This is from Maggie’s upcoming album, Surrender, which is due to be available on July 9th, 2022. I like this song and this video because it all has a very Edie Sedgwick vibe to it.
Enjoy!
This is from Maggie’s upcoming album, Surrender, which is due to be available on July 9th, 2022. I like this song and this video because it all has a very Edie Sedgwick vibe to it.
Enjoy!
Another week, another struggle.
Well, actually, that’s me being a bit overdramatic. This was not an easy week, mostly because I was feeling awful for most of it. I wasn’t really depressed and I wasn’t really sick but I felt like I was on the verge of becoming both. It was just a totally bleh week for me. Watching Christiane F., one of the most downbeat films ever made, may have been a mistake under the circumstances. Fortunately, I watched Solarbabies a few nights later and the sight of everyone rolling around the desert on roller skates really brightened my mood. And then, on Saturday, I watched Vincent Price, Boris Karloff, Jack Nicholson, and Peter Lorre in The Raven and that cheered me up even more.
As for the world of television, I finally got to watch Only Murders In The Buildings and I loved it. And I also binged the first episodes of Atlanta’s new season and I’m still haunted by the premiere in particular.
Anyway, I’m feeling better just having typed out those few paragraphs. In other words, I’ll be okay.
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
I’m still in the process of trying to get caught up with everything. I still need to watch the mid-season finale of The Walking Dead and the latest episode of Fear the Walking Dead. I also look forward to checking out CNN+ next month.
61st Street (Sunday Night, AMC)
The second episode of 61st Street was only a slight improvement over the first. I liked the scenes involving Courtney B. Vance and his son and I actually kind of wish that the entire show was just about those two characters. The rest of the episode was painfully heavy-handed and, most importantly, it still had no sense of place. For all the show’s attempts to be a Chicago show (and, perhaps even more importantly, a 61st Street show), the setting still felt generic. For a show like this to reach the lofty heights to which it aspires, Chicago would have to become a character in much the same way that Baltimore was a character in The Wire or New York City was a character in a few of the better episodes of Law & Order. 61st Street isn’t there yet.
Allo Allo (Sunday Night, PBS)
I had two episodes of this British sitcom on the DVR. In the aftermath of the attempted rescue of the British airmen from the Chateau, Herr Flick was briefly arrested, Rene continued to be annoyed by the demands put upon him, and Michelle continued to say things only once. The airmen were eventually rescued, which led to another round of trying to find and sell the stolen painting. In the end, Rene has to disguise himself as a priest. It was all a bit confusing.
Atlanta (Thursday Night, FX)
After four years, Donald Glover’s surreal comedy-drama is back. Actually, it’s been back since March but it was only this week that I was able to catch up with it. I watched the first three episodes on Tuesday. The first episode was a disturbing horror story, about a black child who is forced into the foster system and who is nearly murdered by his white foster parents. This episode turned out to all be a dream but, at the same time, it was also based on a very real murder case and it stuck closely to what actually happened. This was followed by episodes that followed Earn, Al, Darius, and Van as they explored first Amsterdam and then London. The third episode, which dealt with rich white guilt and the white savior complex , was particularly well-done.
I watched the fourth and the fifth episodes on Thursday afternoon. The fourth episode featured none of the regular characters and told the surreal story of a white man (Justin Bartha) who was being sued by the descendant of a slave who was owned by his ancestors. A character from the first episode made an appearance, still talking about what it meant to be white. I assume this was meant to indicate that this episode may have been another dream but, as opposed to the first episode, it didn’t end with Earn waking up so …. who knows? The fifth episode featured the search for Al’s missing phone and, though it was a bit more obviously comedic than the previous episode, it was also a bit unsettling. It was obvious that the phone was meant to represent much more than just a phone, that it was instead a symbol of both Al’s talent and his individuality.
