wachowski, Jupiter Ascending
Kevin James and Nick Bakay, Paul Blart Mall Cop 2
Tim Herlihy and Timothy Dowling, Pixels

Worst Remake or Sequel
Alvin and The Chipmunks: The Road Chip
Fantastic Four
Hot Tub Time Machine 2
Human Centipede 3
Paul Blart Mall Cop 2

Worst Screen Combo
Miles Teller, Michael B. Jordan, Kate Mara and Jamie Bell, Fantastic Four
Johnny Depp and his glued-on mustache, Mortdecai
Jamie Dornan and Dakota Johnson, Fifty Shades of Grey
Kevin James and either his Segway or glued-on mustache, Paul Blart Mall Cop 2
Adam Sandler and any pair of shoes, The Cobbler

Razzies Redeemer Award
Elizabeth Banks
M. Night Shyamalan
Will Smith
Sylvester Stallone

Playing Catch-Up With The Lesser Films of 2015: Get Hard, Paul Blart: Mall Cop 2, Pixels, The Wedding Ringer

Posted on January 5, 2016 by Lisa Marie Bowman

Image Credit: http://www.sliceofscifi.tv/tag/trivia/ Please be sure to check them out!

SPOILER ALERT!

One or more of the films reviewed below will appear on my list of the 16 Worst Films of 2015! Can you guess which one(s)?

Get Hard (dir by Etan Cohen)

Will Ferrell is funny and Kevin Hart is funny and you would think that putting them together in one movie would be especially funny but … nope. Get Hard, which I watched on HBO a few weeks ago, is incredibly not funny. Ferrell plays a hedge fund manager who is convicted of fraud and embezzlement and it’s a sign of how haphazard this film is that I was never really sure whether he was supposed to be guilty or not. Anyway, Ferrell is terrified of going to prison but fortunately, he runs into Kevin Hart. Hart is playing the owner of a car wash here, a mild-mannered family man who simply wants to be able to afford to send his daughter to a good school. However, Ferrell assumes that, since Hart is black, Hart must be an ex-con.

So, Ferrell hires Hart to teach him how to survive in prison and Hart agrees. And, to be honest, this is not a terrible idea for an edgy satire but the film pulls it punches and never really exposes or challenges the racism that led to Ferrell hiring Hart in the first place. Instead, it’s more interested in making homophobic jokes about prison rape (there’s a particularly long and unpleasant scene where Ferrell attempts to learn how to give a blow job that feels like it was lifted from a deservedly forgotten 90s film) and eventually, it devolves into a painfully predictable action film.

Paul Blart: Mall Cop 2 (dir by Andy Fickman)

I know what someone out there is saying.

“YOU’VE NEVER EVEN SEEN THE FIRST PAUL BLART: MALL COP!!! WHO THE HELL ARE YOU TO REVIEW THE SEQUEL!?”

Well, listen — it’s true. I’ve never seen the first film and the only reason I watched the second one (on HBO at a friend’s house, which means that it literally cost me nothing) was because I had heard how terrible it was and I figured that I should see it before making out my list of the worst films of the year. But, even with that in mind, I think I can still give this film a fair review.

(At the very least, I’ll try. Dammit, I’ll try.)

Paul Blart: Mall Cop 2 is one of those films that is so forgettable that you forget about it while you’re watching. Kevin James plays Paul Blart, a mall security guard who goes to Las Vegas for a security guard convention and ends up getting involved in thwarting a big heist. It’s a comedy, though I can’t think of a single time I laughed. Paul Blart: Mall Cop 2 was not quite the abomination that I had been led to expect. It was, in no way, comparable to Birdemic, April Rain, or Man of Steel. Instead, it was just an incredibly empty and soulless film. It was a zombie movie that existed only to eat money.

One thing that is frustrating about a film like Paul Blart: Mall Cop 2 is that Kevin James seems like he could actually survive appearing in a good film, if he could just get a chance to make one. He’s likable and he’s got an everyman quality about him. But, for now, he seems to be trapped in films where he either plays Paul Blart or he’s surrounded by talking animals.

Pixels (dir by Chris Columbus)

Speaking of Kevin James, he’s also in Pixels! He plays William Cooper. When he was a kid, he was obsessed with playing video games. Now that he’s an adult, he’s the President of the United States! And he still keeps in contact with his best friend from childhood, Sam. Sam, needless to say, will never be President. When Sam was a kid, he was traumatized when he lost a national video game championship. Now that he’s an adult, he installs home-theater systems and he’s played by Adam Sandler…

When Earth is invaded, it turns out that the aliens are under the impression that video games are real! So, they recreate a bunch of classic video game characters and send them off to do havoc. Who better to stop them than the President and Sam? And who better to help than a nerdy conspiracy theorist (Josh Gad) and Eddie Planet (Peter Dinklage), the same guy who cheated in order to defeat Sam at the video game championship….

