Finally! We have a trailer for Ridley Scott’s The Last Duel!


We’ve been waiting for a while.

Ridley Scott’s The Last Duel has been a project that has had several projected release dates. It was originally expected to be a 2020 Oscar contender but, like many highly anticipated films, it kept getting moved back due to the Coronavirus pandemic. That was unfortunately, though I am ultimately glad that the film waited for the theaters as opposed to going the streaming route. One thing that all Ridley Scott films, good or bad, have in common is that they’re best viewed on a big screen.

This October, we should finally get to see The Last Duel. The film tells a a true story and features such Oscar-friendly actors as Matt Damon, Ben Affleck, and Adam Driver. Though Gladiator may have won best picture, Ridley Scott is still in the hunt for his first directing win. This year, he not only has The Last Duel in the hunt but he’s also going to have House of Gucci, featuring Lady Gaga, Al Pacino, Jeremy Irons, and, once again, Adam Driver.

The trailer for The Last Duel was released today. From what I saw on social media, the reaction was a bit mixed, with many pointing out that the visuals had a bit of a washed-out look to them. Indeed, watching the trailer, one wonders if it ever stopped snowing in 14th century France. Personally, though, I’m a little bit more concerned with Ben Affleck’s hair. Adam Driver and Matt Damon are usually well-cast in period films but, in the past, Ben Affleck has always come across like he can’t wait to catch the next train back to Boston. That said, there was a lot about the trailer that I did like. The sets look impressive and it really does seem like the type of story that usually brings out the best in Ridley Scott as a director.

Plus, I have to say that I really like the film’s poster, which has something of a Ken Russell feel to it. If anything, the poster actually has me more excited about seeing the film than the trailer does.

With all of that said and in mind, here’s the trailer for Ridley Scott’s The Last Duel!

Music Video of the Day: Wrecked by Imagine Dragons (2021, dir by Matt Eastin)


Today’s music video of the day is the latest from Imagine Dragons. He’s wrecked because his relationship didn’t work out. At least he’s got a nice beach to think about it on. I can’t imagine anything worse than being depressed some place that isn’t photogenic.

This video was at least partially filmed at Caesar’s Palace. They even got a special thank you.

Enjoy!

The TSL’s Grindhouse: The Vindicator (dir by Jean-Claude Lord)


The 1986 film, The Vindicator, is one of those Canadian exploitation films that doesn’t make much sense but is still memorable just because of how dedicated it is to being utterly incoherent.

Basically, an evil corporate guy named Alex Whyte (played by Richard Cox) wants to design a space suit that will turn people into rage-filled assassins. Or something like that. To be honest, I had a hard time following just what exactly Alex was trying to do. When one of his scientists, Carl Lehman (David Mcllwraith), figures out that Alex is up to something sinister, Alex blows him up. Alex then puts Carl’s charred body into the suit and Carl is transformed into a cyborg who flies into a murderous rage whenever anyone gets too close to him. That’s not exactly what Carl was hoping to spend the rest of his life doing so Carl breaks free from the lab and seeks revenge while also trying to protect his wife (Terri Austin) and his daughter (Catherine Disher). Unfortunately, because of the whole rage thing, Carl can’t allow himself to get close to them but somehow, he figures out how to speak to them through the synthesizer that’s sitting in the living room.

Now that Carl is wandering around Canada and killing all of his former co-workers, Alex decides that he needs to do something to take Carl out of commission so he hires an assassin known as Hunter. Hunter is played by Pam Grier. Yes, that’s right — the Pam Grier! Soon, Hunter and her team are pursuing Carl across Canada and, in the process, they end up killing almost as many people as Carl. And those people who aren’t killed by Carl or Hunter fall victim to the types of accidents that could only happy in a Canadian exploitation film. For instance, in one scene, a truck drives over a guard rail and immediately explodes.

Meanwhile, Carl’s friend, Bert (played by Maury Chaykin because this is a Canadian film), is falling in love with Carl’s wife and plotting to try to take her away from her cyborg husband. At first, Bert appears to be a sympathetic character and then, about an hour into the movie, Bert is suddenly not sympathetic at all. The same can actually be said for just about everyone in the film, which will lead most viewers to wonder just why exactly we should care about whether or not Carl is ever stopped.