This bring us to the most recent episode, “White Fashion.” “White Fashion” opens with a London fashion house making a huge mistake when they sell a terrifying but all too plausible “Central Park 5” jersey. Looking to do damage control, they bring in Al and a host of other social justice influencers. “Racism will be over by 2024!” one of them shouts during the press conference. Al’s attempt to get the company to make a commitment to investing in black communities leads to a terrifying but, again, all too plausible black-and-white commercial in which a collection of people, ranging from a gender fluid cowboy to a posh old lady, announce that this is “our hood.” Meanwhile, Darius took a white woman to a Nigerian restaurant and, within our hours, the woman had bought the restaurant and transformed it into her own take on Nigerian food. Earn and Van danced together in a nice hotel room but then Earn woke up alone, leaving us all to wonder if perhaps this entire season has just been a collection of dreams.
Better Call Saul (Monday Night, AMC)
Better Call Saul is back, in all of its twisty and grimly funny glory. Knowing that Bob Odenkirk nearly died during shooting does add an extra poignancy to the show’s final season. This Monday, AMC aired the first two episodes of Season 6. The characters, with their complete and total amorality, remains fascinating.
The Doctors (Tuesday morning, Syndication)
I drove my Dad to a doctor’s appointment on Tuesday. An episode of this amazingly vacuous talk show was playing in the front lobby. I have to admit that I didn’t pay much attention to it. I mean, I was already in a doctor’s office. Why would I want to watch a show that would only remind me of that?
The Girl From Plainville (Hulu)
This week’s episode of The Girl From Plainville really overestimated the excitement that can be generated by watching people read text messages aloud. The show has moved on to the trial portion of Michelle Carter’s story, which is a bit dull since the actual trial was already televised so it’s not as if The Girl From Plainville is showing us something new. The episode also featured scenes of Michelle and Conrad dealing with their own mental health and the main theme seemed to be that, even if Michelle hadn’t met him, Conrad would have been doomed by growing up in his dysfunctional family. Seriously, there is not a single character on this show who is the least bit likable.
Only Murders In The Building (Hulu)
I binged the first season of Only Murders In The Building on Friday and Saturday. Steve Martin, Martin Short, and Selena Gomez play three mismatched true crime aficionados who end up solving a murder in their building, along with starting a true crime podcast. I could have done without the dead cat but, for the most part, I really liked this show. Maybe it’s because I’ve always wanted to solve a mystery myself. Amy Ryan, Steve Martin, Selena Gomez, and especially Martin Short all gave wonderful performances in the lead roles. As well, Nathan Lane was wonderfully (and surprisingly) menacing in the episodes in which he appeared. And, of course, Sting played himself and was basically the guy that you would never want to live next to. This show wonderfully captured the current morbidity of our national cuture.
Open All Hours (Sunday Night, PBS)
I actually had two episodes of Open All Hours on my DVR. I watch them both. It was a depressing hour. I found myself wondering why Granville never tried to run away. What power did Arkwright have over him?
Rachael Ray (Tuesday morning, Syndication)
When I took my Dad to a doctor’s appointment on Tuesday, I watched two shows in the front lobby. The first was The Doctors. The second was Rachael Ray. Personally, I like Rachael Ray but I think she would get mad at me if she ever saw me trying to cook.
Survivor (Wednesday Night, CBS)
This is an intriguing trailer and really, how can you resist a film starring Sissy Spacek and J.K. Simmons? Night Sky will be available on Prime in May.
Obviously, making an origin story about a character who isn’t supposed to actually exist raises all sorts of existential issues but …. well, look. It’s PIXAR. And The LEGO Movie worked, didn’t it? And yes, I realize that the LEGO Movie was not a PIXAR film but I’m just saying that there’s all sorts of things that work in animation that wouldn’t necessarily work in live action.
Anyway, here’s the second trailer for Lightyear!
If Liam Neeson ever retires, Gerard Butler will be there to take his place as the best actor to regularly appear in violent and somewhat formulaic thrillers about men doing what they have to do to save the members of their family from being abducted and sold to the highest bidder.
Here’s the trailer for Last Seen Alive, which is due to be released next month. In this one, Butler plays a man whose wife vanishes at a gas station. It was originally titled Chase, which was a bit of a generic title. I prefer Last Seen Alive. Butler not only stars but he also produced.
I’m not really sure if “Avengement” is actually a word but, regardless, that’s what Cain Burgess is determined to get. AVENGEMENT!
