Film Review: Killer Island (dir by Alyn Darnay)


Welcome to paradise!

In this case, paradise is North Captiva Island, which is located just offshore in the Gulf of Mexico.  It’s a beautiful location, a great place to both take a vacation and perhaps even solve a murder!

In Killer Island, Mike (Brian Gross) and Ashley (Barbie Castro) have come to Captiva Island for a variety of reason.  They’ve come for a vacation and they’ve come to work on their struggling marriage.  Ashley has memories of growing up on the island and issues from the past that she needs to deal with.  And Mike … well, Mike really wants to go fishing.  Fortunately, their friend Jim Ross (Jordi Vilasuso) has a very nice boat.

Jim also has a nephew.  Johnny (Miguel Fasa) is the handyman at the local resort.  He’s always polite and he’s a good worker.  Still, it shouldn’t take long for most viewers to suspect that Johnny might have some issues.  His constantly blood-shot eyes give hint to the fact that Johnny doesn’t get much sleep.  As he explains it at one point, he has dreams and they’re not good ones.  Johnny has a complicated history and two women have recently vanished on the island…

When Ashley finds a broken anklet on a dock, she takes it back to her room.  The locals tell her that people are losing stuff on the island all the time and that it’s probably no big deal.  “Finders keepers,” they tell her.  Ashley just likes it because the words “Hope” and “Believe” are inscribed on each side.  But when Johnny sees the anklet in Ashley’s bedroom, he freaks out.

Of course, Johnny isn’t the only person on the island with something to hide and nothing, not even murder, is as simple or cut-and-dried as it seems.  How far are people willing to go to protect their secrets?

Now, I have to admit that I do have a bias when it comes to reviewing this film.  See, my dream vacation would involve not only going to a beautiful location but also getting to solve a mystery while I was there.  I’m sure I’m not alone in that.  Who doesn’t love the idea of escaping everyday life and getting to examine clues and speculate on motives while relaxing on the beach or exploring a tropical paradise?  Though the film’s cast does a good job, Captiva Island really is the star of the film.  It’s a visually stunning location and the film takes full advantage of it, with the camera swooping over the beaches and focusing on people discussing murder and mystery while the tide comes in behind them.  Director Alyn Darnay and cinematographer Jon Schellenger do a good job of capturing the sunny beauty of the island.

As for the plot itself, it’s enjoyably melodramatic.  Almost everyone has something that they’re hiding.  Some guilty people are easy to spot while others hide their villainy quite well.  It’s a nicely acted mystery, with Brian Cross and Barbie Castro making a believable and sympathetic married couple.  Miguel Fasa steals the show, turning the unstable Johnny into a character who is both frightening and occasionally even sympathetic.  If you’ve enjoyed Barbie Castro’s previous “killer” films (like Patient Killer, Boyfriend Killer, and Girlfriend Killer), you will definitely enjoy this one as well!

Killer Island will be available on VOD on May 25th..

Cleaning Out The DVR: Boulevard Nights (dir by Michael Pressman)


(I recorded the 1979 film, Boulevard Nights, off of TCM on December 14th, 2017).

Boulevard Nights tells the story of two brothers, living in East Los Angeles.

Raymond Avila (Richard Yniguez) used to be involved with the street gangs but he’s gone straight.  He still likes to cruise the boulevard.  He still likes to make his lowrider hop up and down.  He still knows better than to trust outsiders and he always makes sure that he’s not around whenever the cops show up.  But, unlike many of his old friends, Raymond is now determined to stay out of trouble.  He’s got a job working at a garage and he dreams of the day when he’ll have his own auto shop.  He takes care of his mother.  He keeps an eye on the neighborhood.

Chuco Avila (Danny De La Paz) is Raymond’s younger brother and also his opposite.  Chuco is a high school drop out who doesn’t want to cause trouble but who says that he can’t stop getting angry.  Chuco always carries a switchblade with him, even bringing it to a job interview.  Chuco only feels secure when he’s a member of a gang.  Chuco steals.  Chuco fights.  Chuco huffs paint and gets a snake tattooed on his arm.  Whenever Chuco has to hide out, he goes to a graffiti-covered shack that he shares with a stray cat.

