Retro Television Review: Homicide: Life on The Street 4.2 “Fire Part Two”

Posted on August 17, 2025 by Jedadiah Leland

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, Lisa will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC! It can be viewed on Peacock.

Guest reviewer alert! I’m filling in for Lisa on the Homicide beat this week. Let’s take a look at the second episode of the fourth season.

Episode 4.2 “Fire Part Two”

(Dir by Nick Gomez, originally aired on October 27th, 1995)

Continuing from where the previous episode ended, Pembleton, Bayliss, and Kellerman investigate the second warehouse fire. Another victims has been found burned to a crisp in the fire. Her dental records identify here are Bonnie Nash, a teenage girl. The positioning of her body indicates that, unlike the first victim, she was already dead when the fire was set.

Pembleton continues to dislike Kellerman and gets especially annoyed when Kellerman announces that he’s decided to quit smoking. Bayliss is suffering from a degenerative disc and spends more time complaining about the pain than actually investigating the case. It’s Kellerman who solves the case and tricks chemistry teacher Gavin Robb (Adam Trese) into confessing. While in the box with him, Kellerman plays good cop and even tells Robb that he’s free to leave after Robb denies being the arsonist. As Robb stands, Kellerman whispers, “Why did you kill the dog?”

Without thinking, Robb replies, “I didn’t know it was there.”

(Of course, there was no dog there.)

Realizing his mistake, Robb confesses. Bonnie was one of his students. Having decided to kill her, Robb set the first fire to fool everyone into thinking that there was a serial arsonist on the loose so that the arsonist would be blamed when Bonnie’s body was found in the second fire. The first death was an accident. The death of Bonnie was premeditated. When asked why he killed Bonnie, Robb replies, “That’s my personal business.”

Giardello invites Kellerman to join Homicide. At first, Kellerman refuses because he doesn’t think he’s smart enough to be a member of the murder police. But after visiting his father at his dead-end job in a distillery, Kellerman changes his mind.

Meanwhile, Kay and Munch both study for the sergeant’s exam. Kay makes it to the exam and probably aces it. Munch can’t find his lucky socks and misses it. I would have missed it too. You can’t do anything without the lucky socks.

This episode was an improvement over the previous episode. Last episode, Kellerman came across as being a cliche, the hot-headed cop who has a problem with authority. This episode, Kellerman was more likable and also a lot less cocky. That he’s insecure about whether or not he can keep up with the other homicide detectives makes him a very relatable character. It would have to be intimidating to find yourself suddenly working with someone like Frank Pembleton, who is always portrayed as being the best of the best.

As I mentioned last week, Reed Diamond was originally a controversial addition to the cast. At the time, many critics said the show was selling out by casting an actor who didn’t look like Ned Beatty or Jon Polito. Reed Diamond and Mike Kellerman would both prove themselves, leaving little doubt that they belonged. Later, Homicide would make some bad casting decisions. (Five word: Jon Seda as Paul Falsone.) But Reed Diamond, with this episode, steps up and shows that he can keep up with the rest of the squad.

Late Night Retro Television Review: Good Morning, Miss Bliss 1.5 “Parents and Teachers”

Posted on August 16, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, I will be reviewing Good Morning, Miss Bliss, which ran on the Disney Channel from 1988 to 1989 before then moving to NBC and being renamed Saved By The Bell. The entire show is currently streaming on Prime!

This week, Miss Bliss almost becomes Zach’s stepmother.

Episode 1.5 “Parents and Teachers”

(Dir by Gary Shimokawa, originally aired on December 28th, 1988)

It’s parent-teacher week! Lisa worries that her parents are going to find out that she wears makeup to school. Miss Bliss promises not to tell them. Mr. Belding worries that the parents are going to start telling principal jokes so, when he hears a few, he apparently tells a ribald joke about Gumby. (We don’t get the full details. Milo says that it involved a side of Pokey that he’d rather not think about …. GOOD GOD, WHAT THE HELL DID BELDING SAY!?)