Martial artist Scott Adkins plays Cain in this 2019 British film. When we first meet Cain, he’s in prison but that quickly changes once he manages to escape. Cain heads to a pub, one that’s owned by his brother, Lincoln (Craig Faibrass). After he’s taken everyone in the pub hostage, we learn about how Cain not only came to be a prisoner but also how he ended up with some rather prominent facial scars. It turns out that Cain likes to tell a story and, for whatever reason, the gangsters are willing to sit around and listen. Through the use of flashbacks, we see how Cain went from being an innocent martial artist to being the most feared man in prison. We see how he learned to kill and how not even getting acid thrown in his face could slow him down. Cain’s a scary dude and he’s out for revenge! Or avengement!
Of course, we also can’t help but notice that a lot of Cain’s adventures feel as if they’ve been lifted from other British crime films. The talkative gangsters bring to mind the films of Guy Ritchie. A lengthy chase scene owes more than a little to the opening on Trainspotting. Even the fight in the pub owes a bit to the finale of Shaun of the Dead. It’s all a bit familiar but then again, that’s part of the appeal of the modern British crime thriller. We watch these films specifically for the posh villains and the pub fights and the often indecipherable dialogue. The familiarity is often exactly what the viewer is looking for. (That said, I was a little bit surprised by the lack of Russian mobsters wearing track suits. That was a missed opportunity.) I think the other reason why Americans, in particular, like British gangster films is the novelty of seeing that British gangsters can be just as unnecessarily violent as American gangsters. It’s nice to be reminded that America isn’t the only country that breeds violence.
Speaking of violence, Avengement is a very violent film and it’s also often a very bloody film. When you consider how much of the film takes place in prison, it’s not surprising that there’s a lot of stabbings. (What is somewhat surprising is that there are also a lot of stabbings outside of prison, even when there are guns nearby.) I’m usually not a fan of gratuitous violence but Avengement handles it all with a certain wit. The violence is so over-the-top that it’s hard not to suspect that the filmmakers are commenting on the excessive nature of other British gangster films. There’s a lengthy montage of Cain just fighting anyone who comes near him and it goes on for so long that it actually becomes somewhat humorous. It’s hard not to feel at least a little admiration for Cain’s determination to start a fight with every single person that he sees. He certainly doesn’t give up. Scott Adkins is a gymnast, along with being a martial artist, and there’s a grace to his movements that comes through even when the film is at its most brutal. Early on, I joked that the film would only work if its ultraviolent protagonist turned out to be likable and strangely enough, that’s exactly what happened. Scott Adkins, to my surprise, turned out to be not only an exciting fighter but also a pretty good actor. He shows enough screen presence in Avengement to make viewers hope that he’ll someday get a major action role.
Avengement is a ferocious but entertaining and unpretentious action film. Watch it. Experience it. Just don’t worry about trying to understand what everyone’s talking about. Just assume that everyone has a reason to want Cain dead and Cain has a reason to want the same for everyone else and there should not be any trouble at all.
Thor is one of the more remarkable success stories of the MCU.
He started out as the kind of boring super hero whose origin didn’t make much sense and who felt a bit out-of-place with the other Avengers. (It was always funny to him how quickly they all were to accept the fact that Norse mythology was based on reality.) But, thanks to director Taika Waititi and actor Chris Hemsworth, he’s been transformed into one of the most beloved characters in the MCU. Waititi and Hemsworth both realized Thor was a ludicrous character and the best way to handle that would be to embrace the silliness of it all.
That was the approach that they took with Thor: Ragnarok and it appears to be the same approach they’ll be taking with Thor: Love and Thunder. And, of course, Chris Pratt and the Guardians of the Galaxy are the perfect people to help them do that!
Here’s the teaser for Thor: Love and Thunder!
This week was all about family. I spent the holidays with my sisters and I didn’t really watch any movies or …. do anything else for that matter. But I guess I needed the rest.
