Poll: Who Should Direct Catching Fire?

With the recent announcement that Gary Ross will not be directing Catching Fire, the second film in The Hunger Games trilogy, there’s been a lot of online speculation has started as to who will take his place.  Since I was bored at work, I spent an hour or two reading some of that speculation.  Needless to say, a lot of names are being tossed around and some are a lot more plausible than others.  However, a few names seem to be mentioned more often than others.

Speaking for myself, I don’t think that the loss of Gary Ross is going to really hurt the sequel, financially or artistically. 

Financially, people are going to see the sequel regardless of who directs it and, quite frankly, I doubt many people went to the Hunger Games because they just couldn’t wait to see Gary Ross’s follow-up to Seabiscuit

From an artistic point of view, the main reason that I loved the Hunger Games was because, after years of seeing blockbuster movies where being female was essentially the same as being helpless and insipid, it was so refreshing to see a film about a strong, independent young woman who is concerned about something more than just keeping her boyfriend happy.  In short, I loved The Hunger Games because of Jennifer Lawrence’s performance as Katniss Everdeen.  In short, Gary Ross was about as important to The Hunger Games franchise  as Chris Columbus was to the Harry Potter films.

As for who the new director is going to be, here’s some of the more interesting names that I’ve seen mentioned:

Danny Boyle is one of my favorite directors of all time and he’s certainly showed that he can create entertaining films that both challenge conventional and force you to think.  As well, directing the opening ceremonies for the London Olympics and, if that’s not good training for the Hunger Games then what is?

J.J. Abrams is a far more conventional director than Danny Boyle but he’s also proven that he can make blockbuster films that don’t necessarily insult one’s intelligence.  Add to that, he created Alias and he deserves a lot of credit for that.

As the only woman to ever win best director, Kathryn Bigelow is an obvious choice for a franchise that is ultimately all about empowerment.  Plus, she’s proven she can handle action films and I think it would be a neat if, under her direction, Catching Fire made more money than Avatar.

Sofia Coppola, who should have won an Oscar for Lost in Translation,  would bring a definitely lyrical quality to Catching Fire and, if nothing else. her version would be amazing to look at.  Add to that, Sofia Coppola deserves to have at least one blockbuster on her resume.  (Yes, I know a lot of you people hated Somewhere but you know what?  You’re wrong and I’m right.)

Alfonso Cuaron has proven, with Harry Potter and the Prisoner of Azbakan, that he can step into a franchise without sacrificing his own individual vision.  Children of Men shows that he can create a realistic dystopian future.

Debra Granik is best-known for directing Jennifer Lawrence in Winter’s Bone.  If not for Granik, Katniss Everdeen could have very easily ended up being played by Kristen Stewart.

Catherine Hardwicke is, of course, best known for directing the first Twilight film and a lot of people will never forgive her for that.  And you know what?  That’s really not fair to Hardwicke. Say what you will about Twilight, the film was actually pretty well-directed and Red Riding Hood is one of the unacknowledged masterpieces of 2011.  (No, really…)   Finally, Hardwicke directed Thirteen, one of the best films ever made.  Hardwicke’s Catching Fire probably wouldn’t be critically acclaimed but it would be a lot of fun.

Patty Jenkins is one of the more surprising names that I saw mentioned on several sites.  Jenkins is best known for directing the ultra-depressing Monster  as well as the atmospheric pilot for AMC’s The Killing. Apparently she was also, for a while, signed up to direct Thor 2, which would suggest that she can handle blockbuster action.  Of course, she was also fired from Thor 2.

Mike Newell directed the best of the Harry Potter films (Harry Potter and the Goblet of Fire) and has shown that he can handle action and spectacle.  He’s also directed Mona Lisa Smile, which is one of my favorite films of all time.

Sam Raimi would turn Catching Fire into a thrill ride.  While you would lose a lot of the story’s subtext, the film would certainly not be boring.  Add to that, Raimi directing would increase the chances of a Bruce Campbell cameo.

To be honest, I haven’t seen anyone mention the name of Mark Romanek so I’m going to mention him because I think he’s great and that Never Let Me Go was one of the best films of 2010.  Add to that, he actually played an important role in my life in that I can still remember being 12 years old, seeing his video for Fiona Apple’s Criminal, and going, “That’s what I’m going to do once I get to high school…”

Julie Taymor is best known as a theatrical director but her films have all been distinguished by a strong, individualistic vision.  More people need to see her film version of The Tempest.

Susanna White, though not well-known, was a contender to direct The Hunger Games before the job went to Gary Ross.  White got her start working with the BBC before coming over to America to direct episodes of Generation Kill and Boardwalk Empire for HBO.  She was also a contender to director another film based on YA literature, The Host.

With Hanna, Joe Wright gave us the best film of 2011 (regardless of what the Academy thinks) and he’s proven that he knows how to mix empowerment and action.

There are other names in contention, of course.  I’ve seen everyone from Stephen Soderbergh (bleh, to be honest) to Rob Zombie mentioned.  Arleigh suggested both James Cameron and David Fincher but I think he was mostly doing that to annoy me.  Someone on twitter (may have been me) mentioned Tyler Perry and then laughed and laughed.  However, the 14 names above are the ones that I find to be the most interesting and/or plausible.

