Author Archives: Lisa Marie Bowman

Italian Horror Showcase: Zombi 4: After Death (dir by Claudio Fragasso)

Posted on by Lisa Marie Bowman

The 1989 Italian zombie film, After Death, takes place on a Caribbean island.  I’m not sure if the island was actually given a name in the film.  If they mentioned it, I either didn’t hear it or I didn’t bother to jot it down in my notes.  But, to be honest, the island doesn’t really need a name.  If you’ve ever seen an Italian zombie film, you’ll recognize the island immediately.  It features the same lush tropical jungle that was used in Hell of the Living Dead and there’s the usual voodoo-loving island natives.  Whether it was in Zombi 2 or Zombie Holocaust, you’ve seen this island before.

Years ago, Jenny grew up on the island.  Her parents were scientists, working to discover a cure for cancer.  But, after one of them shot and killed the local voodoo priest, all of the scientists on the island ended up getting eaten by zombies.  Jenny would have been eaten as well, except for the fact that she owns a magic necklace.

Now an adult, Jenny (Candice Daly) is returning to the island with a group of mercenaries.  We know that they’re meant to be mercenaries because they have guns and grenades and headbands.  They’re not exactly the most impressive paramilitary crew that’s ever appeared in a movie.  I mean, if this was a Predator movie, it would be a contest to see which one of them ended up getting killed first.

Jenniy and the mercenaries are heading to island to discover why her parents were killed.  As soon as they arrives at the island, their boat’s engine dies, which is really rotten luck because now they’re stranded.  Of course, their luck is about to get even worse….

But first, we cut to some hikers.  They’re hiking the island and you have to wonder why Jenny and the mercenaries were acting like this island was so isolated when apparently, anyone can just hire a guide and hike it anytime they want to.  Anyway, the hikers stumble into a cave that they shouldn’t have stumbled into.  This leads to the zombies once again coming to “life” and proceeding to attack anyone who they perceive as not belonging on the island.

Only one of the hikers survives.  Fortunately Chuck (played by Jeff Stryker, a porn star who appeared in this film under the name Chuck Peyton) manages to find the mercenaries and together, they all hide out in a deserted laboratory.  Unfortunately, one of the mercenaries has been injured by the zombies and is slowly dying.  Soon, everyone is under siege as the undead surround the lab….

So, After Death is a totally ludicrous film that I can’t help but kind of like.  It doesn’t quite rise to the level of being a guilty pleasure but, for the most part, the cast fully commits to their thinly-written roles and, from the minute the dead come back to life, the action is nonstop.  These aren’t your typical mindless zombies, just wandering about and randomly eating people.  Instead, these zombies are on a mission and their determination makes them a bit more menacing than the typical decaying cannibal.  While director Claude Fragasso never creates the type of ominous atmosphere that distinguished the zombie films of Lucio Fulci, he still keeps the action moving at a steady pace.  Even the fact that the ending makes no sense adds to the film’s weird charm.

After Death is also known as Zombi 4: After Death.  When Dawn of the Dead was released in the Italy, it was called Zombi.  It’s success led to Lucio Fulci making a film called Zombi 2, which, while being a fantastic horror film, had nothing to do with George Romero’s classic.  The success of Zombi 2 led to Zombi 3, which was started by Fulci but completed by Claudio Fragasso’s frequent collaborator, Bruno Mattei.  (Fragasso also wrote the screenplay for Zombi 3.)  Beyond the undead and the island setting, After Death has nothing to do with the previous Zombi films.  It has even less to do with the subsequent Zombi 5: Killing Birds.  However, you have to give the Italian exploitation film industry some credit.  They never allowed a good title to go to waste.

Horror Film Review: The Walking Dead (dir by Michael Curtiz)

Posted on by Lisa Marie Bowman

In this 1936 film (which has absolutely no relation to the AMC zombie show), Boris Karloff plays John Ellman.  John Ellman is perhaps one of the unluckiest guys ever.  Seriously check this out:

John Ellman was once an acclaimed concert pianist.  However, he was wrongly convicted of killing his wife and spent ten years in prison.  Now that he’s finally been paroled, he can’t get anyone to hire him.  Meanwhile, the judge who originally sent him to prison is in the news for having defied the mob and sentenced a well-known gangster to prison.  The mob is out for revenge but, rather than take the fall themselves, they’d rather frame a patsy.  And who could be a better patsy than a man who everyone already knows has a grudge against the judge?

Nolan (Ricardo Cortez), a crooked lawyer, arranges for Ellman to be given a job.  Ellman is told that he simply has to spy on the judge for a few nights to determine whether the judge is having an extramarital affair.  Ellman agrees and soon finds himself being set up.  The gangsters kill the judge and plant the body in Ellman’s car.  Ellman is arrested and sentenced to die.  It doesn’t matter that there are witnesses who know that Ellman’s innocent.  No one is willing to cross the mafia.

