Lisa Reviews An Oscar Winner: The Greatest Show on Earth (dir by Cecil B. DeMille)

Jimmy Stewart is Buttons the Clown!

Listen, there’s a lot of things that can be said about the 1952 Best Picture winner, The Greatest Show on Earth.  Not only was it one of three Cecil B, DeMille films to be nominated for best picture (along with 1934’s Cleopatra and 1956’s The Ten Commandments) but it was also the only one to win.  It brought Cecil B. DeMille his first and only nomination for best director.  (DeMille lost that directing Oscar to John Ford but he still took home an award, as the producer of The Greatest Show On Earth.)  The Greatest Show on Earth not only featured Charlton Heston in his first starring role but, with a finale that featured everyone involved in the same spectacular train crash, it also set the standard for the countless disaster movies that would follow.

But, with all of that in mind, the main thing that you’ll remember about this movie is that Jimmy Stewart was Buttons the Clown.

Buttons is a beloved member of the Ringling Bros. and Barnum & Bailey’s Circus.  He travels with the circus across the country, entertaining children and generally helping out wherever he can.  Everyone loves Buttons, despite the fact that no one has ever seen him without his makeup.  (That said, you only have to hear him speak to immediately recognize him as being played by Jimmy Stewart.)  Not even the circus’s no-nonsense manager, Brad Braden (Charlton Heston, naturally), knows what Buttons actually looks like.  Everyone assumes that Buttons is just a dedicated performer, a method clown.

However, it turns out that Buttons has a secret.  Of course, nearly everyone at the circus has a secret but Buttons’s secret is a little bit more serious than just a love triangle or a case of professional jealousy.  There’s a reason why Buttons is surprisingly good at providing first aid to the members of the circus.  Before he was a clown, Buttons was a doctor.  And, while he was a doctor, he killed his wife.


In Buttons’s defense, it was a mercy killing and he feels really bad about it.  That, of course, doesn’t matter to the FBI agent (Henry WIlcoxon) who suspects that the doctor may be hiding among the circus performers.  At first, Buttons views that train crash as the perfect opportunity to escape but then he finds out that many of his fellow performers have been seriously injured.  A doctor is needed.  Perhaps even a doctor in clown makeup….

Even under all that makeup, Jimmy Stewart does a great job of bringing Buttons to life.  Sometimes, we associate Stewart so much with his famous way of speaking that we overlook just what a good actor Jimmy Stewart actually was.  Even before you discover why Buttons is running from the cops, Stewart does a good job of capturing the sadness and the regret that lies at the heart of Button.  He’s truly a tragic clown.

Buttons’s status as a fugitive is just one of the many subplots to be found in The Greatest Show On Earth.  There’s a lot of drama (not to mention parades and performances) to get through before that train crashes.  Brad, for instance, is struggling to keep the circus from going bankrupt.  Meanwhile, his girlfriend, Holly (Betty Hutton), is torn between him and the arrogant but charming Great Sebastian (Cornel Wilde).  In fact, every woman in the circus — including Gloria Grahame and Dorothy Lamour — is in love with the Great Sebastian.  Sebastian is a bit self-centered but he’s famous enough to ensure that the circus won’t have to be closed.  Or, at least, he is until he’s injured in a trapeze accident.  Will Sebastian ever perform again?  Meanwhile, there’s a jealous elephant trainer named Klaus (Lyle Bettinger) and a crooked concessionaire named Harry (John Kellog).  A local gangster, Mr. Henderson (Lawrence Tierney), is trying to muscle his way into the circus’s business.  Is it any surprise that Brad always seems to be in something of a bad mood?  He’s got a lot to deal with!

