If you grew up in the 80s or 90s, you probably had at least one friend whose father kept a pool table in the garage. This movie was probably the reason why.
Fast Eddie Felson (Paul Newman) was once The Hustler, the legendary pool player who recovered from having his fingers broken with a bowling ball and went on to defeat the legendary Minnesota Fats. That was a long time ago. Now, Fast Eddie is a slick liquor salesman in Chicago. Eddie stills hangs out at the pool halls, despite his bad memories of the game. When he sees a cocky young player named Vincent (Tom Cruise) and his girlfriend Carmen (Mary Elizabeth Mastrantonio), he takes them under his wing and teaches them how to hustle. It’s not always easy because Vincent doesn’t like to lose, even if it means a chance to score an even bigger victory later on. Eddie finds himself being drawn back into the game, even as he starts to wonder who is hustling who.
I always forget that TheColorofMoney is a Martin Scorsese films. It’s a film that Scorsese made at a time when he had a reputation for only being able to make art films that critics loved but audiences stayed away from. After the box office failure of The King of Comedy and his abortive first attempt to make The Last Temptation of Christ, Scorsese took The Color of Money to prove that he could work with a studio. This is a Disney Scorsese film, with his signature camera moves but not much of his religious torment. Even if it’s not one of his personal films, Scorsese makes pool look exciting, a battle that is as much about psychology as physicality. Watching TheColorofMoney, you can smell the chalk on the tip of the pool cue.
Scorsese brings the seedy pool halls to life but it’s Paul Newman’s performance that dominates. TheColorofMoney won Newman his first and only Oscar and he deserved it. Newman had first played Fast Eddie Felson in 1961, in TheHustler. Returning to the role twenty-five years later allowed Newman to show what would eventually happen to the angry young men that he played in the 60s. Eddie has grown up and he’s got a comfortable life but he’s not content. He finally has stability but he misses the game. He needs the thrill of the hustle. Newman is at his best in TheColorofMoney, building on TheHustler but also revealing new sides of Eddie Felson.
Newman is so good that Tom Cruise often gets overlooked but both Cruise and Mastrantonio hold their own against Paul Newman. Cruise especially does a good job as Vincent, playing him as someone who is too cocky for his own good but also not as dumb as he looks. Just when you think you’ve got Vincent figured out, Cruise surprises you. TheColorof Money came out the same year as TopGun and Cruise’s Vincent feels like a commentary on the talented, troubled, but cocky characters that Cruise was playing at that time. Cruise, Scorsese, and Newman make a good team in this more-than-worthy sequel.
In honor of Tom Cruise’s 63rd birthday, I decided to watch THE FIRM, which is based on the 1991 novel from author John Grisham. Cruise stars as the brilliant Harvard law graduate Mitch McBride, who convinces his wife Abby (Jeanne Tripplehorn) to move to Memphis, TN, so he can join the prestigious Memphis law firm of Bendini, Lambert & Locke. With the help of his veteran mentor Avery Tolar (Gene Hackman), Mitch seems to be excelling at his job, and everything is just so perfect. Unfortunately, the good times don’t last as Mitch starts to notice some suspicious stuff going on with the firm, beginning with the mysterious deaths of two of his fellow attorneys. He’s soon approached by FBI agents, led by Wayne Tarrance (Ed Harris), who tell him that there are nefarious deeds taking place at the firm, including the laundering of money for the Chicago mob. When Mitch starts questioning the activities of the firm, he finds himself the subject of blackmail and intimidation from the firm’s security officer William Devasher (Wilford Brimley) because the firm will do anything to protect its secrets. Mitch is soon caught between betraying his corrupt employers, who are threatening to kill him, and the FBI, who is pressuring him to expose the firm’s criminal activities. Not wanting to lose his life, go to jail, or get disbarred, Mitch devises an extremely risky plan to outsmart the firm and the FBI, but is even he brilliant enough to pull this one off?!
