Be careful who you pick up!
Category Archives: Horrorthon
Music Video of the Day: All We Are by Warlock (1987, directed by Mark Rezyka)
Warlock literally stops traffic in today’s music video of the day!
Mark Rezyka also directed videos for KISS, RATT, Spinal Tap, Testament, Nelson, Firehouse, Winger, Vixen, and just about everyone who was anyone in the 80s.
Enjoy!
Horror on TV: The Night Stalker (dir by John Llewelyn Moxey)
Long before he achieved holiday immortality by playing the father in A Christmas Story, Darren McGavin played journalist Carl Kolchak in the 1972 made-for-TV movie, The Night Stalker. Kolchak is investigating a series of murders in Las Vegas, all of which involve victims being drained of their blood. Kolchak thinks that the murderer might be a vampire. Everyone else thinks that he’s crazy.
When this movie first aired, it was the highest rated made-for-TV movie of all time. Eventually, it led to a weekly TV series in which Kolchak investigated various paranormal happenings. Though the TV series did not last long, it’s still regularly cited as one of the most influential shows ever made.
The Night Stalker is an effective little vampire movie and Darren McGavin gives an entertaining performance as the rather nervous Carl Kolchak.
Enjoy!
Brad’s Scene of the Day – Dwight Yoakam being a world class jerk in SLING BLADE (1996)!
I’ll sing the praises of the movie SLING BLADE to any person who will listen. I love the movie, mainly because of Billy Bob Thornton’s outstanding performance as Karl Childers, a character that he created from scratch. I also love the movie because it was filmed in Saline County, Arkansas, the county I live in. I love to eat at Garry’s Diner, if nothing else because Billy Bob and John Ritter did in the movie. They make great burgers and shakes!
One of the best things about SLING BLADE is Dwight Yoakam’s performance as Doyle Hargraves, one of the most disgusting characters you’ll ever see on screen. Dwight Yoakam slays the role, and you can’t help but hate him. On a side note, I have been told that Dwight’s not one of the nicest guys around, but that’s neither here nor there. A lot of people have said they didn’t like Charles Bronson, but I don’t care because I love him and that’s all that matters. I love Dwight Yoakam too. I love his song “Fast as you,” and I love his performance in SLING BLADE!
In celebration of Dwight’s 69th birthday, I present a scene from SLING BLADE where Dwight plays the epitome of domestic, blue collar evil! (I would say enjoy, but if you’re not somewhat repulsed, you may need help! 😉)
Made-For-TV Horror: The Initiation of Sarah (dir by Robert Day)

Oh, poor Sarah.
Sarah (Kay Lenz) is attending college with her sister, Patty (Morgan Brittany). Patty is pretty and popular and everyone wants to be her friend. Sarah is withdrawn and a bit moody and people seem to go out of their way to avoid her. Sarah, however, has a secret. She can move and break things with her mind. When a guy on the beach tries to force himself on Patty, Sarah uses her powers to push him away. Later, when Sarah’s upset, she stares at a mirror until it cracks.
When Patty and Sarah visit their mother’s old sorority, Patty is a hit but Sarah is less popular. The bitchy president of the Sorority, Jennifer Lawrence (Morgan Fairchild), is happy to invite Patty to join but she doesn’t want Sarah to be anywhere near her. Sarah ends up joining the outcast PDE sorority. Jennifer, however, remains obsessed with humiliating and destroying Sarah. And Sarah, when she gets angry, has a tendency to cause things to happen….
This film, which aired in 1978, probably sounds like a rip-off of Carrie and, in many ways, it is. For whatever reason, Sarah’s bullies seem to be obsessed with making her as miserable as possible. In Carrie, one reason you hated the bullies was because Sissy Spacek gave such a heart-breaking, vulnerable and empathetic performance as Carrie White. The bullies were terrible to begin with but then to pick on someone as fragile as Carrie? It sucked William Katt had to die but there’s still a reason why the prom inferno makes as many people applaud as scream. In The Initiation of Sarah, Kay Lenz is not particularly sympathetic as Sarah. Even before the bullies start picking on her, Sarah comes across as being angry and bitter about …. well, everything. Patty goes out of her way to take care of her sister but Sarah never seems to appreciate it. Bullies still suck, of course. There’s no excuse for being a bully and Jennifer really does go overboard when it comes to going after Sarah. But Sarah herself still doesn’t necessarily come across as being someone you would want to join your sorority.
What sets The Initiation of Sarah apart from other Carrie rip-offs is the character of Mrs. Hunter (Shelley Winters). Mrs. Hunter founded PDE when she was a student and now, as the school’s resident expert on paganism, she’s the housemother of PDE. As soon as Sarah joins, Mrs. Hunter starts to talk about how Sarah is destined to lead PDE to glory. When another member of PDE, Mouse (Tisa Farrow), takes a look in Mrs. Hunter’s room, she discovers a Satanic altar that is guarded by a fierce looking dog….
