Horror On The Lens: The Devil Bat (dir by Jean Yarborough)


 

In the 1940 film, The Devil Bat, the owners of a company in the small town of Heathville are super-excited because they’re going to be given their head chemist, Dr. Paul Carruthers (Bela Lugosi), a bonus check of $5,000.  However, since Carruthers’s inventions have made millions for the company, he is offended by the small check and decides that the best way to handle this would be to sue in court and demand fair compensation …. just kidding!  Instead, Dr. Carruthers sends his army of giant bats to kill the families of his employers.

The Devil Bat was produced by Production Releasing Corporation, a poverty row studio that specialized in shooting quickly and cheaply.  Going from Universal to PRC was technically a step down for Lugosi but The Devil Bat is actually an excellent showcase for Lugosi and he gives one of his better non-Dracula performances as the embittered Dr. Carruthers.  Indeed, one can imagine that Lugosi, who played such a big role in putting Universal on the map, could relate to Carruthers and his bitterness over not being fairly rewarded for the work he did to make others wealthy.

Enjoy The Devil Bat, starring the great Bela Lugosi!

Horror Scenes That I Love: Bela Lugosi in Dracula


Dracula (1931, starring Bela Lugosi as the Count, Dir by Tod Browning, DP: Karl Freund)

On this day, 144 years ago, Bela Lugosi was born in what is now Romania.  Lugosi began his career in his native country, appearing on stage.  After serving as an infantryman in World War I, Lugosi moved into the movie industry and appeared in silent Hungarian films.  The young Lugosi was an activist, involved in labor issues and trying to unionize the Hungarian film industry.  When a new government came to power in Hungary in 1920, the politically-active Lugosi moved first to Germany and then eventually ended up in the United States.  After a period of working as a merchant seaman, Lugosi returned to acting.

He first played Dracula on stage in New York City.  In 1928, while touring in the role of Dracula, he moved out to California and quickly became a part of the Hollywood community.  When Universal produced a film adaptation of Dracula in 1931, Lugosi was the obvious choice for the lead role.  The film made Lugosi a star and it also typecast him.  Lugosi never stopped acting, though the films varied widely in quality.  By the end of his career, Lugosi was a member of the Ed Wood stock company.  Even appearing in something like Bride of the Monster, Lugosi still made an impression.

In the scene below, from 1931’s Dracula, Lugosi suggests that Edward van Sloan’s Van Helsing should perhaps leave the country.

4 Shots From 4 Bela Lugosi Films


 

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

144 years ago on this date, Bela Lugosi was born in Hungary.  Today, we honor his memory with….

4 Shots From 4 Bela Lugosi Films

Dracula (1931, dir by Tod Browning, DP; Karl Freund)

White Zombie (1932, dir by Vincent Halperin, DP: Arthur Martinelli)

Ninotchka (1939, dir by Ernst Lubitsch, DP: William H. Daniels)

Bride of The Monster (1955, dir by Ed Wood, DP: Ted Allan and William H. Thompson)

 

Music Video of the Day: Bullet With Butterfly Wings by Smashing Pumpkins (1995, directed by Samuel Bayer)


The world is vampire

For a period of time in the 90s, you couldn’t go anywhere without hearing that.  It was one of the original memes, thanks to both the song and the video that was made to promote it.  The video, which was inspired by photographs of a Brazilian gold mine, was filmed in a quarry near Simi Valley.  While the extras dressed like miners and were meant to represent the Biblical lepers who asked Jesus to heal them, the band goes for a glam rock look.  It pays to be in the band.

This video was directed by Samuel Bayer, who has done music videos for everyone who is anyone.

Enjoy!

Horror on TV: FreakyLinks 1.13 “The Final Word” (dir by David Straiton)


In this, the final episode of Freakylinks, Ethan Embry and the team try to prove that a murder was actually a supernatural occurrence.  Their efforts are recorded for a true crime television show.  The mockumentary approach is reminiscent of The Blair With Project, which was done by the same people who were behind FreakyLinks.  So, there you go!

It’s too bad that there was never a Baywatch Nights/FreakyLinks cross-over.

Oh well.  This episode aired on June 22nd, 2001 and it brought to an end the story of Derek Barnes.

October Hacks: The Stay Awake (dir by John Bernard)


See if you can follow the plot of 1987’s The Stay Awake.

The film opens in 1969. A title card assures us that we’re in America. A serial killer has been tried, convicted, and condemned to die. Normally, this would lead to 30 years of appeals and moratoriums from bleeding-heart politicians. However, this guy is such a dastardly figure that he’s led to the execution chamber almost immediately after being convicted. Before he’s executed, he shouts that he’ll be back for revenge. Wow, scary!