Back in the early 90’s, it seemed that every other movie being released was adapted from a John Grisham novel, and the very first of those adaptations was THE FIRM in 1993. Extremely successful at the box office, THE FIRM grossed over $270 million worldwide, setting the stage for five new movies based on Grisham novels over the next five years. THE FIRM was not only financially successful, it’s also an extremely effective movie that showcases a 30-year-old Tom Cruise at his very best. Director Sydney Pollack crafted a creepy and paranoid thriller, using a slow-burn buildup that relies on Cruise’s ability to believably go from naïve and starstruck at the beginning, to scared and desperate during the middle portion of the film, and ultimately to resourceful and intelligent at the end, as he navigates the dangerous situations he finds himself in. It’s a dynamic, intense performance, and even with a huge supporting cast of excellent actors around him, Cruise dominates every frame of this film. Other performances that stand out to me are Jeanne Tripplehorn as Mitch’s wife Abby, Wilford Brimley as the firm’s enforcer, Gary Busey and Holly Hunter as a private investigator and his administrative assistant from Little Rock, and David Strathairn as Mitch’s jailbird brother in Arkansas. Gene Hackman is good in his role as Mitch’s corrupted mentor Avery Tolar, but his character is not one of my favorites from the legendary actor. His character has accepted his corruption and learned to cope with it over the years through alcohol and womanizing, just so he can keep making the money. He knows better and that’s the part that ultimately makes him the most pathetic. Ed Harris is also good in the film as the FBI Agent, but his character is kind of an asshole, and it’s fun to see Mitch outsmart him.
I also like the Memphis, Tennessee locations showcased in THE FIRM, locations that I’ve been to many times, such as Beale Street, Mud Island, and The Peabody Hotel. Early in the movie, Cruise’s character flips right along with the “Beale Street flippers,” popular Beale Street entertainers who perform nightly for tips. I’ve given them some of my cash over the years! And the chase sequence that starts at Mud Island and spills over into downtown Memphis is one of the most exciting parts of the movie. My home state of Arkansas even gets in on the action when Mitch meets FBI agent Wayne Tarrance at the Southland Greyhound Park located in West Memphis, Arkansas. The greyhound race track no longer exists at that location, as the final dog race was held on December 31, 2022. The site has now become the Southland Casino, one of three operating casinos in Arkansas, with the other two being the Oaklawn Casino in Hot Springs and The Saracen Casino in Pine Bluff. I also like the fact that the sleazy private investigator, played by Gary Busey, is from Little Rock, Arkansas. I commute to Little Rock daily to work at my accounting and tax firm, and it’s fun imagining that there could be an “Eddie Lomax” somewhere around here.
THE FIRM may not be a perfect film… some fat could have been trimmed out as it runs for over two and a half hours, a lot of time for a “thriller;” and while effective on paper, I also can’t help but wonder if the resolution would have worked quite as well in real life as it’s portrayed in the film. I still love the movie and consider it to be one of Tom Cruise’s best. I revisit it quite often, and I’m glad his birthday gave me another excuse to watch it again today!
In honor of Tom Cruise’s 63rd birthday, I decided to revisit the 2012 film JACK REACHER. Cruise stars as the title character in the film version of the Lee Child novel “One Shot.” The story follows Reacher, a former military investigator, who gets pulled into the case of James Barr (Joseph Sikora), a sniper who supposedly killed five people in a random shooting in Pittsburgh. Although all the evidence is neatly stacked up against Barr, the sniper just has one request for his defense, “Get Jack Reacher.” Emerging from a self-imposed hiding, Reacher teams up with Barr’s defense attorney Helen Rodin (Rosamund Pike), to try to figure out what in the hell is going on. Once he has access to the evidence, and based on what he already knows about James Barr, Reacher immediately starts tearing holes in the case being presented by Police Detective Calvin Emerson (David Oyelowo) and District Attorney Alex Rodin (Richard Jenkins). Reacher’s own investigation uncovers a conspiracy involving a mysterious criminal organization led by the evil, and partially deformed Zec (Werner Herzog), whose plans are violently enforced by his badass henchman Charlie (Jai Courtney). It seems they have orchestrated the shooting to appear random, but they were really just after one person, Oline Archer (Susan Angelo), whose construction company is vital to their criminal enterprise. With the help of defense attorney Rodin, as well as the owner of an Ohio shooting range, former Marines Corps Gunnery Sergeant Martin Cash (Robert Duvall), Reacher is determined to bring the real killers to justice!
