Brad’s emotional response to SINNERS (2025)!


I love Ryan Coogler and Michael B. Jordan, and it really goes back to their collaboration on CREED. No movie has stirred my emotions in the past decade as much as CREED. I laughed, I cried, and I got pumped up even though I watched the film in the theater by myself. I would go on to tell every person I knew that they had to see the film. I couldn’t imagine that any other combination of writer, director or actor could have created a better continuation of the world that began with Stallone’s original story. CREED is a classic of its own as far as I’m concerned. 

I had not heard about SINNERS until Arleigh shared the trailer here on The Shattered Lens a couple of weeks ago. That’s when I saw that it was a Ryan Coogler film starring Michael B. Jordan. That caught my interest even though I didn’t stop and actually watch the trailer as I was in the crunch of tax season. And then Leonard dropped a review of the film on April 17th.

I don’t go to the theater often these days but I decided that I just had to see the film over the Easter weekend. I talked Sierra into going with me on Saturday morning, and all I told her was that it is a vampire movie from the guy who did CREED. I purposely read nothing else about the film because I know that Coogler and Jordan make magic on the screen when they work together. I didn’t want anything else influencing my initial experience with the film in any way. 

Rather than spend any time on the plot of the film, I just wanted to spend a little time talking about how the movie made me feel. First, watching Michael B. Jordan interpret the Smoke-Stack characters in such different ways was pure joy for me. Any person who has read my articles knows that I have a tendency to obsess over the actors I really like. I don’t believe there is an actor under 40 years of age that enjoy watching perform more than Jordan. I’ll watch anything he does throughout his career. Second, there is something so interesting about Miles Caton in the part of the singer and guitarist Sammie Moore, aka Preacher Boy. That deep voice of his almost didn’t seem to go with those fresh face features. I can see why the other characters reacted to his singing and playing the way they did because the man has real talent. I was surprised that this was his first film based on the confidence he carried throughout. Third, it’s always fun to see Delroy Lindo in any role. Fourth, I liked the relationship between Smoke and Annie (Wunmi Mosaku). When I first saw Annie standing in the doorway and looking at him by the small grave, my first inclination would not have been that those two had been in a relationship together and that he was at the grave of their child. To me it was a nice surprise that the painful history being shown was shared between those two and that they still loved each other. I also really wished I could try her fried catfish. I also liked certain aspects of some of the other characters including Mary (Hailee Steinfeld), the Chow family and Cornbread. 

The music is incredible in SINNERS. I won’t pretend to be an expert on the blues, but I know what I like, and I liked what I heard. I’ve always been a fan of the movie CROSSROADS with Ralph Macchio and Joe Seneca. Both movies are in awe of the power of the blues, and I was somewhat surprised that Ryan Coogler’s “vampire movie” was showing such an interest in the music as a character and not just a soundtrack. I liked the scene where Stack introduces Miles to Lindo’s character Delta Slim. I like the music at the juke joint, and the out of left field trip through the musical decades was a unique and powerful choice that showed a director not afraid to go wherever his intuition takes him. My “joint” would probably feature country music, but I’ve always said I can like any music as long as it’s good. The music in SINNERS is great. 

I will say that the things that interested me the most, mainly the development of the characters, took a back seat once the vampires were revealed. I wanted to get to know these characters even more. The action was well filmed and there were some surprises along the way, but once the vampires emerged, I felt like I was watching a movie I had seen before. Even though it was extremely well done, the film’s special quality seemed a little less. With that said, Smoke’s late stand against the Klan was exciting and emotionally satisfying.

Overall, I would give SINNERS a solid 4 stars out of 5 based on my initial viewing. I will revisit the movie at some point, but I’m letting the film seep into my bones at the moment. Coogler seems to be a filmmaking genius and I haven’t stopped thinking about his latest movie over the last few days. I have a feeling this movie will continue to grow on me with repeated viewings.  

