Song of the Day: Radioactive (by Imagine Dragons)


imagine-dragons-radioactive

Tonight’s episode of True Blood shares not just the title with Imagine Dragons’ popular track of the same name, but also used it to score their end credits for the season finale.

So, it’s no surprise that it’s the choice for the latest “Song of the Day”. This is not the first time the site has chosen something that uses this song. A recent “AMV of the Day” used this song to great effect. The video was “Radioakshun” and it matched the song’s lyrics which speaks of an apocalypse that has come and gone leaving a wasteland for people to sift through. This time around the song goes well with the time skip second-half of tonight’s True Blood season finale. No, there wasn’t an apocalypse that destroyed Bon Temps and killed everyone, but it showed that a sort of vampire apocalypse was on its way to Bon Temps and hints at what could be an epic seventh season for the show which started and ended a strong sixth season.

I’m going to take a flying leap and say that Imagine Dragons will be gaining quite a bit of new fans after tonight.

Radioactive

I’m waking up to ash and dust
I wipe my brow and I sweat my rust
I’m breathing in the chemicals
I’m breaking in, shaping up, checking out on the prison bus
This is it, the apocalypse
Whoa

I’m waking up, I feel it in my bones
Enough to make my system blow
Welcome to the new age, to the new age
Welcome to the new age, to the new age
Whoa, whoa, I’m radioactive, radioactive
Whoa, whoa, I’m radioactive, radioactive

I raise my flags, don my clothes
It’s a revolution, I suppose
We’ll paint it red to fit right in
Whoa
I’m breaking in, shaping up, checking out on the prison bus
This is it, the apocalypse
Whoa

I’m waking up, I feel it in my bones
Enough to make my system blow
Welcome to the new age, to the new age
Welcome to the new age, to the new age
Whoa, whoa, I’m radioactive, radioactive
Whoa, whoa, I’m radioactive, radioactive

All systems go, sun hasn’t died
Deep in my bones, straight from inside

I’m waking up, I feel it in my bones
Enough to make my system blow
Welcome to the new age, to the new age
Welcome to the new age, to the new age
Whoa, whoa, I’m radioactive, radioactive
Whoa, whoa, I’m radioactive, radioactive

6 Rebel Trailers


PCAS

Hi there and welcome to another edition of Lisa Marie’s Favorite Grindhouse and Exploitation Film trailers!  This week, the trailers are all about rebellion!

1) Rebel Rousers (1970)

“Starring Academy Award nominee Jack Nicholson…”  Actually, this film features at least 3 Academy Award nominated performers — Nicholson, Bruce Dern, and Diane Ladd.

2) Cry Baby Killer (1958)

Speaking of Jack Nicholson, here’s proof that even the most iconic stars had to start somewhere.  This was Nicholson’s film debut.

3) The Delinquents (1957)

This juvenile delinquent film was directed by Robert Altman, who would later direct films like M*A*SH, Nashville, The Player, Short Cuts, Gosford Park, and The Company.

4) The Cool and the Crazy (1958)

The 50s were a wild time to be a teenager, apparently.

5) The Narcotics Story (1958)

“It’s a story of the young and innocent…”  They’re young and innocent only be the standards of the decadent 50s!

6) The Pusher (1960)

And, of course, you can’t have the narcotics story without …. The Pusher!

What do you think, Trailer Kitty?

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Ten Years #31: Turisas


Decade of last.fm scrobbling countdown:
31. Turisas (1,040 plays)
Top track (96 plays): In the Court of Jarisleif, from The Varangian Way (2007)
Featured track: Miklagard Overture, from The Varangian Way

The Varangian Way was one of the last albums I expected to matter when I grabbed the pre-release leak in 2007. Having owned Battle Metal (2004) since its release, I remembered Turisas as a run of the mill band with one really outstanding song–Sahti-Waari–and a bunch of generic try-too-hard epic numbers to their name. It took about one minute in 2007 to realize that this band had achieved one of the most impressive turn-arounds in the history of metal. A captivating concept album packed with outstanding vocals and folk instrumentation, a brilliant symphonic backdrop, and thoroughly convincing lyrics, The Varangian Way was my favorite album of 2007 and remains a top 10 all time contender for me today. Mathias Nygård and company crafted an inspiring musical journey from Viking Age Scandinavia through Russia to the seat of the Byzantine empire with all the gloss of a Hollywood blockbuster. From the symphonic prog suspense of “The Dnieper Rapids” to the drunken folk romp of “In the Court of Jarisleif” to the orchestral majesty of “Miklagard Overture”, Turisas employed a world of musical styles to uniquely capture every stage of the voyage. As a concept album, they delivered the full package to an extent that is perhaps only trumped by Blind Guardian’s Nightfall in Middle-Earth. This was no fluke, either. Their follow-up album, Stand Up and Fight (2011), might have lacked the fulfilling sense of completeness that only a concept album can deliver, but it by and large maintained the level of quality of its predecessor, ensuring that Battle Metal could be remembered as a freshman effort and not the more accurate representation of their matured sound. Their fourth studio album, Turisas2013, is set to release this Wednesday (August 21st). While its awkward title and cover art will require some substantiation, I have really high hopes.

I’ll leave you with the lyrics to “Miklagard Overture”. I especially love how Turisas cultivate the power of names to really drive this anthem home; they employ the fact that Constantinople is known in so many languages as a testament to its glory. I personally visited Istanbul last summer, and I can confidently say that it remains one of the most overwhelming cities on this earth, breathing 2000 years of history not in ruin but in vibrant life. Turisas manage to do it justice in a way few other artists could.