I remember there being some controversy surrounding the announcement that Tom Cruise would be starring as Jack Reacher. Dedicated readers of Lee Child’s books didn’t seem to appreciate that Cruise’s physical stature is not even close to the way the character is described. If I was an avid fan of the books, I would definitely understand the concern, but I’ve never read a single book in the series. This is one of those instances where my lack of reading experience allows me to completely enjoy the film, because Tom Cruise is flat out excellent. He’s smart, funny, a badass lone wolf of justice, and completely believable. I’d go so far as to say that the primary reason I love this film is Tom Cruise’s incredible star turn as Jack Reacher. With the choice of Tom Cruise or another actor who more closely resembles the Reacher from the book, I’m going with Cruise 10 out of 10 times. With that said, I’m also happy for the purists out there that the new REACHER series on Amazon, which began in 2022 and is still going strong, addresses this “size controversy” in it’s casting. I’ve heard good things about the series, and I’ll eventually get around to watching it as well.
Aside from Tom Cruise’s magnetic central performance, I find JACK REACHER to be a truly entertaining movie, and I don’t think we get enough of those these days. It has exciting and fun action scenes, a sly sense of humor, chillingly evil bad guys who get their comeuppance at the end, and an incredible supporting cast. Thinking back on it now, Rosamund Pike as the defense attorney, Werner Herzog as the evil villain, and Robert Duvall as the “cranky old Robert Duvall” character are the supporting performances that stand out the most to me, but all the casting choices are good. With his shepherding of the “Mission: Impossible” series, director Christopher McQuarrie has proven himself to be an expert at delivering fun movies, and he delivered big time here for film audiences a few years before taking on his first impossible mission.
In summary, I don’t really have a single negative thing to say about JACK REACHER. Most of the negative things I’ve read online have been due to the disappointment that some viewers have felt based on the differences between the books and the movie. I just know that I still watch it every couple of years and enjoy it immensely each time. JACK REACHER is one of my favorite films of its decade!
Corrupt Sheriff Chris Bradley (Homer Murphy) sends letters to three outlaws, asking them to come to his town and to work for him. Sheriff Bradley wants to use them to kick some homesteaders off their land. What Sheriff Bradly didn’t count on was one of the outlaws being an undercover Texas Ranger! Johnny Mack Brown plays Johnny, a.k.a. The Dog Town Kid.
The Kid takes a liking to homesteader Marian Henley (Beth Marion) and her infant son. When the Kid and the other two outlaws don’t move out the homesteaders to the sheriff’s liking, Bradley hires fearsome outlaw Lobo Joe (Roger Gray).
This is a pretty typical Poverty Row western. After you see enough of these, you realize that every plot is going to be about a corrupt sheriff and a businessman teaming up to try to steal the land away from the settlers. What makes these film work (or not) is the quality of the stars and Johnny Mack Brown was one of the best, someone who seemed authentic when he was riding a horse or shooting a gun but who was also a good enough actor to bring some life to the familiar plots. As usual, with this film, Johnny Mack Brown is better than his material.
Everyman’sLaw is best-known for the scenes of Brown and the other two outlaws having to babysit Marian’s baby. The “comedic” scene where the baby puts the barrel of Johnny’s six-shooter in his mouth probably had the audience rolling in 1936 but today, it would undoubtedly get the film banned.
During the Vietnam War, an American patrol is captured by a German (Vernon Welles) who plans to sell them to the VC. Only their commanding officer, Lt. Vance Calhoun (Brad Johnson), manages to get away. When he’s told the the Army can’t spare any men for a POW rescue mission, he instead recruits a group of Hell’s Angels who just happen to be hanging out in Vietnam. When the Hell’s Angels learn that there’s gold hidden in the caves near the POW camp, they hop on their motorcycles and heard on out.