Scenes that I Love: Low Rider From Dazed and Confused


In order to celebrate San Jacinto Day, here’s one of my favorite scenes from Richard Linklater’s 1993 Texas film, Dazed and Confused.  Not only does this montage introduce the viewer to the suburban Texas nightlife of 1976 but it’s also perfectly set to War’s Low Rider.

And, of course, it also features that classic line, “It’d be a lot cooler if you did.”

Physical Evidence (1989, directed by Michael Crichton)


Ex-cop Joe Paris (Burt Reynolds) is arrested for the murder of a small-time criminal.  Joe swears that he’s being framed but his public defender, Jenny Hudson (Theresa Russell), isn’t sure that she believes him.  While Jenny’s boyfriend (Ted McGinley) makes a fortune trading stocks and Joe’s former mistress (Kay Lenz) tries to keep her mobster boyfriend from finding out about the affair, Jenny tries to outsmart prosecutor James Nicks (Ned Beatty) and Joe tries to find the real killer.

Tubi sent me to this film after I finished up Raw Justice.  When I saw that it was a Burt Reynolds films, I figured that I would take a chance with it but this one turned out to be one of Burt’s lesser films.  Joe Paris feels like he might be distantly related to the cop that Burt played in Sharky’s Machine but Physical Evidence doesn’t have any of that movie’s style or grit.  Burt doesn’t come across like he wants to be in the movie and he and a very miscast Theresa Russell have next to zero chemistry onscreen.  This was Michael Crichton’s last film as a director and he directs in a stolid, made-for-television manner.

Supposedly, this was originally meant to be a sequel to the thriller Jagged Edge, with Glenn Close and Robert Loggia reprising their roles from the earlier film.  When that fell through, the movie was refurbished into Physical Evidence, with Theresa Russell and Burt Reynolds replacing Close and Loggia.  I think the film would have worked with Close and Loggia because, based on Jagged Edge, they were believable as people who had a close relationship and would do anything to help each other.  Burt Reynolds and Theresa Russell come across like they can’t even stand to be in the same room together.  Better get a new lawyer, Burt!  This one seems like she might be planning on framing you herself.

Raw Justice (1994, directed by David Prior)


When his daughter is strangled, New Orleans Mayor David Stiles (Charles Napier) hires ex-cop-turned-bounty-hunter Mace (David Keith) to keep an eye on the main suspect, Mitch McCullum (Robert Hays).  What the mayor doesn’t know is that his daughter’s murder was ordered by Deputy Mayor Jenkins (Stacy Keach) and now, both Mace and Mitch are being stalked by a crooked cop named Atkins (Leo Rossi).  Also getting involved in this mess is a hooker with a heart of gold named Sarah (Pamela Anderson), who is angry because Mace earlier stole his clothes while trying to get the jump on a bail jumper.  Sarah and Mitch soon fall in love.  Mace is good with a gun and Mitch turns out to know karate (because he watched a lot of Bruce Lee movies growing up) but the film’s high point is when one of the bad guys is taken out with a giant novelty dart.

The plot is dumb and David Keith comes across as being a discount version of Patrick Swayze but this film does give the always likable Robert Hays a good role and fans of Pamela Anderson (and you know who you are) will definitely appreciate at least two scenes in the movie.  Actually, Pamela Anderson isn’t bad in Raw Justice.  She’s mostly there for her looks but she still has a likable and energetic screen presence.  Otherwise, this is a typical low-rent David Prior production, complete with action scenes featuring guns that never run out of bullets (unless it’s convenient for the plot) and a score that is pretty much the same guitar riff over and over again.  It’s not exactly good but it is entertaining if you’re in the right mood.

This film was also released under the title Good Cop Bad Cop, which doesn’t make much sense because neither Keith nor Hays is playing  a cop.

Retro Television Review: Miami Vice 4.1 “Contempt of Court”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the fourth season begins with a whimper.