Long have I drifted without a course
A rudderless ship I have sailed
The Nile just keeps flowing without a source
Maybe all the seekers just failed

To Holmgard and beyond
In search of a bond
Far from home I’ve come
But the road has just begun

Breathing history
Veiled in mystery
The sublime
The greatest of our time
Tsargrad!

“Come with us to the south
Write your name on our roll”
I was told;

Konstantinopolis
Sui generis
The saints and emperors
Of bygone centuries
The man-made birds in their trees
Out load their paean rings
Immortality!

In astonishing colours the East meets the West
The hill-banks arise in their green
In wonder I sit on my empty chest
As we glide down the strait in between

To Holmgard and beyond
In search of a bond
Distant church bells toll
For their god they chant and troll

Breathing history
Veiled in mystery
The sublime
The greatest of our time
Tsargrad!

The Norwegian of rank
In the court of The Prince
I was convinced

Konstantinopolis
Ten gates to eternity
Seen all for centuries
Your inconquerable walls
Your temples and your halls
See all, hear all, know all

My sun rose in the North and now sets in the South
The Golden Horn lives up to its name
From tower to tower a chain guards its mouth
Unbreakable, they claim

To Holmgard and beyond
In search of a bond
Adventures lie ahead
Many knots lie unravelled on my thread

Breathing history
Veiled in mystery
The sublime
The greatest of our time
Tsargrad!

Konstantinopolis
Queen of the cities
Your welcoming smile
Made all worthwhile
The sweat and the pain

Bathing in gold
Endless rooftops unfold
The sun sets for a while just to rise again

Great walls
Great halls
Greatest of all, Miklagard

Review: True Blood 6.10 “Radioactive”


True Blood

Eric better not be dead!

A lot happened on tonight’s sixth season finale of True Blood.  Along with wrapping up Warlow and Billith’s storylines, it also set up what’s presumably going to be season 7’s major storyline.  A lot of strange things have happened over the past two seasons of True Blood and tonight’s finale promised both a return to normalcy and a new beginning.

And with all that in mind, my number one reaction to tonight’s finale was this:

ERIC BETTER NOT BE FREAKING DEAD!

Admittedly, when we last saw Eric, things did not look good.

Warlow, having revealed himself to be just as evil as we all knew he was and refusing to allow Sookie to back out of their arranged marriage, was finally killed by Sookie’s grandfather (Rutger Hauer), who, in this best tradition of dues ex machina, managed to pop out of his little prison dimension and drive a stake through Warlow’s heart.  Warlow dissolved into red goo and, with the death of Warlow, all of the vampires who had drank his blood lost their ability to walk in the daylight.

The majority of the show’s vampires were safely inside when this happened.  However, Eric was sunbathing naked in the Swiss Alps and, as he lost his special Warlow powers, he burst into flames.

A collective cry went up on twitter as thousands of Eric fans (present company included) tweeted out a massive: “NOOOOOOOO!  NOT ERIC!”

However, there is hope.  The scene cut away from Eric before we actually saw him explode.  So, maybe Eric managed to bury himself in the show.  Maybe he ran into a nearby cave.  Maybe Lillith reached out and saved Eric’s life.

As far as I’m concerned, until I see definite proof of his true death, Eric lives!

Warlow’s demise occurred about halfway through tonight’s finale.  At that point, season 6 officially ended.  Warlow’s gone.  The vampires can no longer walk in the day.  Bill, having refused to go off with Lillith’s sirens, is finally starting to act like Bill again.  And hopefully, Eric’s not dead.

The second half of the episode felt like a preview for season 7.  We jumped ahead 6 months into the future and we discover the following:

Sookie is living with Alicide.  (You go, girl!)

Sam is now married to annoying Nicole and is mayor of Bon Temps.

Andy is still very protective of his last remaining daughter.

Bill Compton is now a published author.  He’s written a book about his experiences as a God.  In the book, he writes about ripping the Governor’s head off of his body.  He also reveals that Hep V was a creation of the government.

Hep V, meanwhile, has become an epidemic.  Although only vampires are killed by it, the virus can live in humans as well.  Mayor Sam arranges for a human/vampire mixer so that the citizens of Bon Temps can pair up — one human to a vampire.

And while everyone in town gets acquainted, an army of infected vampires shambles towards the gathering like zombies from a George Romero film…

And that’s how season 6 ends.

So, what did everyone think of season 6?  I thought it was one of the better seasons of True Blood and a definite improvement on season 5.  That said, I was definitely happy to see Bill acting like Bill again at the end of tonight’s episode.

Hopefully, Season 7 will start with Eric showing up on Bill’s front porch and saying, “The weirdest thing happened in Switzerland…”

Random Thoughts and Observations:

  • Unofficial scene count: 45
  • As fun as it was to see all the daywalking vampires happy at the start of tonight’s episode, I’m kinda glad that they lost that power.  I’m not sure how many more scenes of vampires playing volleyball I could take.
  • My first tweet after the end of this episode: “Fuck you, #Newsroom!  I’m too concerned about Eric on #TrueBlood to care about some maniacal news anchor!”
  • Alcide was wearing the word’s worst wig at the start of tonight’s episode.
  • I had forgotten all about that whiny scientist until he showed back up tonight.
  • Again, we never saw Eric explode into red goo.  That’s the important thing.
  • “You don’t want a vampire bride!  You want a faerie vampire bride!”
  • I’ve had a lot of fun reviewing True Blood this season.  I look forward to doing it again next season.  Thanks for reading!