That’s right! This isn’t just a rip-off of Carrie. It’s a rip-off of The Omen as well!
Kay Lenz might be a bit on the dull side as Sarah but this film is worth watching for the performance of Morgan Fairchild and, especially, Shelley Winters. As played by Fairchild, Jennifer is more than just a bitch. She’s a sociopath with great hair. Meanwhile, Shelley Winters — especially once the 70s started — was never a particularly low-key or subtle actress. When you cast her as an overbearing housemother who happens to be the high priestess of a cult, you know that you’re going to get something worth watching. Winters attacks the role with a ferocity that is occasionally over-the-top and almost funny but always entertaining.
The Initiation of Sarah is an enjoyable made-for-TV movie. Watch it the next time you’re feeling nostalgic for college life.
Great Moments In Comic Book History #42: Tomb of Dracula #27
Of all the Marvel horror comics that were published in the 70s, Tomb of Dracula was the best. Not only did it have the best stories, the best villain, and the best supporting cast (Blade, Hannibal King, Rachel van Helsing, Doctor Sun, and many others) but it also had the best covers.
Tomb of Dracula #27 (first released on September 3rd, 1974) is one of my favorites. Gil Kane’s cover features Dracula, fire, a beautiful woman, a beast in the moon, and a melodramatic tag line. What more could a comic boom reader ask for?
Previous Great Moments In Comic Book History:
- Winchester Before Winchester: Swamp Thing Vol. 2 #45 “Ghost Dance”
- The Avengers Appear on David Letterman
- Crisis on Campus
- “Even in Death”
- The Debut of Man-Wolf in Amazing Spider-Man
- Spider-Man Meets The Monster Maker
- Conan The Barbarian Visits Times Square
- Dracula Joins The Marvel Universe
- The Death of Dr. Druid
- To All A Good Night
- Zombie!
- The First Appearance of Ghost Rider
- The First Appearance of Werewolf By Night
- Captain America Punches Hitler
- Spider-Man No More!
- Alex Ross Captures Galactus
- Spider-Man And The Dallas Cowboys Battle The Circus of Crime
- Goliath Towers Over New York
- NFL SuperPro is Here!
- Kickers Inc. Comes To The World Outside Your Window
- Captain America For President
- Alex Ross Captures Spider-Man
- J. Jonah Jameson Is Elected Mayor of New York City
- Captain America Quits
- Spider-Man Meets The Fantastic Four
- Spider-Man Teams Up With Batman For The Last Time
- The Skrulls Are Here
- Iron Man Meets Thanos and Drax The Destroyer
- A Vampire Stalks The Night
- Swamp Thing Makes His First Cover Appearance
- Tomb of Dracula #43
- The Hulk Makes His Debut
- Iron Man #182
- Tawky Tawny Makes His First Appearance
- Tomb of Dracula #49
- Marvel Publishes Star Wars #1
- MAD Magazine Plays Both Sides
- The Cover of Green Lantern/Green Arrow #85
- LBJ Stands Up For The Hulk
- Chamber of Chills #2
- Tomb of Dracula #41
Great Moments In Television History #40: Johnny Carson Talks To Vincent Price
I saw that today is the 100th birthday of one of the few men to have actually earned the right to be called the “King of Late Night,” Johnny Carson. In honor of the occasion and the month, here’s Johnny interviewing Vincent Price.
This clip is from the September 27th, 1973 episode of The Tonight Show. Vincent was on the show to promote his upcoming movie, Theatre of Blood. During the interview, he also discussed Boris Karloff and Peter Lorre. This clip features two class acts at their best.
Previous Moments In Television History:
- Planet of the Apes The TV Series
- Lonely Water
- Ghostwatch Traumatizes The UK
- Frasier Meets The Candidate
- The Autons Terrify The UK
- Freedom’s Last Stand
- Bing Crosby and David Bowie Share A Duet
- Apaches Traumatizes the UK
- Doctor Who Begins Its 100th Serial
- First Night 2013 With Jamie Kennedy
- Elvis Sings With Sinatra
- NBC Airs Their First Football Game
- The A-Team Premieres
- The Birth of Dr. Johnny Fever
- The Second NFL Pro Bowl Is Broadcast
- Maude Flanders Gets Hit By A T-Shirt Cannon
- Charles Rocket Nearly Ends SNL
- Frank Sinatra Wins An Oscar
- CHiPs Skates With The Stars
- Eisenhower In Color
- The Origin of Spider-Man
- Steve Martin’s Saturday Night Live Holiday Wish List
- Barnabas Collins Is Freed From His Coffin
- Siskel and Ebert Recommend Horror Films
- Vincent Price Meets The Muppets
- Siskel and Ebert Discuss Horror
- The Final Scene of Dark Shadows
- The WKRP Turkey Drop
- Barney Pops On National TV
- The Greatest American Hero Premieres
- Rodney Dangerfield On The Tonight Show
- The Doors Are Open
- The Thighmaster Commercial Premieres
- The Hosts of Real People Say “Get High On Yourself”
- The 33rd NFL Championship Game Is Broadcast In Color
- The Sopranos Premieres on HBO
- Eisenhower Hosts The First Televised Press Conference
- The Twilight Zone Premieres On CBS
- The Wolverines
Scenes That I Love: The Inevitability of Doom In The Dead Don’t Die
Jim Jarmusch’s The Dead Don’t Die is a film that definitely grew on me. When I first watched it, I thought it was intriguing but perhaps a bit too cutesy and enamored with itself. However, I later came to realize that Jarmusch actually found the perfect tone for his look at our zombie-saturated culture.