Episode 4.1 “Contempt of Court”

(Dir by Jan Eliasberg, originally aired on September 25th, 1987)

It’s time for season 4!  Crockett has longer hair!  Tubbs has a beard!  Otherwise, they’re still somehow doing the undercover thing, despite making no effort to maintain their undercover identities.  This episode finds them both in court and, later on, pulling their guns on a mob boss in broad daylight.  How exactly there is anybody in Miami who does not know that Burnett and Cooper are actually Crockett and Tubbs, I do not know.

This was kind of a boring episode, which does not bode well for the rest of the fourth season.  Mob boss Frank Mosca (Stanley Tucci) is on trial but, because the case hinges on information supplied by an informant, Crockett is faced with making the decision about whether or not to name Jack Rivers (Steven Keats) as the informer.  For Jack’s own safety, Crockett refuses but Mosca figures it out anyway.  Jack is stabbed to death while a helpless Crockett watches.  (Crockett’s in jail on a contempt of court charge.)  Later, Jack’s teenage son, Terry (Richard Panebianco), tells Crockett, “I had no idea you were a cop.”  Really?  What a stupid kid.

Anyway, after Mosca frames a juror for taking bribes and a mistrial is declared, Terry pulls a gun on Mosca as he and his men are walking out of the courthouse.  For once, Crockett and Tubbs are able to convince someone not to open fire.  I think this is the first time, in Miami Vice history, that Crockett and Tubbs have managed to prevent an assassination.  Still, Terry does fire his gun in the air.  Mosca smirks and leaves.  What’s weird is that no one else reacts to Terry shooting he gun.  I mean, he’s on the steps of the courthouse.  Why are there no guards rushing out?  Why are Crockett and Tubbs the only cops around?  Seriously, it makes absolutely no sense.

This episode had some worthy guest stars.  Stanley Tucci appeared to be having fun as the cartoonishly evil Mosca.  Meg Foster played the district attorney.  Philip Baker Hall was the judged who ordered Crockett to name the informant.  That said, the episode itself got bogged down in all of the legal wrangling going on inside the courtroom.  For the past three seasons, Miami Vice is a downbeat cop show, not a show about lawyers objecting and debating the point of law.  The fourth season premiere felt off.

I’ve read bad things about this upcoming season and this episode did little to generate any feeling of optimism or hope.  Both Don Johnson and Philip Michael Thomas looked bored and even Edward James Olmos’s Castillo is starting to get a little …. I guess annoying would be the world.  Seriously, make eye contact with someone!

Well, we’ve got a long season ahead of us.  Let’s hope for the best.

4 Shots From 4 Films: Another Special Texas Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today is San Jacinto Day, which means that it is once again time for….

4 Shots From 4 Texas Films

Slacker (1990, dir by Richard Linklater, DP: Lee Daniel)

Bottle Rocket (1996, dir by Wes Anderson, DP: Robert Yeoman)

Office Space (1999, dir by Mike Judge, DP: Tim Suhrstedt)

Primer (2004, dir by Shane Carruth)

#MondayMuggers presents THE ACCOUNTANT (2016) starring Ben Affleck!


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday April 21st, we celebrate the end of my tax season by watching THE ACCOUNTANT (2016) starring Ben Affleck, Anna Kendrick, J.K. Simmons, Jon Bernthal, Jeffrey Tambor, Cynthia Addai-Robinson, John Lithgow, and Jean Smart. 

Contrary to popular belief, THE ACCOUNTANT is not based on the life of Little Rock-based CPA Bradley Crain, although there are many obvious similarities. Rather, it’s the story of Christian Wolff, a math savant who often plies his trade for some of the world’s most dangerous criminal organizations. When he takes on a legitimate client and discovers discrepancies in the company’s books involving millions of dollars, a group of hitmen try to kill him and the company’s accountant Dana Cummings (Anna Kendrick). Will they live long enough to discover the person behind the embezzlement, or will they just become another set of death statistics? I don’t want to give too much away, but I will go ahead and address the elephant in the room… THE ACCOUNTANT 2 opens on Friday night, April 25th.