So, who do you think would be a the best director for Catching Fire?

As for me and who I would like to so direct the film, I think that the director of Catching Fire should be a woman because Catching Fire is, ultimately, a story about empowerment.  I also think that characterization is far more important than action so I’m not as concerned about whether or not the director has a history of blowing things up onscreen.  Instead, what the franchise needs is a strong, female director with an eye for detail and a strong appreciation for what film is capable of accomplishing as an art form. 

For that reason, my vote goes to Sofia Coppola.

6 responses to “Poll: Who Should Direct Catching Fire?

  1. I would definitely like to see a female director take the reins for the sequel, because it is a female centric story written by a women. Bigelow would be perfect for the third film I think. And I’d probably go with Granik for ‘Catching Fire’. With that said, it would also be awesome to see Joe Wright direct.


  2. I know as much about the whole “Hunger Games” thingy as Fox News does about being “fair and balanced”. But if Kid Coppola directed a futuristic dystopian film aimed at teen audiences, I’m guessing you’d have a few hundred million extremely dissatisfied teens howling for her blood. And of course the soundtrack would be littered with Kid Coppola’s love of obscure French pop groups and Bow Wow Wow. She’s terribly self-indulgent in this respect. “I love Phoenix, and by the wrath of Kubrick, I’ll damn well make YOU love them TOO!”

    I don’t see why a female is required to direct a film about “empowerment”. So men don’t know anything about empowerment? Tell that to all those men involved in the civil rights movements of the 1960s. Saying that a female is more qualified than a male to direct a film is, frankly, disgustingly sexist. Especially when there are a million male directors more talented than Kid Coppola. The day we start thinking that having a penis is a barrier to one’s right to direct a film, or that having a uterus offers a special sense of entitlement in the movie world (as if somebody surnamed “Coppola” isn’t entitled enough–just ask Nic Cage, who changed his name to avoid accusations of nepotism) is the day when we might as well stop going to the movies and do something terribly stupid and fun-free, such as joining the National Organisation for Women.

    Quite frankly, I don’t care if a director is male, female, Boy George, Girl George, hails from Japan, West Texas, East LA, Beirut, Argentina or the North Pole. The only thing that matters is: “Is the person a gifted director?” And I’ve seen a googleplex of directors better than Kid Coppola.


      • Lisa Marie, it’s not so much your choice of Sofia Coppola, but rather your reasoning behind it, that is the cause for my discord. Women do not know anything more about “empowerment” than what men do and vice versa. If you were to suggest that a man rather than a woman should be favoured to direct a film simply because of his gender, you would incur the wrath of NOW or some other tunnel-visioned special-interest brigade. But for some reason, it’s absolutely OK to proclaim “only a female can direct this film, because only a female can know anything about empowerment”.

        This reminds me of when Spike Lee got the nod over Norman Jewison to direct “Malcolm X”. Undoubtedly, many felt that Malcolm’s biopic needed an Afro-American director at its helm. Even though I felt that Spike did a spectacular job with directing the film, I see absolutely no reason why Norman couldn’t have fashioned a similarly brilliant film. Also, quite a few of the best films are done from an outsider’s perspective. Take a look at how many of the greatest American films are made by foreigners. Allow me to add that just as some of the best acting efforts come from thespians placed outside their comfort zone, some of the best directorial efforts are by individuals working within a genre or subject matter that might be unfamiliar to them.

        To use an example from my country, if you look at some of the most revered films about Aborigines in Australia, such as “Walkabout”, “Backroads”, “The Fringe Dwellers”, “Dead Heart”, “Rabbit Proof Fence” and “Ten Canoes”, you may notice that a lot of them aren’t directed by Aborigines (certainly none of the ones in the above list). In fact, two of those films were directed by folks who weren’t even born in Australia. And you know what else? I can honestly never recall a prominent Aboriginal activist, film critic, what have you, launching a public outcry against this sort of thing. That’s what fascinates me about America: there is this strange obsession with colour and race. Your garden variety Australian doesn’t really give a damn who directs a film. People didn’t flock to “Samson and Delilah” because it was a story about Aborigines directed by an Aborigine, they went to it because they heard it was a good story.

        The same goes for gender. Australians don’t kick up a fuss over whether this film or that film ought to be helmed by someone with a uterus. Here in the land of Oz, we just seem to be happy if somebody in this country can direct a decent film. That’s what made me chuckle over the whole Kathryn Bigelow deal, when she won the Oscar for “The Hurt Locker”. Wow, a woman made a great film–who cares? Australia long ago came to terms with the fact that women can be great filmmakers (check the history of the AFI awards). But here is the Academy and its members, smugly patting one another on the back, as if they just helped Rosa Parks get a front seat on the bus.

        Instead of saying “get me a woman to direct this film”, producers ought to be saying “get me the director best qualified to make this picture”. Whether the director menstruates or can urinate standing up should be irrelevant.


  3. Pingback: Catching Fire Has A Director | Through the Shattered Lens

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.