October True Crime: Judgment Day: The John List Story (dir by Bobby Roth)


In 1971, a 46 year-old account named John List committed a shocking crime.

To the outside world, John List was a normal suburbanite.  He was perhaps a little bit strict but then again, it was 1971 and all of the traditional morals that John List had grown up with were being challenged in the streets and in the movies.  Neither he nor his family were particularly sociable but again, it was assumed that they just liked the privacy that was afford to them by the mansion in which they lived.  List was married to Helen.  They lived with their three teenage children and List’s 84 year-old mother.  John List was a hard worker, he taught Sunday School, and, again, he was seen as being perfectly normal.

On November 9th, 1971, John List methodically murdered his wife, his children, and his mother.  He left his mother in her upstairs apartment while the rest of his family was laid out, in sleeping bags, in the ballroom.  (Detectives later surmised that List stopped in the middle of his murder spree to have lunch and then attended his son’s soccer game before taking him home and killing him.)  List left behind several notes, explaining that he was in a bad financial situation and that he feared that his family was heading down an immoral path that would have condemned their souls to Hell if he hadn’t killed them first.  And then, John List vanished.

For the rest of the 70s and the 80s, John List was phantom.  Some speculated that he had committed suicide while others thought that he had changed his identity and had probably remarried.  In 1987, the classic thriller The Stepfather was released in theaters.  Inspired by List’s crimes, The Stepfather starred Terry O’Quinn as Jerry Blake, a real estate agent who was obsessed with creating the perfect family.  The Stepfather imagined its killer as a friendly but rigid man who snapped whenever his illusion of perfection was threatened.  It also imagine him as someone who moved from town to town, searching for a new family that wouldn’t let him down.

As for the real John List, it turned out that those who suspected him of having changed his identity were correct.  And, just as The Stepfather suggested, he had remarried and was actually now a real stepfather.  List remained free until his story was included in a 1989 episode of America’s Most Wanted.  A forensic scientist included a bust of what John List might have looked like in 1989 and a viewer realized that the bust looked a lot like an accountant named Bob Clark.  “Bob Clark” was arrested and eventually, he confessed that he was actually John List.  Despite his attorney’s attempt to argue that he was not guilty by reason of insanity, John List was eventually convicted of five counts of murder.  He spent the rest of this life in prison, dying of natural causes in 2008.

The 1993 film Judgement Day: The Story of John List tells the story of List’s crimes and his subsequent attempt to build a new life for himself.  John List is played by Robert Blake, which turns out to be a bit of a problem as Blake gives such a twitchy and obviously unstable performance that it’s hard to believe that he could have successfully gone into hiding for 18 years.  Carroll Baker and Beverly D’Angelo are not given much to do as, respectively, List’s mother and List’s first wife while David Caruso appears as the detective who is determined to catch List.  Though this film was made long before CSI: Miami, I still found myself expecting Caruso to say something quippy and put on his sunglasses.

Judgment Day doesn’t add much to the story of John List.  It certainly doesn’t offer up any new insight into what led to List becoming a murderer, beyond the fact that List himself was just kind of a jerk.  It’s pretty much a by-the-numbers production that’s only interesting today because of Blake’s subsequent legal problems.  (For the record, I’ve always felt Robert Blake was innocent.)  When it comes to John List films, stick with The Stepfather.

4 Shots From 4 Horror Films: Special George Romero Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

This October, I am going to be using our 4 Shots From 4 Films feature to pay tribute to some of my favorite horror directors, in alphabetical order!  That’s right, we’re going from Argento to Zombie in one month!

Today’s director is one of the most important names in the history of American horror cinema, George Romero!

4 Shots From 4 George Romero Films

Night of the Living Dead (1968, dir by George Romero)

Dawn of the Dead (1978, dir by George Romero, DP: Michael Gornick)

Day of the Dead (1985, dir by George Romero, DP: Michael Gornick)

Land of the Dead (2005, dir by George Romero, DP: Miroslaw Baszak)

Horror Film Review: Empire of the Ants (dir by Bert I. Gordon)


Ants are interesting creatures.  On the one hand, they work hard and they can design and build a complex home in just a matter of hours.  They’re loyal to the other members of their tribe and they all happily do whatever needs to be done to keep their community healthy and moving forward.  They’re family-orientated.  They take care of their children.  They eat earth worms.  They fight other ants.  They can carry several pounds over their own weight.  They like to move in a single-file line.  These are all things that people, in general, admire.  If you had to hire someone to do some yardwork, you would want someone who had the attitude of an ant.

