With Comic-Con over the hype surrounding the tv adaptation of Robert Kirkman’s zombie apocalypse comic book series has reached stratosphere status. The 6-episode first season was already one of the most anticipated new shows of the upcoming fall season from just the fans and geek community talking about it nonstop in the internet, but with it’s unveiling at this year’s San Diego Comic-Con the mainstream press has latched itself onto the series. The common reaction to the series at the panel in Hall H seemed to be a unanimous positive one.
Character photos, Drew Struzan posters and new trailers have added to the hype. The comic book series has hit it’s milestone 75th issue. Sales of the comic and it’s collected softcover and hardback graphic novels have seen a spike in sales. AMC has added to the series’ website a taste of the the comics for people to get an idea of what to expect from the series. This motion comic of the first issue of The Walking Dead really captures the horror and hopelessness of the world Kirkman has created and Daabont plans to show up on the TV screen.
It may be weeks before AMC puts up a much more high-quality version of this trailer, but until then this is the only one non-Comic-Con goers can watch. The trailer definitely shows enough of what Darabont and his writers are going for to assuage any fear I have that they’re straying too far away from Kirkman’s laid out plans and that they may be staying too loyal to the original source.
I really like how the trailer shows enough scenes from the comic book’s first couple issues that fans have memorized. This series (6 episodes in total) will definitely be the show to watch this coming tv season. That scene with the zombies swarming in, around and over the tank sent chills up my spine.
I also love how loud and well the panel attendees received the trailer. Now time for the series to impress the non-fans. If the series does that then The Walking Dead will join Mad Men and Breaking Bad in creating a trifecta of the best shows on basic cable and probably tv in general.
That name alone will bring big smiles and goofy grins to film geeks and comic book fanboys the world over. Struzan has been one of the go-to artists when a studio wants a beautifully painted poster for their film. He’s done poster artwork for some of the most iconic films of the last 50 years. He’s done all the poster work for the Indiana Jones and Star Wars franchise. Of late he’s done some great work on film posters for the Harry Potter and Hellboy franchises.
In 2007 he created some wonderful poster art for a scene early in Frank Darabont’s film adaptation of the Stephen King novella, The Mist. Struzan also created a poster for that film. He and Darabont have been close friends so it wasn’t much of a surprise that Struzan would end up creating a film-style poster for Darabont’s tv adaptation of the fan-favorite and critical darling comic book series, Robert Kirkman’s The Walking Dead. The poster below is being premiered and given out by AMC at SDCC (San Diego Comic-Con) 2010 as part of their promotion for the series to premiere this October on AMC. To see the image below in its HQ glory then head on over to AICN which got the exclusive to show it before SDCC.
In addition to the Struzan poster AMC has also released individual photos of each cast member as their characters in the show plus two pictures of zombies who will populate the series. The actors really do a good job of becoming like their characters in these photos. The zombie pictures really show just why Greg Nicotero and his KNB Effects are the preeminent people when it comes to creating zombie make-up effects. These zombies look great and definitely reinforces the point that AMC will not waterdown the comic book for tv. Andrew Lincoln as Rick Grimes for some reason really resembles Viggo Mortensen in his character photo.
If you’ve already clicked the YouTube video attached above then you can see that it has action, comedy, sci-fi, nature, and Godzilla-style city destruction. All of them delivered by actor Terry Crews who can and will destroy Chuck Norris and that’s without help from his human-eyed tiger.
It was a tough call for me to pick this as the best commercial since a past Old Spice commercial with God (Bruce Campbell) shilling their product was my previous pick for best and greatest ever. But God didn’t have a tiger or city destruction in his Old Spice commercials.
I love South Park and, when I decided to list my ten personal favorite episodes, I thought this would be an easy article to write. How wrong I was. It’s hard to narrow 203 episodes down to 10 when you happen to love 193 of them. As I struggled to settle on my ten, I did a google search to see what other South Park fans had listed as their top ten episodes. What I discovered was that a lot of people had a top ten list and no one seemed to be in agreement. I guess that’s why I love South Park. It’s a show that people either love or hate, often for the exact same reasons.
I first truly discovered South Park when I was 18 and the show, itself, was either 7 or 8. Don’t get me wrong. I knew about the show and I’d seen the occasional episode (though my mom would always promptly change the channel if she walked into the room and saw it on the TV). But, as far as becoming a true “fan” of the show, I arrived late. Perhaps as a result, my list of favorite episodes is pretty much dominated by the latter seasons of the show (though I did come very close to putting Gnomes on the list).
10) The List (Original Airdate: November 14th, 2007) — Okay, technically The List isn’t really one of the best episodes of South Park but it’s always made me laugh, largely because me and my girlfriends used to obsessively make lists like the one in this episode. We also always took it way too seriously, even though the police were never called and I don’t think anyone ever ended up pulling a gun on anyone else.