It’s a messy film. For a relatively short and presumably low-budget film, there’s a lot of characters in The Vindicator and it’s not always clear how everyone is related. Since Carl kills most of them, I can only assume that they’re all bad but still, you can’t help but wonder if maybe Carl is being a bit too quick to assume that everyone was okay with him getting blown up. Carl is one judgmental cyborg.

Supposedly, special effects maestro Stan Winston was involved with the production of The Vindicator and, to give credit where credit is due, Carl does look like what I guess most people would expect a cyborg to look like. In fact, when I watched the movie, I originally assumed that it was a Robocop rip-off but then I discovered that The Vindicator actually came out a year before Robocop. That’s not to say, of course, that The Vindicator was, in any way, an influence on Robocop. Beyond the cyborg-theme, the two films really have nothing in common. Robocop is a satirical commentary on fascism. The Vindicator is …. well, I’m not really sure what it’s supposed to be.

The Vindicator is a mess. It’s one of those films where no one’s motivations make any sense and it is often next to impossible to actually keep track of who is who. (The actors playing Alex and Carl looked so much alike that it took me a few minutes to figure out that Carl was the one who got blown up.) And yet, like many Canadian exploitation films from the 80s, The Vindicator is also compulsively watchable. The actions move quickly. The entire plot has a make-it-up-as-you-go-along feel to it that’s kind of entertaining. Plus, Pam Grier’s in the film, openly rolling her eyes at just how silly it all is. The Vindicator isn’t exactly good but it did hold my interest. All things considered, maybe that’s vindication enough.

Lisa’s Week In Review: 7/12/21 — 7/18/21


It was a hot week and another unexpectedly busy week but the important thing is that, as always, I survived. Someday soon, I’ll actually have that week where I’m able to get caught up on everything. It wasn’t this week so let’s hope that it’ll be next week.

Unfortunately, I don’t have any wisdom to share this week but I do have a lot of lists and a lot of links. And those are types of wisdom, right?

Here’s what I watched, read, listened to, and enjoyed this week!

Films I Watched:

  1. Breakin’ 2: Electric Boogaloo (1984)
  2. A Date With Danger (2021)
  3. Nobody Will Believe You (2021)
  4. Soccer Mom Madam (2021)
  5. Wishmaster (1997)
  6. The Woman In The Window (2021)
  7. You’ll Never See Me Again (1973)

Television Shows I Watched:

  1. Allo Allo
  2. The Bachelorette
  3. Big Brother 23
  4. Dragnet
  5. Intervention
  6. Moone Boy
  7. The Office
  8. Open All Hours
  9. Seinfeld
  10. Upstart Crow

Books I Read:

  1. Rock Me On The Water (2021) by Ronald Brownstein

Music To Which I Listened:

  1. Above & Beyond
  2. Adi Ulmansky
  3. Armin van Buuren
  4. Avicii
  5. Barry Adamson
  6. Beck
  7. The Black Keys
  8. Bonnie Raitt
  9. Boyz II Men
  10. Britney Spears
  11. Cage the Elephant
  12. Calvin Harris
  13. Cannons
  14. The Chemical Brothers
  15. Chromatics
  16. Chrysta Bell
  17. CHVRCHES
  18. Coldplay
  19. Crystal Method
  20. deadmau5
  21. Dillon Francis
  22. DJ Judaa
  23. DJ Snake
  24. Dua Lipa
  25. Elton John
  26. En Vogue
  27. Eric Clapton
  28. Fatboy Slim
  29. Fiona Apple
  30. Foo Fighters
  31. Genesis
  32. Glume
  33. Gwen Stefani
  34. Haim
  35. Icona Pop
  36. Jake Bugg
  37. Jennifer Lopez
  38. Katy Perry
  39. Kedr Livanskiy
  40. Lana Del Rey
  41. Lionrock
  42. Lorde
  43. Loren Gray
  44. Lou Reed
  45. Madonna
  46. Marc Collin
  47. Meg Myers
  48. Michael Jackson
  49. Muse
  50. Neon Indian
  51. New Order
  52. Nine Inch Nails
  53. Orkestra Obsolete
  54. Orla Garland
  55. Patty Smyth
  56. Phantogram
  57. The Prodigy
  58. Public Service Broadcsting
  59. Red Hot Chili Peppers
  60. Saint Motel
  61. The Sexican
  62. Shakespeare’s Sister
  63. Skrillex
  64. Sparks
  65. Steve Aoki
  66. Taylor Swift
  67. Tiesto
  68. U2
  69. Upsahl
  70. Vanessa Williams
  71. White Stripes
  72. Zedd

