Monday Live Tweet Alert: Join Us For Nam Angels!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Nam Angels! I picked it so you know it’ll be good.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, Tubi, or Prime, hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

See you soon!

Brad’s “Scenes of the Day” – Kathleen Wilhoite insulting Charles Bronson (and everyone else) in MURPHY’S LAW (1986)!


Actress Kathleen Wilhoite is 61 years old today. Wilhoite is a talented actress and singer who has over 40 years worth of film and TV credits, including movies like ROAD HOUSE (1989), with Patrick Swayze, and BAD INFLUENCE (1991), with Rob Lowe and James Spader. The movie I’ll always appreciate her the most for is the fun Charles Bronson badass cop movie, MURPHY’S LAW, that was made for the infamous Cannon Studios back in 1986. Handcuffed to Bronson for portions of the film, Wilhoite’s character Arabella McGee has an extremely interesting vocabulary, which mostly consists of cheesy, crude and vulgar insults for almost every person she comes into contact with. I saw this movie when I was 13 years old, and I copied way too many of her zingers for my own personal use over the next few years. Heck, 38 years later, I’m still not above calling the people I love “snot licking, donkey farts!”

Happy Birthday, Kathleen! Enjoy the video below that shares all of those insults from the movie!

Summer Rental (1985, directed by Carl Reiner)


After a blow-up at work, air traffic controller John Chester (John Candy) is given five weeks of paid leave.  He takes his family to Florida, where they rent a beach house and discover that their summer town is controlled by snobbish sailing champion Al Pellett (Richard Crenna).  It’s the snobs vs slobs as Pellett tries to kick John and his family out of their summer rental and John tries to prove himself to his son and daughter (Joey Lawrence and Kerri Green) by winning the local sailing championship.  Luckily, John has Sully (Rip Torn), a modern-day pirate captain, on his side.

John Candy was a remarkable talent.  It’s just a shame that he didn’t appear in more good films.  He will always be remembered for films like Splash, Uncle Buck, Planes, Train, and Automobiles, and Only The Lonely but unfortunately, most of his starring roles were in lightweight, forgettable far like Summer Rental.  Candy is likable as John Chester and sympathetic even when he’s losing his temper over every minor inconvenience.  But the film itself never really does much to distinguish itself from all of the other 80s comedies about middle class outsiders taking on the richest man in town.  Candy is stuck playing a role that really could have been played by any comedic actor in 1985.  It’s just as easy to imagine Dan Aykroyd or even Henry Winkler in the role.  It feels like a waste of Candy.

The best thing about the film is Rip Torn’s performance as Sully.  Torn’s performance here feels like a dry run for his award-winning work as Artie on The Larry Sanders Show.  I would have watched an entire movie about Sully.  As it is, Summer Rental is inoffensive and forgettable.

Scenes I Love: House of The Devil


Yesterday, #ScarySocial watched House of the Devil, one of my favorite horror flicks.  Here’s my favorite scene from that film!

I love this scene because I usually do the exact same thing whenever I have the house to myself.

8 Shots From 8 Films: Special Robert Evans Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

95 years ago today, Robert Evans was born in New York City.  He started out working in his brother’s clothing business but a chance meeting with actress Norma Shearer led to him becoming an actor.  And while Evans, by his own account, was not a particularly good actor, he did prove himself to be very skilled at playing the games of Hollywood.  Evans eventually moved from acting to production, first as an executive at Paramount and then as an independent producer.

He lived a life as glamorous and tumultuous as the stars of his pictures and his memoir, The Kid Stays In The Picture, is considered to be one of the classic show biz autobiographies.  He hung out with cinematic rebels like Jack Nicholson and Robert Towne and counted Secretary of State Henry Kissinger as a friend.  He suggested that Francis Ford Coppola should direct The Godfather and, when Paramount put pressure on Coppola to cut the film down to two hours, it was Evans who famously announced that a two-hour Godfather was nothing more than a trailer.  He lost Ali MacGraw to Steve McQueen and, again by own account, he lost a lot of potentially productive years to cocaine.  (The Cotton Club scandal is one of the wildest in the history of Hollywood, though it should be noted that Evans himself was never charged with any wrongdoing.)  But, for all that he lost, Evans continues to gain admirers as being the epitome of the producer who was willing to take chances.  For all of his flamboyance, Evans had an eye for good material and the willingness to protect his directors.  In many ways, he was as important to the cinematic revolution of the 70s as the directors that he hired.  When Evans passed away in 2019, it was truly the end of an era.

