Monday Live Tweet Alert: Join Us For Parts: The Clonus Horror and Men In Black!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1979’s Parts: The Clonus Horror I picked it so you know it’ll be good.

Following #MondayActionMovie, Brad and Sierra will be hosting the #MondayMuggers live tweet.  We will be watching 1997’s Men In Black!  The film is on Prime!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Parts: The Clonus Horror on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!  Then, at 10 pm et, switch over to Twitter and Prime, start Men In Black, and use the #MondayMuggers hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

What If Lisa Marie Had All The Power: 2023 Emmys Edition


The Emmy Nominations are due to be announced tomorrow so it’s time for the Shattered Lens to play a game that should be familiar to our longtime readers, What If Lisa Marie Had All The Power.

Below, you’ll find my personal Emmy nominations.  Keep in mind, these are not necessarily the shows and performers who I think will be nominated, though a few definitely will be.  Instead, these are my personal picks.  This is what would be nominated if I had all the power.

Now, there’s a lot of Emmy categories.  I went through the Emmy submissions and I picked nominees for every single category.  However, in the interest of space, I can’t list all of them in this post.  Instead, below, you’ll find my picks for the major categories.  If you want to see the complete list of my nominees, you can see it by clicking here!

Looking over my full list of nominees, you’ll see that there are some shows that I really, really liked.  Those shows include A Small Light, Poker Face, The English, Andor, The Traitors, Abbott Elementary, Ghosts, Making the Cut, Wednesday, Better Call Saul, Barry, The Bear, Bob’s Burgers, South Park, Beef, Beavis and Butt-Head Do The Universe, Black Bird, Atlanta, Five Days At Memorial, Daisy Jones and the Six, Prey, Weird: The Al Yankovic Story, The Amazing Race, and The Last Thing He Told Me.  Interestingly enough, a lot of my favorite shows aired their final season over the past year.  I look forward to seeing what replaces Barry and Better Call Saul in my annual Emmy line-ups.

Here are my picks for the major categories, with my winners in bold!

Animation

Outstanding Animated Program

Archer — “The Big Con” (FX)

Bob’s Burgers — “Plight Before Christmas” (FOX)

Harley Quinn — “Batman Begins Forever” (Max)

Mike Judge’s Beavis and Butthead — “Meditation Suck/Polling Place” (Paramount Plus)

Rick & Morty — “Night Family” (Adult Swim)

South Park — “World Wide Privacy Tour” (Comedy Central)

Documentary

Outstanding Documentary Or Nonfiction Special

Bama Rush (Max)

Elmore Leonard: But Don’t Try To Write (PBS)

Inside High Noon (PBS)

Pamela, A Love Story (Netflix)

Pretty Baby: Brooke Shields (Hulu)

The Princess (HBO)

Selena Gomez: My Mind and Me (Apple TV+)

Serial Killer Capitol: Baton Rogue (Peacock)

Shania Twain: Not Just A Girl (Netflix)

Still: A Michael J. Fox Movie (Apple TV+)

Outstanding Documentary Or Nonfiction Series

American Masters (PBS)

Artful (BYUTv)

Cold Case Files (Netflix)

Cold Justice (Oxygen)

Crime Scene: The Texas Killing Fields (Netflix)

MH370: The Plane That Disappeared (Netflix)

Stolen Youth: Inside the Cult at Sarah Lawrence (Hulu)

Trainwreck: Woodstock ’99 (Netflix)

The U.S. and the Holocaust (PBS)

Unsolved Mysteries (Netflix)

Host

Outstanding Host For A Reality Or Competition Program

Alan Cumming for The Traitors (Peacock)

Cat Deeley for So You Think You Can Dance (Fox)

Phil Keogan for The Amazing Race (CBS)

Heidi Klum and Tim Gunn for Making The Cut (Prime)

Jennifer Nettles for Farmer Wants A Wife (Fox)

Jon Taffer for Bar Rescue (Paramount)

Outstanding Host For A Game Show

Wayne Brady for Let’s Make A Deal (CBS)

Brooke Burns for Master Minds (GSN)

Drew Carey for The Price Is Right (CBS)

Pat Sajak for Wheel of Fortune (CBS)

Performer

Outstanding Lead Actor In A Comedy Series

Utkarsh Ambudkar in Ghosts (CBS)

Donald Glover In Atlanta (FX)

Bill Hader in Barry (HBO)

Ralph Macchio in Cobra Kai (Netflix)

Steve Martin in Only Murders In The Building (Hulu)

Jason Segel in Shrinking (AppleTV+)

Martin Short in Only Murders In The Building (Hulu)

Jason Sudiekis in Tad Lasso (AppleTV+)

Jeremy Allen White in The Bear (Hulu)

William Zabka in Cobra Kai (Netflix)

Outstanding Lead Actor In A Drama Series

Penn Badgley in You (Netflix)

Jeff Bridges in The Old Man (Hulu)

Kevin Costner in Yellowstone (Paramount)

Harrison Ford in 1923 (Paramount Plus)

Diego Luna in Andor (Disney+)

Bob Odenkirk in Better Call Saul (AMC)

Pedro Pascal in The Last of Us (HBO)

Matthew Rhys in Perry Mason (HBO)

Michael Shannon in Waco: The Aftermath (Showtime)

Dominic West in The Crown (Netflix)

Outstanding Lead Actor In A Limited or Anthology Series

Steve Carell in The Patient (Hulu)

Joe Cole in A Small Light (National Geographic)

Taron Egerton in Black Bird (Apple TV+)

Jesse Eisenberg in Fleishman Is In Trouble (Hulu)

Jake Lacey in A Friend of the Family (Peacock)

Eric McCormack in Slasher: Ripper (Shudder)

Ewan McGregor in Obi-Wan Kenobi (Disney+)

Kumail Nanjiani in Welcome to Chippendale’s (Hulu)

