Anime of the Year:2016


I gotta admit, of everyone here, I am definitely the guiding light when it comes to anime.  This doesn’t mean that I watch everything and my word is gospel (Ok, my word is always gospel, because I said so) but I do watch a decent amount of every year’s offerings, in the realm of 1/4 to 1/2 of everything that’s been released (but since there’s been 180 titles released this year alone, and I can manage to watch at the most 20 shows a season if I’m super diligent, which anyone here will admit I’m not) the best I can do is 80 shows.  So it’s always possible that something has fallen through the cracks.  But, I like to believe that I have a good finger on the pulse of things that are good.  Hence, while I’ve long heard the cry for Re:Zerorem-x-ramHonestly, I hated the protagonist to death (anyone that’s watched the show sees what I did there) and I cannot in good faith pick that show as my favorite for the year.  But if not this show, then whom?  Yes, there have been multiple shows that are worthy of a high ranking.

Could I have gone with another highly rated show, Erased?

erasedWell, since I’ve brought it up right now, everyone should know that no, this isn’t my top show.  But, let me say that it was high on my list.  The thing about anime is that shows that appear in the fall and winter seasons tend to be much more highly ranked because they are much more recent in the otaku consciousness.  The fact that a show like Erased, which premiered in the winter of 2016, has managed to keep itself in my otaku brain, speaks volumes for it.  However, as much as I loved this show, it still is not #1 for the year in my expert mind.

Frankly, I could lead you, the viewer, on through many, many more shows, and honestly you’d be better off knowing about them, but really, that’s just not my style.  The last two shows I told you about are ones that I felt everyone reading this blog should experience, whether you’re a fan of anime or not.  Anime fans will have watched all these shows and then some, because that’s what us otaku do.  But for the otaku crowd, who may or may not have been reading this far to see what I think is the creme de la creme, my vote goes, without a doubt, to KonoSuba, or as it’s known in its full name, as Kono Subarashii Sekai ni Shukufuku o!

konosubaSee, the thing about this show is, it has everything that a proper otaku loves, and it knows it.  It’s a complete parody of the whole “Loser otaku gets transported to a fantasy world and manages to kick ass while he’s there” trope, but it still manages to play it off and make it fun.  Totally different from Re:Zero, where the protagonist is flawed, to the point you hate his guts and want him dead.  In KonoSuba, the protagonist is certainly flawed, but in a way that’s completely believable, yet hilarious.  While with Re:Zero, naturally you can look at the situation and agree that, yes, if you or I were put in that situation, we’d likely behave in a very similar way, Konosuba instead says “To hell with realism, isn’t this how you’d want to act?”  And the thing is, the vast majority of us don’t want actual realism in our anime.  We want escapist fantasy.  KonoSuba gives us that in spades.  It’s a total parody of the whole “loser dropped into the fantasy world” premise that so many of us desire, without getting into the more realistic aspects that Re:Zero provides, like the fact that the loser dropped into the fantasy setting will remain a loser.

Again, let me tell you, this list is completely subjective.  If you follow my god-like opinions, then KonoSuba is the obvious choice for Anime of the Year in 2016.  However, if you’re a heretic, and would rather listen to the words that the godless believers would spout, then by all means, check out Re:Zero.  It’s probably better than I plan on listing it, because I cannot stand the kind of protagonist they give us, but maybe you, the readers, have a lot more tolerance than I do.

Film Review: Moonlight (dir by Barry Jenkins)


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I’m going to start this review of Moonlight by affirming something that you’ve either heard or, if you’ve seen the film, that you already know.

Moonlight is one of the best films of 2016.  Many critics have declared it to be the best.  When the Academy Award nominations are announced next month, Moonlight will receive several of them.  Barry Jenkins will not only be the fourth black filmmaker to be nominated for best director but he may very well be the first to win.  Personally, I would rate Arrival and Kubo and the Two Strings higher than Moonlight but I certainly won’t complain if Moonlight wins every Oscar that it’s nominated for.  It’s a powerful and personal film, one that might make you cry and will definitely make you think.  It sticks with you, from the brilliant opening to the powerful closing shot.  In a weak year for films, Moonlight stands one of the few legitimately great releases of 2016.