Miss Bliss is shocked when one of the parents turns out to be Peter (Robert Pine, the sergeant from CHiPs and Chris’s father), a charming man that she met during a singles retreat. It turns out that Peter is Zach’s father….

Wait, what? Anyone who has ever watched Saved By The Bell knows that Zach’s parents are not divorced and that his father is Derek Morris, a bearded computer salesman who played baseball in college and who grounded Zach for drinking too much at a senior party. Who the Hell is this Peter Morris character? I guess, when Zach moved to California, he got a new father as well. Maybe Derek Morris was actually his stepfather and the whole reason he moved to California was because his mother remarried. But why would he bring Lisa. Screech, and Belding with him?

I don’t know. It’s questions like this that haunt me about the Miss Bliss episodes of Saved By The Bell. Maybe I’m overthinking this. Afterall, the only reason why the Good Morning Miss Bliss episodes are considered canon is because they were later added to the Saved By The Bell syndication package with newly shot scenes of Zach saying, “I remember when I was in junior high….” Really, the simplest answer to all of my questions is that the producers of Saved By The Bell just didn’t care. They didn’t care about continuity or anything else. In those pre-Internet days, they thought they could get away with forcing the Miss Bliss episodes into the SBTB universe. That’s the solution that makes the most sense but I’m a continuity person. This is going to bother me for the rest of my life, I can tell already.

Anyway, Zach is not happy that Miss Bliss is dating his father. Quite frankly, I’m not happy about it either. As a condescending know-it-all, Miss Bliss is already annoying enough without having an active social life. Fortunately, the relationship doesn’t last. Zach skips school and, when Miss Bliss catches him, she realizes that it’s simply unethical to date the father of one of her students.

“What if I send Zach to Switzerland?” Peter asks.

Gee, Peter, what if we call Child Protective Services on your ass? How would you like that? Seriously, the main message of this episode seems to be that Zach has a terrible father and Miss Bliss has terrible judgment.

Zach is really lucky he got out of Indiana.

Lisa Marie’s Week In Television: 8/10/25 — 8/16/25

Posted on August 16, 2025 by Lisa Marie Bowman

Big Brother 27 (CBS, Parmounht+, Pluto TV, 24/7)

With my aunt in the hospital this week, Big Brother didn’t really interest me that much. I wrote about it over at the Big Brother Blog but there’s a part of me that no longer cares about shows like this. All of the fake drama and all of the crocodile tears don’t add up to much when you’re dealing with real drama and shedding real tears.

The Simpsons (Disney+)

Jeff and I watched a few episodes this week, out of the hope that they might cheer me up and give me a break from worrying. And they did. I enjoyed the episode with Mr, Burns’s son. I enjoyed the episode with Poochie. There was also an episode in which Homer enrolled in clown college. That made me smile.

Retro Television Review: The American Short Story #11: Paul’s Case

Posted on August 16, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Saturdays, Lisa will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981. The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, Eric Roberts appears in an adaptation of a Willa Cather short story.

Episode #11: “Paul’s Case”

(Dir by Lamont Johnson, originally aired in 1980)

At the turn of the century, Paul (Eric Roberts) is a young man from Philadelphia who struggles academically and who just doesn’t seem to fit in anywhere. He comes from a poor family but he wants people to think of him as being rich and worry-free. He gets a job working at a theater and finally experiences a life other than the dreary one forced on him by his father. But eventually, Paul steals money from his job and uses it to go to New York. In New York, he lives out his fantasy of being rich and free but, after a few days, he realizes that the fantasy is only temporary. With his father coming to the city to claim him, Paul throws himself in front of train.