So, join us tonight for #MondayMuggers and watch THE ACCOUNTANT! It’s on Amazon Prime. The trailer for THE ACCOUNTANT is included below:

Song of the Day: Lust For Life by Iggy Pop


Today, the Shattered Lens wishes a happy birthday to Iggy Pop.  Today’s song of the day was performed by Iggy and co-written by him and David Bowie.  Here is the anthemic Lust For Life.

Here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
He’s gonna do another strip tease

Hey man, where’d y’get that lotion?
I’ve been hurting since I’m up again
About something called love
Yeah, something called love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life
‘Cause I’ve a lust for life

I’m worth a million in prizes
With my torture film
Drive a GTO
Wear a uniform
All on a government loan

I’m worth a million in prizes
Yeah, I’m through with sleeping on the sidewalk
No more beating my brains
No more beating my brains
With liquor and drugs
With liquor and drugs

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
Well, I’ve a lust for life (lust for life)
‘Cause of a lust for life

I got a lust for life
Got a lust for life
Oh, a lust for life
Oh, a lust for life

A lust for life
I got a lust for life

Got a lust for life

Well, I’m just a modern guy
Of course, I’ve had it in my ear before
Well, I’ve a lust for life
‘Cause I’ve a lust for life

Well, here comes Johnny Yen again
With the liquor and drugs
And a flesh machine
I know he’s gonna do another strip tease

Hey man, where’d y’get that lotion?
Your skin starts itching once you buy the gimmick
About something called love
Love, love, love
Well, that’s like hypnotizing chickens

Well, I’m just a modern guy
Of course, I’ve had it in the ear before
And I’ve a lust for life (lust for life)
‘Cause I’ve a lust for life (lust for life)

Got a lust for life
Yeah, a lust for life
I got a lust for life
A lust for life

Got a lust for life
Yeah, a lust for life
I got a lust for life

Lust for life
Lust for life
Lust for life
Lust for life
Lust for life

Songwriters: Iggy Pop / David Bowie / David Robert Jones

Monday Live Tweet Alert: Join Us for The Final Cut!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1995’s The Final Cut!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up The Final Cut on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

The Eric Roberts Collection: Strange Frequency (dir by Mary Lambert and Bryan Spicer)


2001’s Strange Frequency is an anthology film.  Usually, I hate anthology films because it always seems like the viewer ends up with one good story and three mediocre ones.  As well, the anthology format is one that sometimes seems to be specifically designed to bring out the worst tendencies in otherwise talented directors.  Often times, they seem to treat the anthology format as a lark, an excuse to show off their technical mastery without really paying much attention to anything else.  The results often feel thematically shallow.

Well, guess what?  I liked Strange Frequency.  It was a lot of fun.  Each of the four stories mixed horror with music.  The first story features two heavy metal fans (Erik Palladino and Danny Masterson) who, after a car accident, find themselves in a club where disco is played nonstop.  For them, it’s Hell.  For me, it sounds like a fun afterlife.  (Yes, it’s not easy to watch Danny Masterson nowadays but he does suffer in this story.)  The second story is about a middle-aged serial killer (Eric Roberts) who targets younger hitchhikers, specifically because he dislikes their taste in music.  However, when he picks up a young grunge fan (Christopher Kennedy Masterson), he suddenly finds himself being targeted.  It turns out that this hitchhiker targets old people who won’t shut up about Woodstock.  They then meet an older man who has never forgiven the baby boomers for rejecting big band music.  In the third story, a rock star (John Taylor) who enjoys destroying hotel rooms is confronted by a maid (Holland Taylor) who can literally clean up any mess.  (“I want my headlines!” the rock star shouts as he realizes he’s never going to get credit for destroying his current room.)  Finally, the fourth story stars Judd Nelson as an A&R man who has the ability to find up-and-coming stars but whose discoveries inevitably end up dying.

All three of the stories were well-done and genuinely clever.  My favorite was the second story, which featured Eric Roberts giving an enjoyably unhinged performance as the Woodstock refugee with a hatred for Lollapalooza.  The story was both clever and suspenseful and it actually had something to say about the cultural differences between the generations.  As you get older, you really do come to hate whatever music came after the artists you grew up listening to.  Eventually, all the Swifties will be in their 40s and 50s, wondering why the younger generation doesn’t appreciate good music about feelings.