Moonlight is a film in three parts, all dealing with the life of Chiron.  Though he rarely speaks and often keeps his feelings hidden behind a wall of pain and deception, Chiron is one of the most fascinating characters that you’ll ever get to know.  Growing up in Miami, he seems to be destined to be forever on the outside.  In a country that protects whiteness and celebrates wealth, he’s black and he’s poor.  In a social environment that values being hard and demands an almost cartoonish masculinity, Chiron is sensitive and gay.

When we first meet Chiron, he’s a child nicknamed Little and he’s played by Alex Hibbert.  When we first see him, he’s fleeing both school bullies and a homelife that’s dominated by his abusive, crack-addicted mother, Paula (Naomie Harris, giving a brave and raw performance that reminds you of just how wasted she was in the role of Moneypenny in SPECTRE).  The only positive influence in Chiron’s life is a Cuban drug dealer named Juan (Mahershala Ali, who gives a performance of amazingly subtle power) and Juan’s girlfriend, Teresa (Janelle Monae).  Juan is the one who teaches Chiron how to swim.  He’s the one who tells Chiron that he can be more than he realizes.  Juan is the one who encourages Chiron to be himself, regardless of what the rest of the world demands that he be.  And yet, Juan is also the one who sells the drugs that are destroying Chiron’s mom.

We also see Chiron as an awkward and withdrawn teenager and this time, he’s played by Ashton Sanders.  Chiron struggles with his attraction to his best friend, Kevin (Jharrel Jerome) and does his best to avoid a terrifying bully named Terrel (Patrick Decile).

And finally, we meet Chiron as a muscular and sometimes menacing adult and he’s now played by Trevante Rhodes.  It’s when we meet the adult Chiron that we suddenly understand why the film was structured the way that it was.  As intimidating and noncommunicative as adult Chiron may be, we know who he really is.  We know that he’s still the same kid who we first saw hiding inside an abandoned apartment.  When Chiron received an unexpected phone call from Kevin (now played, quite poignantly, by Andre Holland), he’s forced to confront who he truly is.  It leads to … well, I don’t know how to tell you what it leads to without spoiling the film for you.  I will say that the film ends with a haunting image, one that will stick with you long after the film ends.

Moonlight is a heartfelt and incredibly moving film, one that will challenge all of your preconceived notions and one that will stick with you long after you see it.  Brilliantly directed and acted, Moonlight is a film full of beautiful, haunting, and often dream-like images.  (Cinematographer James Laxton is almost as important to the film’s success as director/screenwriter Barry Jenkins.)  And you definitely should see it if you haven’t.

It’s one of the best of 2016.

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RIP The Unsinkable Debbie Reynolds


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One day after the tragic death of her daughter Carrie Fisher, the unsinkable Debbie Reynolds has passed at age 84. I’m not going to update my previous IN MEMORIAM  post; Miss Reynolds deserves a post of her own.

Full shot of illustration of Gene Kelly as Don Lockwood, Debbie Reynolds as Kathy Selden, and Donald O'Connor as Cosmo Brown walking together in rain, holding umbrellas during the opening musical number "Singin' In The Rain."

One of the last of the old studio contract players, Debbie got good notices in such musical films as THE DAUGHTER OF ROSIE O’GRADY, THREE LITTLE WORDS, and TWO WEEKS WITH LOVE, but it’s her role as Kathy Seldon in SINGIN’ IN THE RAIN that made her a star. This joyful ode to the transition from silent movies to sound isn’t just my favorite musical, it’s one of my favorite films ever! Debbie shines as the ingénue forced to lip-synch for catty star Lina Lamont (the wonderful Jean Hagen), and more than holds her own in the dancing and clowning departments with Gene Kelly and Donald O’Connor. Like CASABLANCA and CITIZEN KANE, SINGIN’…

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The Austin Film Critics Association Honors Moonlight!


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The Austin Film Critics Association have announced their picks for the best of 2016!

