Late Night Retro Television Review: CHiPs 2.22 “Ride the Whirlwind”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Baker takes charge!

Episode 2.22 “Ride The Whirlwind”

(Dir by Larry Wilcox, originally aired on March 10th, 1979)

Just as with the week’s episode of Miami Vice, I am going to do a bullet-point review of this week’s episode of CHiPs because, quite frankly, it’s the holidays and I’m pressed for time.

  • In order to combat a crime wave that has apparently broken out in the nearby California hills, Baker has suggested creating a three-person dirt-bike team.  His hope is that the team will be made up of him, Ponch, and Sindy.  However, when Sindy gets delayed while helping a stranding motorist and ends up missing the morning briefing, Baker is forced to pick Grossman (Paul Linke) instead.
  • “Yay!” you might be saying.  Seriously, Grossman is a far more entertaining character than Sindy.  However, Ponch, Baker, and Sindy are not happy about it.  My personal feeling is that if riding a dirt bike was that damn important to Sindy, she should have arrived on time.
  • Ponch pays Grossman forty dollars to fake an injury so Sindy can take his place.  Grossman takes the money and then explains that he would have done it for free, just because he can tell who much riding a dirt bike means to Sindy.  If it meant so much to her, she could have showed up on time!
  • The dirt bike patrol is a huge success.  One guy rides through an old woman’s lettuce patch on his bike.  Baker tracks down the miscreant and not only gives him a ticket but also gets a date with the guy’s girlfriend.
  • Larry Wilcox also directed this episode, which perhaps explains why, for once, Baker’s the one who gets a date as opposed to Ponch.
  • Ponch busts a city councilman who later explains that he was just riding his bike recklessly because he was having a midlife crisis.
  • Sindy busts a punch of PCP dealers.  It takes her two tries, however.  The first time she chases them, she falls off her bike and sprains her ankle.  The second time, she proves that she belongs on a bike.
  • That’s good because Getraer is in a total panic about putting a woman on any sort of motorcycle, even just a dirt bike.  “If she gets injured,” Getraer warns Baker, it’ll be bad news for the entire department.  Getraer, I guess, hasn’t noticed that the entire second season had pretty much centered on just how hyper-competent Sindy is.
  • The stars of this episode were the California scenery and the stunt people.  The members of the dirt bike patrol all wear bulky uniforms and face-obscuring helmets, in order to disguise the fact that Larry Wilcox, Erik Estrada, and Brianne Leary are clearly not the ones who are actually riding the bikes.
  • Noted character actor Paul Koslo appears as one of the PCP dealers.  He’s believably redneck-y.
  • This episode featured some impressive stunts, which is really the main thing that most people ask for when it comes to a show like this.  That said, I do think the episode would have been more with Grossman as a member of the team.

Next week: Season two ends!

#MondayMuggers – Why TOWER HEIST?


Every Monday night at 9:00 Central Time, my wife Sierra and I host a “Live Movie Tweet” event on X using the hashtag #MondayMuggers. We rotate movie picks each week, and our tastes are quite different. Tonight, Monday November 25th, we’re watching TOWER HEIST starring Ben Stiller, Eddie Murphy, Casey Affleck, Alan Alda, and Matthew Broderick.

So why did Sierra pick TOWER HEIST, you might ask? It’s simple. It’s a Thanksgiving movie. The Macy’s Thanksgiving Day Parade is even used as a key part of the heist strategy! Sierra and I love the holidays and we’re getting in the spirit. We hope watching this movie will enhance your Thanksgiving week!

It’s on Amazon Prime, and we’ll be following along the theatrical edition (NOT the Extended Edition). Join us if you’d like!

Retro Television Review: Miami Vice 3.9 “Baby Blues”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, the Vice Squad investigates a baby broker!

Episode 3.9 “Baby Blues”

(Dir by Danial Attias, originally aired on November 21st, 1986)

In honor Miami Vice‘s violent nature (and in recognition of the fact that it’s the holidays and I’ve got a lot of things that I need to do), I’m going to review this week’s episode bullet-point style!