Here, in honor of the birth and legacy of Robert Evans, are 8 Shots from 8 Films that Evans produced, either as studio chief at Paramount or as an independent producer.

8 Shots From 8 Robert Evans Films

Rosemary’s Baby (1968, dir by Romnn Polanski, DP: William A. Fraker)

Love Story (1970, dir by Arthur Hiller, DP: Richard Kratina)

The Godfather (1972, dir by Francis Ford Coppola, Cinematography by Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

Marathon Man (1976, dir by John Schlesinger, DP: Conrad Hall)

The Cotton Club (1984, dir by Francis Ford Coppola, DP: Stephen Goldblatt)

The Two Jakes (1990, dir by Jack Nicholson, DP: Vilmos Zsigmond)

Sliver (1993, dir by Phillip Noyce, DP: Vilmos Zsigmond)

Brad’s “Scene of the Day” – Alessandro Nivola and Nicolas Cage in FACE/OFF (1997)!


Alessandro Nivola has some good credits in movies like MANSFIELD PARK (1999), AMERICAN HUSTLE (2013), and THE BRUTALIST (2024), but he’ll always be special to me as Pollux Troy, the younger brother of Nicolas Cage’s Castor Troy, in John Woo’s most awesome American film FACE/OFF!

In celebration of Nivola’s 53rd birthday, enjoy this little taste of late-90’s coolness (the link can only be watched on YOUTUBE, and it’s worth it):

The History of the World, Part I (1981, directed by Mel Brooks)


Overlong, wildly uneven, gimmicky too a fault, and often laugh out loud funny with a mix of jokes that range from the crude to the sublimely clever to the surprisingly sentimental, The History of the World, Part I is the ultimate Mel Brooks films.

Narrated by Orson Welles and featuring five historical stories and a collection of coming attractions, The History of the World Part I follows man from his caveman origins to the French Revolution and the thread that ties it all together is that humanity always screws up but still finds a way to survive.  Moses (Mel Brooks) might drop and break one of the three tablets listing the 15 Commandments but he’s still able to present the other ten.  Stand-up philosopher Comicus (Mel Brooks) might make the mistake of poking fun at the weight of Emperor Nero (Dom DeLuise) but he still makes his escape with Josephus (Gregory Hines), Swiftus (Ron Carey), and Miriam the Vestal Virgin (Mary-Margaret Humes) and ends up serving as the waiter at the Last Supper.  (“Jesus!”)  The Spanish Inquisition may have been a catastrophe but it also gave Torquemada (Mel Brooks) a chance to show off his performance skills.  The French Revolution may have been a bloodbath but the future still held promise.  Ask for a miracle and he’ll show up as a white horse named Miracle, no matter what era of history you’re living in.

The humor is very Mel Brooks.  During the Roman Empire sequence, Madeline Kahn plays Empress Nympho.  Jackie Mason, Harvey Korman, Cloris Leachman, Spike Milligan, Jan Murray, Sammy Shores, Shecky Greene, Sid Caesar, Henny Youngman, and Hugh Hefner all make cameo appearances.  Carl Reiner is the voice of God.  John Hurt plays Jesus.  The film ends with the promise of a sequel that will feature “Jews in Space.”  Not every joke lands.  The entire caveman sequence feels forced.  But when the film works — like during The Inquisition production number — it’s hard not get caught up in its anything-goes style.  The entire Roman Empire sequence is probably more historically accurate than the typical Hollywood Roman epic.  That’s especially true of Dom DeLuise’s naughty performance as Emperor Nero.

Mel Brooks is 99 years old today and he says that he has at least one more film to give us, a sequel to Spaceballs.  I’m looking forward to it!  I’m also looking forward to rewatching and enjoying all of the films that he’s already given us.  The History of the World, Part I may not have initially enjoyed the critical acclaim of his earlier films but, in all of its anarchistic glory, it’s still pure Mel Brooks.

10 Films For The Weekend (6/28/25)


This is the last weekend of my vacation!  I’ll be back on Monday.  Here are a few film recommendations, inspired by both my vacation and the upcoming patriotic holiday!