Chaske Spencer in The English (Prime)

Steven Yeun in Beef (Netflix)

Outstanding Lead Actor In A Movie

Bryan Cranston in Jerry and Marge Go Large (Paramount)

Josh Duhamel in Shotgun Wedding (Prime)

Andy Garcia in Father of the Bride (Max)

Kelsey Grammer in 12 Days of Christmas Eve (Lifetime)

Dennis Quaid in On A Wing and Prayer (Prime)

Daniel Radcliffe in Weird: The Al Yankovic Story (Roku)

Outstanding Lead Actress In A Comedy Series

Christina Applegate in Dead To Me (Netflix)

Rachael Brosnahan in The Marvelous Mrs. Maisel (Prime)

Quinta Brunson in Abbott Elementary (ABC)

Linda Cardellini in Dead To Me (Netflix)

Anna Gasteyer in American Auto (ABC)

Selena Gomez in Only Murders In The Building (Hulu)

Natasha Lyonne in Poker Face (Peacock)

Rose McIver in Ghosts (CBS)

Jenna Ortega in Wednesday (Netflix)

Melissa Rauch in Night Court (NBC)

Outstanding Lead Actress In A Drama Series

Tawny Cypress in Yellowjackets (Showtime)

Juliette Lewis in Yellowjackets (Showtime)

Melanie Lynesky in Yellowjackets (Showtime)

Helen Mirren in 1923 (Paramount Plus)

Sophie Nelisse in Yellowjackets (Showtime)

Kelly Reilly in Yellowstone (Paramount)

Charlotte Ritchie in You (Netflix)

Keri Russell in The Diplomat (Netflix)

Imelda Staunton in The Crown (Netflix)

Roselyn Sanchez in Fantasy Island (Fox)

Outstanding Lead Actress In A Limited or Anthony Series

Emily Blunt in The English (Prime)

Lizzy Caplan in Fleishman Is In Trouble (Hulu)

Whitney Cummings in Accused (Fox)

Vera Farmiga in Five Days At Memorial (Apple TV+)

Jennifer Garner in The Last Thing He Told Me (Apple TV+)

Riley Keogh in Daisey Jones and the Six (Prime)

Elizabeth Olsen in Love and Death (Max)

Bel Powley in A Small Light (National Geographic)

Naomi Watts in The Watcher (Netflix)

Ali Wong in Beef (Netflix)

Outstanding Lead Actress In A Movie

Annette Bening in Jerry and Marge Go Large (Paramount Plus)

Danai Gurira in Richard III (Great Performance) (PBS)

Jennifer Lopez in Shotgun Wedding (Prime)

Amber Midthunder in Prey (Hulu)

Angourie Rice in Honor Society (Paramount Plus)

Sidney Sweeney in Reality (HBO)

Outstanding Supporting Actor In A Comedy Series

Benjamin Bratt in Poker Face (Peacock)

Anthony Carrigan in Barry (HBO)

William Stanford Davis in Abbott Elementary (ABC)

Harrison Ford in Shrinking (Apple TV+)

Thomas Ian Griffith in Cobra Kai (Netflix)

Brian Tyree Henry in Atlanta (FX)

James Marsden in Jury Duty (Freevee)

Stephen Root in Barry (HBO)

Tyler James Williams in Abbott Elementary (ABC)

Henry Winkler in Barry (HBO)

Outstanding Supporting Actor In A Drama

Jonathan Banks in Better Call Saul (AMC)

Timothy Dalton in 1923 (Paramount Plus)

Giancarlo Esposito in Better Call Saul (AMC)

Cole Hauser in Yellowstone (Paramount)

John Lithgow in The Old Man (Hulu)

Johnny Lee Miller in The Crown (Netflix)

Jonathan Pryce in The Crown (Netflix)

Stellan Skargard in Andor (Disney+)

Kyle Soller in Andor (Disney+)

Elijah Wood in Yellowjackets (Showtime)

Outstanding Supporting Actor In A Limited or Anthology Series

Murray Bartlett in Welcome to Chippendale’s (Hulu)

Hayden Christensen in Obi-Wan Kenobi (Disney+)

Colin Hanks in A Friend of the Family (Peacock)

Paul Walter Hauser in Black Bird (AppleTV+)

Richard Jenkins in Monster: Dahmer — The Jeffrey Dahmer Story (Netflix)

Greg Kinnear in Black Bird (AppleTV+)

Ray Liotta in Black Bird (AppleTV+)

Robert Pine in Five Days At Memorial (AppleTV+)

Stephen Rea in The English (Prime)

Liev Schrieber in A Small Light (National Geographic)

Outstanding Supporting Actor In Movie

Julian Black Antelope in Prey (Hulu)

Marchant Davis in Reality (HBO)

Dane DiLiegro in Prey (Hulu)

Josh Hamilton in Reality (HBO)

Cheech Marin In Shotgun Wedding (Prime)

Rainn Wilson in Weird: The Al Yankovic Story (Roku)

Outstanding Supporting Actress In A Comedy Series

Zazie Beetz in Atlanta (FX)

Alex Borstein in The Marvelous Mrs. Maisel (Prime)

Sarah Goldberg in Barry (HBO)

Janelle James in Abbott Elementary (ABC)

Danielle Pinnock in Ghosts (CBS)

Sheryl Lee Ralph in Abbott Elementary (ABC)

Kristen Schaal in What We Do In The Shadows (FX)

Juno Temple in Ted Lasso (Apple TV+)

Lisa Ann Walter in Abbott Elementary (ABC)

Rebecca Wisocky in Ghosts  (CBS)

Outstanding Supporting Actress in a Drama Series

Amy Brenneman in The Old Man (Hulu)

Carol Burnett in Better Call Saul (AMC)

Elizabeth Debicki in The Crown (Netflix)

Denise Gough in Andor (Disney+)