Trailers:

  1. Titane
  2. Blue Bayou
  3. Memoria

News From Last Week:

  1. Biz Markie, Rapper Known for ‘Just a Friend,’ Dies at 57
  2. Peter R. DeVries, Dutch Reporter who Exposed Joran van der Sloot, dies after shooting
  3. Emmy Nominations: ‘The Crown’ and ‘The Mandalorian’ Lead; HBO Combines With HBO Max to Battle Netflix
  4. Cannes Film Festival: Julia Ducournau Becomes 2nd Female Director In History To Take Palme D’Or With ‘Titane’ – Full Winners List
  5. Lupita Nyong’o, Mark Hamill Among Daytime Emmy Children’s and Animation Winners
  6. Britney Spears rips dad, sister and critics in searing Instagram post
  7. Anthony Bourdain doc director admits to using A.I. to fake voice
  8. Anthony Bourdain’s ex-wife says she didn’t say he’d be okay with recreating his voice for documentary
  9. California recall runners and riders: Larry Elder and Caitlyn Jenner head diverse pack
  10. Pitbull Gets Emotional as He Calls for World Leaders to ‘Step Up’ amid Cuba Protests for ‘Freedom’

Links From Last Week:

  1. Why Harrison Ford’s Best Roles Are Neither Han Nor Indy
  2. “Dementia Is Nothing To Be Ashamed Of”: Gaspar Noé On ‘Vortex’, His Experimental Study Of Old Age And Death – Cannes Q&A
  3. Here’s How the Cannes Film Festival Awards Could Impact the Oscar Race
  4. I WANT TO DANCE WITH YOU…
  5. The Story Behind Southern California’s UFO Sightings! The Skies Are Filled With Space Junk – Coming And Going!
  6. Exploring Over The Years
  7. Music Break: INCEPTION soundtrack by Hans Zimmer
  8. My Week in Books, Movies, and T V 7/16/21
  9. Tell Me How It Ends: An Essay in Forty Questions (Luiselli)
  10. Musings on EMMY 2021 Nominations – The Good, the Bad + the WTF

Links From The Site:

  1. Leonard reviewed Space Jam!
  2. Ryan reviewed Jimmy Olsen, Devil Dinosaur, The Eternals, and Black Panther!
  3. Erin shared: TheDead And The Deadly, Double Cross, Fantastic Adventures, Love Hungry Doctor, Weird Tales, Honey Babe, and The Creeping Shadow!
  4. I shared music videos from Meg Myers, The Sexican, Glume, Sparks, Orkestra Obsolete, Loren Gray, and Jennifer Lopez! I shared my week in TV. I shared the Emmy nominations and the Cannes Winners! I reviewed Romeo & Juliet, The Woman In The Window and A Date With Danger!

More From Us:

  1. Ryan has a patreon! You should subcribe!
  2. For Solrad, Ryan reviewed Super! Magic Forest!
  3. I wrote about Big Brother for the Big Brother Blog!
  4. At Days Without Incident, Leonard shared Hit ‘Em High!
  5. At my music site, I shared songs from Saint Motel, CHVRCHES, The Black Keys, Nine Inch Nails, Beck, Dee Gees, and Lana Del Rey!
  6. At Pop Politics, Jeff shared: Cuba Post-Castro, Fleeing The State, Special Election Results, Can We Keep Gene Out?, It Must Be A Day Ending In Y, Taking It To D.C., and The Dream That Died!
  7. At her photography site, Erin shared: Open, Black And White Wilderness, Black And White Jungle, Flower Power, Ducks, Play, and Waterfall!
  8. At SyFyDesigns, I shared: The Planets And Pluto Ranked From Best To Worst, Top Ten Cthulhu Mythos Dieties, Film Festivals Ranked, An Anoynmous Poem That I Came Across, Oceans Ranked, Seasons Of Degrassi Ranked, One Final Note For The Week!
  9. At my online dream journal, I shared: Last Night’s Vague Archeology Dream, Last Night’s High School Dream, Last Night’s Pointe Work Dream, No Dreams Last Night, Last Night’s Bird In The Dining Room Dream, Another High School Dream, and Yet Another High School Dream!
  10. At Reality TV Chat Blog, I shared: Week 1 Veto Results, A Slow Day In The House, It’s Time To Open Up The Diary Room For Week 1, About Tonight, Week2Nominations, Week 2 Veto, and Pity Party!
  11. For Horror Critic, I reviewed Zombie Nightmare and Wishmaster!

