“I’ll show you a pair of Golden Globes!”


The Golden Globes nominations were announced today and, as usual, they were a strange combination of the expected nominees and a few that seem to have literally come out of thin air.  (Check out that Best Picture nomination for The Tourist.)  The Golden Globes are awarded by the Hollywood Foreign Press Association, an organization that seems to be about as shadowy and obscure as an Illumnati splinter group.  That said, I’ve always wanted to be nominated for Golden Globe just so I could get in front of a tv camera, thrust out my boobs, and say, “I’ll show you a pair of Golden Globes!” 

Anyway, as I looked over the nominations earlier today, three things came to mind.

First off, the Walking Dead was nominated for Best Dramatic Television Series.  Yay!

Secondly, I was kinda hoping that Noomi Rapace might be able to sneak in as one of the Best Actress nominees.  There is a small campaign going on to win her an Oscar nomination for The Girl With The Dragon Tattoo and she was nominated for best actress by yet another shadowy group, the Broadcast Film Critics.  Unfortunately, a Golden Globe nod was not to be. 

Third, I was a little bit surprised to discover that Toy Story 3 was not nominated for Best Picture (Comedy).  In the past, the Hollywood Foreign Press has been far more willing than the Academy to nominate animated films and Toy Story 3 seemed like a far more likely choice than The Tourist.  In fact, not even the film’s theme song picked up a nomination.  Of course, Toy Story 3 did pick up a nomination for best animated film but I still wonder if maybe this could be evidence of a Toy Story 3 backlash.  Up until a week ago, I would have said that Toy Story 3 is guaranteed an Oscar nomination for best picture.  Now, I’m starting to have my doubts.

Anyway, here’s the nominees (taken from the Hollywood Foreign Press Association web site):

  • BEST MOTION PICTURE – DRAMA
    1. BLACK SWAN
      Protozoa Pictures & Cross Creek Pictures & Phoenix; Fox Searchlight Pictures
    2. THE FIGHTER
      Paramount Pictures and Relativity Media; Paramount Pictures and Relativity Media
    3. INCEPTION
      Warner Bros. Pictures UK LTD.; Warner Bros. Pictures
    4. THE KING’S SPEECH
      See-Saw Films and Bedlam Productions; The Weinstein Company
    5. THE SOCIAL NETWORK
      Columbia Pictures; Sony Pictures Releasing
  • BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA
    1. HALLE BERRY FRANKIE AND ALICE
    2. NICOLE KIDMAN RABBIT HOLE
    3. JENNIFER LAWRENCE WINTER’S BONE
    4. NATALIE PORTMAN BLACK SWAN
    5. MICHELLE WILLIAMS BLUE VALENTINE
  • BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA
    1. JESSE EISENBERG THE SOCIAL NETWORK
    2. COLIN FIRTH THE KING’S SPEECH
    3. JAMES FRANCO 127 HOURS
    4. RYAN GOSLING BLUE VALENTINE
    5. MARK WAHLBERG THE FIGHTER
  • BEST MOTION PICTURE – COMEDY OR MUSICAL
    1. ALICE IN WONDERLAND
      Walt Disney Pictures; Walt Disney Studios Motion Pictures
    2. BURLESQUE
      Screen Gems; Sony Pictures Releasing
    3. THE KIDS ARE ALL RIGHT
      Antidote Films, Mandalay Vision, Gilbert Films; Focus Features
    4. RED
      di Bonaventura Pictures; Summit Entertainment
    5. THE TOURIST
      GK Films; Sony Pictures Releasing
  • BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – COMEDY OR MUSICAL
    1. ANNETTE BENING THE KIDS ARE ALL RIGHT
    2. ANNE HATHAWAY LOVE AND OTHER DRUGS
    3. ANGELINA JOLIE THE TOURIST
    4. JULIANNE MOORE THE KIDS ARE ALL RIGHT
    5. EMMA STONE EASY A
  • BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – COMEDY OR MUSICAL
    1. JOHNNY DEPP ALICE IN WONDERLAND
    2. JOHNNY DEPP THE TOURIST
    3. PAUL GIAMATTI BARNEY’S VERSION
    4. JAKE GYLLENHAAL LOVE AND OTHER DRUGS
    5. KEVIN SPACEY CASINO JACK
  • BEST ANIMATED FEATURE FILM
    1. DESPICABLE ME
      Universal Pictures, Illumination Entertainment; Universal Pictures
    2. HOW TO TRAIN YOUR DRAGON
      DreamWorks Animation; Paramount Pictures
    3. THE ILLUSIONIST
      Django Films, Ciné B and France 3 Cinéma; Sony Pictures Classics
    4. TANGLED
      Walt Disney Animation Studios; Walt Disney Studios Motion Pictures
    5. TOY STORY 3
      Disney * Pixar; Walt Disney Studios Motion Pictures
  • BEST FOREIGN LANGUAGE FILM
    1. BIUTIFUL (MEXICO/SPAIN)