You might wonder why the Hell’s Angels were in South Vietnam to begin with. The easy answer is that they were there to raise Hell and spread the legend of their motorcycle club. The truth is that they were there to win the war for America. Like many Vietnam films released in the 80s, the main message of Nam Angels is that America could have won if not for the cowardly officers who weren’t willing to rescue our POWs. America should have listened to Vance Calhoun and the Hell’s Angels. Meanwhile, the real-life Hell’s Angels sued the filmmakers for trademark infringement. It doesn’t get more American that!
As for NamAngels, it has all of the explosions and motorcycles that are promised by the title and, as always, Vernon Wells is a good villain. Considering the premise, it’s disappointing that NamAngels proves itself to be a typical straight-to-video war movie but it still features all of the action, torture, and tough talk the fans usually want from these movies. It ends with a quote from John Milton that doesn’t really have anything to do with the film that we just watched.
This was one of the 104 films that Cirio Santiago directed over his career. Reportedly, Steven Spielberg was a fan of this one, casting Brad Johnson in Always on the basis of his performance in NamAngels. Make good movies because you never know who might be watching.
Last year I reviewed the 2009 documentary, THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA, which focused on Jesco White and the out of control White family from Boone County, West Virginia. Today, I’m going back to the original 1991 documentary, DANCING OUTLAW that first introduced us to Jesco and his family. Directed by Jacob Young and premiering as part of the PBS “Different Drummer” documentary series, this program would go on to win a 1992 Emmy Award, as well as a 1993 American Film Institute Award for “Best Documentary.” It would also turn Jesco into a celebrity and pop culture figure in West Virginia. This amazing documentary is currently available on YOUTUBE, and I highly recommend it to any person who’s interested in seeing what poverty and unchecked drug and alcohol abuse will do to the human brain.
DANCING OUTLAW is where we first meet Jesco White, an amazingly talented mountain tap dancer, who has multiple personalities and a never ending love and respect for his dad, who gave him his talent and his dancing shoes, if not necessarily an outspoken love. The documentary is smart enough to show us Jesco performing on multiple occasions, thus establishing that Jesco is a truly talented and unique dancer. The multiple personalities seem to come from years of huffing gasoline and lighter fluid that has destroyed his brain. Despite his talent, we are able to observe that Jesco is completely lost as a human being, based on his own words that he willingly shares with us, as well as what we learn from others.
We meet Jesco’s mom Bertie Mae White, the miracle woman, for the first time in DANCING OUTLAW. One of the more emotional parts of THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA was the fact that Bertie Mae passed away during the year the film was made. Here, however, we meet Bertie Mae almost 20 years earlier and get a better feel for what she was like as a younger, healthier woman. We find out how proud she is of her husband Donald “D.” Ray White. We also see that she’s fiercely protective of her kids, and that they love her, even if she can’t control them. I’ve said before that I can see some of my own Grandma Crain in Bertie Mae.
We also meet Jesco’s wife, Norma Jean White. This is not a match made in heaven, as they fight non-stop, with Jesco usually threatening to kill her at some point. Bertie Mae makes it clear that nobody in their family wanted them to get married, yet here they are anyway… married, divorced, married again. Norma Jean tells us some interesting stuff about Jesco, mainly filling us in on his three distinct personalities:
Jessie – She says Jessie is the most beautiful, perfect man you could ever ask for.
Jesco – She says Jesco is the devil himself.
Elvis – She says she has to be silent and just enjoy Elvis. Jesco comments that the Elvis side of his personality is what calms him down and keeps him from wanting to kill everyone else in the world.
I think there’s something to West Virginians and multiple personalities. My wife is from West Virginia, has the last name of White, and often references her different personalities. Luckily, the ones I’ve met so far are pretty nice! On a side note, I’m not sure what became of Norma Jean because she’s never referenced in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. Based on all of their arguing, I’m hoping they just got divorced, and I pray that she’s not buried somewhere out there in a holler! (Author update – Jesco was married to Norma Jean up until her death in 2009).
