Here’s The Trailer For Butcher’s Crossing


Really?  We’ve got a second Nicolas Cage western coming out this year?

Actually, Butcher’s Crossing has been on the festival circuit since last year and, critically, it’s been slightly better received than The Old Way.  Based on a 1960 novel, it features Cage as a buffalo hunter who becomes a mentor of sorts to a young Harvard grad who has decided to experience the old west for himself.  None other than Cormac McCarthy cited the novel as being a favorite of his.  This could be an intriguing role for Cage.

Here’s the trailer!

The TSL Grindhouse: Double Nickels (dir by Jack Vacek)


First released in 1977, Double Nickels tells the story of two California highway patrolman.  Smokey (Jack Vacek) and Ed (Ed Abrams) have been tasked with enforcing the speed limit but they’re usually too busy chasing each other up and down the highway to worry about doing their job and, in fact, they even have a friendly relationship with the local street racers.

Now, you may think Smokey and Ed are just wasting the tax payer’s money by taking such a casual attitude towards their work and technically, you’re right.  But let’s be honest.  Nobody likes the speed limit.  There’s a reason why it’s usually the rural speed limit signs that end up getting used for target practice.  Smokey and Ed are a part of the system for the paycheck but, deep down, they hate the system just as much as the rest of us do.  They’re fighting the Man by taking his money and refusing to enforce his rules.

Anyway, one day, Smokey and Ed pull over George (George Cole).  George explains that he’s got a pretty good thing going as a repo man.  He and his associates drive up and down the California highways, repossessing cars for non-payment.  George says that he could always use some help and Smokey and Ed decided to take him up on the offer.  The only problem is that, as employees of the Highway Patrol, they’re not allowed to moonlight.  So, when they repossess a car, they have to do it without getting caught by either the local police or the car’s former owners.

Double Nickels establishes its pattern early on.  Smokey and Ed stake out a house and see the car that they’re repossessing.  They repossess the car.  They end up getting chased around by either the cops or the car’s owner or both.  Smokey and Ed trade a few lame quips and then flirt with their waitress girlfriends.  Eventually, George realizes that the people who have hired him are actually car thieves and Smokey and Ed have to break up the car theft ring but, regardless of any individual complications, the pattern pretty much remains the same throughout the film, with mild comedic moments followed by an elaborate car chase.

As long as the film focuses on the cars, it’s fine.  The cars are the true star of the film.  Jack Vacek and several other members of the cast and crew were previously involved with the production of the original Gone In 60 SecondsDouble Nickels never comes anywhere close to being as entertaining as Gone In 60 Seconds but the car chases are still exciting enough to hold the viewer’s attention.  Where Double Nickels struggles is whenever the focus shifts to the guys driving the car, as neither Jack Vacek nor Ed Arbams were particularly charismatic actors and neither really had the comedic timing necessary to pull off the film’s humor.

Despite its flaws, Double Nickels does have something of a following.  Its popularity actually makes sense.  Because the film’s plot is so simple, you can literally start watching the film at any point and automatically know exactly what’s going on.  The makers of Double Nickels understood that, above all else, audiences love to watch fast cars do their thing.

Monday Live Tweet Alert: Join Us For Karate Warrior and Red Eye!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1987’s Karate Warrior It’s an Italian take on The Karate Kid and I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 2005’s Red Eye!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Karate Warrior on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Red Eye, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

 

Retro Television Reviews: The Bait (dir by Leonard J. Horn)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1973’s The Bait!  It  can be viewed on YouTube!

Tracey Fleming (Donna Mills) is the widow of a cop and an undercover detective herself.  Unfortunately, her superior, Captain Maryk (Michael Constantine), is not convinced that Tracey has what it takes to be in a dangerous situation and, as a result, Tracey spends most of her time riding the bus and busting perverts and low-level drug dealers.  When four woman are raped and murdered by the same serial killer, Tracey writes up a report on what she thinks is motivating the killer.  Captain Maryk is, at first, skeptical about Tracey’s claim that the killer is fueled by a puritanical rage but, when it turns out that the killer has been wiping off his victims’s lipstick (just as Tracey speculated that he was), Maryk starts to think that Tracey might have something to offer the investigation.

Tracey becomes the bait in an operation to lure out the killer.  Leaving behind her son and her mother, Tracey moves into an apartment in the neighborhood that is believed to be the center of the killer’s activities.  Tracey is given a job as a survey taker and soon, she’s walking around the neighborhood and asking random men for their opinions on current events and women’s liberation.  A local waitress (Arlene Golonka) recognizes Tracey as a detective but Tracey lies and say that she’s no longer with the force.  When the killer makes the waitress his next victim, Tracey becomes even more determined to capture him but will she able to get Marsyk and the rest of the force to give her the room to investigate the murders?

This may sound like an intriguing whodunit but, for some reason, The Bait reveals early on that the murderer is a bus driver named Earl Stokely (played, in a very early performance, by William Devane).  There’s really nothing to be gained by revealing the killer’s identity as early as the film does.  Perhaps if the film was split between scenes of Tracey investigating the neighborhood and Earl stalking Tracey, that would have generated some sort of suspense but, with the exception of one bus ride, Tracey and Earl barely even interact before he comes after her at the film’s end.  Devane does give a good performance as a homicidal lunatic but, when viewed today, it’s impossible to watch him in this film without spending most of the time thinking, “Hey, that’s the usually Kennedyesque William Devane, playing a killer bus driver!”

