Catching Up With The Films of 2018: Fifty Shades Freed (dir by James Foley)


“Mrs. Grey will see you now.”  (Insert your own eye roll GIF here.)

Occasionally, you see a film and, even though you know you should, you just never get around to reviewing it.  For instance, I saw Fifty Shades Freed when it was originally released in February and then I watched it again when it was released on DVD.  Both times, I thought to myself that I should write down my thoughts on the film, if for no other reason than the fact that I previously reviewed both Fifty Shades of Grey and Fifty Shades Darker for this site.  And yet, I never did.  To be honest, it was difficult to really think of anything to say about this movie that I hadn’t said about the previous two films.

Fifty Shades Freed opens with Christian (Jamie Dornan) and Ana (Dakota Johnson) getting married and going on their honeymoon.  It’s fun!  It’s sexy!  And it’s kinda creepy because, as always, Christian has control issues and he has to have his security team following them all over the place.  Christian freaks out with Ana removes her top on the beach.  Ana gasps at the sights of handcuffs.  There’s one hot sex scene that will temporarily make you forget about the fact that Jamie Dornan doesn’t seem to be that good of an actor.  It’s everything that you’d expect from a Fifty Shades honeymoon.

Unfortunately, the honeymoon ends way too quickly and then we have to deal with the marriage.  On the plus side, marrying Christian Grey means that you get to live in a really nice house and fly around in a private jet.  On the negative side, Christian is still basically an immature douchebag and, now that’s she rich, Ana has become a lot less likable.

Christian freaks out when he discovers that Ana is still using the name “Ana Steele” in her email address.  Ana explains that she’s Ana Steele at work but then, when she meets an architect named Gia Matteo (Arielle Kebbell), Ana tells her to stop flirting with her husband and announces, “You can call me Mrs. Grey!” with all the intensity of Kelly Kapowski announcing that she’s going to prom with Zach Morris on Saved By The Bell.

The marriage continues to play out like a perfume commercial written by Sartre’s bastard child.  Fortunately, there’s a few more sex scenes that are designed to again remind us that a good body can make up for a lack of everything else.  Unfortunately, Ana gets upset when Christian tries to humiliate her for real and a pouty Christian walks out of a shower as soon as Ana steps into it.  Ana is told that she’s pregnant and Christian totally freaks out because he still has all sorts of things that he wants to do with his money.  Christian’s a douchebag but he’s got a good body and he’s like super rich.  Have I already mentioned that?

Anyway, it turns out that Ana is being stalked by her former boss, Jack Hyde (Eric Johnson).  Fortunately, all of the stalking allows Ana and Christian to rediscover their love for each other.  There’s a kidnapping.  There’s a car chase.  There’s a lot of music and a lot of scenes of Dakota Johnson looking confused and Jamie Dornan looking blank.  It’s a Fifty Shades movie.  What else were you expecting?

The usual argument that critics tend to make with the Fifty Shades trilogy is that the movies are terrible but Dakota Johnson does the best that she can with the material.  Actually, both Dakota Johnson and Jamie Dornan are pretty lousy in all three of these films but Ana was at least kind of a sympathetic character in the previous two films.  Unfortunately, Fifty Shades Freed sees Ana and Christian becoming a boring married couple and what little chemistry Dornan and Johnson had in the previous films completely vanishes.  As a result, Ana doesn’t seem like someone lucky enough to have fallen in love with a man who just happens to be super wealthy.  Instead, she just comes across like someone who sold her soul for a private jet.

Fifty Shades Freed is the weakest of the trilogy, done in by the fact that there’s really not much of a story to tell.  Ana and Christian get to live blissfully ever after and it’s always good to see happy mannequins.  I saw this movie with my best friend and we talked through the entire movie and I imagine that’s what we’ll do every time we rewatch it.

One response to “Catching Up With The Films of 2018: Fifty Shades Freed (dir by James Foley)

  1. Pingback: Lisa Marie’s Week In Review: 10/29/18 — 11/04/18 | Through the Shattered Lens

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