Based on a story by Willa Cather, Paul’s Case is an effective and heart-breaking entry in The American Short Story series. It feature a very early performance from Eric Roberts. Roberts was only 24 years old when he played Paul and he gives a poignantly vulnerable performance as a young man who simply does not fit in with the world in which he’s been born. He’s too delicate, too much of a “dandy,” for his father’s unimaginative (and homophobic) world but he’s also not rich enough to truly be a part of the exciting world that he discovers in the theater and in New York.

Perfectly capturing the tone of the source material and featuring an excellent turn from Eric Roberts, Paul’s Case is The American Short Story at its best.

Previous Eric Roberts Films That We Have Reviewed:

Freddy’s Nightmares Late Night Retro Television Review: Freddy’s Nightmares 1.4 “Freddy’s Tricks and Treats”

Posted on August 15, 2025 by casewright

GUEST REVIEWER ALERT!!! Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Freddy’s Nightmares, a horror anthology show which ran in syndication from 1988 to 1990. The entire series can be found on Plex!

Marsha (Mariska Hargitay) is a medical student with childhood trauma and an affinity for peeping toms. Yep, she likes peeping toms, which made me realize that Gilbert Adler – the story’s writer is not great at writing. In fact, he’s pretty terrible at it, but he did produce an awesomely bad movie “Ghost Ship.” Marsha joins a sleep study with Zach (Darren Dalton) who created a machine that can DVR your dreams. Why would you want to DVR dreams? Who knows?! Have you ever heard someone try to describe their dreams? If so, you need to politely smile and weather the storm.

During her sleep study, Zach gets pervy and sends peeping toms into her dreams and she quasi-undresses. It’s really really weird. I couldn’t figure out what the big mystery was. We learn that Marsha’s parents died, leaving Marsha to be raised by her ultra religious abusive grandmother. Marsha argues with her grandmother and her Nonna has a fatal heart attack. Ok, I don’t understand the mystery. Your parents are dead and your grandmother was mean. Why do you need dream recordings for that? You were there! You were there the whole time!!!

Freddy does make some appearances in the story itself, but doesn’t really cause any harm to Marsha. The perpetual lack of blood really killed the show. At this time, Freddy had sliced his way through at least 4 movies in horrific fashion; so, seeing him impotently nudge a potential victim really makes me sad because you could feel the franchise dying before your eyes.

With no chemistry at all, Marsha hooks up with Zach and he goes into her dream and Freddy bloodlessly takes him away. The story could have been better if it ended after 22 minutes; unfortunately, the story dragged on for another 20 minutes. It’s interesting that there were so many anthology shows coming up at the same time in the late 80s. It wouldn’t be until the mid 90s that The Outer Limits made a return. While science fiction can get traction, it was only a serialized drama “Supernatural” that could really entertain with horror as the theme. The closest we came to a horror anthology was Dark Mirror and that is trash! If you are a “Dark Mirror” fan, who hurt you? I mean it’s like if the reboot of The Outer Limits just decided to be mean all the time. It does make a question though maybe for Lisa: Maybe we should start reviewing the 90s outer limits??? I mean it’s a legit good show….just sayin.

Retro Television Review: St. Elsewhere 2.11 “Blizzard”

Posted on August 15, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988. The show can be found on Hulu and, for purchase, on Prime!

This week, it snows in Boston.

Episode 2.11 “Blizzard”

(Dir by Kevin Hooks, originally aired on January 18th, 1984)

It can’t be easy working in a hospital.

I’m thinking about this today because my aunt is currently dying. After several years of suffering from Alzheimer’s disease, my aunt is currently in a hospital, unresponsive and scheduled to move into hospice care. Presbyterian Health was the first hospice we reached out to. They don’t have any available rooms but they were willing to still admit her and send their nurses to the hospital everyday until a room opened up, One family would lose a loved one and my aunt would get a room. However, the hospital says that they need the bed that my aunt is occupying so my aunt is being sent to a different hospice. This hospice is located off the highway and it’s going to be Hell to get to. I yelled at the hospital social worker for an hour this morning. He suggested home hospice as a solution but home hospice is what I agreed to for my Dad last year and the pain from watching him die still lingers.