If you’re thinking that sounds like way too much plot for a silly comedy about video games coming to life, you’re right. Pixels has some cute moments (though, based on the comments and occasional laughter of the middle-aged people in the theater around me, I get the feeling that a lot of the film’s video game-themed humor was a bit too “before my time” for me to fully appreciate) but oh my God, it was such an unnecessarily busy movie. The idea behind Pixels had some potential but the film refused to take advantage of it.

I’ve said this before and I always get some strange looks but I honestly do think that — if he would actually break out of his comfort zone and stop doing movies that mostly seem to be about finding an excuse to hang out with his friends — Adam Sandler could be an acceptable dramatic actor. Check out his work in Punch-Drunk Love, Funny People, Reign Over Me, Spanglish, and even the first half of The Cobbler. (Tarantino even wrote the role of Donny Donowitz in Inglourious Basterds with Sandler in mind.) The fact that Sandler could be doing good work makes his continual bad work all the more frustrating and annoying.

The Wedding Ringer (dir by Jeremy Garelick)

And speaking of Josh Gad…he’s also in The Wedding Ringer! For that matter, so is Kevin Hart. Hart plays a guy who, for a sizable fee, will pretend to the lifelong best friend (and best man) for grooms who do not have enough real friends to fill out a wedding party. Hart refuses to get emotionally involved with his clients but that all changes when, despite himself, he becomes friends with Josh Gad, who is on the verge of getting married to Kaley Cuoco.

The Wedding Ringer got terrible reviews but it also was very popular with audiences and I imagine a lot of that had to do with the relationship between Hart and Gad. Both of them give very sincere performances that elevate some otherwise unpromising material. The Wedding Ringer wasn’t good (it’s predictable, it’s portrayal of Kaley Cuoco’s character verges on misogynistic) but, at the same time, it wasn’t as bad as it was made out to be. In the end, it was pretty much a typical January film.

I’m so excited! I’m so excited! I’m so … wait a minute, am I just here because this is a post about bad movies?

Which of these four films will make my list of the worst 16 films of 2015? The answer shall be revealed soon!

Embracing the Melodrama Part II #123: The Cobbler (dir by Thomas McCarthy)

Posted on June 16, 2015 by Lisa Marie Bowman

Oh, Cobbler, Cobbler — what a frustrating film you are!

There was a time when everyone was excited about seeing The Cobbler. It was originally scheduled to come out in 2014 and, along with Men, Women, & Children, it was supposed to be part of the dramatic recreation of Adam Sandler.

After all, one of the main reason why critics like me hate to see Adam Sandler devoting his time to stuff like That’s My Boy is because, in the past, Sandler has actually proven himself to be a surprisingly good and likable dramatic actor. Unfortunately, dramatic Sandler films never seem to make much money and, as a result, Sandler goes back to making films where he, David Spade, and Chris Rock play former high school classmates. If only one Sandler dramedy could be a success, we tell ourselves, then he’d never feel the need to make another movie like Jack and Jill…

(And yes, I realize that’s probably wishful thinking on our part. Even if Adam Sandler somehow won an Oscar, I get the feeling he’d follow the win by starting work on Grown Ups 3….)

The Cobbler promised that not only would Sandler be playing a more low-key role than usual but he would also be directed by Thomas McCarthy, who previously directed the excellent The Visitor and Win Win. Based on his previous films, McCarthy seemed to be the perfect filmmaker to give Adam Sandler some credibility.

And, let’s not forget, that not only would Sandler be working with Thomas McCarthy but Men, Women, & Children was being directed by Jason Reitman! At one point, it truly appeared that 2014 was going to be the year that we saw the rebirth of Adam Sandler.

And then Men, Women, & Children came out and was a disaster, despite the fact that Sandler got fairly good reviews. Meanwhile, rumors started to swirl that just maybe The Cobbler wasn’t as good as McCarthy’s previous film. When The Cobbler‘s release date was pushed back to 2015 … well, we all knew what that meant.

Anyway, The Cobbler was released in a few theaters earlier this year and on VOD. It’s now available on Netflix. I watched it last week and it’s really not as bad as I expected it to be. Of course, that’s not to say that it’s particularly good either. It’s not terrible but it is disappointing. Considering the director and the supporting cast (Dustin Hoffman, Steve Buscemi, Dan Stevens, and Melonie Diaz, who was way too good in Fruitvale Station for you not to regret how this film totally wastes her), The Cobbler should at least be interesting. Instead, it’s just kind of bland.