We jump forward 25 years. A title card now tells us that we’re in “Europe.” It doesn’t specifically say where in Europe, but everyone that we see is speaking English. In all probability, we are meant to be in the United Kingdom. However, everyone also speaks with a South African accent. We’re introduced to a small group of students who are going to be doing a “stay awake” at their private school. Apparently, a stay awake is a type of slumber party where you don’t actually sleep. Instead, you stay awake and you watch movies and you play volleyball and, once morning comes around, you’ve somehow raised money for charity. It’s never really explained how they’re raising money by staying awake, but then again, in the UK, apparently you can raise money just by wearing a red nose. It’s a strange country.

Something is very slowly moving through the hallways of the school. Eventually, it kills the school’s security guard and then it proceeds to follow the students around. I’m going to assume that they’re being stalked by the spirit of the killer because otherwise, there’s no reason for the film to feature that scene in America. However, why would an executed American serial killer seek revenge by spirit-stalking a bunch of South African girls in Europe? I mean, they had nothing to do with his execution. The people who were responsible for his execution are probably never even going to hear about anything that the dead killer does in Europe. It’s a thoroughly incoherent film.

Usually, I can excuse a little incoherence if the film is at least visually interesting or features an unexpectedly good performance. Unfortunately, The Stay Awake is quite possibly the slowest horror film that I’ve ever seen. There are countless POV shots of the evil spirit moving through the school’s hallways, but the film is so ineptly edited that we’re never really sure where the killer exactly is in the school, especially in relation to the girls having the stay awake. While the film itself was clearly meant to take advantage of the ’80s slasher boom, there really aren’t that many deaths. Instead, the spirit seems to possess his victims rather than kill them. If they’re possessed, it would seem to stand to reason that they can still be saved if the killer’s spirit is vanquished. However, that would apparently require too much work on the part of the girls who haven’t been possessed. It’s easier to just blow up the school and, I guess, kill everyone.

The film’s title feels almost like a dare. I’m surprised I was able to stay awake while watching.

 

SOV Horror Review: Death by Dialogue (dir by Thomas DeWeir)


In this 1988 film, a group of college friends visit Uncle Ive (Theodore Lehmann), a crippled taxidermist who lives next door to a film set. (We never actually see this film set, but we are assured that it’s there.) Uncle Ive is taken care of by his devoted housekeeper, Ms. Camden (Judy Gordon). And he needs a lot of taking care of because, for some reason, there’s a haunted screenplay on his property. The title of the screenplay is constantly changing, but the one thing that remains consistent is the word “Victim.” The screenplay goes from being “Victim #69” to “Victim #70,” but what never changes is that there has to be a victim. The screenplay predicts how each person in the film is going to die. It’s not so much Death By Dialogue as it is Death By Rewrite.

Speaking of screenplays, this film has a strange one. It’s never really clear why the screenplay is on the property of Uncle Ive, but there are more than a few deaths that manage to be memorable. There’s a standard bursting into flames death. There’s a decapitation by scarf death. There’s a death by impalement on the blade of a bald demon. Strangest of all is the moment when one of the victims stumbles across an ’80s hair band that just happens to be performing behind some bushes. This leads to death by having one’s head smashed with a musical instrument. What’s odd is that we never really know where the band came from. Were they demons? Were they a legitimate band? What happened to them after the head smashing? How come no one heard them playing? Is this the sort of thing that regularly happens near film sets? I mean, I imagine that sort of thing happened at the Spahn Ranch on a daily basis, but I always figured that was the exception to the rule. Eventually, a big scary demon shows up and we’re left to wonder if he wrote the script and if he did so on spec. During WGA strikes, can the cursed screenplay still kill people, or do they have to hire a scab to write the death scenes until the strike is settled? Personally, if anyone wrote my death in a screenplay, I would hope that the studios would, at the very least, bring in an Oscar-winner to do an uncredited rewrite.

(Actually, now that I think about it, my best friend Evelyn and I wrote a pretty good slasher screenplay when we were in college. We gave the best death scenes to ourselves and the people we liked the most. The people we disliked just got dragged offscreen. I really should get it out of storage and do some work on it.)

Anyway, have I rambled enough? If this review seems a bit disjointed and random …. well, so does the film. But that’s not necessarily a bad thing. This is one of those films where the incoherent story actually works to the story’s advantage. It really does create the feeling of being at the mercy of beings that simply cannot be understood or reasoned with. Featuring a game cast and an intriguingly weird premise, Death by Dialogue is enjoyable almost despite itself. No rewrite was necessary!