Want to check out last week? Click here!

Behold! The Trailer For Titane!


You heard about the film winning the Palme d’Or!

Now …. watch the trailer!

As I said when Titane’s victory at Cannes was announced, I loved Julia Ducournau’s previous film, Raw. I can’t wait to see Titane, even though I get the feeling that I’ll be watching it through my fingers as I hold my hands in front of my face.

The previous Palme d’Or winner, Parasite, went on to become the first non-English language film to win the Oscar for Best Picture. To be honest, I don’t expect the same from Titane, which looks like it might be a bit too extreme to win over the Oscar voters. Though the Academy has recently shown more of a willingness to consider the unconventional, they still probably aren’t quite ready for Titane. In fact, there’s even some speculation that the film might be considered too extreme for the French to even submit it for the Best International Film Oscar. I guess I shouldn’t be surprised since the French also never submitted anything from Jean Rollin either. And before you scoff at the idea of Jean Rollin getting nominated for an Oscar, allow me to suggest that you watch The Grapes of Death, Two Orphan Vampires, Night of the Hunted, and The Living Dead Girl. Jean-Luc Godard wishes he could direct a vampire film as memorable as Two Orphan Vampires! Anyway….

Ultimately, awards are forgotten but art is immortal. While the film, based on the trailer, seems to be obviously influenced by Cronenberg, it also promises a unique experience, which is something that I think we’re all craving, even if some people don’t realize it yet. Sometimes, you see a trailer and you think to yourself, “Well, that’s a film that’ll never appear on Disney Plus and the characters will probably not appear in Space Jam 3” and that’s enough to get you excited about the prospect of viewing it. I can’t wait to watch Titane and review it.

Music Video of the Day: Monster by Meg Myers (2011, dir by A.P. Fischer)


Is Meg Myers singing about killing a person or about killing an emotion? I think you can view the song and the video either way. The video is wonderfully atmospheric and, yes, the underwater scenes totally freak me out. Meg Myers is an artist who definitely deserves to be better known.

Enjoy!

Lisa’s Week In Television: 7/11/21 — 7/17/21


Twonky

Another week, another collection of television shows!  Here’s what I watched this week.  As you may notice, there’s not a lot.  This week turned out to be an unexpectedly busy one.  Perhaps next week I’ll finally be able to get caught up with everything.  Here’s hoping!

allo-allo

Alllo Allo (Sunday Night, PBS)

At this point, I’m not even sure that I remember why Herr Flick was chained up in that dungeon but the Resistance and a reluctant Rene got him out of there on this week’s episode.  Meanwhile, Officer Crabtree was still incapable of mastering the French language and the English airmen were still hiding in barrels and responding to everything by saying, “Jolly good show, old boy.”

Upon doing some research, I discovered this week’s episode was actually the first episode of the show’s 5th season.  Because there was apparently some interest from American broadcasters about perhaps bringing the show to the U.S. or doing an American version of it, the 5h season had 26 episodes and were designed so that commercial breaks could be inserted, just in case the show ever did appear on an American network.  As such, much of this week’s episode was designed to fill potentially new viewers in on who everyone was and how they were related to each other.  Needles to say, it was all a bit frantic but still funny.

bachelorette 2021

The Bachelorette (Monday Night, ABC)

This week, Katie challenged the men to see who could go the longest without masturbating.  I’m not sure how that’s supposed to help her find a husband or how that goes along with the whole idea that Katie is supposed to be the sex positive bachelorette who is going to help this franchise get with the modern era.  It was all pretty dumb.

Anyway, this week, Katie declared for the 100th time that she doesn’t have any interest in any drama and then she dramatically sent Hunter home.

Big Brotehr 23

Big Brother 23 (Sunday, Wednesday, and Thursday, CBS)

I’ve watched every season of this show and I’ve achieved every writer’s dream of getting paid to write about and yet, it’s something that I rarely brag about.  You can read my current thoughts about the show and the live feeds over at Big Brother Blog.

Dragnet

Dragnet (Weekday Mornings, MeTV)

I forgot to see the DVR to record the two episodes that aired on Monday morning.  It happens and since Dragnet wasn’t a serialized show, missing two episodes doesn’t make it any more or any less difficult to follow the rest of the series.

