4 Shots From 4 Films: Special Edgar G. Ulmer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

122 years ago, on this date, the great director Edgar G. Ulmer was born in what is today the Czech Republic.  It’s time for….

4 Shots From 4 Edger G. Ulmer Films

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Detour (1945, dir by Edgar G. Ulmer, DP: Benjamin H, Kline)

The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

4 Shots From 4 Films: Special Edgar G. Ulmer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

121 years ago, on this date, the great director Edgar G. Ulmer was born in what is today the Czech Republic.  It’s time for….

4 Shots From 4 Edger G. Ulmer Films

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Detour (1945, dir by Edgar G. Ulmer, DP: Benjamin H, Kline)

The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

4 Shots From 4 1934 Films


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a classic year in film.  It’s time for….

4 Shots From 4 1934 Films

It Happened One Night (1934, dir by Frank Capra, DP: Joseph Walker)

The Scarlet Empress (1934, dir by Josef von Sternberg, DP: Bert Glennon)

The Merry Widow (1934, dir by Ernst Lubitsch, DP: Oliver T. Marsh)

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

4 Shots From 4 Films: Special Edgar G. Ulmer Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

119 years ago, on this date, the great director Edgar G. Ulmer was born in what is today the Czech Republic.  It’s time for….

4 Shots From 4 Edger G. Ulmer Films

The Black Cat (1934, dir by Edgar G. Ulmer, DP: John J. Mescall)

Detour (1945, dir by Edgar G. Ulmer, DP: Benjamin H, Kline)

The Man From Planet X (1951, dir by Edgar G. Ulmer, DP: John L. Russell)

Beyond The Time Barrier (1960, dir by Edgar G. Ulmer, DP: Meredith Nicholson)

The TSL’s Horror Grindhouse: Beyond The Time Barrier (dir by Edgar G. Ulmer)


This 1960 film tells the story of Bill Allison (Robert Clarke), an air force test pilot who flies his test craft into space and then returns to discover that Earth has totally changed!

The Air Force base where he previously worked is now deserted and desolate.  After he’s captured by a group of silent soldiers, Allison is taken to an underground city known as the Citadel.  He meets the head of the city, an older man known as The Supreme (Vladimer Sokoloff).  The Supreme explains that only he and his second-in-command, The Captain (Red Morgan), can speak and hear.  The rest of humanity communicates through telepathy.  Though the Supreme’s granddaughter, Princess Trirene (Darlene Tompkins), telepathically insists that Allison is not a threat, the Supreme and the Captain still exile him to live with a bunch of angry, bald mutants who are determined to destroy the city.  Allison meets three other exiles and discovers that they too are time travelers.  The scientists explains that Bill has found himself in the far future.  The year is no longer 1960.  No, the year is …. 2024!

OH MY GOD, WE’VE ONLY GOT TWO YEARS LEFT!

Actually, we’ve probably got less than two years left.  This is October and the film appears to be taking place in the summer so we’ve probably only got 18 months to go!

(Cue Jennifer Lawrence: “We’re all gonna die!”  Cue Leonardo Di Caprio: “I’m so scared!”  Okay, tell them both to shut up now.)

Anyway, Allison assumes that society must have collapsed due to a global war but the scientists explain that the first manned spacetrip to the moon actually ushered in an era of peace.  (Wow, how did I miss this?)  In fact, humans had colonized the Moon, Mars, and Venus by 1970.  (Woo hoo!  Yay, humanity!)  However, years of nuclear testing had weakened the Earth’s atmosphere and, in 1971, the planet was bombarded by cosmic rays.  (Uh oh….)  Humanity was forced to move into underground cities.  Some of them developed telepathy and became super advanced.  Others became bald mutants.  Unfortunately, everyone is now sterile and the Supreme probably expects Allison to impregnate Trirene and do his part to repopulate the planet.

On the one hand, Allison and Trirene are falling in love.  Allison is handsome and strong.  Trirene has pretty hair and is the only citizen of the Citadel who gets to wear anything flattering.  They’re a cute couple.  On the other hand, if Allison sticks around the repopulate the planet, he’ll never be able to go back to his present and warn everyone about the upcoming cosmic ray plague.  Plus, it soon becomes clear that the scientists have an agenda of their own.  Allison finds himself torn between the two factions trying to control the Citadel.

Made for next to no money and filmed at Fair Park in Dallas, Beyond The Time Barrier is a surprisingly good film.  It was directed by Edgar G. Ulmer, an Austrian director who started out as an associate of Fritz Lang’s and who followed Lang to the United States.  Ulmer made films for the Poverty Row studios and he was a master of creating atmosphere on a budget.  He was one of the pioneers of film noir and he brought that same style to his horror and sci-fi films.  As envisioned by Ulmer in Beyond The Time Barrier, the future is full of menacing shadows, dangerous con artists, and untrustworthy authority figures.  It’s a fatalistic film, one that ends on a surprisingly downbeat note.  Even if Allison can save humanity, will it really be worth all the trouble?  Much like Detour, Ulmer’s best-known film, Beyond The Time Barrier plays out like a deliberately-paced dream, full of surreal moments and ominous atmosphere.

Beyond The Time Barrier is available on YouTube and Prime.  Watch it now before we have to go underground.

6 Good Films That Were Not Nominated For Best Picture: The 1940s


Gary Cooper. Joan Fontaine, Mary Astor, and Donald Crisp at the 1942 Oscars.

Continuing our look at good films that were not nominated for best picture, here are 6 films from the 1940s.