Samantha Hanratty in Yellowjackets (Showtime)

Lesley Manville in The Crown (Netflix)

Christina Ricci in Yellowjackets (Showtime)

Rhea Seehorn in Better Call Saul (AMC)

Sophie Thatcher in Yellowjackets (Showtime)

Olivia Williams in The Crown (Netflix)

Outstanding Supporting Actress In A Limited or Anthology Series

Annaleigh Ashford in Welcome to Chippendale’s (Hulu)

Maria Bello in Beef (Netflix)

Billie Boullet in A Small Light (National Geographic)

Ashley Brooke in A Small Light (National Geographic)

Clair Danes in Fleishman Is In Trouble (Hulu)

Li Eubanks in Mike (Hulu)

McKenna Grace in Friend of the Family (Peacock)

Cherry Jones in Five Days At Memorial (Apple TV+)

Juliette Lewis in Welcome to Chippendale’s (Hulu)

Anna Paquin in Friend of the Family (Peacock)

Outstanding Supporting Actress In A Movie

Jennifer Coolidge in Shotgun Wedding (Prime)

Gloria Estefan in Father of the Bride (Max)

Spencer Grammer in 12 Days of Christmas (Lifetime)

Melissa Joan Hart in Dirty Little Secret (Lifetime)

Julianne Nicholson in Weird: The Al Yankovic Story (Roku)

Evan Rachel Wood in Weird: The Al Yankovic Story (Roku)

Outstanding Guest Actor In A Comedy Series

Matthew Baynton in Ghosts (CBS)

Jon Bernthal in The Bear (Hulu)

Eric Berryman in Atlanta (FX)

Adrian Brody in Poker Face (Peacock)

Paul Walter Hauser in Cobra Kai (Netflix)

Luke Kirby in The Marvelous Mrs. Maisel (Prime)

Joel McHale in The Bear (Hulu)

Tim Meadows in Poker Face (Peacock)

Nick Nolte in Poker Face (Peacock)

Matt Walsh in Ghosts (CBS)

Outstanding Guest Actor In A Drama Series

Murray Bartlett in The Last of Us (HBO)

Bryan Cranston in Better Call Saul (AMC)

Timothy Dalton in The Crown (Netflix)

Tony Dalton in Better Call Saul (AMC)

Bruce Davison in 1923 (Paramount Plus)

Joel Grey in The Old Man (Hulu)

Greg Grunberg in Law & Order: Special Victims Unit (NBC)

Nick Offerman in The Last of Us (HBO)

Aaron Paul in Better Call Saul (AMC)

Andy Serkis in Andor (Disney+)

Outstanding Guest Actress In A Comedy Series

Ellen Barkin in Poker Face (Peacock)

Clea DuVall in Poker Face (Peacock)

Ayo Edebiri in Abbott Elementary (ABC)

Lisa Gilroy in Jury Duty (Freevee)

Sian Heder in Barry (HBO)

Taraji P. Henson in Abbott Elementary (ABC)

Judith Light in Poker Face (Peacock)

S. Epatha Merkson in Poker Face (Peacock)

Chloe Sevigny in Poker Face (Peacock)

Catherine Zeta-Jones in Wednesday (Netflix)

Outstanding Guest Actress In A Drama Series

Betsy Brandt in Better Call Saul (AMC)

Claire Foy in The Crown (Netflix)

Christine Hakim in The Last of Us (HBO)

Vanessa Kirby in The Crown (Netflix)

Melanie Lynseky ih The Last Of Us (HBO)

Natascha McElhone in The Crown (Netflix)

Nico Parker in The Last of Us (HBO)

Ashley Platz in Yellowstone (Paramount)

Ella Purnell in Yellowjackets (Showtime)

Fiona Shaw in Andor (Disney+)

Program

Outstanding Comedy Series

Abbott Elementary (ABC)

Atlanta (FX)

Barry (HBO)

The Bear (Hulu)

Cobra Kai (Netflix)

Ghosts (CBS)

Jury Duty (Freevee)

The Marvelous Mrs. Maisel (Prime)

Poker Face (Peacock)

Wednesday (Netflix)

Outstanding Drama Series

Andor (Disney+)

Better Call Saul (AMC)

The Crown (Netflix)

House of the Dragon (HBO)

The Last of Us (HBO)

1923 (Paramount Plus)

The Old Man (Hulu)

Perry Mason (HBO)

Waco: The Aftermath (Showtime)

Yellowstone (Paramount)

Outstanding Limited or Anthology Program

Beef (Netflix)

Black Bird (Apple TV+)

Daisey Jones and the Six (Prime)

The English (Prime)

Fives Days At Memorial (Apple TV+)

Fleishman Is In Trouble (Hulu)

A Friend of the Family (Peacock)

The Last Thing He Told Me (Apple TV+)

Slasher: Ripper (Shudder)

A Small Light (National Geographic)

Outstanding Television Movie

Beavis and Butt-Head Do The Universe (Paramount Plus)

Father of the Bride (MAX)

Honor Society (Paramount Plus)

Jerry and Marge Go Large (Paramount Plus)

On A Wing and Prayer (Prime)

Prey (Hulu)

Shotgun Wedding Prime)

Sick (Peacock)

The 12 Days of Christmas Eve (Lifetime)

Weird: The Al Yankovic Story (Roku)

Outstanding Talk Series

Hart to Heart (Peacock)

Real Time with Bill Maher (HBO)

The Talking Dead (AMC)

The Tonight Show With Jimmy Fallon (NBC)

Outstanding Scripted Variety Program

Amazon Music Live (Prime)

Studio C (BYUTv)

Outstanding Variety Special (Live)

The Apple Music Super Bowl LVII Halftime Show Starring Rihanna (Fox)

Chris Rock: Selective Outrage (Netflix)

The Oscars (ABC)