  • The episode starts in Colombia.  Babies are being kidnapped from local villages.  In  some cases, they’re literally snatched from the arms of their mothers.  The babies are taken to Miami where a sleazy lawyer named Howard Famiglia (Tommy Koenig) essentially sells them to wealthy families.
  • Maria Escobar (Patrice Martinez) illegally crosses the border to search for her son in Miami.  She nearly dies in the attempt.  When she and a planeload of babies are discovered on a Miami runway, law enforcement gets involved.
  • Castillo doesn’t think that the case is one that Vice should be investigating.  Gina and Trudy set him straight.
  • It doesn’t take long for the Vice Squad to discover that Famiglia is a baby broker.  One of his customers is played by a young Stanley Tucci.  The customer is willing to testify against Famiglia.
  • Famiglia sends his henchmen out to intimidate and kill all of the witnesses.
  • Famiglia also kills his main hitman and then booby traps his apartment.  When Crockett and Tubbs jump out of the exploding apartment, it looked like Tubbs leg caught on fire.  “Wow,” I said, “that really looked real!”
  • It turns that it was real.  Philip Michael Thomas’s stunt double was severely burned as a result.
  • Eventually, the Vice Squad is able to trick Famiglia into believing that Maria is being kept at a local hospital.  Famiglia sets up a meeting for women looking to adopt.  While the women watch an educational film, Famiglia crawls through a ventilation shaft and tries to enter Maria’s room.
  • SURPRISE!  That’s not Maria in that hospital bed …. it’s Gina!  The Vice Squad shoots Famglia dead, leaving his corpse awkwardly hanging out of the hospital room wall.  For some reason, that sight really disturbed me.
  • Maria is reunited with her son but, upon realizing that he now has a life and a family in America, she decides to let him stay with his new parents.  She is then deported back to Colombia, where she will probably be killed by the same people who stole her baby in the first place.
  • Overall, this episode suffered because the villain was miscast.  Looking at the imdb, the majority of Tommy Koenig’s credits appear to have been comedic.  He’s an actor who looks like he should be on a sketch comedy show and not a gritty crime drama.  Even when Famiglia is crawling through an air duct with a gun, he just looks goofy.  Plus, considering that he had a people working for him who were willing to murder, would Famiglia really have gone to the hospital himself?
  • Stanley Tucci and Tommy Koenig should have switched roles.
  • This episode gave Trudy, Gina, Switek, and Zito more to do than usual.  That was good.  This show often underused its supporting cast.
  • Miami Vice was often a cop show with a political subtext.  In this case (and I’m just pointing it out, I’m not necessarily agreeing or disagreeing), the subtext was that America’s immigration system sucked, as Maria only had a limited amount of time to  find her son before being deported.  But then she decided to leave him in America rather than take him back to Colombia.  Miami Vice was not just political.  It was also usually kind of depressing.

Next week’s episode features Bill Paxton and Wesley Snipes!  I’m looking forward to it!

 

Monday Live Tweet Alert: Join Us For Raiders of the Living Dead!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasionally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1986’s Raiders of the Living Dead! I picked it so you know it’ll be good.

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, find the movie on YouTube, hit play at 8 pm et, and use the #MondayActionMovie hashtag!  The live tweet community is a friendly group and welcoming of newcomers so don’t be shy.   

TRUE BELIEVER -James Woods & Robert Downey, Jr. take on the system!


I’ve been going through my movies and re-watching some of my favorites. A movie that clearly falls into that category is TRUE BELIEVER starring James Woods and Robert Downey, Jr. I became a fan of James Woods around 1988 primarily based on the strength of two action films that he worked on around that time, those being BEST SELLER (1987) and COP (1988). I spent hours combing through the rental selections at our local Hastings Entertainment store and I remember both of these movies being in the “New Release” section at the same time. They’re both hard hitting, violent films, and Woods is especially good in both. Being an obsessive completist, I found myself searching out the prior work of the star for some more good movies. It was during this time that TRUE BELIEVER was released to the theaters in February of 1989. I enjoy courtroom dramas, and knowing the intensity that Woods brings to his films, I had no doubt I would like it.

The story revolves around Eddie Dodd (Woods), an attorney who used to fight for the cause of the little guy, but now mostly finds himself protecting drug dealers from the law. Enter Roger Baron (Downey Jr.), a recent law school graduate who idolizes Dodd, and is now disappointed to see his legal hero reduced to his current cynical state. When a Korean mother comes into the law offices one day and says her son, Shu Kai Kim, has spent 8 years in prison for a crime he didn’t commit, cynical Dodd doesn’t want to take the case. Young Baron shames him into it though, and soon the two men find themselves taking on the New York District Attorney himself Robert Reynard (Kurtwood Smith) as they try to prove Shu Kai Kim’s innocence and help him taste freedom once more!

Often when people ask me to name my favorite James Woods film, I’ll quickly answer TRUE BELIEVER even though there are many good films to choose from. There are a few reasons for that. First, even though the film is a serious legal thriller with many dark undertones, director Joseph Ruben has given his movie a dark sense of humor. Woods and Downey, Jr. are able to find the humorous elements inherent in their characters and that brings some fun to the otherwise serious proceedings. Second, I really enjoy the story of underdogs taking on the big, bad system. Shu Kai Kim is an underdog who maintains his innocence when all the evidence appears flawlessly stacked against him. Eddie Dodd, the once feared civil rights lawyer who is now a hopeless burnout, is an underdog who appears to be out of his league as he goes up against the most powerful attorney in New York. These underdog story lines give us something to really root for as the story plays out. And finally, the performances are phenomenal from top to bottom. James Woods, an actor known for his electric intensity, is at the top of his game and Kurtwood Smith is a great adversary. Robert Downey, Jr. brings a bright-eyed enthusiasm to the role that compliments the cynical Woods nicely. And Yuji Okumoto as Shu Kai Kim shows us quite a transformation from a man who goes from almost being dead inside as a result of his eight years in prison, to a man who allows a glimmer of hope to seep in for a second chance. I think Okumoto is great in the role. The story takes many twists and turns and I enjoy every moment as it plays out.

