Playing Catch Up With The Films of 2016: Whiskey Tango Foxtrot (dir by Glenn Ficara and John Requa)


whiskey_tango_foxtrot_poster

Some day, someone will get around to making the ultimate Tina Fey movie, which will basically just be 4 and a half hours of people talking about how much they love Tina Fey while Tina makes silly faces in the background.  Until that day comes, viewers will just have to settle for Whiskey Tango Foxtrot.

In Whiskey Tango Foxtrot, Tina Fey plays Tina Fey playing real-life journalist, Kim Baker.  When the film starts, Kim accepts an assignment as a war correspondent in Afghanistan.  Though she starts out as neurotic and intimidated, Kim soon steps up and emerges as a passionate and committed journalist, one who is dedicated to revealing the truth — both good and bad — about what’s happening in Afghanistan.  Helping her along the way is a BBC reporter, Tanya Vanderpool (Margot Robbie) and a Scottish photographer named Iain (Martin Freeman).  Iain and Kim may be attracted to one another but Kim has a boyfriend (Josh Charles) back in New York.  How long do you think it takes for Kim to catch her boyfriend cheating via Skype?

Whiskey Tango Foxtrot is one of those movies that you just know was made to be an Oscar contender.  Not only does it deal with a big important subject but it stars a popular performer in a change-of-pace role.  Except, of course, it’s not really that much of a change-of-pace.  Tina Fey’s a good actress but you never forget that you’re watching Tina Fey.  You never think to yourself, “Kim is caught in the middle of a firefight” or “Kim is getting addicted to the rush of being a war zone.”  Instead, you think, “Any minute now, Tina Fey’s going to start shooting a gun and it’s going to be funny because she’s Tina Fey.”  Towards the end of the film, when a U.S. soldier who has lost his legs tells Kim to never stop trying to tell the people the truth about what’s happening in Afghanistan, you don’t think, “Don’t give up, Kim!”  Instead you think, “Wow — so that soldier lost his legs so that Tina Fey could have an Oscar moment.”

If I haven’t already made it clear, Whiskey Tango Foxtrot is an extremely uneven film, one that never seems to be sure if it wants to be a relationship comedy, a media satire, or a serious look at the realities of war.  The film works best when it concentrates on the friendship between Tanya and Kim and it’s nice to see a film about two women who are colleagues and friends.  When Tanya first showed up, I was worried that the film would devolve into one of those “Women can’t work together” diatribes or that Tanya would immediately be set up as some sort of mean girl rival for Iain.  Instead, the film explores how women support each other through even the most difficult of circumstances.  But then there’s other scenes that just don’t work as well, like the scenes with Alfred Molina as an Afghan politician who has a crush on Kim.

Whiskey Tango Foxtrot has its moment but ultimately its too uneven to be of much consequence.

4 Shots From 4 Holiday Films: A Very Harold & Kumar 3D Christmas, Black Nativity, Tangerine, Krampus


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

4 Shots From 4 Holiday Films

A Very Harold & Kumar 3D Christmas (2011, dir by Todd Strauss-Schulson)

A Very Harold & Kumar 3D Christmas (2011, dir by Todd Strauss-Schulson)

Black Nativity (2013, dir by Kasi Lemmons)

Black Nativity (2013, dir by Kasi Lemmons)

Tangerine (2015, dir by Sean S. Baker)

Tangerine (2015, dir by Sean Baker)

Krampus (2015, dir by Michael Dougherty)

Krampus (2015, dir by Michael Dougherty)

Listen to A Christmas Carol!


Now that you’ve had a chance to listen to radio productions of both It’s A Wonderful Life and Miracle on 34th Street, how about A Christmas Carol?

This version was produced by the BBC and it features Sir Ralph Richardson in the roles of both Scrooge and the storyteller!

From 1965, here is A Christmas Carol!

 

Here’s The Lux Radio Theater Version of Miracle on 34th Street!


I’ve spent so much time talking about how much I love It’s A Wonderful Life that I’m running the risk of overlooking my second favorite Christmas film of all time, 1947’s Miracle on 34th Street!

So, now that you’ve had a chance to enjoy the radio version of It’s A Wonderful Life and the behind-the-scenes documentary about the making of that classic film, why not sit back and listen to Lux Radio Theater’s production of Miracle on 34th Street!?

This was originally broadcast on December 22nd, 1947 and it features the cast from the film — Natalie Wood, Edmund Gwenn, John Payne, and Maureen O’Hara!

And remember — Santa Claus is real!  The U.S. Post Office says so!