However, Adam Sandler does give a pretty good performance. In this film, he plays Max, a shy and emotionally withdrawn cobbler. He comes from a long line of cobblers and he inherited his store from his father (Dustin Hoffman). Years before the film begins, Max’s father mysteriously vanished. Now, Max spends his time going to and from work and taking care of his dementia-stricken mother. His only friend is Jimmy (Steve Buscemi), the paternal barber who works next door.

In the basement of Max’s shop, there’s an old stitching machine. About 30 minutes into the film, Max discovers that if be puts on a pair of shoes that have been repaired using the machine, he can physically transform into whoever owns the shoes. After experimenting with being different people, Max eventually puts on his father’s shoes. Transforming into his father, he has dinner with his mother.

The next morning, his mother dies. Max cannot even afford to buy her a good headstone. However, a local criminal (played by Method Man) has dropped off his shoes to be repaired. Perhaps, by wearing the criminal’s shoes, Max can come up with the money…

I’m probably making The Cobbler sound a lot more interesting than it actually is. And seriously, it sounds like it should a really good and thought-provoking movie. Unfortunately, McCarthy awkwardly tries to combine the broadly comedic elements (i.e., Sandler transforming into a variety of eccentric characters) with the dramatic (which includes not only Max’s anger at his father but a few murders as well). The film never finds a consistent tone and, as such, it remains an interesting idea in search of a stronger narrative. Watching the film as it wanders from scene to scene, it’s impossible not to mourn all of the missed opportunities.

But, as I said, Adam Sandler does well. Hiding his face behind a beard and only occasionally offering up a sad smile, Sandler gives a low-key performance that is full of very genuine melancholy. In this film, he proves that he can act when he wants to. You just wish that the rest of The Cobbler lived up to his performance.

Unfortunately, as far as the box office is concerned, The Cobbler is the least financially successful film that Sandler has ever appeared in. This means that plans for Grown-Ups 3 are probably already underway…

(For those keeping track of the progress of Embracing The Melodrama Part II, we are now 123 reviews down with 3 to go.)

Trailer: The Cobbler

Posted on November 12, 2014 by Lisa Marie Bowman

Listen, I’m just going to put this out there:

Adam Sandler can be a good actor.

I know, I know. You scoff and you have every reason to do so. After all, Sandler is best known for appearing in Razzie-winning films like Jack and Jill and That’s My Boy. Sandler’s film career has been so lowbrow that, when Amy Dunne mentioned the misery of being forced to watch Sandler movies, audiences watching Gone Girl knowingly nodded and thought to themselves, “She may be a crazy but she knows her movies…”

And yet, occasionally, mixed in with all of the crap, you’ll come across a film that actually requires Sandler to act and play a character and he usually does a pretty good job at it. It’s the talent that you see in films like Punch-Drunk Love, Spanglish, Reign Over Me, and Funny People that makes it so frustrating that Sandler has devoted so much of his career to things like Grown-Ups 2.

When Sandler stops trying to make everyone laugh and actually lets his guard down, he has the ability to be a surprisingly good actor. And, though it’s hard to believe now, a lot of film bloggers — like me — were convinced that 2014 would be the year that Sandler would prove that he was capable of more than just winning Razzies.

He had two films scheduled to come out and both of them were directed by “serious” filmmakers. And Sandler got some good reviews for his performance in Jason Reitman’s Men, Women, & Children but the film itself was critically reviled.

As for Sandler’s other 2014 film, Thomas McCarthy’s The Cobbler opened to mixed reviews at the Toronto International Festival and, as a result, it probably will only get a very limited release in the early months of 2015.

However, I’m still looking forward to seeing The Cobbler. Thomas McCarthy’s previous film — Win Win — was one of the best of 2011 and the film’s premise — a cobbler discovers that he can assume anyone’s physical appearance and life simply by putting on their shoes — sounds like it could be promising, especially is Sandler plays to his natural sadness as opposed to going for easy laughs.

Here’s the international trailer for The Cobbler.

Trailer: Men, Women, & Children

Posted on August 19, 2014 by Lisa Marie Bowman

Here’s the trailer for Men, Women, & Children. I’m really looking forward to this film, even if the trailer does bring to mind memories of last year’s terrible Disconnect. I’m an unapologetic fan of director Jason Reitman and it seems like, as opposed to his previous film Labor Day, this is material that should be perfect for Reitman’s style.

Believe it or not, Adam Sandler has gotten some dark horse Oscar buzz for his performance here. Personally, on the basis of films like Funny People, Punch-Drunk Love, and Reign Over Me, I think that Sandler has it in him to be a far better actor than most people want to admit. He just needs the right director. Considering that he’s gotten career-best work out of everyone from George Clooney to Jason Bateman to Charlize Theron to Patton Oswalt, Reitman could very well be that director.