29th Annual Screen Actors Guild Awards (YouTube)

Outstanding Variety Special (Pre-Recorded)

Bill Burr: Live at Red Rocks (Netflix)

The Fangoria Chainsaw Awards (Shudder)

Richard III (Great Performances) (PBS)

South Park: The 25th Anniversary Concert (Comedy Central)

Outstanding Short Form Comedy, Drama, or Variety Series

I Think You Should Leave With Tim Robinson (Netflix)

The Party (YouTube)

Outstanding Short Form Nonfiction Or Reality Series

A Look Inside Five Days At Memorial (Apple TV+)

Tasting Wild (National Geographic)

Yellowjackets: Behind the Buzz (Showtime)

Yellowstone: Tales From The Bunkhouse (Paramount Network)

Outstanding Short Form Nonfiction Or Reality Series

History’s Greatest Mysteries (History Channel)

On Patrol: Live (Reelz)

Outstanding Structured Reality Program

Antiques Roadshow (PBS)

Bachelor in Paradise (ABC)

Bar Rescue (Paramount)

60 Days In (A&E)

Outstanding Unstructured Reality Program

Intervention (A&E)

Married At First Sight (Lifetime)

Naked and Afraid (Discovery)

Selling Sunset (Netflix)

Outstanding Reality Competition Program

The Amazing Race (CBS)

The Circle (Netflix)

Dancing With The Stars (Disney+)

Farmer Wants A Wife (FOX)

The Floor is Lava (Netflix)

Hell’s Kitchen (FOX)

Making the Cut (Amazon Prime)

So You Think You Can Dance (FOX)

Survivor (CBS)

Traitors (Peacock)

Outstanding Game Show

Let’s Make a Deal (CBS)

Master Minds (GSN)

The Price is Right (CBS)

Wheel of Fortune (CBS)

Lisa Marie’s Week In Review: 7/3/23 — 7/9/23


This week, I celebrated the 4th of July with my sisters, I binged a lot of television to get caught up for Tuesday’s Emmy nominations, I read a lengthy and heavily detailed book, and I also watched quite a few films.

I’m tired.

Check out what I watched, read, and listened to this week while I go get some sleep.

 

Films I Watched:

  1. 12 Days of Christmas Eve (2022)
  2. Elmore Leonard: But Don’t Try To Write (2022)
  3. Father of the Bride (2022)
  4. Graduation Day (1980)
  5. High & Outside: A Baseball Noir (2018)
  6. Inside High Noon Revisited (2022)
  7. Jerry and Marge Go Large (2022)
  8. Jesus Revolution (2023)
  9. Kemper: The CoEd Killer (2008)
  10. Over The Top (1987)
  11. Pamela, A Love Story (2023)
  12. Prey (2022)
  13. The Princess (2022)
  14. Shania Twain: Not Just A Girl (2022)
  15. Sheena (1984)
  16. Sick (2023)
  17. Still: A Michael J. Fox Movie (2023)
  18. The Zebra Force (1976)

Television Shows I Watched:

  1. 60 Days In
  2. Big Beasts
  3. City Guys
  4. The Crown
  5. Daisy Jones & The Six
  6. Dead To Me
  7. Diff’rent Strokes
  8. The Diplomat
  9. House of the Dragon
  10. Fleishman Is In Trouble
  11. Forgive or Forget
  12. The Last Of Us
  13. The Last Thing He Told Me
  14. The Love Boat
  15. The Master
  16. MH370: The Plane That Disappeared
  17. Midnight Special
  18. The Old Man
  19. Pretty Baby: Brooke Shields
  20. Real Time With Bill Maher
  21. Rollergames
  22. Slasher: Ripper
  23. Trainwreck: Woodstock ’99
  24. Welcome Back, Kotter

Books I Read:

  1. The Shards (2023) by Bret Easton Ellis

Music To Which I Listened:

  1. Britney Spears
  2. Camila Cabello
  3. Carrie Underwood
  4. Felony
  5. Gwen Stefani
  6. The Hues Corporation
  7. Kelly Clarkson
  8. No Doubt
  9. Olivia Roridgo
  10. Taylor Swift

Live Tweets:

  1. The Zebra Force
  2. Over The Top
  3. Sheena
  4. Graduation Day

Trailers:

  1. Killers of the Flower Moon
  2. Bob Marley: One Love

News From Last Week:

  1. The good version of TweetDeck is back, but for how long?
  2. Privacy expert issues warning about Threads, Meta’s Twitter competitor
  3. How Jim Caviezel’s Faith-Based ‘Sound of Freedom’ Became This Summer’s Unlikely Box Office Hit
  4. Box Office: ‘Insidious: The Red Door’ Dethrones ‘Indiana Jones 5’ With $32.6 Million Debut
  5. ‘The Flash’ Struggles Toward the Finish Line at the Global Box Office
  6. The Good Doctor’ actor Hill Harper is inching toward a potential Senate bid in Michigan, report says
  7. Actor Eduardo Verástegui may run for president of Mexico, says conservative party there ‘is dead’

Links From Last Week:

  1. Fashionistas! Let’s celebrate National Fashion Day!
  2. Exploring Gritty 70’s Cinema With “Straight Time!” Dustin Hoffman Fires Himself!
  3. Tater’s Last Couple of Weeks in Review 7/7/23

Link From The Site:

  1. Jeff shared music videos from Adam Clayton and Larry Mullen, Beck, Ringo Starr, The Backbeat Band, ZZ Top, and Alice In Chains!
  2. Jeff shared a scene from Stripes!
  3. Erin shared Mammoth Detective, Cartoon Humor, Man To Man, Bedside Manner, The White Bikini, Ribbon, and True Cases of Women In Crime!
  4. Erin invited us to celebrate Bikini Day and International Kissing Day!
  5. Erin wished everyone a happy 4th of July!
  6. Erin shared a scene from A Boy Named Charlie Brown!
  7. Erin shared some vintage fireworks, The Covers of Ace G-Men Stories, 42 Texas Ranger homeruns, and celebration of rural America with the pulps!
  8. Erin reviewed A Baseball Noir!
  9. I shared a music video from Lady Gaga!
  10. I reviewed Hang Time, Fantasy Island, The Love Boat, City Guys, The Master, and Welcome Back Kotter!
  11. I shared my week in television!
  12. I shared a scenes from Shaft and Tropic Thunder!
  13. I paid tribute to Jean Cocteau, Michele Soavi, and films featuring fireworks!
  14. I reviewed Dawn: Portrait of a Teenage Runaway and Detective Knight: Independence!
  15. I shared an AMV of the Day!

