
Artist Unknown
That’s always good advice to take.
This edition came out in 1952. The cover artist is unknown. Whoever it was did a good job of capturing both an attitude and a setting.

Artist Unknown
That’s always good advice to take.
This edition came out in 1952. The cover artist is unknown. Whoever it was did a good job of capturing both an attitude and a setting.
This song is from one of R.E.M.’s more underrated efforts, New Adventures in Hi-Fi. As to what the song is actually about, there are many differing interpretations. That’s kind of the par for the course when it comes to R.E.M. The most frequent interpretation that I’ve seen is that Michael Stipe is singing about himself and all of the things that he wants that are unattainable. Or it could be that Michael is actually singing about all of us and saying that no one will ever get what they want. I’ve read at least one message board post that claimed that this was yet another song about the death of Kurt Cobain.
The music video was directed by Lance Bangs, who is still directing music videos to this day and who is married to Corin Tucker of Sleater-Kinney. Bangs was also heavily involved with MTV’s Jackass, a show that changed the culture for better or worse. Incidentally, Lance Bangs does not appear to be related to Lester Bangs.
Enjoy!
I’ve lost a lot of people over the past four years.
They haven’t died, as much as they’ve vanished down the various rabbit holes that opened up after the election of Donald Trump. A few of my acquaintances jumped down the MAGA rabbit hole. However, since the majority of the people I know tend to lean towards the left, an even larger number of them disappeared down the Resistance rabbit hole. A few of them, both on the right and the left, never returned. Those that did make it back to the surface usually returned as different people. It was as if they’d entered the Black Lodge and their doppelganger had returned while the person they had once been remained behind the red curtains. People who had previously been witty and properly skeptical of outlandish conspiracy theories were suddenly spending all of their time talking about shadowy organizations and cartoonish villainy. Discussions of art and creativity were replaced with dark talk of revolution and revenge. I watched with growing sadness as some of my favorite writers went from writing thought-provoking stories and reviews and instead transformed into the type of people who stayed on twitter for 24 hours a day, replying to every Trump or Pelosi tweet and defending even obvious grifters like Lin Wood and Michael Avenatti. I’ve watched as some former friends went full anti-Vaxxer while others started to find evidence of secret conspiracies in even the most mundane of events.
(It was never enough, of course, that they felt they had found evidence. You were expected to see it too or you ran the risk of being accused of being a part of the cover-up.)
For the past four years, as paranoia and perpetual rage have been normalized, I’ve watched one mental collapse after another. What was particularly upsetting was knowing that, while the majority of these people were at least sincere in their delusions (i.e., they truly believed that they were battling an immense conspiracy and that their tweets were the only thing standing between freedom and subjugation), the leaders that they were following and looking to for direction often were not.
Naively, I hoped that the election would provide some sort of relief or, at the very least, people would mentally have no choice but to start moving on. Instead, some of the same people who previously pointed out that the Russian collusion theories didn’t really make much sense suddenly accepted the existence of an even bigger and more improbable conspiracy, all designed to steal the election from the man they supported for president. The riot that occurred at the Capitol has resulted in both a new round of conspiracy theories and, far more ominously, new calls for an enhanced surveillance state. By being so quick to buy into all of the various conspiracy theories, people may have brought about the very world that they believed they were stopping.
On Wednesday, we changed presidents and despite all the claims that Trump was going to apparently going to lock himself in the Oval Office, he instead flew down to Florida. I’m not even going to guess what’s going to happen over the next four years. All I know for sure is that I’m going to miss the people who have disappeared down those rabbit holes. I still hold onto hope that they can eventually make it back but that hope is fading. Once you buy into a conspiracy, it’s really hard to get your money back.
(On the plus side, the AV Club has announced that they’ll no longer be covering Trump. Personally, I’m of the opinion that they should have never have started in the first place. In fact, I would argue that….)
Okay, sorry. Moving on!