One of the more interesting parts of the documentary is when Jesco, Norma Jean, and Jesco’s brother Dorsey tell us about the night their dad, D. Ray White, was killed. Prior to telling us the events that led to his death, we’re treated to some video footage of D. Ray singing and performing his 52 mountain tap dancing steps. He was a truly amazing performer, and you can’t help but think that Jesco will never be quite as good as his dad. However, the events that led to his death can easily be summed up as follows: all kinds of people were partying together, which means abusing alcohol and drugs, when a fight started, and a person out of their right mind blew him away. It’s a sad waste, but it’s also a natural result of a family and community that’s deep into poverty, drugs and alcohol. Not only do we see how profoundly this affects Bertie Mae, Jesco and the rest of the family in this documentary, but we can also see the aftermath of his death, and the unbroken circles of drug use and violence again in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. It’s ultimately both sad and pathetic.
In DANCING OUTLAW, we first meet Jesco’s sister Mamie, as well as his brothers Poney and Dorsey. The only thing I want to say about these three is that we’re updated on each of them in THE WILD AND WONDERFUL WHITES OF WEST VIRGINIA. The passage of time hasn’t been real kind to Mamie, as she’s gone from a pretty, wild, fun-loving woman to a scary, unstable woman who will do anything, including illegal things, to make money. Dorsey is dead from an accidental shooting, and Poney has proven to be the smartest of the bunch by taking his kids and moving to Minnesota for a fresh start. At least there’s one success story since he was able to get away.
At the end of the day, the documentary just kind of ends where it began, with Jesco and Norma Jean sitting at their trailer and arguing. There really is no “happy” way to end a movie about people like Jesco White and his family. I follow a lot of Jesco’s family members on social media, and I think the notoriety they have received from these documentaries has done nothing but make things worse for them. They are almost all struggling with the effects of poverty and drug abuse to this day. In some ways, these people don’t seem real, but the truth is that they are real, and that we know people like them in our own lives. Heck, we may be people like them. Our issues may not be the same, but our lives often contain unbroken cycles of making the same mistakes over and over again and then wondering why we can’t be happy. If nothing else, watching the slow-motion train wreck of another person’s life can hopefully inspire us to get our own shit together!
I’ve included the YouTube link to the DANCING OUTLAW below if you want to see for yourself!
SummerSchool was the movie that made flunking out look like fun.
Freddy Shoop (Mark Harmon) is a relaxed, fun-loving gym teacher who is looking forward to spend his summer in Hawaii until he’s assigned to spend the summer teaching remedial English in summer school. (His girlfriend goes to Hawaii without him.) Freddy’s not happy about giving up his summer and he’s prepared to just spend his days taking his students to the beach, the amusement park, and the zoo. But when he finds out that he’s going to lose his job unless his students pass the big test at the end of the summer, he gets serious and discovers what teaching is supposed to be all about.
When I was growing up, SummerSchool seemed to be on television all the time. If it wasn’t on HBO, it was on one of the local stations, usually right before summer began. The summer school kids seemed to be having too much fun for kids stuck in school. I don’t think my classmates in Baltimore would have been as happy about losing their summer as the students in this film. Everyone who has seen this film remembers Dave and Chainsaw (Gary Riley and Dean Cameron) making jokes and showing everyone The Texas Chainsaw Massacre. They also remember Anna-Maria (Fabiana Udenio), the Italian exchange student who took summer school to work on her English. They remember Freddy letting one of his students move in with him, which doesn’t seem like a good idea even if she was played by Courtney Thorne-Smith. Myself, I remember Robin Bishop, the teacher next door, who was played by an extremely sexy Kirstie Alley. (This was one of the many 80s films in which Kirstie Alley made being uptight seem sexy.) Of course, Robin was dating the snobbish principal who was trying to get Freddy Shoop fired.