More From Us:

  1. At Days Without Incident, Leonard shared music from Cymande!
  2. At her photography site, Erin shared Ribbon, Happy 4th of July, Red Flowers, Caddo Lake, Armadillo, Spring Creek Nature Trail, and Spring Creek Nature Trail 2!
  3. At my music site, I shared songs from Taylor Swift, Hues Corporation, No Doubt, Britney Spears, Gwen Stefani, Carrie Underwood, and Olivia Rodrigo!

Check out last week by clicking here!

 

Retro Television Reviews: Dawn: Portrait of a Teenage Runaway (dir by Randal Kleiser)


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay.  Today’s film is 1976’s Dawn: Portrait of a Teenage Runaway!  It  can be viewed on YouTube!

Dawn Wetherby (Eve Plumb) is fifteen years old.  She’s naive.  She’s innocent.  She’s …. well, let’s just be honest and admit that she’s not particularly bright.  Sick of being embarrassed by her alcoholic mom (Lynn Carlin), Dawn decides to hop on a bus and travel to Hollywood.  Maybe she can make a new life for herself in California.

Of course, it doesn’t take long for Dawn to discover that Los Angeles is not a city where dreams magically come true.  It’s a tough and harsh town and it’s not like Dawn has any money or any particular skills.  When she tries to get a job, she’s told that she’s too young.  When she tries to rent a room, she’s told that ten dollars is not enough to cover two weeks rent.  When she gives a dollar to a boy who says that he needs it, he responds by mugging her for the rest of her cash.  A prostitute named Frankie Lee (Marguerite DeLain) takes some sympathy on Dawn and tells her to call if she ever wants to make some money.

Eventually, a nasty cough leads to Dawn going to the free clinic.  That’s where she meets Alexander (Leigh McCloskey).  Alexander is a teen runaway, just like Dawn.  However, Alexander also can somehow afford an apartment and food to eat.  Alexander invites Dawn to live with him and Dawn, realizing she has no where else to go, agrees.  Alexander offers to look after her but, after Dawn discovers that Alexander makes his money by working as a male prostitute, Dawn decides that she needs a job of her own.

It’s time to call Frankie Lee!  And it’s time for Frankie Lee to introduce Dawn to Swan (Bo Hopkins), a pimp who lives in a nice house and who offers to put Dawn to work….

Dawn: Portrait of a Teenage Runaway is an earnest film that was obviously made with the best of intentions and which actually did have something say, in its melodramatic way, about the dangers of running away from home and trying to make it on your own when you’re not even old enough to drive.  That said, I imagine that most people who go through the effort to track down this film will do so because it stars The Brady Bunch‘s Eve Plumb as an underage runway who ends up walking the streets and taking men back to her motel room.  The movie might as well be called Jan Brady Goes Bad, because Eve Plumb does essentially give the same performance that she gave when she was playing the whiniest member of the Brady Bunch.  There’s nothing tough or streetwise about her, which works for the first half of the film but not during the second half.  Once Dawn has been on the streets for a bit, you would expect her to toughen up a bit but she still comes across like she’s mad at Greg and Bobby for tying up the phone.  Dawn goes through a lot and becomes a bit jaded as a result but, every time she speaks, you expect her to exclaim, “Why does Marcia get to runaway from home but I don’t?  It’s not fair!”  Far more impressive are the performances of Bo Hopkins and, in the role of Dawn’s probation officer, George Stanford Brown.  William Schallert also has a good bit as Dawn’s first client, who ends up feeling so sorry for Dawn that he just give her twenty dollars and then tells her to go back home.

Dawn: Portrait of a Teenage Runway is one of those film that was obviously designed to make parents worry about their kids.  It seems to be asking, “Do you know where your children are tonight?”  In 1976, I imagine they were busy watching Jan Brady try to make it on the mean streets of Hollywood.

Scenes I Love: The Opening of Shaft


Today is the birthday of Richard Roundtree so, of course, today’s scene that I love could only be the classic opening of 1971’s Shaft.

By doing something as simple as walking down a street in New York, Roundtree shows us exactly who Shaft is and why Shaft does what he does.  This is one of those scenes that’s been parodied so many times that it’s actually surprising to rewatch and see how just defiant and sexy Richard Roundtree’s confident strut actually was.

On another note, I enjoy seeing all of the names of the movies that were playing on 42nd Street when this scene was filmed.

Lisa Marie’s Week In Television: 7/2/23 — 7/8/23


This week was all about getting caught up on the shows that might be nominated for this year’s Emmys.  I ended up watching a lot of TV.  Here’s a few thoughts on it all!

60 Days In (A&E)

I watched this show’s seventh season this week. Sending former criminals undercover was an interesting idea and Carlos, who struggled with the temptation to return to his old ways, was definitely the most compelling character this season.  It really was one of the worst jails that they’ve ever featured on this show.  It’s easy to be dismissive of a show like this and it definitely is a bit exploitive.  But it also does portray why jails fail to rehabilitate its inmates.