It’s easy to get angry at the doctors and the nurses and the hospice workers but I try not to. I’m losing my aunt, a woman who stepped up to look after me after my mom died. They’re losing one of the hundreds of patients that they deal with on a daily basis. That social worker upset me but ultimately, he was doing his job.

All of this was pressing on my mind as I watched this week’s episode of St. Elsewhere. Even though this episode was aired 41 years ago, it still felt relevant today. A patient — a nice old man named Harrison Jeffries (James McEachin) — died because a teenage girl hacked the hospital’s computer, screwed with the files for fun, and accidentally erased the fact that Harrison was allergic to Demerol. It was sad but it was also something that still happens today. People, both good and bad, go into hospitals for minor procedures and concerns and they don’t come out. Last year, my Dad went to the hospital because he was in a car accident and when I first visited him, he seemed like he was doing fine. Three months later, he died because the accident aggravated his Parkinson’s. It sucks and it hurts but that’s the way it is. Tomorrow, I could forget to pack my inhaler when I leave the house and I could die of an asthma attack. It’s not nice to think about but it could happen. That’s why you have to truly live life while you can. You never know when it might be taken away.

As for the rest of this episode, it dealt with a blizzard. The roof collapsed on Dr. Cavanero and she ended up with a broken arm. Dr. Craig tried to drive to the hospital and, after his car stalled, nearly died walking through the snow. (Vijay was able to warm up Craig’s feet by placing them on his stomach. Craig was not happy.) Victor struggled with his love for Roberta. Dr. Armstrong snapped at people. Jack Morrison was depressed. Even with this blizzard, it was really just another day at St. Eligius.

St. Elsewhere is frequently downbeat show but that makes sense. When you think about, no one ever gets a happy ending.

Late Night Retro Television Review: Highway to Heaven 4.9 “Why Punish the Children?”

Posted on August 14, 2025 by Bradley Crain

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, we will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989. The entire show is currently streaming on Amazon Prime, Tubi and other services!

Episode 4.9 “Why Punish the Children?”

(Dir. by Michael Landon, originally aired on November 25th, 1987)

In this Thanksgiving episode, Jonathan Smith (Michael Landon) and Mark Gordon (Victor French) take on roles as history teachers in a women’s prison. It seems a compassionate social worker named Melanie Canner (Sally Spencer) has been fighting hard to improve the lives of the women on the inside and has been getting close to nowhere with prison warden Thomas Inman (Bruce French). The first positive step that Melanie has been able to secure for the inmates from the warden are these history classes. Once on the inside, we meet inmates like Maria Rojas (Tasia Valenza), a young woman who’s just about to have her first baby, and Reba Williams (Bebe Drake), a mother of five. Both women want to straighten out their lives in order to give their children a better chance in life. It soon becomes clear that Jonathan, Mark, and Melanie are on a mission to convince the warden to open up more opportunities for the women to improve their lives and spend more quality time with their kids. The warden isn’t an easy case, as he seems convinced that the women shouldn’t be given any real favors as they pay their debts to society. As you might imagine, Jonathan has a couple of divine tricks up his sleeve.

I liked this episode of HIGHWAY TO HEAVEN even if it’s not the most realistic story you’ll ever see. Each woman we meet has 100% accepted the error of their ways and are determined to be a productive member of society if they can get just one more chance. The cynical part of me has to overcome this unrealistic element of the story, and the “women in prison” movie lover in me would have enjoyed a couple of good catfights. Alas, this is HIGHWAY TO HEAVEN and director Michael Landon is not in the business of going for complete realism or providing B Movie fan service! Rather, Landon is interested in creating a world where basically good people have done wrong, honestly regret how their choices negatively impact those they love, and vow to do better for their children. This series built its five seasons on the prospect of people turning their lives around, and I’ll admit I got pretty emotional again with this one. This episode really focuses in on a mother’s love for her children, and I certainly want to believe that these women would do anything for theirs. Each mother is given a beautiful moment, at Thanksgiving no less, and the chance that they need to be the mom their children deserve. I’m getting a little misty just thinking about it as I type these words. The character of the warden is there to learn the lesson that we all need to learn, which is to try to see situations from different points of view. He gets a little angelic help in this area, which is quite heavy handed and completely in line with the show’s expectations.