Best Film: Moonlight (dir: Barry Jenkins)

Best Director: Barry Jenkins, Moonlight

Best Actor: Casey Affleck, Manchester by the Sea

Best Actress: Isabelle Huppert, Elle

Best Supporting Actor: Mahershala Ali, Moonlight

Best Supporting Actress: Viola Davis, Fences

Best Original Screenplay: Barry Jenkins, Moonlight

Best Adapted Screenplay: Eric Heisserer, Arrival

Best Cinematography: Linus Sandgren, La La Land

Best Score: Justin Hurwitz, La La Land

Best Foreign-Language Film: The Handmaiden (dir: Park Chan-wook)

Best Documentary: Tower (dir: Keith Maitland)

Best Animated Film: Kubo and the Two Strings (dir: Travis Knight)

Best First Film: The Witch (dir: Robert Eggers)

The Robert R. “Bobby” McCurdy Memorial Breakthrough Artist Award: Keith Maitland, Tower

Austin Film Award: Tower (dir: Keith Maitland)

Special Honorary Award: To the ensemble cast of Moonlight and casting director Yesi Ramirez for excellence as an ensemble.

Special Honorary Award: To honor Anton Yelchin for his contribution to the cinema of 2016, including performances in Green Room and Star Trek Beyond. His was a brilliant career cut profoundly short.

Special Honorary Award: To A24 Films for excellence in production in distribution. Their work gave us Moonlight, Green Room, Swiss Army Man, The Lobster, The Witch, and 20th Century Women, among others.

Special Honorary Award: To filmmaker Keith Maitland and his film Tower for revisiting a tragic event in Austin, Texas history in a sensitive and unique manner.

AFCA 2016 Top Ten Films:

  1. Moonlight
  2. La La Land
  3. Arrival
  4. The Handmaiden
  5. Manchester by the Sea
  6. Elle
  7. Hell or High Water
  8. The Lobster
  9. Jackie
  10. Sing Street

2016 IN MEMORIAM Part 3 (L through R)


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Continuing to pay tribute to those who have departed in 2016:

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Musician Greg Lake of King Crimson and ELP

50’s crooner Julius LaRosa

Cartoonist Mell Lazarus (“Miss Peach”)

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Actress Madeleine LeBeau (“Casablanca”)

Author Harper Lee (“To Kill A Mockingbird”)

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Grindhouse director Herschell Gordon Lewis 

Character actor Richard Libertini (“The In-Laws”, “Fletch”)

Singer/songwriter John D. Loudermilk

Rockabilly guitarist Lonnie Mack

ECW wrestler Balls Mahoney

Actor David Margulies (“Ghostbusters”)

Actor Don Marshall (“Land of the Giants”, “The Thing with Two Heads”)

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Producer/director/writer/actor Garry Marshall

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Beatles record producer Sir George Martin

Soap villain Joseph Mascolo (Stefano on “Days Of Our Lives”)

Singer Gayle McCormick of Smith (“Baby It’s You”)

Comedian Kevin Meaney

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Singer George Michael

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Grindhouse filmmaker Ted V. Mikels (“The Astro-Zombies”, “The Corpse Grinders”)

Film noir actress Kristine Miller (“I Walk Alone”, “Too Late For Tears” )

Actor/singer Mike Minor (“Petticoat Junction”)

smScotty Moore, guitarist for Elvis Presley

Actress Michele Morgan (“Higher and…

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Music Video of the Day: Genius Of Love by Tom Tom Club (1981, dir. Rocky Morton & Annabel Jankel)


For that one person who didn’t know already, this is the song that Mariah Carey sampled for her song Fantasy. It has also been sampled for so many other songs that I am not going to list them all. You can find a list of songs on the Wikipedia article for this song.

Tom Tom Club was a side project for Tina Weymouth and her husband Chris Frantz who were the bassist and drummer, respectively, for Talking Heads. I say “was” since Talking Heads are no longer together, but Tom Tom Club still is.

In the case of the song, there is a nice explanation over on Songfacts that is too long to repeat here. I will mention one thing. Apparently David Byrne–lead singer of Talking Heads–basically ignored its success. That fits with a quote over on her Wikipedia article where she described Byrne as “a man incapable of returning friendship.” That must have been frustrating considering she has been married to Chris Frantz since 1977, which is the year the band released their debut album.

The music video was made by duo Rocky Morton & Annabel Jankel based on the artwork of James Rizzi, which is on the cover of the album. They are two directors that are simultaneously thought well of and hated. They are great because they made Max Headroom (1985). They are awful because they also made Super Mario Bros. (1993). They have also done around 15-20 music videos.

Enjoy!