Big Beasts (Apple TV+)

I watched an episode on Friday about the great whales!  I enjoyed it.  Whales are fascinating creatures and it certainly didn’t hurt that the whole thing was narrated by Tom Hiddleston.

City Guys (YouTube)

I wrote about City Guys here!

The Crown (Netflix)

I’ve always had mixed feelings about The Crown.  On the one hand, I absolutely love it as a well-made, well-acted, and well-produced royal soap opera.  On the other hand, I have never been comfortable about the idea of turning anyone’s life into a miniseries while they’re still alive.  Of course, Queen Elizabeth passed away last year but the show itself still feels a bit invasive.  That said, the fifth season was as addictive as ever.  Imelda Stauton took over at Elizabeth.  Dominic West made Charles into a far more interesting person than he probably is in real life.  Of all the seasons so far, this season was the most melancholy as it portrayed a world that was suddenly changing faster than ever before.  Not only did Charles and Diana divorce but the UK lost Hong Kong.  The decommissioning Britannia felt like the true end of an era.  It was hard to watch this season without thinking about how the people portrayed had no idea how much worse things were going to get in just a few more years.

Daisy Jones & The Six (Prime)

I binged this miniseries on Tuesday and Wednesday.  Full of music and 70s atmosphere, this series charted the rise and the fall of a fictional rock group.  Riley Keough, who really seems like she should be a bigger star, was wonderful in the lead role.

Dead To Me (Netflix)

Unfortunately, I really haven’t had time to binge the final season of Dead To Me but I did jump ahead and watch the final episode on Saturday afternoon.  Christina Applegate and Linda Cardellini were still a great and messy team and I definitely got a bit watery-eyed at the episode’s conclusion.

The Diplomat (Netflix)

I watched the first episode of this show on Wednesday.  It didn’t really hold my attention but Keri Russell was convincing as the title character and it was kind of amusing to see Michael McKean playing an apparently sincere and idealistic president.

Fleishman Is In Trouble (Hulu)

This was an excellent miniseries that I binged on Monday and Tuesday.  Jesse Eisenberg and Claire Danes were excellent as a divorced couple who struggled with life in New York City.  This miniseries felt like some great 70s movie that just happened to be set in 2016.

Forgive or Forget (YouTube)

I watched an episode on Thursday.  Former best friends were demanding apologies.  Very few apologies were given, which I think may have been due to the fact that host Robin Givens kept interrupting everyone so that she could yell at them.  If Mother Love had been there, everyone would have come through the door.

House of the Dragon (HBO)

HBO’s Game of Thrones prequel turned out to be quite a bit better than I was expecting.  That said, I would be lying if I said that I was always able to follow what was happening on the show without the help of Wikipedia.  I had the same problem with Game of Thrones, to be honest.  However, the chaos and the feeling that you could never be sure who was actually plotting what was one of the things that made both the early seasons of Game of Thrones and the first season of this show so intriguing.

The Last Of Us (HBO)

I binged this throughout the week and I have to say that I’m a bit disappointed in myself that I didn’t watch it earlier.  Because I had so much to watch this week, I feel as if I rushed through the show, going from one episode to another so quickly that I didn’t get a chance to really contemplate and savor everything that happened.  That said, The Last Of Us was well-acted and created a convincing dystopian society.  For once, the “zombie” apocalypse felt realistic as opposed to contrived.

The Last Thing He Told Me (Apple TV+)

Enjoyably twisty and melodramatic, this adaptation of Laura Dave’s novel featured great performances from Jennifer Garner, Angourie Rice, and David Morse.  Even though I had read the novel and knew what was going to happen, the show still held my interest

Love & Death (Max)

Elizabeth Olsen and Jesse Plemons were great but this limited series’s story was better told by Hulu’s Candy.  As a producer and a writer, David E. Kelly has always had a tendency to rely on easy caricatures and too much of Love & Death felt like a Yankee fantasy of what life in small town Texas is like.

The Love Boat (Paramount Plus)

I wrote about The Love Boat here!

The Master (Tubi)

I wrote about The Master here!

MH370: The Plane That Disappeared (Netflix)

During the early hours of Wednesday morning, I watched this 3-part docuseries on the Malaysian airline that mysteriously disappeared a few years ago.  (Remember Don Lemmon suggesting it had flown into a black hole?)  It was interesting viewing, though ultimately I think it works better as a look at how quick people are to buy into conspiracy theories than anything else.

Midnight Special (YouTube)

From 1973, the first episode of Midnight Special was hosted by Helen Reddy and featured performances from Ike and Tina Turner, George Carlin, Curtis Mayfield, Don McLean, Rare Earth, Kenny Rankin, The Byrds, and The Impressions.  Helen Reddy was a bit of a boring host but the music was great.

The Old Man (Hulu)

With the Emmy nominations due to be announced next Tuesday, I finally got around to binging The Old Man this week.  On the one hand, it was yet another morally ambiguous thriller featuring the government pursuing a former agent who had gone underground.  On the other hand, Jeff Bridges, John Lithgow, and Amy Brenneman all brought a lot of conviction to their roles and the film was as much about dealing with one’s own morality as it was about dealing with the dark side of the intelligence community.  I liked it far more than I was expecting too.

The Patient (Hulu)

I watched the first three episodes of this miniseries on Monday morning and that was enough for me.  Steve Carell plays a psychiatrist who is being held captive by a serial killer (Domhnall Gleeson) who is looking for help curbing his homicidal impulses.  Carell gave a great performance, proving again that he’s just as capable of doing drama as he is comedy.  But, other than Carell’s performance, I found the show to be tedious and I haven’t felt any real desire to finish binging it.

Real Time With Bill Maher (Max)

I watched the episode where Russell Brand yelled at John Heilenmann.  I was on Brand’s side but a lot of that has to do with Heilenmann just be annoying in general.  Bernie Sanders was also on the show and seemed kind of tired of the whole thing.