Keeping The World Safe

Whenever anyone asks me what the best film ever made about Hawaii is (and it happens all the time, let me tell ya), I always reply with From Here To Eternity.  Then I smile and say, “Or maybe it’s Hard Ticket To Hawaii!”  Directed by Andy Sidaris, Hard Ticket to Hawaii (1987) has it all.  A mutant snake, a sex doll-carrying assassin on a skateboard, a killer frisbee, the Molokai cops, a single-engine airplane, and Ridge from the Bold and the Beautiful!  This is the film that taught me that the proper way to reply to a guy saying, “Nice ass!” was to smile and say, “You too, Pilgrim.”  Hard Ticket To Hawaii is one of the most deliriously strange and entertaining films ever made and you can view it on Tubi!

After viewing Hard Ticket to Hawaii, be sure to check out Andy Sidaris’s other great film, Guns (1990)Guns not only features a tropical paradise but it also stars Erik Estrada, giving a totally over-the-top performance as the villain.  Guns can be viewed on Tubi.

As a resident of Dallas, I will always have a soft place in my heart for Sidaris’s Day of The Warrior (1996), in which it is established that the world’s most evil secret organization is headquartered on top floor of the Bank America Plaza and that the evil mastermind lives in “North Dallas.”  You probably have to be from Dallas to get the joke but it’s a good one.  Day of the Warrior can be viewed on Tubi.

Finally, The Dallas Connection (1994) was directed by Andy’s son, Christian Drew Sidaris.  I have to recommend this one because it not only takes place in Dallas but it’s actually named after the city as well!  Filmed on location, this film features plenty of action and exploding toy boat.  The Dallas Connection can be viewed on Tubi.

If you want your action stars to have a bit more of a social consciousness, Born Losers (1967) features Billy Jack (Tom Laughlin) in his first film appearance.  In three subsequent films, Billy Jack would go on to fight for pacifism and Native American rights and would eventually becomes a U.S. Senator but, in this film, he just kills a bunch of bikers who have been harassing tourists in California.  Born Losers can be viewed on Tubi.

God Bless America

Next Friday will be the Fourth of July.  USA!  USA!  USA!

Invasion USA (1952) takes a look at what happens when a bunch of people take America for granted.  Fortunately, Dan O’Herlihy is on hand to hypnotize everyone and force them to experience what life would be like if the communists took over America.  Thank you, mysterious hypnotist!  This film can be viewed on Tubi.

Years later, those commies were still trying to invade and divide America.  Fortunately, Chuck Norris was available to stop them.  Invasion U.S.A. (1985) features one of Richard Lynch’s greatest performances and it can be viewed on Tubi.

I Was A Communist For The FBI (1958) claims to tell the true story of a man who spent years working undercover as a communist.  His family rejected him.  His neighbors scorned him.  This film is a real time capsule of the time it was made.  That said, it’s portrayal of communists as being a bunch of upper class bigots who manipulate a working class that they have no interest in being a part of still feels relevant today.  I Was A Communist For The FBI can be viewed on YouTube.

Odds and Ends

Cold In July (2014) is one of the best neo-noirs of the best ten years and it features an excellent performance from Don Johnson, whose weathered toughness gives him a gravitas that he was occasionally lacking in his younger years.  It can be viewed on Tubi.

Finally, Jeff and I watched Smokey and the Bandit (1977) earlier this week.  It’s one of Jeff’s favorites and, whenever I watch it, I’m always surprised to re-discover how much I enjoy it myself.  Fast cars, a truck that looked a lot like the one my Dad used to drive, Southern scenery, and a theme song that gets stuck in your head, what’s not to like?  I related to Sally Field’s confusion as to why anyone would want to eat at a “choke-n-puke.”  It’s available on Netflix!

(Check out last weekend here!)

 

Live Tweet Alert: Join #ScarySocial for House of the Devil!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  House of the Devil!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

4 Shots From 4 Films: Special Mel Brooks Edition


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Mel Brooks is 99!  It’s time for….

4 Shots From 4 Mel Brooks Films

Blazing Saddles (1974, dir by Mel Brooks, DP: Joseph Biroc)

Young Frankenstein (1974, dir by Mel Brooks, DP: Gerald Hirschfeld)

High Anxiety (1977, dir by Mel Books. DP: Paul Lohmann)

Spaceballs (1987, dir by Mel Brooks, DP: Nick McLean)