I’m not going to sit here and say that SummerSchool is a great film. It’s a dumb comedy with an uplifting message about what a good teacher can accomplish. However, SummerSchool is a very likable film, an enjoyable 80s teen romp that suggests summer school was the place to be in the late 80s. Mark Harmon, Kirstie Alley, and all the students give good performances. How many future horror nerds were inspired by Dave and Chainsaw? Legendary nice guy Carl Reiner directed and the movie itself is amiable and amusing enough to be watchable.
Last week Sierra and I had dinner with our kids, and as usual, at some point the conversation turned towards movies. Sierra has been watching a lot of terrible shark movies, so I asked the kids if they had seen any decent shark movies lately. Our son mentioned this movie UNDER PARIS, and both he and his wife agreed that they thought it was a good movie. We had not heard of it before, but being tired of the SHARKNADO’s of the world, we decided to check it out.
UNDER PARIS opens with marine biologist Sophia Assalas (Berenice Bejo) and her dive team, which includes her husband Chris, tracking a shark named Lilith. The divers go into the water to obtain a blood sample, expecting to find a normal sized Lilith, but instead discover that Lilith has grown to three times her normal size and is aggressively hunting with a pack of other sharks. Before they can get back to the boat, the divers are all attacked and killed. Three years later and still traumatized by the events of that fateful day, Sophia is now an employee of a Paris aquarium when a young environmentalist named Mika (Lea Leviant) approaches her and says that Lilith’s tracking beacon seems to be active in Paris’ Seine River. Skeptical at first since Lilith shouldn’t be able to survive in fresh water, Sophia changes her tune when a homeless man is found half eaten with wounds clearly caused by a shark. Sophia then works closely with the river police and Sergeant Adil (Nassim Lyes) to try to find the shark before it can kill other Parisians. Wouldn’t you know it, it seems that Paris is about to host a large triathlon that’s tied to the upcoming Paris Olympics. Concerned that the participants could turn into shark food, Sophia and the police meet with the Mayor of Paris (Anne Marivin) to ask her to put off the triathlon. The mayor, however, doesn’t want the bad publicity that would come from cancelling the triathlon due to a “shark problem” so she refuses to cancel and tells them to just deal with it. I think we can all imagine where the story goes from there!
UNDER PARIS is better than most of the shark movies that Sierra and I have been watching, but it’s also a bit of a mess. There are a few things I really did like about the movie. First, I liked the Paris setting, which is not your typical setting for a shark movie. It was fun seeing the Eiffel Tower in the background as our various characters went through all the familiar shark movie tropes, speaking in French no less. Second, I enjoyed the somewhat serious and suspenseful tone of the early portions of the film. Our main character Sophia, as played by Berenice Bejo, is dealing with real tragedy and the movie treats her grief seriously. I think Bejo is good in the film, and I felt for her through these early sequences. I also liked her relationship with Sergeant Adil. Of course he would be skeptical at first, but I thought actor Nassim Lyes did a fine job of balancing rationality with a desire to get to the truth no matter how outlandish it may seem. The suspense around the tragedy at the opening of the film, as well as the portions dealing with convincing the police that the shark is in Paris, are quite effective. Even though it’s a cliché at this point, it was a fun throwback to JAWS (1975) when the mayor of Paris didn’t want to cancel the triathlon due to the bad publicity it would cause. In other words, I really did enjoy a lot of the world that UNDER PARIS created as it was building to the catastrophic shark attacks
UNDER PARIS does have its share of problems. When the big set pieces start and the shark(s) start attacking Paris, the movie pretty much abandons the human stories for CGI shark attacks. I won’t deny that there is some excitement in these scenes, but while the effects are decent, they’re not great, and the non-stop carnage took me out of the parts of the movie that I was really enjoying. Some of the characters, I’m looking at you mayor and environmentalist Mika, are especially naïve and silly, and their downright idiotic decisions lead to the majority of death and destruction presented in the film. By the time half the environmentalists and triathletes have been eaten or severely disabled, I was already wondering how much time we had left to the end of the movie.