There’s a war coming as random skirmishes between two separate neighborhoods lead to greater and greater violence.  Chuco is looking forward to it.  Raymond just wants to avoid it.  He’s got a good job and he’s planning on marrying Shady Londeros (Marta DuBois).  But, as Raymond explains it to Shady, if a war does break out, he’s going to have his brother’s back.

The plot of Boulevard Nights is a familiar one.  Stories about good and bad brothers have been told since ancient times and anyone who has ever seen a “gang” movie should be able to guess everything that’s going to happen in Boulevard Nights.  It’s not a spoiler to say that the war between the two gangs leads to tragedy.  You can see that tragedy coming from the first five minutes of the film.  It also doesn’t take a psychic to predict that one brother will survive while one brother definitely will not.  The only question is whether the film will end with either Raymond or Chuco wistfully staring out at the Los Angeles skyline.

What does set Boulevard Nights apart from other gang films is that it never glamorizes its violence and it was also shot on location in East Los Angeles.  When Raymond and Chuco drive through their neighborhood, the small and dilapidated houses that they see are the houses that were actually there in 1979 (and which might still be there today).  The use of real locations brought a grittiness to the film that the by-the-numbers script failed to provide.  Boulevard Nights also featured a cast largely made up of amateurs.  Members of the gang were played by actual gang members.  Needless to say, this led to some noticeably uneven performances but it also created an authenticity that would otherwise be lacking.

Boulevard Nights is an uneven film but, because it was shot on location, it functions as a bit of time capsule.  If you want to know what East L.A. looked (and sounded) like in the late 70s, you can either purchase a time machine or you can watch this movie.  For many viewers, watching the movie will be probably be the more practical choice.

Last year, Boulevard Nights was selected for preservation in the United States National Film Registry by the Library of Congress as being “culturally, historically, or aesthetically significant”.

Music Video of the Day: Your Name by Kedr Livanskiy (2017, dir by Kedrina Yana and Konstantin Bushmanov)


Much like yesterday’s video, this is another video on which me and Evelyn disagree.  She thinks that it’s about being young and free in Russia.  I think it’s about vampires.

Enjoy!

Here’s The Trailer For Papillon!


Here’s the trailer for the upcoming film, Papillon!  As the trailer itself states, this is based on the amazing true story of Henri Charrière and his escape from the Devil’s Island penal colony.

Of course, this isn’t the first film to be made about Charrière, his escape, and his friendship with Louis Dega.  1973’s Papillon starred Steve McQueen as Charrière and Dustin Hoffman as Dega.  I haven’t seen this particular film but many consider it to be a classic.

In this remake, Charrière is played by Charlie Hunnam while Rami Malek takes over the role of Dega.  Will it be good or will it be forgettable?  The trailer, to be honest, is a bit generic.  We’ll find out for sure when the film is released on August 24th!

 

Music Video Of The Day: There Was A Time by Kedr Livanskiy (2018, dir by ?????)


My friend Evelyn and I have been debating whether or not this video is supposed to be about vampires or not.  Her argument is that it’s obviously meant to be about being young and celebrating life.  My argument is that the video reminds me a lot of Jean Rollin’s Two Orphan Vampires so obviously, the video must be about vampires as well.

Maybe we’re both right!

Who knows?

Anyway, enjoy!

Music Video of the Day: I Always Liked Men With Good Hands by Adi Ulmansky (2012, dir by Ori Sinai)


Ever since Evelyn (a.k.a. my best friend in the entire world) first introduced me to her music, I’ve always enjoy the reliably strange videos of Adi Ulmansky and this one features a black cat!

Enjoy!

Lisa’s Week In Review: 5/14/18 — 5/20/18


Finally, I’m healthy again!  Being sick sucks but, as of the end of this week, I am finally feeling like myself again.  Here’s what I accomplished this week:

Movies I Watched

  1. All that Jazz (1979)
  2. Deadly Matrimony (2018)
  3. Deep Red (1975)
  4. Den of Thieves (2018)
  5. Disco Beaver From Outer Space (1978)
  6. Everybody Wins (1990)
  7. Fahrenheit 451 (2018)
  8. Fifty Shades Darker (2017)
  9. Fifty Shades Freed (2018)
  10. Fifty Shades of Grey (2015)
  11. The Go-Between (1971)
  12. Gorky Park (1983)
  13. I, Daniel Blake (2016)
  14. Inferno (1980)
  15. Missing (1982)
  16. The Mission (1986)
  17. Paddington 2 (2018)
  18. Paris, Texas (1984)
  19. Psycho Ex-Girlfriend (2018)
  20. River’s Edge (1987)
  21. Serpico (1973)
  22. The Silent World (1956)
  23. Suspiria (1977)

Television Shows I Watched

  1. The Americans
  2. Archer: Danger Island
  3. Barry
  4. Brooklyn 99
  5. Doctor Phil
  6. Fear the Walking Dead
  7. Ghost Whisperer
  8. It’s Always Sunny in Philadelphia
  9. iZombie
  10. King of the Hill
  11. Legion
  12. Lucifer
  13. Marvel’s Agents of SHIELD
  14. New Girl
  15. The Office
  16. Patrick Melrose
  17. Roseanne
  18. The Royal Wedding!!!!
  19. Silicon Valley
  20. Survivor 36
  21. Sweetbitter
  22. The Terror
  23. True Detective Season 1
  24. Trust
  25. Vida
  26. Westworld

Books I Read

(Long story short: Last week, I inherited a stash of old Choose Your Own Adventure books.)

  1. Behind the Wheel (1992) by R.A. Montgomery
  2. Deadwood City (1978) by Edward Packard
  3. The Forbidden Castle (1982) by Edward Packard
  4. The Girl on the Velvet Swing: sex, murder, and madness at the dawn of the 20th century (2018) by Simon Baez
  5. Horror Hotel (1983) by Hilary Milton
  6. Journey Under The Sea (1978) by R.A. Montgomery
  7. Kidnapped (1991) by Edward Packard
  8. Laird Cregar: A Hollywood Tragedy (2018) by Gregory W. Mank
  9. The Last Ninja (1991) by Jay Leibold
  10. Nightmare Store (1982) by Hilary Milton
  11. Who Killed Harlowe Thrombey? (1981) by Edward Packard

Music To Which I Listened

  1. Above & Beyond
  2. Adi Ulmansky
  3. AIR
  4. Britney Spears
  5. Calvin Harris
  6. Cedric Gervais
  7. The Chemical Brothers
  8. Chromatics
  9. Dillon Francis
  10. Doro
  11. The Flaming Lips
  12. Garbage
  13. Jackalope
  14. Kevin Shields
  15. Michael Fredo
  16. Moby
  17. Muse
  18. Phoenix
  19. Saint Motel
  20. Taylor Swift
  21. Walt Mink
  22. The White Stripes

Links From Last Week

  1. On her photography site, Erin shared a picture of our new fence!  (It’s a nice fence and, fortunately, the possums can climb it.)
  2. Via my dream journal, here’s a dream I had about giving a lecture!
  3. On Ferguson Ink, Derrick Ferguson continues to interview some of the best writers around.  This week, he interviewed Michael A. Gonzalez!
  4. From News From The Boston Becks: A Century of Film: Crime Films
  5. From The World’s Common Tater: Tater Takes On The Entire Fall TV Schedule!  (Tater took a look at all of the upcoming network schedules this week so be sure to explore his site to get the full details on all of them!)
  6. From Outspoken and Freckled: 5 Reasons Why THE AWFUL TRUTH is my Classic Comfort Movie
  7. From John Rieber: “The Stewardess Is Flying The Plane!” Why I Love 70’s Cinema! The Decade’s Biggest “Hellraisers!”
  8. From Awards Circuit: Leonardo DiCaprio and Steven Spielberg to Re-Team on Ulysses S. Grant Biopic
  9. TSL wasn’t at Cannes this year but Awards Watch was.  Check out their reviews here!
  10. Royal Wedding 2018: In Pictures

Links From The Site

  1. Erin profiled C.C. Beall and celebrated International Dinosaur Day!
  2. Jeff paid tribute to Margot Kidder!
  3. Viktor Von Glum reviewed Black Panther!
  4. Gary reviewed Dr. No, From Russia With Love, and Thunderball and he revealed the Secret James Bond-Batman connection!
  5. Ryan reviewed Rock Steady, XTC69, and Love That Bunch, along with sharing his weekly reading round-up!
  6. I observed Sofia Coppola’s birthday and shared my Oscar predictions for May!
  7. In case you missed it, here’s what won at Cannes!