I was a bit upset when I discovered that ABC was not showing The Ten Commandments on Saturday. I may have even sent an angry tweet to my local ABC affiliate about it. (Okay, I did send it and I was a little bit rude, which I feel bad about.) Watching the first 30 minutes of The Ten Commandments before leaving for Easter Vigil and then the rest afterwards is a Bowman family tradition! But this Saturday, a basketball game aired instead and I was not happy.
“BASKETBALL!?” I raged, “How dare they!?”
Anyway, I subsequently discovered that ABC had apparently aired The Ten Commandments last week and I just missed it. I really didn’t have anyone to blame but myself and I feel kind of bad for yelling at ABC on twitter over it. To be honest, The Ten Commandments is on Prime so I can watch it whenever I want but I guess I was upset because watching it on TV with commercials is a family tradition and I don’t like change in general.
Anyway, turns out my sister Megan had the movie on DVD so, even as I type this up, my sisters and I are watching Yul Brynner and Charlton Heston in The Ten Commandments!
Here’s what else I watched this week:
Films I Watched:
Television Shows I Watched:
Music To Which I Listened:
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
Because of the holidays, I haven’t seen the mid-season finale of The Walking Dead yet. It’s on the DVR, along with American Idol and all the British comedies that I usually watch. I’ll review it in the upcoming few days, even though I’m sure everyone has moved on by now. One fun thing about having your own site is that you can set your own schedule.
Here’s a few thoughts on what I did watch:
61st Street (Sunday Night, AMC)
Arriving with very little fanfare, 61st Street is AMC’s latest original series. It takes place in Chicago and it deals with a burned-out defense attorney (Courtney B. Vance) and a high school track star (Tosin Cole) who is just trying to survive long enough to make it to college. Unfortunately, Cole is in the wrong place at the wrong time and, as the premiere episode came to a close, he was being pursued by the Chicago cops.
Judging from the pilot, the show is attempting to do for Chicago what The Wire did for Baltimore. The problem, however, is that 61st Street never feels as authentic, unpredictable, or downright dangerous as The Wire. In the pilot, at least, the characters came across as being caricatures and, for a show that is set in a very real neighborhood, there was little sense of place to be found. The show could have been taking place in any generic city.
Interestingly enough, the show as created by Peter Moffat, an British writer who is best-known for writing a series of films and television shows about recent British history. He also wrote the script for the worst film that Clint Eastwood ever directed, Hereafter. You have to wonder just what exactly led Moffat to try to capture the spirit of Chicago. For that matter, why do we even need yet another show about Chicago? There are other cities in America.
2022 Masters Golf Tournament (Sunday, CBS)
I watched a bit of it with Jeff on Sunday afternoon. The golf course was really pretty. I’m going to learn how to play golf. I already kind of know but I want to learn how to play golf well! Why should my boyfriend have all the fun?
The Brady Bunch (Sunday Morning, MeTV)
During this Sunday’s block of The Brady Bunch, Bobby became a pest after saving Peter’s life, Jan freaked out because she wasn’t good at anything, Bobby and Peter imagined what it would be like to live on another planet, and some weird new family showed up as a part of backdoor pilot! While it’s best not to spend too much time thinking about The Brady Bunch, I have always been amused by backdoor pilots. It’s always like, “Oh, hey, people we’ve never seen or head about before! Wait …. why is the show following them to their home?”
Full House (Sunday Afternoon, MeTV)
The Tanners are going to Hawaii!
Sunday’s 4-episode bloc of Full House opened with an episode in which Danny, the girls, the uncles, and aunt Becky all went to Hawaii to celebrate the two-year anniversary of Joey and Jesse moving into the house. The cool thing about this episode is that it had plenty of Hawaiian scenery and Becky got mad at Jesse for talking about Elvis all the time. You tell him, Becky!
This was followed by three episodes in which everyone learned an important lesson. DJ and Stephanie learned about the importance of going to school. Becky and Jesse learned how to communicate as a couple. Stephanie learned not to make fun of her nerdy friend and Danny really should have learned to stop inviting Joey to appear on Good Morning San Francisco.
The Girl From Plainville (Hulu)
I reviewed the latest episode of The Girl From Plainville here.