Rollergames (YouTube)

On the 2nd episode of Rollergames (which I watched with Jeff and our friend Pat on Friday night), the Thunderbirds competed against Bad Attitude.  Thunderbirds were heroic but Bad Attitude had style.  I’m not sure who actually won.

Slasher: Ripper (Shudder)

I’m always tempted to call this program Canadian Horror Story but Slasher is actually far better than Ryan Murphy’s show.  The fifth season, which I binged throughout the week, has an intriguing mystery, many macabre deaths, a lot of atmosphere, and a wonderfully villainous performance from Eric McCormack.

Trainwreck: Woodstock ’99 (Netflix)

I finally watched this docuseries on Saturday morning, after finishing up Midnight Special.  I guess I was in a musical mode.  The mix of hubris, greed, and celebrity that went into making Woodstock ’99 a disaster will never not be fascinating.

Welcome Back, Kotter (Tubi)

I wrote about Welcome Back Kotter here!

Retro Television Reviews: Welcome Back, Kotter 1.11 “Barbarino’s Girl” and 1.12 “California Dreamin'”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, Barbarino gets a girlfriend and Gabe nearly gets killed by Julie.

Episode 1.11 “Barbarino’s Girl”

(Dir by Bob LaHendro, originally aired on November 25th, 1975)

At the start of this episode, Gabe tells Julie a joke about his uncle and a monkey.  I didn’t get it.  Julie didn’t look that amused either.

At school, the Sweathogs are not in a good mood because it’s report card time!  Gabe tells the Sweathogs not to panic because apparently, even if they are failing Social Studies, they still have time to raise their grades.  (So, I guess Gabe is handing out progress reports as opposed to report cards.)  Epstein has a note from his mother’s doctor explaining that any bad grades would be bad for her health.  (He actually has several notes, one for each class.)  The note is signed “Epstein’s Mother’s Doctor.”

Freddie, meanwhile, tries to bribe Gabe with a half-eaten apple while Horshack falls to his knees and begs for a good grade.  Only Barbarino doesn’t beg, probably because he knows that he’s the best-looking guy in the school and when you’ve got a smile like that, who needs brains?

Gabe passes out the report cards.  Epstein says, “Thanks for killing my mother.”  Freddie takes back his apple.  Horshack starts to laugh in his braying way.  Gabe asks Horshack what’s so funny about his bad grade.  Horshack replies that he’s laughing at Barbarino’s even worse grade.  Barbarino, it turns out, actually does care about his grades because his mother is a saint who apparently hits him with rosary beads whenever he brings home a bad grade.  Gabe says that he can’t just pass Vinne to be nice.  He asks what Vinnie would become if everyone just passed him without checking to make sure that he actually learned something.  “A high school graduate,” Vinnie says and he has a point.

Speaking of high school and grades and getting held back, I noticed that Barbarino, Freddie, Epstein, and Horshack appear to be the only regular members of the class.  This episode featured a lot of students getting upset over their report card and I think one reason they struggled with Kotter’s class is that none of them had ever attended before.  Seriously, who are half these people!?  I definitely would have noticed that goony redhead sitting in the corner if he had ever attended class before this episode.

Gabe arranges for Barbarino to get some tutoring from Judy Borden (Helaine Lembeck), the same girl that ran against him for student body president.  Though Judy and Barbarino initially don’t get along, they soon bond of their shared love of rhyming insults.  Unfortunately, the other Sweathogs give Barbarino a hard time about his new friendship with Judy and Barbarino is stunned when Judy turns down his offer of a date.  However, Judy later changes her mind and goes to Coney Island with Barbarino and the Sweathogs.  Awwwww!

Back at the apartment, Gabe tells Julie a joke about his cousin, Gorgeous Jerry Kotter.  It was short joke and apparently, the point was that Gorgeous Jerry had a lot of back hair.

This episode pretty much existed so that John Travolta could do his dumb but sweet routine and I have no problem with that because he did it very well and he showed off that smile that could light up a room.  Plus, Barbarino and Judy Borden were a cute couple.  That said, I’ll be surprised if their relationship is ever mentioned again.

Episode 1.12 “California Dreamin'”

(Dir by Bob LaHendro, originally aired on December 2nd, 1975)

At the apartment, Gabe tells Julie a joke about the time that his teacher asked him who signed the Declaration of Independence.  Gabe replied, “I didn’t sign it.”  Later, Gabe’s father came to the school and backed him up.  Good for him.

Back at school….

Hey look!  The goony redhead is back!

And the goony redhead gets some company when Mr. Woodman stops by the classroom to introduce a transfer student from California.  Her name is Bambi (Susan Lanier) and she tells everyone that she loves the beach.  She also requests that everyone call her Sunshine.

All the Sweathogs are smitten but Bambi seems to be more interested in Mr. Kotter, asking him what his sign is.  Gabe reveals that he’s an Aquarius.  “I knew it!” Bambi shouts.  Bambi asks Gabe to show her around.  Gabe suggests that she ask one of the Sweathogs.  “They’re not groovy like you,” Bambi replies.

After the school day ends, Gabe returns to his apartment.  Julie asks him why a girl named Sunshine has been repeatedly calling the apartment and asking whether or not Gabe wants to go skinny dipping.  Julie is so annoyed that she even puts on her glasses so that her withering stare can be magnified.

Julie asks Gabe if he has anything to say for himself.

“Yes,” Gabe replies, “Can I go?”

Gabe explains that Sunshine has a crush on him but he also tells Julie that he’ll explain to Sunshine tomorrow that they cannot run off together.  He says that he’s sure that he can get Sunshine to understand and, “If she doesn’t, I promise I’ll write.”  Julie attacks Gabe with a pillow in a way that suggests that she’s genuinely furious with him.  Reportedly, Marcia Strassman and Gabe Kaplan did not get along during the production of Welcome Back, Kotter and, in this episode, Julie really does seem like she’s just looking for an excuse to kill her husband.