Want to see what I accomplished last week?  Click here!

Have a great week, everyone!

Film Review: Fahrenheit 451 (dir by Ramin Bahrani)


(Before reading this review, make sure that you’ve read my review of Ray Bradbury’s novel!)

(And then make you sure that you’ve read my review of the 1966 Truffaut film!)

The latest HBO original film, Fahrenheit 451, is bad.

For all the talent involved, for all the hype, and for all the hope that many of us had for it, it is extremely bad.  It sets up its targets and then fires at them with all the aim and success of a myopic archer.  By almost any standard, it’s a misfire of almost Vinyl proportions.

The film, of course, is based on Ray Bradbury’s novel about a future dystopia where the population is kept in line through pharmaceuticals and mind-numbing television and where firemen burn books.  Michael B. Jordan plays Montag, the fireman who develops doubts.  Michael Shannon plays Beatty, Montag’s boss. Sofia Boutella is Clarisse, who inspires Montag to question why.  And no one plays Montag’s wife because that character was apparently cut from the film.

From the minute this version starts, it’s obvious that this film was inspired less by Bradbury and more by Black Mirror, Blade Runner, and the Purge franchise.  The entire world is defined by neon and dark shadows.  Gone is Bradbury’s suggestion that a world without books would be a bland one.  Instead, a world without books is now one that looks like every single recent sci-fi film.  People may have stopped reading but apparently, they’re still watching old Ridley Scott movies.

Gone too is the idea of Montag as a middle-aged man struggling with an existential crisis.  Now, he’s Michael B. Jordan, who comes across as if he’s never had a moment of doubt in his entire life.  He’s less Montag and more Creed in an authoritarian future.  Also gone is the weary relationship with Captain Beatty.  Now, Beatty is almost a father figure to Montag.  Of course, Montag’s real father died mysteriously years ago.  Nothing indicates a lazy screenwriter quicker than a character with daddy issues.

As I mentioned earlier, in this version, Montag is not married.  Instead, he lives a bachelor lifestyle in a glitzy apartment and he spends most of his time asking questions to the future’s version of Alexa, Yuxie.  (“Yuxie, was Benjamin Franklin the first fireman?”)  Of course, in the novel, Montag’s wife stood in for every citizen who never questioned why books were being burned.  It was Montag’s dissatisfaction with his bland home life that led to him getting to know Clarisse and eventually questioning his job as a fireman.  Now, Montag starts to doubt after a random rebel says that Benjamin Franklin didn’t support burning books.  But why, if Montag has spent a lifetime refusing to question anything, would some rando rebel suddenly make him reconsider?

The Book People are still around but now they’re kind of a pain.  I love books but I wouldn’t want to hang out with any of them.  They’re a humorless group of people who live in a farm and apparently being a book person means you can’t wash your hair or something because seriously, everyone looked a bit grimy.  I mean, it’s important to rebel again authoritarianism but that doesn’t meant you can’t look good while doing it.  Each Book Person has memorized a book and you have to wonder how they decide who gets to memorize which book.  We’re told that one Book Person has memorized Chairman Mao but if you’re battling censorship, would you really want to hang out with a person who has devoted her life to the guy behind the Cultural Revolution?  Another Book Person claims to have memorized all of Proust but I think he’s a damn liar.  I mean, how is anyone going to check that?  I’m guessing he probably only memorized the first 20 pages or so of Swann’s Way.  What I want to know is who got to memorize the Twilight books?

This version of Fahrenheit 451 is a bit of a mess.  I’m not one to demand that literary adaptations stick exactly to their source material.  (For instance, the film version of The Godfather was greatly improved by ignoring 60% of what happened in Mario Puzo’s novel.  For that matter, we can all be thankful that It didn’t end with the Losers Club solidifying their bond by having group sex with Beverly.)  But, in this case, the changes don’t improve on the original.  Instead, they just turn Fahrenheit 451 into yet another shadowy dystopian film.

When it comes to Fahrenheit 451, my advice is just to read the book.