And yes, it’s all a bit overblown and a bit silly.  And yes, the film really does feel like it was meant to be a commercial for Ringling Bros.  And yet, in its way, the film definitely works.  There’s a sincerity at the heart of the film, one that’s epitomized by Cecil B. DeMille’s opening narration.  “”A fierce, primitive fighting force that smashes relentlessly forward against impossible odds: That is the circus — and this is the story of the biggest of the Big Tops — and of the men and women who fight to make it — The Greatest Show On Earth!”  DeMille was 71 years old when he made The Greatest Show On Earth and he was coming to the end of a legendary filmmaking career.  DeMille was one of the founders of the American film industry and you can argue that, if not for some of his silent spectacles, Hollywood would have always remained just a neglected suburb of Los Angeles.  If anyone understood that importance of that old saying, “The show must go on!,” it was Cecil B. DeMille.  And really, that’s what The Greatest Show On Earth is all about.  It’s a tribute to the performers who refuse to give up.  Love triangles?  Fugitive clowns?  Injured acrobats?  Lawrence Tierney?  No matter what, the show must go on!

The Greatest Show On Earth is often described as being one of the worst films to win the Academy Award for Best Picture.  That has more to do with the quality of the films that it beat — High Noon, The Quiet Man, Moulin Rouge, and Ivanhoe — than the film itself.  The Greatest Show On Earth is old-fashioned and a bit silly but it’s still entertaining.  Should it have beaten High Noon?  That would be a definite no.  But it’s still better than Crash.

Lifetime Christmas Movie Review: Jingle Belle (dir by Peter Sullivan)

As our longtime readers know, I’ve never been one for false modesty.  I know that there are things that I do well and I don’t see any reason not to brag about my natural talents.  On occasion, I’ve been told that it can be a little off-putting but so what?  As long as its justified, what’s wrong with a little arrogance?

That said, part of knowing what I can do means being honest about what I can’t do.  And if there’s any job that I would absolutely suck at, it would be writing advertising jingles.  I mean, there’s a reason why none of my poems ever rhyme.  Coming up with pithy one-liners that will make you want to “buy!  buy!  buy!,” just isn’t my specialty.  Fortunately, jingles themselves are no longer as important as they were back in the Mad Men era.  In fact, off the top of my head, I can only think of one current jingle and that’s the “Liberty Liberty Liberty Lib-er-ty!” song.

(And everyone hates that!)

Fortunately, Belle Williams (Tatyana Ali), the main protagonist of Jingle Belle, doesn’t have that problem.  Long ago, she abandoned New York for Ohio and she’s established herself as one of the best jingle writers around.  Unfortunately, it appears that she might be losing that magic touch.  As this film begins, she’s suffering from a terrible case of writer’s block.  In fact, when the mayor of her hometown calls and asks her to return home and help write the annual Christmas pageant, her initial reaction is to say no.  However, her boss (Loretta Devine) insists that Belle take the assignment.  Perhaps a trip back home is just what Belle needs to break through her writer’s block.

Belle returns home, planning on helping the town out.  What she doesn’t know is that the Christmas pageant is being directed by her ex-boyfriend and former performing partner, Michael Hill (Cornelius Smith, Jr).  Can Belle and Michael set aside their differences and their complicated personal history long enough to put on a successful Christmas pageant?  And how will Michael the purist react when Belle’s boss tries to turn one of their songs into an advertising jingle?

Of course, you already know the answer to all those questions.  Jingle Belle is predictable even by the standards of a Lifetime Christmas movie.  As I’ve said quite a bit this month, how much you enjoy this film will depend on how much tolerance you have for Lifetime and Hallmark Christmas films in general.  (That’s kind of become my mantra this month.)  Anyway, there’s no surprises to be found in this one but Cornelius Smith, Jr. is appropriately charismatic as Michael and the great Loretta Devine mines a lot of humor out of the role of the demanding boss.

The film’s final message is that small towns are better than big cities and you can write jingles anywhere.  It’s a nice little message but, then again, it does seem like, if you work in advertising, it would be a good idea to live near the hub of the advertising industry.  That said, I’ve never written a jingle in my life so I could be wrong.  All I know is that, wherever Belle lives, she’ll come up with something better than the Liberty Mutual jingle and really, that’s the most important thing of all.