Overall, I do think UNDER PARIS is better than most of the shark movies you can find on the streaming services. The unique setting, serious tone, and strong performances get the movie off to a solid start. Unfortunately, it’s just not able to sustain its early momentum throughout to the end.
After a blow-up at work, air traffic controller John Chester (John Candy) is given five weeks of paid leave. He takes his family to Florida, where they rent a beach house and discover that their summer town is controlled by snobbish sailing champion Al Pellett (Richard Crenna). It’s the snobs vs slobs as Pellett tries to kick John and his family out of their summer rental and John tries to prove himself to his son and daughter (Joey Lawrence and Kerri Green) by winning the local sailing championship. Luckily, John has Sully (Rip Torn), a modern-day pirate captain, on his side.
John Candy was a remarkable talent. It’s just a shame that he didn’t appear in more good films. He will always be remembered for films like Splash, Uncle Buck, Planes, Train, and Automobiles, and Only The Lonely but unfortunately, most of his starring roles were in lightweight, forgettable far like Summer Rental. Candy is likable as John Chester and sympathetic even when he’s losing his temper over every minor inconvenience. But the film itself never really does much to distinguish itself from all of the other 80s comedies about middle class outsiders taking on the richest man in town. Candy is stuck playing a role that really could have been played by any comedic actor in 1985. It’s just as easy to imagine Dan Aykroyd or even Henry Winkler in the role. It feels like a waste of Candy.
The best thing about the film is Rip Torn’s performance as Sully. Torn’s performance here feels like a dry run for his award-winning work as Artie on The Larry Sanders Show. I would have watched an entire movie about Sully. As it is, Summer Rental is inoffensive and forgettable.
Overlong, wildly uneven, gimmicky too a fault, and often laugh out loud funny with a mix of jokes that range from the crude to the sublimely clever to the surprisingly sentimental, The History of the World, Part I is the ultimate Mel Brooks films.
Narrated by Orson Welles and featuring five historical stories and a collection of coming attractions, The History of the World Part I follows man from his caveman origins to the French Revolution and the thread that ties it all together is that humanity always screws up but still finds a way to survive. Moses (Mel Brooks) might drop and break one of the three tablets listing the 15 Commandments but he’s still able to present the other ten. Stand-up philosopher Comicus (Mel Brooks) might make the mistake of poking fun at the weight of Emperor Nero (Dom DeLuise) but he still makes his escape with Josephus (Gregory Hines), Swiftus (Ron Carey), and Miriam the Vestal Virgin (Mary-Margaret Humes) and ends up serving as the waiter at the Last Supper. (“Jesus!”) The Spanish Inquisition may have been a catastrophe but it also gave Torquemada (Mel Brooks) a chance to show off his performance skills. The French Revolution may have been a bloodbath but the future still held promise. Ask for a miracle and he’ll show up as a white horse named Miracle, no matter what era of history you’re living in.
The humor is very Mel Brooks. During the Roman Empire sequence, Madeline Kahn plays Empress Nympho. Jackie Mason, Harvey Korman, Cloris Leachman, Spike Milligan, Jan Murray, Sammy Shores, Shecky Greene, Sid Caesar, Henny Youngman, and Hugh Hefner all make cameo appearances. Carl Reiner is the voice of God. John Hurt plays Jesus. The film ends with the promise of a sequel that will feature “Jews in Space.” Not every joke lands. The entire caveman sequence feels forced. But when the film works — like during The Inquisition production number — it’s hard not get caught up in its anything-goes style. The entire Roman Empire sequence is probably more historically accurate than the typical Hollywood Roman epic. That’s especially true of Dom DeLuise’s naughty performance as Emperor Nero.
Mel Brooks is 99 years old today and he says that he has at least one more film to give us, a sequel to Spaceballs. I’m looking forward to it! I’m also looking forward to rewatching and enjoying all of the films that he’s already given us. The History of the World, Part I may not have initially enjoyed the critical acclaim of his earlier films but, in all of its anarchistic glory, it’s still pure Mel Brooks.
Through the Shattered Lens 