Strange Frequency was a pilot for a series that aired on VH-1 in 2001.  How come I don’t remember this show?  The pilot was actually really good!  Thank you to Australia’s own Mark V for telling me about this pilot and letting me know that it was on YouTube!  Check it out if you get a chance.

Previous Eric Roberts Films That We Have Reviewed:

  1. Star 80 (1983)
  2. Runaway Train (1985)
  3. Best of the Best (1989)
  4. Blood Red (1989)
  5. The Ambulance (1990)
  6. The Lost Capone (1990)
  7. Best of the Best II (1993)
  8. Love, Cheat, & Steal (1993)
  9. Voyage (1993)
  10. Love Is A Gun (1994)
  11. Sensation (1994)
  12. Dark Angel (1996)
  13. Doctor Who (1996)
  14. Most Wanted (1997)
  15. Mercy Streets (2000)
  16. Raptor (2001)
  17. Rough Air: Danger on Flight 534 (2001)
  18. Wolves of Wall Street (2002)
  19. Border Blues (2004)
  20. Mr. Brightside (2004)
  21. Six: The Mark Unleased (2004)
  22. We Belong Together (2005)
  23. Hey You (2006)
  24. Depth Charge (2008)
  25. Amazing Racer (2009)
  26. In The Blink of an Eye (2009)
  27. Bed & Breakfast (2010)
  28. Enemies Among Us (2010)
  29. The Expendables (2010) 
  30. Sharktopus (2010)
  31. Beyond The Trophy (2012)
  32. The Dead Want Women (2012)
  33. Deadline (2012)
  34. The Mark (2012)
  35. Miss Atomic Bomb (2012)
  36. Assault on Wall Street (2013)
  37. Bonnie And Clyde: Justified (2013)
  38. Lovelace (2013)
  39. The Mark: Redemption (2013)
  40. The Perfect Summer (2013)
  41. Self-Storage (2013)
  42. A Talking Cat!?! (2013)
  43. This Is Our Time (2013)
  44. Inherent Vice (2014)
  45. Road to the Open (2014)
  46. Rumors of War (2014)
  47. Amityville Death House (2015)
  48. Deadly Sanctuary (2015)
  49. A Fatal Obsession (2015)
  50. Las Vegas Story (2015)
  51. Stalked By My Doctor (2015)
  52. Enemy Within (2016)
  53. Joker’s Poltergeist (2016)
  54. Prayer Never Fails (2016)
  55. Stalked By My Doctor: The Return (2016)
  56. The Wrong Roommate (2016)
  57. Dark Image (2017)
  58. Black Wake (2018)
  59. Frank and Ava (2018)
  60. Stalked By My Doctor: Patient’s Revenge (2018)
  61. Clinton Island (2019)
  62. Monster Island (2019)
  63. The Reliant (2019)
  64. The Savant (2019)
  65. Seven Deadly Sins (2019)
  66. Stalked By My Doctor: A Sleepwalker’s Nightmare (2019)
  67. The Wrong Mommy (2019)
  68. Exodus of a Prodigal Son (2020)
  69. Free Lunch Express (2020)
  70. Her Deadly Groom (2020)
  71. Top Gunner (2020)
  72. Deadly Nightshade (2021)
  73. The Elevator (2021)
  74. Just What The Doctor Ordered (2021)
  75. Killer Advice (2021)
  76. Night Night (2021)
  77. The Poltergeist Diaries (2021)
  78. The Rebels of PT-218 (2021)
  79. A Town Called Parable (2021)
  80. Bleach (2022)
  81. My Dinner With Eric (2022)
  82. 69 Parts (2022)
  83. D.C. Down (2023)
  84. Aftermath (2024)
  85. Bad Substitute (2024)
  86. Devil’s Knight (2024)
  87. The Wrong Life Coach (2024)
  88. When It Rains In L.A. (2025