Overall, I again enjoyed this episode as a nostalgic trip down memory lane with a series I grew up watching with my mom. The fact that I got a little emotional is also no surprise because the older I get the more I cry when watching movies and TV shows. The fact that I was bawling in my office while I watched the show at work could have been a little hard to explain… luckily, nobody came by during those waterworks moments.

Retro Television Review: Malibu CA 2.26 “Three Dudes And A Baby”

Posted on August 14, 2025 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999. Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

All good things must end.

And so must all bad things.

Episode 2.26 “Three Dudes And A Baby”

(Dir by Gary Shimokawa, originally aired on May 20th, 2000)

It’s over!

After two seasons and over 50 episodes, Malibu, CA is over!

As opposed to the other Peter Engel shows that I’ve reviewed on this site, Malibu CA doesn’t get a real finale. Instead, the final episode is just another stupid 22 minutes that signify nothing. When waitress Stacie (Kristen Miller) goes out of town, Murray, Jason, and Peter take care of her baby. Awwwww …. wait a minute. Why would anyone leave their baby with those idiots?

When the three men find out that Stacie is getting divorced from her husband, all three try to step up. Murray asks Stacie to marry him. So does Jason. Peter offers to adopt her. Stacie reveals that she and her husband have decided to stay together. Are you sure, Stacie? Murray is like really rich.

Meanwhile, Lisa (the character, not me!) gets upset because her little sister is a fan of Traycee’s television show and is thinking of quitting college so she can become an actress. Lisa blames all of this on Traycee which is weird because 1) Traycee didn’t force Lisa’s sister to do anything and 2) Traycee has found a lot of success as an actress and if Traycee can do it, why can’t Lisa’s sister do it?

This is a typical Lisa story. Lisa (the character, not me!) acts like a total bitch, whines nonstop, and blames everything on Traycee, even though none of it is really Traycee’s fault. Adding the character of Lisa was one of the biggest mistakes that was Malibu CA made during its second season. The first season was pretty dire but, in the end, it was actually better than the second season and that’s entirely because the first season did not feature Lisa (the character, not me). I don’t want to be too hard on the actress who played her because it’s not exactly as if she was being given great material to work with. That said, Lisa was a poorly-written character who basically was portrayed as always being annoyed with something. The fact that the finale of the show focuses on her as opposed to wrapping up the stories of Jason and Scott says a lot about why this show was the most forgettable of all of the Peter Engel-produced sitcoms.

And so, Malibu CA comes to a close and there’s really not much to say about it. Peter Engel tried to work his Saved By The Bell/California Dreams/Hang Time magic but the show never really found a consistent tone and neither of the Collins brothers were particularly likable protagonists. It’s really not a shock that neither Jason Hayes nor Trevor Merszei went on to have acting careers after this show ended.

On a positive note, Brandon Brooks and Priscilla Inga Taylor were consistently amusing, if just because they were smart enough to embrace the oddness of their characters. And Ed Blatchford had his moments as the father figure. Otherwise, this was a forgettable sitcom that signified the end of an era.

Next week, something new will be coming to TSL in this timeslot. What will it be? We’ll find out next Thursday!

Late Night Retro Television Review: 1st & Ten 1.5 “Play Me Or Trade Me”

Posted on August 13, 2025 by Lisa Marie Bowman

Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.

This week, an injury leads to the promise of sex …. or does it?