I did remember to set the DVR for the rest of the week, however.  Tuesday got started with an episode in which Friday and Gannon dealt with a teenage genius who had a rebellious and homicidal streak.  Despite getting a warning after throwing a beaker of acid at a jock, he later decided to hold an entire party hostage with a grenade!  Friday and Gannon agreed that it was all the fault of parents who don’t teach their kids to respect authority.  While it was easy to roll my eyes at some of the more didactic parts of the episode, it was interesting to see how this 1968 show foreshadowed many of the subsequent school shootings that would follow.  As well, the episode ended with a Spaghetti western-style stand-off between Gannon, Friday, and Grenade Boy, which was actually pretty well executed.  This was followed by an episode in which Friday shot and killed a man robbing a store and was subsequently subjected to an investigation by the police’s “shooting board.”  As with many early episodes of Dragnet, the emphasis was on the process.  As someone who has seen her share of cop shows, it’s weird to see something Dragnet where everyone brags about how they go “by the book.”  There’s no room for any renegades on this show!

Wednesday featured Friday and Gannon going undercover to catch a couple of hotel con artists who were pretending to be cops.  I love episodes where Friday and Gannon go undercover because it’s not like either one of them ever makes much of an effort to change their behavior or appearance.  They don’t take off or even loosen their ties.  They still sound, look like, talk like, and act like cops,  But, because all of the criminals in L.A. in 1968 were apparently really stupid, no one ever notices.  This was followed by an episode about a bank robber whose M.O. was to abduct innocent women and force them to help him carry out his crimes.  At the end of the episode, he attempted to abduct a karate instructor and Friday and Gannon pulled up just in time to see her kicking his ass.  Yay!

The first of Thursday’s episodes opened with Gannon telling Friday that “there’s a football game on the old tube,” and that Friday was welcome to come over and watch it.  Friday agreed but, once they arrived at Gannon’s place, it turned out that Gannon’s neighbors were just as annoying as any everyday criminal.  The main lesson here seemed to be that Friday and Gannon acted exactly the same off-duty as they did on-duty and that Friday was just as stiff and formal at home as in the office.  This was followed by an episode in which Friday and Gannon attempted to track down a sergeant who, as a result of burn-out and general depression, had developed a drinking problem.  Friday and Gannon help him see the errors of his way, largely by telling him to drop the self-pity act.

Finally, Friday started out with an episode in which Joe and Gannon arrested a veteran burglar named Charles Smith.  Charles Smith was a courtly senior citizen but he still had to go to jail.  He didn’t seem to mind, however.  It was all a part of the job.  The second episode featured Joe and Gannon fighting the evils of …. you guessed it …. MARIJUANA!  These are the type of episodes that Dragnet is known for, the episodes where a grim-faced Joe debated long-haired draft dodgers who thought smoking marijuana and otherwise breaking the law was no big deal.  And it’s true that this episode — called The Big High — had its share of campy moments.  Just hearing Joe explain that “dealers say smoking marijuana is like heaven but the users discover its Hell,” was enough to make me laugh out loud.  It was also hard not to laugh at the scene where a clueless, pot-loving suburbanite told Joe and Gannon that, “Once the young people cut their hair, put on a suit, and start voting, marijuana will be legal!,” just for Gannon to confidently reply, “I don’t think so.”  The show ended with that suburbanite’s toddler drowning in a bathtub because her stoned parents forgot about her, a scene that perhaps would have been more effective if not for the total overacting of the actor playing the stoned father.  It was all pretty melodramatic but, to be fair, it was also rather sincere.  As opposed to something like Reefer Madness, you got the feeling that Dragnet actually did believe in what it was saying, even if the show was totally clueless about the effects of drugs or the lifestyle of anyone under the age of 50.  The final shot, of Jack Webb’s Joe Friday crushing a baggie of weed in his hands was handled well, even if the show’s insistence on solely blaming marijuana seemed to kind of let the dumbass parents off the hook.

Hell's Kitchen

Hell’s Kitchen (Monday Night, Fox)

Poor Kevin!  As hard as he tried, he just couldn’t get it together during service and Chef Ramsay kicked him out of the kitchen and off the show before the final order was even served.  I imagine the same thing would happen to me if I was ever on Hell’s Kitchen.  I’d probably survive a few nights based on my charm but eventually, I’d get kicked out during the middle of an episode.  I would cry and cry, too.  It’s probably a good thing that I’ve never been on the show.

intervention

Intervention (Monday Night, A&E)

Elann had a drinking problem but then she faced an intervention and got help.  As the show came to an end, she talked about how much better she was feeling about life.  Then a title card appeared that informed us that, after getting sober, Elann still struggled with depressing and took her own life in 2019.  It was heart-breaking and a reminder that getting sober is important but it’s not a magic cure-all.