I was not surprised to learn that The Bait was intended to be a pilot for a weekly television series that would have followed the future investigations of Tracey Fleming.  Donna Mills was likable in the lead role and she had a good chemistry with the other actors playing her colleagues so it’s easy to imagine a series in which Tracey solved a new case every week while Marsyk continually underestimated her.  Ultimately, though, that series never happened and The Bait would be the sole televised adventure of Detective Tracey Fleming.

4 Shots From 4 Films: Special Edgar G. Ulmer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

119 years ago, on this date, the great director Edgar G. Ulmer was born in what is today the Czech Republic.  It’s time for….

4 Shots From 4 Edger G. Ulmer Films

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Detour (1945, dir by Edgar G. Ulmer, DP: Benjamin H, Kline)

The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

Live Tweet Alert: Join #ScarySocial for Meander!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Tim Buntley will be hosting #ScarySocial!  The movie?  2021’s Meander!

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  I’ll be there tweeting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Meander is available on Prime!

See you there!

A Blast From The Past: Ace Hits The Big Time (dir by Robert C. Thompson)


Made in 1985 for CBS, Ace Hits The Big Time is a seriously strange little film.

It tells the story of Horace Hobart (Rob Stone, a likable actor), a 16 year-old kid from New Jersey who has just transferred to a new high school in New York.  He’s paranoid about going to his new school because it’s supposedly populated by gang members.  The school is so notorious for gang activity that the members of the gang even make an appearance on the front page of the paper of record, The New York Freaking Times!  Looking at the newspaper makes Horace Hobart so paranoid that he has musical fantasies in which the members of a gang known as the Purple Falcons surround him, start singing, and then beat him up while doing an interpretive dance.

Horace does eventually find the courage to go to his new high school but he insists on calling himself “Ace,” he wears a jacket with a fearsome dragon embroidered on the back of it, and he wears an eye patch because he’s got …. ewwww …. pink eye.  (Remember when Bob Costas got pink eye at the Olympics and traumatized thousands of viewers by insisting on going on the air every night and talking about snowboarding while struggling to keep his eye from popping out of its socket?  Those were crazy times!)  Ace looks so tough that the real Purple Falcons mistake him for being an associate of a notorious New Jersey gang (no, not the Sopranos) and they recruit him to be a member of their gang.  Ace is so convincing as a tough guy that a film crew decides to use him and his friends as extras in a movie!  (Interestingly, the director is really involved in picking and working with the extras.  There’ll be no second unit crap for Ace and the Purple Falcons!)  Unfortunately, another gang insists on trying to make the Purple Falcons look bad.  Fortunately, Ace is able to defuse the tension by baking a cake.  What?

This is like the dorkiest version of West Side Story ever made and I can’t really figure out what the message is supposed to be.  On the one hand, Ace is totally paranoid about any sort of gang violence and goes out of his way to try to prevent a gang war.  On the other hand, even before Ace shows up and starts quoting John Lennon, neither one of the show’s gangs are particularly violent or even intimidating.  The Purple Falcons are pretty much impossible to take seriously because they’re called “the Purple Falcons.”  (They all wear purple, as well.  I guess some other gang had already claimed all the cool falcon colors.)  They really don’t do any sort of “gang” stuff.  Instead, they eat a lot of pizza and appear in a movie.  That sounds like a pretty good deal, actually.  With its mix of dorky humor, random dance numbers, and “tough” gang talk, this is one of those old time capsules that simply has to be seen to be believed.

And here it is!

Live Tweet Alert: Join #FridayNightFlix for Diggstown!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on Twitter and Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1992’s Diggstown!  When James Woods teams up with Lou Gossett, Jr., it’s time for boxing action!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Diggstown is available on Prime and Tubi!  See you there!

Scene That I Love: Garrison Meets X in JFK


Today is Oliver Stone’s birthday so, for all conspiracy-loving readers, here is a key scene from Stone’s 1991 film, JFK!  In this scene, Kevin Costner’s Jim Garrison meets the mysterious man known as X (played by Donald Sutherland).  X explains the conspiracy to Garrison.

This scene certainly convinced a lot of people.  Personally, I think Oswald acted alone but one cannot deny Stone’s talent as a filmmaker.

4 Shots From 4 Films: Special Jean Renoir Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

129 years ago today, the great French film director Jean Renoir was born in Paris!  The son of Pierre-Auguste Renoir, Jean would go on to become just as revolutionary a force in the world of cinema as his father was in the world of painting.  Today, in honor of the birth and legacy of Jean Renoir, here are….

4 Shots From 4 Jean Renoir Films

Grand Illusion (1937, dir by Jean Renoir, DP: Christian Matras)

The Rules of the Games (1939, dir by Jean Renoir, DP: Jean-Paul Alphen, Jean Bachelet, Jacques Lemare, Alain Renoir)

The Southerner (1945, dir by Jean Renoir, DP: Lucien N. Adroit)

The Woman On The Beach (1947, dir by Jean Renoir. DP: Leo Tover and Harry J. Wild)