In other news, it’s been a rainy and cold week down here in Texas. I’m not complaining because I know that we’ll be back to 100-degree weather in just a few months. I’ve currently got a cold but I’m trying not to complain as much as usual because, obviously, a cold is nothing compared to what’s currently out there. It’s interesting to think that, a year ago at this time, the “experts” were stills saying that COVID fears were overblown and that there was no need for people to start wearing masks. Now, 12 months later, you’re liable to get a dirty look if you leave your house only wearing one mask as opposed to two or three.
We had a nice big thunderstorm today and I was happy for that. I always love ending the week with the chaos of thunder and lightning.
In conclusion….
Yes, yes, I know. I have rambled on a bit today but if not now, when? Anyway, here’s what I watched, read, and listened to this week!
Films I Watched:
Television Shows I Watched:
Books I Read:
Music To Which I Listened:
Awards Season Links
News From Last Week:
Links From Last Week:
Links From The Site:
More From Us:
Want to see what I did last week? Click here!
Or maybe just 9 hours.
Back in 1986, Optimus Prime muttered 6 six words to Megatron that would sear itself into the minds of kids for a generation.
And here we are, 30 years later, still using that phrase, or something like it. as Godzilla vs. Kong offers the tagline “One Will Fall”.
After 3 mega movies (Godzilla, Kong: Skull Island & Godzilla: King of the Monsters), we’re finally ready for a kaiju matchup of truly epic proportions. Godzilla vs Kong pairs the two legendary monsters against each other, though for what reasons, we’re not entirely sure. Neither side wishes to concede, and the battle looks like it’s going to be both in the water and on land. From the newly released trailer, it looks like Kong’s the current hero. The returning characters of Mark and Madison Russell (Kyle Chandler and Millie Bobby Brown) from Godzilla: King of the Monsters seem to feel that something’s wrong with our atomic breath spewing hero. Dr. Chen (Zhang Ziyi, Crouching Tiger, Hidden Dragon) is also on hand to help. After saving the world twice, why would he suddenly turn on mankind? I’m not sure I like the idea of Godzilla being a villain in all this, but they have to have a reason to fight, I suppose.
While it doesn’t look like anyone returns from Kong: Skull Island, we still have Kong and some supporting characters in Alexander Skarsgard (The Legend of Tarzan), Julian Dennison (Deadpool 2), Jessica Henwick (Underwater), Eiza Gonzalez (Bloodshot), Danai Gurira (Black Panther), and Lance Reddick (John Wick 3 – Parabellum).
Godzilla vs. Kong is due in IMAX and on HBO Max on March 26th, 2021.
4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.
Henry King was born 135 years ago today. He was born in Virginia and, though he may no longer be a household name, he was one of the busiest and most versatile directors of Hollywood’s Golden Age. He began his career during the silent era, directing his first film in 1918. He continued to work all the way through 1962, working in every genre and directing at least 8 Oscar-nominated performances. He was also one of the founders of the Academy. In short, Henry King was an important figure in the early years of Hollywood. If you’ve ever studied classic film or just spent a weekend or two watching TCM, there’s a good chance that you’ve seen at least one Henry King film.
Like many of the top directors from Hollywood’s Golden Age, Henry King was prized for being a professional. In the years when the studios ruled Hollywood and before directors became known as auteurs, King was someone who could be trusted to make an effective film with the minimum amount of behind-the-scene drama. He was someone who could move from genre to genre and from theme to theme. He was skilled at getting the best performances from his actors and he knew how to visually tell a story and keep the action moving. He knew how to engage the audience and his best films hold up surprisingly well.
In honor of Henry King and his career and legacy, here are…
4 Shots From 4 Henry King Films

by Saul Levine
“The inside story of a women’s prison!”
Female Convict was a popular book that was reissued several times. With each reissue, it got a new cover. This cover is from 1952 and I think it’s from the book’s first edition but I could be wrong. I have to admit that I started laughing as soon as I saw this cover, just because it featured so many typical pulp tropes. Between the tough trustee smoking a cigarette to the prisoner absent-mindedly fixing her stockings in the background, this cover is pretty much a master class in pulp imagery. Would you even be allowed to wear stockings in prison? The other reasons I laughed was just because of all the disgusted facial expressions. These ladies really don’t want to be in prison.
This cover was done by Saul Levine. Future covers would be by R.A. Osborne, Robert Maguire, and others.