Elann’s episode was followed by one featuring Caitlin, who was addicted to crack cocaine. “Crack is my boyfriend,” she said.  This episode was hard for me to watch because I’ve known many people like Caitlin, who was obviously very intelligent but also very defensive and angry.  Unfortunately, Caitlin relapsed after getting treatment and, at the show’s end, was described as “living on the streets.”

moone_boy_title

Moone Boy (Sunday Night, PBS)

On a special Halloween episode of Moone Boy, Martin and Padraic built a raft, which they planned to sail into town so that they could “freak everyone out.”  Needless to say, the river did not cooperate and they instead ended up on an island with a castle and an eccentric caretaker.  Meanwhile, Martin’s mother defended the right of her daughter to be a reader at Mass despite being pregnant and unmarried.  She also impressed the priest with her knowledge of Simon and Garfunkel trivia.  It was a good episode.

The Office

The Office (All The Time, Comedy Central)

On Tuesday night, I watched several episodes from season 6.  Admittedly, season 6 is not my favorite season, as it featured the terrible storyline where Jim was co-manager and a lot of nonsense about Sabre.  Season 6 was when The Office started to get noticeably cartoonish.  That said, a cartoonish Office is still better than a lot of other sitcoms out there and it was nice to rewatch Jim and Pam’s wedding.

open-all-hours

Open All Hours (PBS, Sunday Night)

This week, I decided to pay attention the plot as opposed to just focusing on Granville’s quickly decaying sanity.  Apparently, Arkwright — a man in his 60s — had never seen his girlfriend’s bedroom and he decided that the best way to fix that would be to fake a burglary.  Granville went along with the plan, presumably because it was either do that or continue to fantasize about murdering the entire town.

1-seinfeld

Seinfeld (Weeknights, Channel 33)

I watched two episodes on Tuesday night, one of which featured Jerry indirectly getting Babu deported and the second of which was the classic Festivus episode.  I preferred the second episode.

1-upstart-crow

Upstart Crow (Sunday Night, PBS)

Ever since I first started watching Upstart Crow, I wondered how this comedy would deal with the tragic death of Christopher Marlowe, who is portrayed on the show as being Shakespeare’s free-loading, hedonistic best friend.  This week, I discovered that handled it by having Marlowe fake his own death.  Yay!  Marlowe lives!  As well, as Kate pointed out, with Marlowe believed dead, that meant no one would ever try to promote any weird theories about Marlowe secretly writing all of Shakespeare’s plays.  If only Kate were right!

(Seriously, the Shakespeare-Didn’t-Write-His-Plays people are the worst.  And no, I don’t care what Derek Jacobi has to say on the matter.)

The other major development this week was that Shakespeare wrote out the outline for a play to be called Hamlet.  However, when he tried to explain the plot to his colleagues, they all assumed it was a comedy.  When they heard about Ophelia drowning in the duck pond, they asked Shakespeare if they could have a duck on stage.  Will was not amused.  And yet, as silly as this show is, it’s hard not to think that it probably does get more right than it gets wrong.  Shakespeare is such a mythic name that it’s easy to forget that he was once just a playwright trying to make a living off of his writing.  Every classic work of art started as a rough draft and was probably dismissed, out-of-hand, by people who should have known better.  Upstart Crow is a good reminder of that fact.

Twonky

Here Are The Winners of the 2021 Cannes Film Festival


2021_Cannes_Film_Festival

When it comes to Cannes, it’s often a fool’s errand to try to predict what will win.  The critics and the viewers will definitely have their opinions of the films that they see but, in the end, it all comes down to the members of the Jury and the Jury almost always seems to go their own way.  Probably the easiest way to sabotage a film’s chances at Cannes is to announce, early-on, that the film is a lock for Palme.

For all of the acclaim that greeted The French Dispatch, Red Rocket, Flag Day. and a few others, the 2021 Cannes Jury, led by Spike Lee, gave the Palme d’Or to Julia Docournau’s Titane.  I can’t wait to see Titane as I absolutely loved Ducournau’s previous film, RawAnnette, which was kind of the love it or hate it film of the festival picked up the award for Best Director.  As much fun as some of us had imagining a world where Simon Rex was named Best Actor for Red Rocket, the jury went with Caleb Landry Jones for Nitram.  