At the same time, ants also have no respect for privacy, they tend to get everywhere, and they bite you and leave behind those ugly red marks that take forever to go away and that can itch like heck.  I was once outside barefoot, helping someone wash his car, when I suddenly felt a really intense pain in my foot.  I looked down and saw that I had stepped straight into an ant hill.  It was not only an ant hill but it was a FIRE ANT HILL!  I grabbed a hose and I washed all of the ants off my foot but it was still one of the most painful experiences of my life.  Ants are hard-working and industrious but they’re also kind of mean and they really don’t like humans.  (Maybe they would like us more if people stopped kicking ant hills and using magnifying glasses to set them on fire.)  Ants will break into your house and then bite you when you tell them to go away.  My point is that you might like ants but ants do not like you and you better remember that!

The 1977 film, Empire of the Ants, is all about humanity’s mixed feelings towards ants.  Joan Collins plays a shady real estate agent who leads a group of potential home buyers into the bayou because she wants to trick them into buying some worthless property on a nearby island.   What Collins and her clients don’t know is that a barrel of radioactive waste was recently dumped off of a nearby boat and when the waste washed on shore, a bunch of ants got into it and it caused them to become giant ants!  The giant ants are industriously creating their own sugar-based society but they’re also attacking and brainwashing humans!

Needless to say, this is a Bert I. Gordon film.  Gordon took his “Mr. Big” nickname quite literally and, as a result, he spent almost his entire career making movies about animals and occasionally humans who were turned into giants by radiation.  Apparently, radiation can do anything!  Empire of the Ants is a typical Gordon film, in that the special effects are just bad enough to be kind of charming.  The ants are either awkwardly super-imposed into the scene or they are clearly made out of plastic.  There’s a scene where an ant grabs a man by his neck and it would be really terrifying if not for the fact that the ant’s head appears to have been made from Styrofoam.  Unfortunately, even though the special effects are bad in an amusing way, Empire of the Ants is still a pretty boring film.  Gordon devotes way too much time to the people heading out to look at Joan Collins’s beachfront property.  No one is watching a film like this for human drama.

This movie is based on a short story by H.G. Wells.  Wells, reportedly, considered it to be the worst thing he had ever written.

Horror Film Review: Beginning of the End (dir by Bert I. Gordon)


The 1957 film, Beginning of the End, is perhaps the ultimate horror film for people who dislike Illinois.

Because it’s a Bert I. Gordon film and Gordon took his “Mr. Big” nickname seriously, it deals with giant monsters.  In this case, the monsters are a bunch of locust who ate all of this radioactive grain that was being stored in a silo.  The locusts grew to giant size and then they went on a rampage.

Fortunately, the rampage appears to be localized to Illinois.  Apparently, the locusts have enough respect for state boundaries that they know better than to hop into Indiana, Missouri, or Wisconsin.  Instead, the locusts take out the farming community of Ludlow and then start making their way to Chicago, perhaps hoping to battle the Chicago Outfit for control of the city’s politics.  Do they seriously think Mayor Daley is just going to sit back while a bunch of locusts overrun his city?

The government wants to cover up the locust rampage because they don’t want to risk a mass panic in the 47 states that they actually care about.  (This film came out before Alaska and Hawaii joined the Union.)  However, when enterprising reporter Audrey Aimes (Peggie Castle) comes across the remains of Ludlow and discovers that the U.S. military has taken over the area, she is determined to discover what happened.  She hooks up with Dr. Ed Wainwright (Peter Graves), whose work in making food bigger led to the giant locust attacks in the first place.  In most movies, Ed would shoulder most of the blame for the locust attack but Beginning of the End seems to understand that these things happen when you’re dousing food with radiation and then keeping the food in a poorly secured silo.

Of course, the main reason why it’s not Ed’s fault is that Ed is played by Peter Graves and seriously, who could blame anything on Peter Graves?  Graves was one of those actors who could deliver even the silliest of dialogue with a straight face and he certainly gets to do that in Beginning of the End.  He seems to be taking the situation seriously, even if no one else is.

One reason why it is a little bit difficult to take the situation seriously is because it’s about giant locusts.  Now, make no mistake about it.  I’m enough a country girl that I know how destructive locusts can be.  The problem is that locusts may be destructive but they don’t look all that menacing.  Even giant locusts just look like really ugly grasshoppers.  This film uses a lot of rear projection and still photography to create the idea of giant locusts crawling over buildings and threatening the soldiers who have been sent to fight them.  As is so often the case with Bert I. Gordon’s film, there’s a definite charm to the cheap special effects.  But still, locusts are locusts.

Chicago haters will love the scene where General Hanson (Morris Ankrum) announces that the locusts have only left him with one option, the drop an atomic bomb and wipe the city off the face of the Earth.  Fortunately, Ed is there to suggest another solution.  Good old Peter Graves.  I don’t know what we would have done without him.