Back in the classroom, each Sweathog tries to impress Bambi.  Epstenin chants her name.  Horshack shows up with a walking stick, an overcoat, and sunglasses and pretends to be a Hollywood producer.  Freddie sings a calypso song about how Santa Claus is black.   Barbarino rushes into the room and sings, “I’m singing ba-ba-ba-ba-Barbino!” while the audience goes crazy.

Gabe, however, asks to speak to Bambi in the hallway.  He reveals that he checked her records and discovered that she’s not from California.  She’s from Lubbock and she’s been to 11 different schools, where she has always caused trouble.  Bambi decides to show Gabe what type of trouble she can cause by entering the room and announcing that her pencil is on Gabe’s desk.  Barbarino, Freddie, Epstein, and Horshack lunge for it.

After Gabe points out how foolish everyone is acting over her, Bambi sees the folly of her ways and tells everyone the truth.  The Sweathogs are very forgiving, probably because the last thing they were interested in, as far as Bambi was concerned, was what state she was from.

Back the apartment, Gabe wakes up Julie in the middle of the night to tell her about his Uncle Herbie.  Julie rolls her eyes as Gabe talks about how his Aunt Estelle tried to trick Herbie into giving up alcohol and how it didn’t work.

I liked this episode more than I thought I would.  My family moved around a lot when I was growing up so I could relate to how Bambi felt about having to always make a big first impression at every new school that she went to.  Even if Marcia Strassman seemed to be annoyed by his very existence, Gabe Kaplan gave a good performance in this episode, especially in the scene where he confronted Bambi with the truth about her background.  All in all, this was a pretty good episode.

Next week — Horshack gets promoted out of remedial classes!

Live Tweet Alert: Watch Graduation Day with #ScarySocial


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, for #ScarySocial, I will be hosting 1980’s Graduation Day!  Someone’s killing high school athletes!  Is it Christopher George, Vanna White, Linnea Quigley, or the band Felony?  Join us to find out!

If you want to join us on Saturday night, just hop onto twitter, start the film at 9 pm et, and use the #ScarySocial hashtag!  The film is available on Prime and Tubi.  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Retro Television Reviews: The Master 1.9 “Kunoichi”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing The Master, which ran on NBC from January to August of 1984.  The show can be found on Tubi!

This week, McAllister and Max head to Washington, D.C.!

Episode 1.9 “Kunoichi”

(Dir by Gordon Hessler, originally aired on April 9th, 1984)

The 9th episode of The Master opens by showing us what Okasa (Sho Kosugi) has been doing since coming to America to track down and kill his former teacher, John Peter McAllister (Lee Van Cleef).  Okasa has been training an apprentice of his own.  The apprentice ninja is always seen while wearing a light gray ninja uniform, the better to keep the apprentice’s identity a secret until halfway through the episode.

Meanwhile, McAllister and Max (Tim Van Patten) are in Washington, D.C.  As McAllister explains it, he was good friends with Brian Elkwood (Jack Kelly) when they both served in the Army together.  During the Korean War, they were both held in the same POW camp and they escaped together.  (This, of course, goes against McAllister’s previous backstory, which was that he left the Army after World War II and spent the next 40 years hidden away in Japan.)  Elkwood is now an important advisor to the President.  Apparently, Elkwood sent McAllister a letter informing him that a spy known as The Hawk was threatening his life so McAllister has come to Washington to protect him.  (How exactly McAllister received a letter when he and Max are constantly driving around the country in search of McAllister’s daughter is not explained.)

At the Elkwood estate, Brian Elkwood tells his assistant, Allison Grant (Kelly Harmon), that he has been receiving letters from John Peter McAllister in which McAllister has threatened to kill him.  Allison argues that McAllister has always been Elkwood’s friend but Elkwood says that people can change.  Elkwood’s head of security, Ron Gordon (Rick Hill), is concerned not only about McAllister but also about uncovering the identity of The Hawk.

Or at least, that’s what Gordon claims.  A few scenes later, we discover that Gordon actually is The Hawk and that he’s hired Okasa to assassinate Elkwood.  Okasa is planning on framing McAllister for the assassination.  The assassination will be carried about his apprentice, who we learn is close to Elkwood.  The episode tries to build up a lot of suspense over who Okasa’s apprentice actually is but it’s actually pretty easy to figure out.  Elkwood is not the apprentice because he’s the target.  Gordon is the not apprentice because he’s the Hawk.  There’s only one other guest star on this episode so obviously, the apprentice is Allison.  Myself, I’m just confused as to when Okasa’s mission went from personally killing McAllister to framing him for murder.

Eventually, McAllister is able to convince Elkwood that he didn’t write the threatening letters but a sudden attack of Okasa’s apprentice leaves Elkwood hospitalized and McAllister arrested for attempted murder.  Fortunately, Max is able to use his ninja training to help McAllister escape from jail and they manage to not only prevent the second attempt on Elkwood’s life but they also expose both Gordon and Allison as being enemies of the state.  Yay!

This is one of those episodes where everyone, with the exception of Sho Kosugi, steps to the side and lets their stunt doubles do most of the work.  There’s a lot of fights but they are all awkwardly choreographed and framed, probably in an attempt to keep the audience from noticing that Lee Van Cleef’s stunt person was notably thinner and more athletic than Lee was.  As far as episodes of The Master are concerned, this was not a bad one but it still ultimately leaves the viewer feeling that it could have been so much better.

Live Tweet Alert: Join #FridayNightFlix for Sheena!


 

As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter and I hope to continue to be until the site finally becomes unusable.  (It’s going to happen eventually so enjoy it while you can!)  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, #FridayNightFlix has got 1984’s Sheena, starring Tanya Roberts and Blossom’s dad!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

Sheena is available on Prime!  See you there!