TRUE BELIEVER is definitely one of my favorites!

Here Are The 2024 AARP Movies For Grown-Ups Nominations


The awards precursor season is getting started …. kinda.

The AARP Movies For Grown-Ups Nominations were announced last week, on the 20th.  I’m only now getting around to sharing them because I’m not a member of AARP and therefore, I had no idea these nominations had even been announced.  It seems a bit earlier than usual, for them.  Then again, you know how retired folks are about getting up early.

How influential are the AARP nominations?  Not very.  These nominations were not made being film critics or people who work in the industry.  They were made by the editors of AARP’s magazine.  That said, it’s always good to get mentioned somewhere.  If nothing else, this list might indicate which films are resonating with the over-5o set.

Or maybe I just like long lists.

Anyway, here are the nominations!  The winners will be announced on January 11th, during the Denny’s breakfast special.

Best Picture/Best Movie for Grownups
A Complete Unknown
Conclave
Emilia Pérez
Gladiator II
September 5

Best Actress
Pamela Anderson (The Last Showgirl)
Marianne Jean-Baptiste (Hard Truths)
Nicole Kidman (Babygirl)
Demi Moore (The Substance)
June Squibb (Thelma)

Best Actor
Adrien Brody (The Brutalist)
Daniel Craig (Queer)
Colman Domingo (Sing Sing)
Ralph Fiennes (Conclave)
Jude Law (The Order)

Best Supporting Actress
Joan Chen (Didi)
Aunjanue Ellis-Taylor (Nickel Boys)
Lesley Manville (Queer)
Connie Nielsen (Gladiator II)
Isabella Rossellini (Conclave)

Best Supporting Actor
Clarence Maclin (Sing Sing)
Guy Pearce (The Brutalist)
Peter Sarsgaard (September 5)
Stanley Tucci (Conclave)
Denzel Washington (Gladiator II)

Best Director
Pedro Almodóvar (The Room Next Door)
Jacques Audiard (Emilia Pérez)
Edward Berger (Conclave)
James Mangold (A Complete Unknown)
Ridley Scott (Gladiator II)

Best Screenwriter
Jacques Audiard, Thomas Bidegain, Nicolas Livecchi (Emilia Pérez)
Jay Cocks and James Mangold (A Complete Unknown)
Winnie Holzman (Wicked)
Peter Straughan (Conclave)
Denis Villeneuve and Jon Spaihts (Dune: Part Two)

Best Ensemble
A Complete Unknown
Beetlejuice Beetlejuice
His Three Daughters
September 5
Sing Sing

Best Actress (TV)
Jennifer Aniston (The Morning Show)
Jodie Foster (True Detective: Night Country)
Jean Smart (Hacks)
Meryl Streep (Only Murders in the Building)
Sofia Vergara (Griselda)

Best Actor (TV)
Billy Crudup (The Morning Show)
Idris Elba (Hijack)
Jon Hamm (Fargo)
Gary Oldman (Slow Horses)
Hiroyuki Sanada (Shōgun)

Best TV Series or Limited Series
The Crown
Hacks
Palm Royale
Shōgun
Slow Horses

Best Intergenerational Film
Didi
Here
His Three Daughters
The Piano Lesson
Thelma

Best Time Capsule
A Complete Unknown
The Brutalist
Here
Maria
September 5

Best Documentary
I Am: Celine Dion
Luther: Never Too Much
Piece by Piece
Super/Man: The Christopher Reeve Story
Will & Harper

Music Video of the Day: Midnight Train by Kim Wilde (2024, dir by Sean J. Vincent)


Kim Wilde’s back!

It’s been a while since I’ve been on a train after midnight.  I think the last time …. wow, was it when Erin and I went to a midnight premiere of Sex and the City 2 at the Angelika?  That was like a whole other lifetime ago.

This video does a good job of capturing what we all like to imagine riding a midnight train would be like.  The reality of my last midnight train ride is that I was feeling like crap but all of the seats were taken so I had to stand for the first three stops.  I was lucky I didn’t faint.  Maybe that’s why I stopped riding midnight trains.  Who knows, it was a while ago.

Anyway, enjoy!