As a final note, I’ll just mention that the poster for this film is actually more exciting than the film itself:

Horror on the Lens: Baffled! (dir by Philip Leacock)


Leonard Nimoy is a race car driver who can see into the future and who uses his powers to solve crimes!

Seriously, if that’s not enough to get you to watch the 1973 made-for-TV movie Baffled!, then I don’t know what is.  In the film, Nimoy takes a break from racing so that he and a parapsychologist (played by Susan Hampshire) can solve the mystery of the visions that Nimoy is having of a woman in a mansion.  This movie was meant to serve as a pilot and I guess if the series had been picked up, Nimoy would have had weekly visions.  Of course, the movie didn’t lead to a series but Baffled! is still fun in a 70s television sort of way.  Thanks to use of what I like to call “slow mo of doom,” a few of Nimoy’s visions are creepy and the whole thing ends with the promise of future adventures that were sadly never to be.

Enjoy Baffled!  Can you solve the mystery before Leonard?

Music Video of the Day: Prison Sex by Tool (1993, directed by Adam Jones)


When a song has a title like Prison Sex, you can be sure that it won’t be a happy one.  Tool’s Prison Sex is a song (and a video) that was judged to be so disturbing and depressing that MTV actually removed it from its playlist after viewers complained that it was freaking them out.  Despite removing the video, MTV still nominated for a Video Music Award for Best Visual Effects and the video was later riffed on by Beavis and Butt-Head.

The video was directed by Adam Jones, who is also Tool’s guitarist.  Along with his musical interests, Jones also worked in stop motion animation and was even a part of the team that brought the dinosaurs to life in the original Jurassic Park.  This video makes good and macabre use of his talents.

Enjoy!

Late Night Retro Television Reviews: Monsters 1.4 “The Vampire Hunter”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991.  The entire show is streaming on Youtube.

This week, Monsters features a vampire!  Yay!  I usually love a good vampire story.

Episode 1.4 “The Vampire Hunter”

(Dir by Michael Gornick, originally aired on November 12th, 1988)

The fourth episode of Monsters opens in New England, towards the end of the 19th century.  Ernest Chariot (Robert Lansing) is a veteran vampire hunter who is planning on hanging up his crucifix and his stake so he can concentrate on flirting with the women who come to him searching for answers about the paranormal.  He even tells his young assistant, Jack (Jack Koening), that is planning on heading over to Austria so he can meet with Sigmund Freud and talk about dream interpretation with him.  Interestingly enough, it appears that Ernest doesn’t really believe in anything paranormal, outside of vampires.  Myself, I think if I ever saw proof that vampires existed, I would probably accept that anything could exist.  I mean, it’d be strange for it just be vampires.

Before he can retire, Ernest does have one last job to complete.  Ms. Warren (Page Hannah) claims that her brother has been acting strangely, as if he’s been bitten by a vampire.  Ernest is skeptical of Ms. Warren’s claims and decides to take a trip to Ms. Warren’s hometown so that he can investigate her background before he agrees to help her.  The far more naïve Jack, however, goes with Ms. Warren back to her home.

It turns out that Ernest was right to be suspicious because Ms. Warren is the reluctant servant of Charles Poole (John Bolger), a vampire who wears a blue mask because of a facial injury that was inflicted upon him by Ernest in the past.  Jack holds Ernest off with a crucifix but, after he loses that, he soon discovers that it’s not as easy to stake a vampire as he thought.

Ernest returns to his office from investigating Ms. Warren’s background, saying that it required him to work in cotton mill.  His housekeeper tells him that Jack left with Ms. Warren.  A panicked Ernest goes to Ms. Warren’s home where he finds Jack in a coffin and Charles Poole eager for a final battle….

And that’s pretty much it.  This was a really weird episode, largely because there wasn’t even an attempt at a clever twist at the end or anything like that.  Instead, it was just a straight-forward story of an old vampire hunter coming face-to-face with a vampire.  In the end, Ms. Warren chooses to help Ernest instead of Charles.  The good guys win and the final credits role.  It’s all very earnest and, again, straight-forward.  At the same time, it’s also not that interesting.  It feels like a scene from a bigger story and, when viewed outside of the context of that bigger story, it lacks the type of emotional depth necessary to really hold the viewer’s attention.

It’s a shame.  I usually love a good vampire story!  Unfortunately, this isn’t one.  Oh well.

Horror AMV of the Day: Horror Movies (Mieruko-chan)


With Halloween approaching, how about an AMV to celebrate?

Song: Horror Movies by Neoni

Anime: Mieruko-chan

Creator: ilyalniy

Past AMVs of the Day