What does this mean for the Oscars?  Probably not much.  Of course, winning at Cannes can help a film’s Oscar chances.  Most recently, it probably helped out both Tree of Life and Parasite.  I could imagine Caleb Landry Jones maybe getting a boost as far as a possible Best Actor nomination is concerned, depending on how Nitram is received in the States.  But, in the end, Cannes is usually viewed as being a bit too quirky and unpredictable for it to be a dependable precursor.  When it comes to film festival acclaim, the Oscars tend to pay more attention to Telluride and Venice.  In the end, it’ll probably be films like The French Dispatch and Red Rocket that benefit the most from being acclaimed (if not awarded) at Cannes.

With all that in mind, here are the winners!

Official awards

In Competition

The following awards were presented for films shown In Competition:

  • Palme d’Or: Titane by Julia Ducournau
  • Grand Prix:
    • A Hero by Asghar Farhadi
    • Compartment No. 6 by Juho Kuosmanen
  • Jury Prize:
    • Ahed’s Knee by Nadav Lapid
    • Memoria by Apichatpong Weerasethakul
  • Best Director: Leos Carax for Annette
  • Best Actress: Renate Reinsve for The Worst Person in the World
  • Best Actor: Caleb Landry Jones for Nitram
  • Best Screenplay: Ryusuke Hamaguchi & Takamasa Oe for Drive My Car

Un Certain Regard

  • Un Certain Regard Award: Unclenching the Fists by Kira Kovalenko
  • Un Certain Regard Jury Prize: Great Freedom by Sebastian Meise
  • Un Certain Regard Ensemble Prize: Bonne mère by Hafsia Herzi
  • Un Certain Regard Prize of Courage: La Civil by Teodora Mihai
  • Un Certain Regard Prize of Originality: Lamb by Valdimar Jóhannsson
  • Un Certain Regard Special Mention: Prayers for the Stolen by Tatiana Huezo

Golden Camera

  • Caméra d’Or: Murina by Antoneta Alamat Kusijanović

Short Films

  • Short Film Palme d’Or: All the Crows in the World by Tang Yi
  • Special Mention: August Sky by Jasmin Tenucci

Cinéfondation

  • First Prize: The Salamander Child by Théo Degen
  • Second Prize: Cicada by Yoon Daewoen
  • Third Prize:
    • Love Stories on the Move by Carina-Gabriela Daşoveanu
    • Cantareira by Rodrigo Ribeyro

Honorary Palme d’Or

  • Honorary Palme d’Or: Jodie Foster and Marco Bellocchio

Independent awards

FIPRESCI Prizes

  • In Competition: Drive My Car by Ryusuke Hamaguchi
  • Un Certain Regard: Playground by Laura Wandel
  • Parallel section: Feathers by Omar El Zohairy (International Critics’ Week)

Ecumenical Prize

  • Prize of the Ecumenical Jury: Drive My Car by Ryusuke Hamaguchi
  • Special Mention: Compartment No. 6 by Juho Kuosmanen

International Critics’ Week

  • Nespresso Grand Prize: Feathers by Omar El Zohairy
  • Leitz Cine Discovery Prize for Short Film: Lili Alone by Zou Jing
  • Louis Roederer Foundation Rising Star Award: Sandra Melissa Torres for Amparo

Directors’ Fortnight

  • Europa Cinemas Label Award for Best European Film: A Chiara by Jonas Carpignano
  • SACD Award for Best French-language Film: Magnetic Beats by Vincent Maël Cardona
  • Carrosse d’Or: Frederick Wiseman

L’Œil d’or

  • L’Œil d’or: A Night of Knowing Nothing by Payal Kapadia

Queer Palm

  • Queer Palm Award: The Divide by Catherine Corsini

Prix François Chalais

  • François Chalais Prize: A Hero by Asghar Farhadi
  • Special Mention: Freda by Gessica Généus

Cannes Soundtrack Award

  • Cannes Soundtrack Award:
    • Ron Mael & Russell Mael for Annette
    • Rone for Paris, 13th District

Palm Dog

  • Palm Dog Award: Rosie, Dora and Snowbear for The Souvenir Part II

Trophée Chopard

  • Chopard Trophy: Jessie Buckley and Kingsley Ben-Adir