I usually wouldn’t ever consider sharing a Pink Floyd video, despite enjoying some of their music. Roger Waters is simply too odious a figure for me not to feel conflicted about sharing any video that he was involved with. Fortunately, Waters wasn’t involved with Learning to Fly, which was the first video that Pink Floyd released after Waters left the band and David Gilmour took over.
In fact, the song is almost a middle finger directed at Waters. Waters claimed that Pink Floyd was moving too far away from being about the music and expanding minds so what did GIlmour do? He composed a song about how much he enjoyed flying his private airplane. Oh, I know that a lot of people will tell you that this song is also about Gilmour learning how to lead the band in Waters’s absence but come on. We all know that it’s ultimately about David Gilmour having his own plane while you don’t.
The video, which features a Native American shaman and a man turning into an eagle after jumping off a cliff, is just pretentious enough to fit in with the Pink Floyd’s work during the Waters era.
Enjoy!
The Black Film Critics Circle announced their picks for the best of 2020 on the 21st! Here are the winners from the BFCC:
TOP 10 FILMS OF THE YEAR
1. Ma Rainey’s Black Bottom
2. Minari
3. Nomadland
4. One Night in Miami
5. Soul
6. Judas and the Black Messiah
7. Da 5 Bloods
8. The Trial of the Chicago 7
9. Sound of Metal
10. The Forty-Year-Old Version (TIE)
10. Sylvie’s Love (TIE)
BEST DIRECTOR
Regina King – One Night in Miami (TIE)
Chloé Zhao – Nomadland (TIE)
BEST LEADING ACTOR
Chadwick Boseman – Ma Rainey’s Black Bottom
BEST LEADING ACTRESS
Viola Davis – Ma Rainey’s Black Bottom
BEST SUPPORTING ACTOR
Leslie Odom Jr. – One Night in Miami
BEST SUPPORTING ACTRESS
Yuh-Jung Youn – Minari
BEST ORIGINAL SCREENPLAY
Lee Isaac Chung – Minari
BEST ADAPTED SCREENPLAY
Ruben Santiago-Hudson – Ma Rainey’s Black Bottom
BEST CINEMATOGRAPHY
Hoyte van Hoytema – Tenet
BEST DOCUMENTARY
Time
BEST ANIMATED FILM
Soul
BEST FOREIGN FILM
Night of the Kings

by Ernest “Darcy” Chiriacka
This book was first published in 1962. Judging from the blurb, the main message seems to be that women should stay out of Las Vegas. Not only will it cause them to get a quickie divorce but the atmosphere was created to “stimulate their passions and play upon their need for men!” Divorce was still considered to be scandalous in 1962 so it should came as no surprise that it was the topic of several pulp novels during the era. Las Vegas, with its quickie weddings and quickie divorces, was the city of sin. I’m just wondering how they managed to find a beach in Nevada.
This cover was done by Ernest “Darcy” Chiriacka, much of whose work has been shared on this site in the past..
In his video, Eddie Money returns to his roots.
Eddie was born in Brooklyn. His father was a cop. His grandfather was a cop. His brother was a cop. It was expected that Eddie would become a cop too. Even while he was pursuing a career in music, Eddie joined the NYPD. However, while he was still in training, Eddie was told that he would not be allowed to wear his hair long if he was a member of the NYPD. That was the last straw for Eddie, who later said that he could not imagine spending the next 20 years of his life with short hair. He left the force and returned to music. Unfortunately, the band he was in suspected that he was an undercover narc and kicked him out. Meanwhile, his father tore down and destroyed every Jimi Hendrix poster that Eddie had hanging in his room. Perhaps realizing that New York was no longer going to be a friendly place to live, Eddie headed for California and the rest, as they say, is history.
In this video, though, Eddie is back in New York and working out the of the 18th precinct. While he investigates crimes on the streets, a runaway is sucked into a dangerous lifestyle. Eddie has longish hair in the video so he finally got to be a cop without having to cut his hair.
This video was directed by Martin Kahan, who also did videos for KISS, Scandal, Michael Bolton, and a lot of other people who probably would never have made it as a member of the NYPD.
Enjoy!