In the scenes below, Bill Murray, Chloe Sevigny, and the wonderful Adam Driver all deal with the inevitability of doom that comes with being a character in a zombie film.
October True Crime: Ed Kemper (dir by Chad Ferrin)

In 1964, 15 year-old Edmund Kemper murdered his grandparents. When he was asked why he had killed the two people who basically raised him, Kemper reportedly replied, “I just wanted to see what it was like to kill grandma.”
Kemper spent the next five years imprisoned by the California Youth Authority. He was discovered to have an IQ of 138. The psychiatrists who examined him all commented on what a friendly and conscientious prisoner Kemper was. Kemper never caused trouble. He always cleaned up after himself. He seemed to be truly happy while incarcerated.
When Kemper turned 21, he was released back into the world. He moved in with his domineering mother, who worked as an administrative assistant at the local college. Because it had been determined that he would probably never reoffend, his juvenile record was expunged. Kemper went to community college. He hung out at a local cop bar. (He applied unsuccessfully to be a police officer.) He got a job with Departments of Highways. Because he stood 6’9, everyone knew him as the friendly and somewhat dorky “Big Ed.”
Edmund Kemper went on to kill eight more people, including his mother and her best friend.
Kemper turned himself into the police and confessed to his crimes. At his trial, his lawyers unsuccessfully went with an insanity defense. When he was convicted, Kemper requested the death penalty, just to learn that the Supreme Court had (temporarily) outlawed capitol punishment. Kemper was sent to prison, for life. And that’s where he is to this day.
What’s odd about Kemper is that, once he was back in prison, he again impressed everyone by being a friendly, polite, and conscientious prisoner. Unlike most convicted murderers, Kemper admitted his crimes and was even willing to analyze the darkness that drove him to commit them. In the early days of criminal profiling, Edmund Kemper was frequently interviewed by FBI agent Robert Ressler and his insights into his own mind are still frequently used to profile serial killers to this day. Both Ressler and profiler John Douglas described Kemper as being a sensitive and likable man with a good sense of humor. Thomas Harris has said that Kemper was one of the inspirations for Dr. Hannibal Lecter.
Released earlier this year, Ed Kemper stick fairly closely to the facts of the case. Brandon Kirk may not be as a tall as the real-life Kemper but he’s still convincing as a socially awkward, somewhat nerdy man who seems to be as shocked as anyone by his crimes. The majority of the film deals with Kemper’s relationship with his mother (Susan Priver), who is portrayed as being a deranged tyrant who alternates between gently teasing Kemper and telling him that he’s destined to be miserable and alone forever. Gava gives a convincing performance but, at times, the film almost seems as if it’s putting all the blame for Kemper’s crimes on his mother. In the end, Kemper’s the one who killed those hitchhikers, regardless of how much his mom yelled at him beforehand.
Ed Kemper is a bit of an uneven film. Brandon Kirk, Susan Priver, and Brinke Stevens (cast as Kemper’s mom’s best friend) all give good performances but some of the other actors are a bit less convincing in their roles. The film deserves some credit for not shying away from the darkness of Kemper’s crimes but the pacing is also off, with some scenes dragging forever and others ending quickly. The film’s best scene comes towards the end, when Ed Kemper is interviewed by the FBI and points out that he could kill the agent anytime that he felt like it. It’s a tense scene that reminds us that even the likable killers are still killers.
(An earlier version of this review mistakenly listed Cassandra Gava as the actress who played Kemper’s mother. Gava plays Kemper’s grandmother. Susan Priver played Kemper’s mother. I regret the error and I apologize to both actresses.)
Horror Song of the Day: The Dead Don’t Die by Sturgill Simpson
Jim Jarmusch’s The Dead Don’t Die still tends to get a mixed response from horror fans and I can certainly understand that. It’s one of those films where you’re either on its wavelength or you aren’t.
That said, I do like the theme song. From Sturgill Simpson, here is The Dead Don’t Die.