      Menageatroz, Focus Features International; Roadside Attractions

    2. THE CONCERT (FRANCE)

      An Oï Oï Oï Productions, Les Productions Du Tresor, France 3 Cinema, Europacorp, Castel Films, Panache Productions, RTBF (Belgian Television), BIM Distrubuzione Co., Canal +, Cinecinema and France 3; The Weinstein Company

    3. THE EDGE (Kpaй) (RUSSIA)

      Teleshow/Rock Films; Central Partnership (Russia)

    4. I AM LOVE (IO SONO L’AMORE) (ITALY)

      First Sun; Magnolia Pictures

    5. IN A BETTER WORLD (Hævnen) (DENMARK)

      Zentropa Entertainment; Sony Pictures Classics

  • BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A MOTION PICTURE
    1. AMY ADAMS THE FIGHTER
    2. HELENA BONHAM CARTER THE KING’S SPEECH
    3. MILA KUNIS BLACK SWAN
    4. MELISSA LEO THE FIGHTER
    5. JACKI WEAVER ANIMAL KINGDOM
  • BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A MOTION PICTURE
    1. CHRISTIAN BALE THE FIGHTER
    2. MICHAEL DOUGLAS WALL STREET: MONEY NEVER SLEEPS
    3. ANDREW GARFIELD THE SOCIAL NETWORK
    4. JEREMY RENNER THE TOWN
    5. GEOFFREY RUSH THE KING’S SPEECH
  • BEST DIRECTOR – MOTION PICTURE
    1. DARREN ARONOFSKY BLACK SWAN
    2. DAVID FINCHER THE SOCIAL NETWORK
    3. TOM HOOPER THE KING’S SPEECH
    4. CHRISTOPHER NOLAN INCEPTION
    5. DAVID O. RUSSELL THE FIGHTER
  • BEST SCREENPLAY – MOTION PICTURE
    1. DANNY BOYLE, SIMON BEAUFOY 127 HOURS
    2. LISA CHOLODENKO, STUART BLUMBERG THE KIDS ARE ALL RIGHT
    3. CHRISTOPHER NOLAN INCEPTION
    4. DAVID SEIDLER THE KING’S SPEECH
    5. AARON SORKIN THE SOCIAL NETWORK
  • BEST ORIGINAL SCORE – MOTION PICTURE
    1. ALEXANDRE DESPLAT THE KING’S SPEECH
    2. DANNY ELFMAN ALICE IN WONDERLAND
    3. A.R. RAHMAN 127 HOURS
    4. TRENT REZNOR, ATTICUS ROSS THE SOCIAL NETWORK
    5. HANS ZIMMER INCEPTION
  • BEST ORIGINAL SONG – MOTION PICTURE
    1. “BOUND TO YOU” — BURLESQUE
      Music by: Samuel Dixon
      Lyrics by: Christina Aguilera, Sia Furler
    2. “COMING HOME” — COUNTRY STRONG
      Music & Lyrics by: Bob DiPiero, Tom Douglas, Hillary Lindsey, Troy Verges
    3. “I SEE THE LIGHT” — TANGLED
      Music by: Alan Menken
      Lyrics by: Glenn Slater
    4. “THERE’S A PLACE FOR US” — CHRONICLES OF NARNIA: THE VOYAGE OF THE DAWN TREADER
      Music & Lyrics by: Carrie Underwood, David Hodges, Hillary Lindsey
    5. “YOU HAVEN’T SEEN THE LAST OF ME” — BURLESQUE
      Music & Lyrics by: Diane Warren
  • BEST TELEVISION SERIES – DRAMA
    1. OARDWALK EMPIRE (HBO)
      Leverage, Closest to the Hole Productions, Sikelia Productions and Cold Front Productions, HBO Entertainment
    2. DEXTER (SHOWTIME)
      Showtime, John Goldwyn Productions, The Colleton Company
    3. THE GOOD WIFE (CBS)
      CBS Television Studios
    4. MAD MEN (AMC)
      Lionsgate Television
    5. THE WALKING DEAD (AMC)