9) You Got F’d In The A (Original Airdate: April 7th, 2004) — Not only is this episode of perfect parody of You Got Served, it’s also full of priceless WTF moments like the duck dancing to a song about Ketamine, Randy Marsh dancing to Achy Breaky Heart, and Butters killing even more people than usual as a result of his dancing. It also features the Goth kids at their negative best. Speaking as someone who used to have an exclusively black wardrobe even while she was fantasizing about becoming a world-famous prima ballerina, this episode gives me the best of both worlds. It was also one of the 1st episodes of the show that I ever sat down and truly watched.
8 ) Ginger Kids (Original airdate: November 9th, 2005) — Cartman reveals that along with being a racist and an anti-Semite, he’s prejudiced against redheads as well. Then he’s tricked into believing that he is a redhead and promptly organizes all the “gingers” in town into a cult. Admittedly, one reason I like this episode is because I’m a ginger kid myself and, oddly enough, this episode was first broadcast on my 20th birthday.
7) Miss Teacher Bangs A Boy (Original Airdate: October 18th, 2006) — Cartman as Dog, the Bounty Hunter. What else needs to be said? (Well, let’s not forget Ike’s facial expressions as Kyle tries to warn his parents about Miss Teacher.)
6) Night of the Living Homeless (Original Airdate: April 18th, 2007) — The homeless invade South Park and the end result is a brilliant parody of both zombie movies and liberal good intentions.
5) Whale Whores (Original Airdate: October 28th, 2009) — I like this episode for a lot of reasons. First off, the TV show Whale Wars is one of those smugly, self-satisfied shows that just deserves to be ridiculed on general principle. Secondly, it brought attention to just how barbaric Japanese whaling really is and it did so in a far more entertaining way than the Cove. But, ultimately, it all comes down to Cartman’s performance of Poker Face.
4) You Have 0 Friends (Original Airdate: April 7th, 2010) — This is the episode that made me proud to have deleted my Facebook account years ago.
3) Pandemic and Pandemic 2: The Startling (Original Airdates: October 22nd and 28th, 2009) — Yes, a lot of South Park fans disliked the two Pandemic episodes but I loved them. Along with ridiculing the current “home video horror” craze (which would later be epitomized by the ludicrous Paranormal Activity), the show also worked as a wonderful commentary on the whole series itself. From the minute Craig said, “You know, this is why no one else wants to hang out with you guys…,” Pandemic had me. Of course, needless to say, there’s also nothing cuter than a guinea pig in a pirate costume.
2) Go God Go and Go God Go Part XII (Original Airdate: November 1st, 2006 and November 8th, 2006) — There’s a lot of reasons why I like these episodes but the main reason is that, speaking as a nonbeliever, I’ve always felt that a lot of comedies satirize organized religion (excluding, of course, Islam) because it’s an easy target as opposed to actually having anything interesting to say about it one way or the other. (Hello, Family Guy.) It takes more guts to satirize something like atheism, especially the Richard Dawkins brand of disbelief. Plus, the Sea Otters. You have to love the Sea Otters.
1) The Imaginationland Trilogy (Original Airdates: October 17th, 24th, and 31st, 2007) — I don’t know that there’s anything left to be said about Imaginationland so I will just say that the relevance of this trilogy — in which humanity’s imagination is threatened by a bunch of thugs and bullies — became all the more obvious after Comedy Central decided to censor South Park’s 201st episode to avoid hurting the feelings of terrorists.
If you follow me on twitter then you can probably guess what I consider to be “the best freakin’ commercial ever.” It premiered (in its full form) during the last Super Bowl and it made me smile whenever I saw it on come on TV. It was a commercial that I loved so much that it took me a few times to realize it was actually selling something (a car, in this instance). Up until then, I just thought the commercial was a showcase for Sockmonkey and his friend, the freaky little red thing.
I’m speaking, of course, of the Kia Sorrento “How You Like Me Now” ad campaign.
Don’t get me wrong. I’m not saying you should buy a Kia and this commercial left me with absolutely no desire to trade in my beloved Chrysler Sebring convertible but it did inspire me to order sockmonkeys for myself, my older sister Erin, and my niece Shannon.
As great as the song (How You Like Me Now, performed by Heavy) is and as much charisma as that little red monster thingee displays, Sockmonkey really is the star of the commercial. Seriously, I might actually watch the Daily Show if they fired smug, aging badly, oddly devoted to Stephen Colbert, old Jon Stewart and replaced him with tattooed, fast-driving, water-skiing, mad dancing, fast driving Sockmonkey.
(Yes, I said fast driving twice! Because that monkey really drives fast! And, uhmm, not because — as some people claim — I have a five-second attention span…)
The last time I saw this commercial, my friend Jeff commented, “I bet that monkey gets a lot of tail.”