Ellman is convicted and promptly executed but his story isn’t over.  A scientist named Dr. Beaumont (Edmund Gwenn, who later played the man who might be Santa Claus in Miracle on 34th Street) knows that Ellman is innocent.  He takes Ellman’s body and, through an artificial heart and a bunch of other science-y things, he manages to revive Ellman.  John Ellman lives again!  Of course, he’s a bit of a zombie now and he doesn’t have any memory of his former life.  And yet, he instinctively knows who set him up to be executed and he sets out for revenge.

What’s interesting is that Ellman doesn’t kill anyone.  Even after he’s revived and presumably has no concept of right and wrong, John Ellman remains a rather passive zombie.  For the most part, the racketeers die because of how they react to the sight of the previously dead Ellman coming towards them.  For that matter, Beaumont isn’t the typical mad scientist that you might expect to turn up in a film like this.  He’s a benevolent man who was simply doing what he thought was the right thing.  Though the film ends with a warning about playing God, one can’t hep but get the feeling that, unlike Frankenstein, the film is overall very supportive of the idea of reviving the dead.

Directed by Michael Curtiz (who also did Casablanca, Mildred Pierce, The Adventures of Robin Hood, and countless other classic films), The Walking Dead is a combination horror/gangster film.  The film’s plot is a bit too convoluted for its own good but, overall, The Walking Dead works because of Boris Karloff’s performance.  He’s poignantly pathetic as the living John Ellman and then rather chilling as the vengeance-driven, recently revived Ellman.  The film’s most effective scenes are the ones where he just stares at his enemies, fixing them with a gaze that takes no prisoners and offers no hope.  It’s a great performance that elevates an otherwise uneven film.

Horror Scenes That I Love: Conal Cochran Explains Halloween in Halloween III: Season of the Witch

Posted on by Lisa Marie Bowman

Tonight’s horror scene that I love is from the underrated 1982 film, Halloween III: Season of the Witch.

In this scene, Conal Cochran (Dan O’Herlihy) explains not only the origins of Halloween but he also discusses how he’s going to make Halloween great again.  This scene is probably the best in the film and it’s almost entirely due to O’Herlihy’s wonderfully menacing performance as Conal Cochran.

“….and happy Halloween.”

 

Horror on TV: Kolchak: The Night Stalker 1.8 “Bad Medicine” (dir by Alexander Grasshoff)

Posted on by Lisa Marie Bowman

On tonight’s episode of Kolchak: The Night Stalker, wealthy women are dying in Chicago and Carl Kolchak is on the case!  It turns out that it’s all connected to priceless jewels and a legendary monster known as the Diabelro, a creature has been cursed to roam the Earth and search for gems.

The Diabelro is played by Richard Kiel, who might be best known for playing Jaws in The Spy Who Loved Me and Moonraker.

This episode originally aired on November 29th, 1974.

Enjoy!

4 Shots From 4 Halloween Films

Posted on by Lisa Marie Bowman

4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking.

Today, we acknowledge the release of David Gordon Green’s Halloween with….

4 Shots From 4 Halloween Films

Halloween (1978, dir by John Carpenter)

Halloween III: Season of The Witch (1982, dir by Tommy Lee Wallace)

Halloween H20 (1998, dir by Steve Miner)

Halloween (2007, dir by Rob Zombie)

Horror On The Lens: Pharaoh’s Curse (dir by Lee Sholem)

Posted on by Lisa Marie Bowman

It’s really not Halloween without at least one mummy film!

With that in mind, here’s a 1957 film called Pharaoh’s Curse.  In this film, a team of archeologists foolishly enter a mummy’s tomb and you can probably guess the rest.  Honestly, you would think that archeologists would eventually learn that it’s never a good idea to test a curse but apparently, it never happened.

Anyway, if you’ve got an hour to kill, enjoy Pharaoh’s Curse!

 

Music Video of the Day: Frankenstein by Mani Blu (2018, dir by Bryce Poodleven)

Posted on by Lisa Marie Bowman

I know, I know.

This song isn’t really about the Frankenstein that we all know and love, the one who reanimated the dead and who declared himself to be God.

Oh well, no matter!

It still feels appropriate for October.

Enjoy!

The TSL’s Horror Drive-In Grindhouse: Attack of the Eye Creatures (dir by Larry Buchanan)

Posted on by Lisa Marie Bowman

1965’s Attack of the Eye Creatures is an odd little movie.

It starts, as so many bad sci-fi movies do, with Peter Graves narrating about how the government has been keeping an eye on a flying saucers that’s apparently been hovering over the Earth for quite some time.  However, a quick visit to Project Visitor reveals that the soldiers assigned to protect us are more interested in using their monitoring equipment to spy on teenagers making out in their cars!

Agck!

EWWWWWW!

Total invasion of privacy!

Of course, what’s particularly sad about the whole thing is that you know that’s totally what would happen in real life as well.  Give a group of people the power to spy on anyone in the world?  Of course they’re going to end up spying on people fooling around in cars!  That’s one reason why Earth is just as doomed today as it was in 1966.