 

 

 

A Blast From The Past: The Making Of It’s A Wonderful Life (dir by Sandra Moiseeff)


Now that you’ve either seen the film or listened to the radio adaptation of It’s A Wonderful Life, how about a documentary about how this classic film came to be in the first place?

The Making Of It’s A Wonderful Life was apparently made for television and was broadcast in 1990.  Hosted by actor Tom Bosley, it’s a warm and appreciative look at a much beloved classic.

And here it is!

 

Merry Christmas from Vincent Price (A CHRISTMAS CAROL 1949)


gary loggins's avatarcracked rear viewer

What’s Christmas without Dickens’ classic A CHRISTMAS CAROL, and who better to narrate than jolly old Vincent Price! Enjoy this TV treat from 1949 before you eat your Christmas goose, and “God bless us, every one!”.

http://www.youtube.com/watch?v=wxgU_J366JI

View original post

Did you miss It’s A Wonderful Life? Don’t worry, we got you covered!


Last night, NBC broadcast the classic 1946 film It’s A Wonderful Life and…

What?

You missed it?

Well, don’t worry — we’ve got you covered!

Presented for your listening enjoyment, here is the 1947 radio version of It’s A Wonderful Life!  This was an episode of the Lux Radio Theater and it featured Jimmy Stewart and Donna Reed recreating their film roles!

Have Yourself A Terrifying Little Christmas … With The Trailer for Alien: Covenant!


AGCK!

Ridley Scott returns to the Alien franchise and, if this trailer is any thing to judge by, it looks like 2017 is going to be a scary one indeed!

Alien Covenant will be in theaters on May 17th!

Playing Catch Up With The Films of 2016: Demolition (dir by Jean-Marc Vallee)


demolition_poster

Jake Gyllenhaal is owed an Oscar.  We all know that.  He should have been nominated for Nightcrawler and, even more importantly, he should have won.  However, for whatever reason, the Academy snubbed him.  Ever since then, we — and by “we,” I mean “me” but “we” sounds better — have been waiting for him to get another nomination.

Last year, for instance, we thought he would be nominated for Southpaw.  Then the movie came out and it turned out to be not that good.

This year, we thought it would be for Demolition.  Then Demolition came out and it turned out to be worse than Southpaw

And really, it shouldn’t have been.  Demolition was directed by Jean-Marc Vallee, who was rightly acclaimed for his work on Wild and Dallas Buyers Club.  Not only did it star Jake Gyllenhaal but it also featured Naomi Watts and Chris Cooper!  I mean, how could you go wrong with all that talent?

But the thing is, Jean-Marc Vallee may have directed Wild and Dallas Buyers Club but also directed the wildly uneven The Young Victoria.  Naomi Watts is a great actress but it’s rare that she gets truly great parts.  Chris Cooper can be great but he’s usually at his least subtle whenever he’s playing a suit-wearing authority figure.  As far Jake Gyllenhaal, he is an actor who was born to play eccentric outsiders.  Whenever he has to play someone who is “conventional,” he can seem miscast.

Now admittedly, Davis Mitchell is only “normal” for a few minutes in Demolition but, for the film to work, you have to believe that he was once a successful investment banker who made a lot of money, lived in the suburbs, and never questioned anything.  Since you never believe that Jake Gyllenhaal could ever not be eccentric, it’s hard to be shocked when Davis starts destroying houses and dancing in public.  Everyone else in the movie is so shocked to discover that Davis had an eccentric side but we’re not because he’s played by Jake Gyllenhaal.

The reason why Davis is acting so strange is because his wife has just died in a horrific auto accident.  Now that she’s gone, Davis finds himself wondering if he ever loved her and questioning his entire life.  What little joy he gets comes from helping to tear down houses and corresponding with Karen (Naomi Watts).  Karen works for a vending machine company.  When the hospital vending machine didn’t give Davis the candy that he paid for, he wrote a long letter to the company and explained that his wife has just died and…

*sigh*

See, this is one of those films that is so relentlessly quirky and full of scenes that are supposed to be profound and thought-provoking that it’s kind of a drag to actually try to describe the film’s plot.  I mean, it actually kind of ticks me off to think about all of the contortions that Demolition goes through in its attempt to convince us that it actually has something important to say.  (I was shocked to discover that it wasn’t based on a Nicholas Sparks novel.)  It’s one of those films that obviously has the best of intentions but it’s so overwritten and overdirected and overly portentous that anyone who has ever had to deal with depression will get annoyed with the simplified and shallow way that Demolition deals with it.

Demolition was supposed to be an Oscar contender last year but it’s release date got moved back and I can understand why.  The movie’s a mess.

Here’s hoping that Jake Gyllenhaal gets a great role next year!