Episode 1.5 “Play Me Or Trade Me”

(Dir by Bruce Seth Green, originally aired on December 23rd, 1984)

Carl Whitherspoon, the star running back who is always demanding more money, is injured while filming a commercial for a rental car company. (“Call OJ,” the commercial’s director says when it becomes obvious that Carl won’t be able to jump over any more luggage.) The Bulls are struggling and Coach Denardo wants a championship but his star player is out for four weeks!

It’s time to trade! Unfortunately, the only way that the Bulls are going to be able to get the running back they want is by trading their aging quarterback, Bob Dorsey. Dana is upset about losing Bob but then she realizes she can finally have sex with him if he’s no longer a Bull and she decides that she’s okay with the trade.

But then the running back that the Bulls were hoping to trade for is injured so the trade is called off. So, Dana can’t have sex with Bob. But Bob still leads the team to victory. Actually, the team wins because Bubba (Prince Hughes) blocks a field goal with his oversized ass. (That’s not me being rude. Bubba’s weight and the size of his ass is a running theme on this show.) The Bulls are now 5-3 and I guess they don’t need a running back after all.

The main theme of this episode seemed to be that Dana needs to get laid. I liked the chemistry between Delta Burke and Geoffrey Scott. And the scene where Carl injured himself made me laugh just because of Sam Scarber’s over-the-top facial expressions as he crashed into a table. Otherwise, this episode was pretty forgettable.

Retro Television Review: The Love Boat 6.12 “Baby Talk/My Friend The Excutrist/Programmed For Love”

Posted on August 13, 2025 by casewright

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!

This Week, “Bix”, a sapient robot, enslaves the crew…

I had not seen “The Love Boat” in forever and it’s really more of a variety show because there are all these straight forward/weird plot lines and song or dance numbers. I watched this episode with my daughters and they were quite confused as to why people were making all of these strange choices. My response:

I’m a terrible father

I’m kind of an angry man; so, I will start with the storyline that infuriated me the most. Franklin (Peter Marshall) brings “Bix” AKA Robby The Robot on the ship. First, I dispute that he’s a robot. “Bix” had flashing lights and could say a few phrases, in that case, when I put up my sound sensitive Christmas lights – I have created robots! Second, the phrases he used hinted at a self-awareness that should’ve demanded Captain Stubing to destroy this evil thing! Third, it kept getting in the way of Franklin and Ruth (Karen Morrow) from knocking boots. Listen Bix, these people don’t have much time left and they clearly discovered a proto-Viagra; so get lost- you puritanical robot!

The next storyline was just weird. Steve (Grant Goodeve) who was somehow NOT on the original Battlestar Galactica and his wife Connie (Donna Pescow – Saturday Night Fever) cannot have children; so, they enlist a surrogate. It becomes very clear that no one knows what a surrogate is because they kept talking about how the baby would have the surrogates traits, meaning I believe they thought Steve was going to sleep with the surrogate- the 70s were weird! Connie, the wife, gets jealous because Steve becomes flirty with the surrogate and it all gets mooted because it turns out that Connie is pregnant, but they still slept with the surrogate anyway- just kidding.

The last storyline was all about Two Broke Girls (see what I did there). I found it really very depressing even with the dance number. Betsy (Betty White) was the trustee for Aunt Sylvia (Carol Channing), but it turns out that Sylvia is broke. Sylvia then, hilariously drops her ONLY asset, a diamond necklace, into the ocean, leaving them both penniless. These two intrepid and talented women, desperate for cash, had no choice, but to fight a series of opponents in juvenile-game-themed-death matches in Korea. Sadly, they were the only remaining opponents and had to face off where only one friend would leave with millions of dollars and years of regret! I will have to say that I was impressed with Betty White’s cunning when she was hunting the most dangerous game. This storyline was actually the basis for the Netflix hit “Squid Games”. I am kidding, they actually thought their poverty was hilarious. I did not understand.