Shadow of a Doubt (1943, dir by Alfred Hitchcock)

Amazing, Alfred Hitchcock never won the Best Directing Oscar.  In fact, it was rare that his films were even nominated.  (Though Rebecca did win Best Picture, it could be argued that film’s style was as much to due to David O. Selznick as it was to Hitchcock.)  One of the best of Hitchcock’s unnominated films was Shadow of a Doubt.  With its dark sense of humor and wonderful performances from Joseph Cotten and Teresa Wright, Shadow of a Doubt was Hitchcock at his best.  It was also, perhaps, a bit too darkly subversive for the Academy.

Detour (1945, dir by Edgar G. Ulmer)

The ultimate film noir nightmare, Detour was actually well-received when it was originally released, though it would take a while for the film to be recognized as a true classic.  Still, there was no way that the Academy was going to nominate a low-budget B-movie about a guy who hitchhikes across America and manages to accidentally kill two people.  Detour was far too nightmarish and surreal for the Academy but it’s remained one of the most influential films ever made.

Gilda (1946, dir by Charles Vidor)

Another classic film noir, Gilda is the film that, for many, will always define Rita Hayworth.  Through the film was a financial and critical success, it was ignored by the Academy.  The success of this film and the popularity of Hayworth’s performance led to the fourth atomic bomb to ever be detonated being named Gilda.  Rita Hayworth was reportedly not happy to hear it.

Black Narcissus (1947, dir by Michael Powell and Emeric Pressburger)

One of the most visually stunning films ever made, Black Narcissus won Oscars for Best Cinematography and for Art Design but it received no other nominations, not even for the outstanding performances of Deborah Kerr and Kathleen Byron, as two nuns who have very different reactions to the Himalayas.

Out of the Past (1947, dir by Jacques Tourneur)

A world-weary private investigator (Robert Michum) is hired by a slick and psychotic gangster (Kirk Douglas) and ordered to track down the gangster’s girlfriend (Jane Greer).  So beings this rather melancholy and introspective film noir, one that is distinguished by wonderfully shadowy photography and which features one of Mitchum’s best performances.  Sadly, the Academy recognized neither the film nor Mitchum’s performance.

Portrait of Jennie (1948, dir by William Dieterle)

This haunting and dream-like fantasy stars Joseph Cotten as a painter who meets, paints, and falls in love with a mysterious woman (Jennifer Jones) who may not be what she seems.  The film was apparently not a huge success when it was first released but, seen today, it’s hard not to get swept up in the film’s romantic sadness.  Though it received a nomination for Best Cinematography, it was otherwise ignored by the Academy.

Up next, in about an hour or so, the 1950s!

4 Shots From 4 Boris Karloff Films: The Black Cat, The Walking Dead, The Terror, The Sorcerers


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

For our final 4 Shots From 4 Films of this October season, we pay tribute to William Henry Pratt, the patron saint of horror cinema, with….

4 Shots From 4 Boris Karloff Films

The Black Cat (1934, dir by Edgar G. Ulmer)

The Walking Dead (1936, dir by Michael Curtiz)

The Terror (1963, dir by Roger Corman, et al)

The Sorcerers (1967, dir by Michael Reeves)

4 Shots From 4 Bela Lugosi Films: Island of Lost Souls, The Black Cat, The Invisible Ray, Return of the Vampire


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

It’s simply not the Halloween season without a little tribute to Bela Lugosi!

4 Shots From 4 Bela Lugosi Films

Island of Lost Souls (1932, dir by Erle C. Kenton)

The Black Cat (1934, dir by Edgar G. Ulmer)

The Invisible Ray (1936, dir by Lambert Hillyer)

The Return of the Vampire (1943, dir by Lew Landers)

Halloween Havoc!: THE BLACK CAT (Universal 1934)


gary loggins's avatarcracked rear viewer

THE BLACK CAT has nothing to do with Edgar Allan Poe , but don’t let that stop you from enjoying this thoroughly dark, twisted film. Not only is it the first teaming of horror icons Boris Karloff and Bela Lugosi , it’s their only movie together that plants the two stars on equal ground. It’s also the best film ever made by cult director Edagr G. Ulmer , who’d never again get the opportunity to work at a major studio, or the chance to work with a pair of legends like Boris and Bela in one film.

Bela is Dr. Vitus Verdegast, eminent Hungarian psychiatrist, returning after 15 long years in a Russian prison camp to “visit an old friend” at Marmaros, “the greatest graveyard in the world”, where tens of thousands died during WWI. Vitus is forced by chance to spend the train ride with American honeymooners Peter and…

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Ulmer Out West: THE NAKED DAWN (Universal-International 1955)


gary loggins's avatarcracked rear viewer

A Technicolor modern-day Western noir directed by legendary low-budget auteur Edgar G. Ulmer ? Count me in! THE NAKED DAWN probably wouldn’t be remembered today if it weren’t for Ulmer, who had a knack for making silk purses out of sow’s ears. Ulmer uses the outdoor locations and his trademark tight shots to disguise the budgetary restrictions, and creates a small gem of a movie. It’s not THE SEARCHERS  or anything, just a compact little drama with a rare starring role for actor Arthur Kennedy .

Kennedy plays Santiago, an ex-revolutionary turned bandito. He’s a drifter, unfettered by societal norms, whose lust for life and freedom are constantly threatened by the powers that be. A metaphor for Ulmer himself, perhaps? Santiago robs a train of some merchandise, and his friend Vicente is killed in the process. Stumbling upon God-fearing Maria and her husband Manuel on their modest farm, Santiago’s roguish…

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