Anyway, the flying saucer does eventually land.  Unfortunately, our government is too incompetent to do anything about it.  The aliens inside turn out to be …. well, not that impressive.  For one thing, they don’t speak.  There are none of the grandiose threats to conquer the world that we’ve come to expect from aliens.  At the same time, we also don’t have to hear about how the rest of the universe is disappointed in us for polluting our planet and blowing each other up so that’s a good thing.  So often, intergalactic visitors can be so judgmental!  Anyway, these aliens are lumpy and gray and they’ve got several eyes.  They don’t really look that impressive.  Seriously, check this jerk out:

As I said, the government turns out to be pretty useless when it comes to battling the aliens and the local police are skeptical that any intergalactic visitors would bother to land in their crappy little town.  Fortunately, as always happens whenever the controlling legal authorities fail to do their job, there are teenagers and they’re willing to do what needs to be done to protect the world!

Of course, if Stan (John Ashley) and Susan (Cynthia Hull) are going to rally the troops against the aliens, they’re going to have to borrow someone’s phone.  That’s going to mean convincing the local old man to let them use his phone.  The old man, who has had enough of those crazy kids with all their kissing and the jazzy lingo, is more interested in using his shotgun to keep people off his lawn.

Meanwhile, two drunks decide that they want to get in on all this alien business.  They both later die and no one in the movie seems to care.  That’s just the type of movie that this is….

….and if it sounds familiar, that’s probably because you’ve seen the 1957 drive-in classic, Invasion of the Saucer Men!  Basically, in the mid-60s, American International Pictures commissioned Texas filmmaker Larry Buchanan to remake some of their most successful drive-in films.  Apparently, the plan was to sell them to television.  So, Buchanan took the script for Saucer Men, tossed in some scenes of the government spying on people (Buchanan was a noted conspiracy theorist who previously directed The Trial of Lee Harvey Oswald), and called his film Attack Of the Eye Creatures!

Yet, while Invasion of the Saucer Men was a genuinely clever sci-fi satire, Attack of the Eye Creatures is done in by Buchanan’s inability to keep his story moving at a steady pace and it doesn’t help that the iconic Saucer Men have been replaced by men who appear to be wearing trash bags.  Attack of the Eye Creatures is an unfortunate remake and one that should be viewed only after you’ve watched Invasion of the Saucer Men and maybe every other public domain sci-fi film that’s currently on YouTube.

Horror on TV: Kolchak: The Night Stalker 1.7 “The Devil’s Platform” (dir by Alan Baron)

Posted on by Lisa Marie Bowman

Tonight’s episode of Kolchak: The Night Stalker is a fun one!

In this episode, Kolchak investigates a series of mysterious deaths that seem to involve one very ambitious politician (played by Tom Skerritt).  Kolchak’s investigation leads him to believe that not only has the politician made a deal with the devil but that the politician also has the ability to transform himself into a killer dog!

Agck!

That’s Chicago-style politics for you,  I guess.

This episode originally aired on November 15th, 1974.

Enjoy!

Book Review: The Beast Within by Edward Levy

Posted on by Lisa Marie Bowman

Way back at the end of August, in anticipation of the TSL’s Horrorthon, I went down to my local Half-Price Books and I explored their collection of old horror paperbacks.  Among the books that I pulled off the shelf was the 1981 horror novel, The Beast Within by Edward Levy.

The book opens, in the 1920s, on the Arkansas farm of Henry Scruggs.  Henry is a cruel religious fanatic, one who views fornication as being such a sin that he refuses to even have sex with much younger wife, Sarah.  (Sarah, for her part, was practically sold to Henry by her father.)  One day, an Englishman named Connors shows up at the farm.  He’s a traveling bible salesman who specializes in seducing farm girls.  When he attempts to do just that to Sarah, they both end up getting caught by Henry.  Henry sets his wife on fire and then chains up Connors in the basement.  That’s where Connors spends the next 20 years, while Henry prays for his soul.

By the time Henry dies and Connors manages to escape, Connors is no longer human.  He’s been turned into a savage beast, who lives in the woods and eats anything that he comes across.  The beast eventually attempts to catch a snake and ends up getting a poisonous bite as a result.  However, before it dies, the Beast rapes Carolyn McCleary.

When Carolyn subsequently gives birth to a son named Michael, both she and her husband, Eli, convince themselves that Michael is Eli’s child, even though there’s no physical resemblance.  As a child, Michael has a terrible temper and is sometimes violent.  He has terrible dreams and sometimes wakes up covered in the blood of other animals.  After Eli and Carolyn are forced to resort to extreme measures to control Michael’s impulses, it seems as if Michael has recovered.  He grows up to be a relatively normal boy.

But then puberty hits….

The Beast Within is a grim, dark, and occasionally depressing little book.  It’s also compulsively readable.  Though many of the scenes between Henry, Sarah, and Conners verge a bit too much towards the cartoonish side, the book picks up once Henry’s out of the way and the focus shifts to the McClearys.  You find yourself hoping the best for Eli, Carolyn, and Michael, even though you know it’s doubtful that this story is going to have a happy ending.  The Best Within is short, sordid, pulpy as can be, and undeniably effective.