“Silly!” I replied, “He’s already got a tail!”
Later, I realized I may have misunderstood his meaning.
(True story)
But anyway, it’s a fun little commercial whether it makes you want to drive a Kia or not. And, a definite plus, it’s not half as disturbing as those old Calvin Klein jean commercials.
At the risk of committing heresy, commercials (especially older commercials) fascinate me. At their best, commercials are textbook exploitation films. They’re designed to appeal to the audience’s most primal desires and, as a result, are often more truthful reflections of the society that created them than more “mainstream” works of art. A good commercial is a 1-minute journey into the human subconscious. (Of course, at their worst, commercials are just commercials, usually for medicines that have a ton of nasty side effects.)
I was recently searching through YouTube for banned or risqué commercials when I came across these Calvin Klein ads from the early 1990s.
I think I vaguely remember seeing one or two of these commercials when I was six or seven. It may have been the one with the narcissist from Brooklyn because I remember my mom changing the channel as soon as that creepy voice started in with, “You’ve got a nice body.” I can understand why she did because, if nothing else, these commercials give it out a really creepy vibe.
Supposedly (and I should admit that my source for this info. comes from a bunch of anonymous YouTube commentators), these commercials were pulled off the air and its easy to see why. These commercials gave mainstream America what it wanted (good-looking, barely legal eye candy) but did so in a way that emphasized just how sordid most people’s fantasies really are. The creepy and unseen “director” serves as the perfect representative of mainstream, middle-aged America. (Just check out his confusion over the word “mosh” and his complete loss of composure when the one model refuses to fulfill his fantasy.) By leaving the director off-screen, the commercials force the viewer into the role of director. In the best exploitation tradition, these commercials tell the complacent viewer, “This is what the inside of your head really looks like.” At the same time, it also told the young that if they wanted to get the attention of the mainstream establishment, the best way to do so was to tease and offer up implied promises that would never be kept. Supposedly, a lot of people considered these commercials to almost be pornographic. Personally, I prefer to think of them as being subversive in the style of a classic film noir.
While the unseen director is the perfect surrogate for the hidden desires of mainstream America, the models themselves all seem to have wandered out of a Larry Clark film, which is perhaps one reason why I worry about what happened to them after their “interviews.” The first model — Blue-eyed Brandon from Kentucky — is especially cute and I hope he eventually caught the first bus back to Louisville. He doesn’t look to be cut out for the big city and I get the feeling that the narcissist from Brooklyn could kick his ass. I also get the feeling that the older Italian woman ended up making “love on film” with the guy who ripped his shirt in half while the mosher probably ended up impregnating the airhead who wears 30 year-old jeans. I also get the feeling that the mosher may have been the younger brother of the girl who says, “I won’t dance for you.” (And good for her!)
These commercials all feel authentic, even if you’re not quite sure what’s going on. From the grainy film stock to the shabby studio to the disturbingly intrusive voice of the “director,” these commercials can make your skin crawl. You watch and you wonder if anyone ever saw these models again after their audition. Its hard not to suspect that they all ended up either buried in someone’s backyard or maybe on a boat heading to Aruba.
At the same time, these commercials oddly enough do make you want to go out and buy jeans because, while all of the models appear to be doomed, at least they all look really good. As a result, the commercials themselves become the ultimate example of the philosophy of “Live Fast, Die Young, and Leave a Good Looking Corpse”
It looks like Andrew Lincoln’s character of Rick Grimes for AMC’s upcoming horror tv series, The Walking Dead, has finally found it’s wife. According to Michael Ausiello of Entertainment Weekly the role of Lori Grimes has finally been cast with Sarah Wayne Callies (previously seen in the now-cancelled Prison Break). She joins Andrew Lincoln to form the husband-and-wife in the tv series adaptation of Robert Kirkman’s popular and critically-acclaimed zombie apocalypse comic book series.
I like this choice in casting not just because Sarah Wayne Callies actually looks like the character, but her previous role in Prison Break looks to have been the perfect practice role for the part of Lori Grimes. Rick Grimes’ wife Lori could only be described as very troubled and keeping secrets of her own during her time away from Rick at the beginning of the series. While I wouldn’t call the character as hysterical she does pose some instability in the group dynamics which Rick has to carefully navigate if he has any chance of keeping his small group of survivors from dying out.
As more and more names get announced as becoming part of the show’s cast it looks like the series (6-episodes ordered for the moment) continues to move towards it’s early summer production start date. The Walking Dead looks to be one of the 2010 fall schedule’s most-anticipated new shows and here’s to hoping Darabont and crew’s initial 6-episodes hit it out of the park and earn the show more ordered episodes.
Through the Shattered Lens 