As I mentioned in that post, I’m pretty much over the show and I will probably, from now on, only offer capsule reviews of the 3 remaining episodes in my Week in TV posts.
Hard Cell (Netflix)
This British sitcom takes place in a women’s prison in which the majority of the characters are played by Catherine Tate. I watched the first two episodes on Wednesday and, unfortunately, neither one of them really worked for me. There really wasn’t much gained by having Tate play multiple characters and the mockumentary approach no longer feels that fresh. Tate is undeniably talented but the show just fell flat.
It’s The Easter Beagle, Charlie Brown (Apple TV+)
Erin and I watched this on Saturday afternoon. Erin wrote about this special a few years ago.
Law & Order (Thursday Night, NBC)
This week’s “ripped from the headline” case was based on the Ed Buck murder trial and featured a wealthy, old white man who liked to pick up young black men and then shoot them up with drugs. Occasionally, the younger men died. He was brought to justice, just as Ed Buck finally was. This was an okay episode and it gave Camryn Manheim a chance to shine.
I do have to say that I still always find it amusing how the Law & Order franchise has imagined a world in which a bunch of blue collar, unsentimental New York cops all talk like panelists on MSNBC. I kind of doubt that many cops voted for Bernie Sanders but you wouldn’t know that from watching this show.
The Love Boat (Sunday Afternoon, MeTV)
On this week’s cruise: Telma Hopkins, Theresa Merritt, Brian Stokes Mitchell, James Noble, Raymond St. Jacques, Holland Taylor, Adam West, and Alan Young! The highlight was Adam West, parodying himself in the role of an overly macho buffoon.
Midnight Mass (Netflix)
This horror-themed miniseries from Mike Flanagan was released in October of last year but, at the time, I really didn’t feel like watching a show about a demonic priest. However, with the Emmy nominations coming up, I figured that I should go ahead and give the show a try. At the very least, I wanted to see if it lived up to all the acclaim.
It’s a show about life on an isolated island and what happens to the community when a mysterious priest shows up. I watched the first episode on Sunday night and it was pretty effective, even if some of the dialogue felt a bit overwritten. Flanagan knows how to create a creepy and intriguing atmosphere and I liked Hamish Linklater’s menacing-but-friendly portrayal of Father Paul Hill. I did not like the episode’s final scene, which involved a bunch of dead cats washing up on the beach. Normally, that’s the sort of thing that would make me stop watching but, because of my faith in the storytelling abilities of Mike Flanagan, I decided to make an exception in the case of Midnight Mass.
That said, Holy Week (especially one that I was spending with my sisters) didn’t really feel like the right time to watch a miniseries about an evil priest so I decided to put off watching the rest of the show until next week.
The Outlaws (Amazon Prime)
This British comedy/drama hybrid deals with seven strangers who are forced to due community service as punishment for breaking the law. At first, they start off as strangers but then they bond and steal a lot of money. You can probably guess the story. Christopher Walken plays Frank, an old con artist who has recently been released for prison. He’s a delight, as always.
I watched the first episode of this show on Monday night and I have to say that it kind of annoyed me. I appreciated the performances of Walken, Eleanor Tomlinson, and Darren Boyd but otherwise, the show itself often seemed to be trying a bit too hard and the mix of comedy and drama occasionally played a bit awkwardly. Largely due to the fact that it was only a 6-epiosde series and the presence of Christopher Walken in the cast, I decided that I would give the show a second chance but that first episode didn’t do much for me.
I watched the second episode late on Tuesday night. It was a definite improvement on the second episode and featured plenty of good Walken moments but the hour length still made the episode feel as if it was punishingly overextended and the show’s balance between comedy and drama continued to be a rather awkward one.
I’ll watch the four remaining episodes of the show next week.
Survivor (Wednesday Night, CBS)
I reviewed the latest episode of Survivor here!
Yellowjackets (Showtime)
I finished up Yellowackets on Monday afternoon. I cried with Laura Lee blew up. I was also really upset when Jackie froze to death. And don’t even get me started on the dog! This was actually kind of a traumatic series. Still, it was a fascinating show to watch and I look forward to seeing how things plays out during the second season.