      AMC
  • BEST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES – DRAMA
    1. JULIANNA MARGULIES THE GOOD WIFE
    2. ELISABETH MOSS MAD MEN
    3. PIPER PERABO COVERT AFFAIRS
    4. KATEY SAGAL SONS OF ANARCHY
    5. KYRA SEDGWICK THE Closer
  • BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – DRAMA
    1. STEVE BUSCEMI BOARDWALK EMPIRE
    2. BRYAN CRANSTON BREAKING BAD
    3. MICHAEL C. HALL DEXTER
    4. JON HAMM MAD MEN
    5. HUGH LAURIE HOUSE
  • BEST TELEVISION SERIES – COMEDY OR MUSICAL
    1. 30 ROCK (NBC)
      Universal Media Studios in association with Broadway Video and Little
      Stranger Inc.
    2. THE BIG BANG THEORY (CBS)
      Warner Bros. Television
    3. THE BIG C (SHOWTIME)
      Showtime, Sony Pictures Television, Perkins Street Productions, Farm Kid, Original Film
    4. GLEE (FOX)
      Ryan Murphy Television, Twentieth Century Fox Television
    5. MODERN FAMILY (ABC)
      Twentieth Century Fox Television
    6. NURSE JACKIE (SHOWTIME)
      Showtime, Lionsgate Television, Jackson Group Entertainment, Madison Grain Elevator, Inc. & Delong Lumber, Caryn Mandabach Productions
  • EST PERFORMANCE BY AN ACTRESS IN A TELEVISION SERIES –COMEDY OR MUSICAL
    1. TONI COLLETTE UNITED STATES OF TARA
    2. EDIE FALCO NURSE JACKIE
    3. TINA FEY 30 ROCK
    4. LAURA LINNEY THE BIG C
    5. LEA MICHELE GLEE
  • BEST PERFORMANCE BY AN ACTOR IN A TELEVISION SERIES – COMEDY OR MUSICAL
    1. ALEC BALDWIN 30 ROCK
    2. STEVE CARELL THE OFFICE
    3. THOMAS JANE HUNG
    4. MATTHEW MORRISON GLEE
    5. JIM PARSONS THE BIG BANG THEORY
  • BEST MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    1. CARLOS (SUNDANCE CHANNEL)
      Film En Stock and Egoli Tossell Film, Sundance Channel
    2. THE PACIFIC (HBO)
      Playtone and DreamWorks in association with HBO Films
    3. PILLARS OF THE EARTH (STARZ)
      Starz, Tandem Communications, Muse Entertainment Scott Free Films
    4. TEMPLE GRANDIN (HBO)
      A Ruby Films, Gerson Saines Production, HBO Films
    5. YOU DON’T KNOW JACK (HBO)
      Bee Holder, Cine Mosaic and Levinson/Fontana Productions, HBO Films
  • BEST PERFORMANCE BY AN ACTRESS IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    1. HAYLEY ATWELL PILLARS OF THE EARTH
    2. CLAIRE DANES TEMPLE GRANDIN
    3. JUDI DENCH RETURN TO CRANFORD
    4. ROMOLA GARAI EMMA
    5. JENNIFER LOVE HEWITT THE CLIENT LIST
  • BEST PERFORMANCE BY AN ACTOR IN A MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    1. IDRIS ELBA LUTHER
    2. IAN MCSHANE PILLARS OF THE EARTH
    3. AL PACINO YOU DON’T KNOW JACK
    4. DENNIS QUAID THE SPECIAL RELATIONSHIP
    5. EDGAR RAMIREZ CARLOS
  • BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    1. HOPE DAVIS THE SPECIAL RELATIONSHIP
    2. JANE LYNCH GLEE
    3. KELLY MACDONALD BOARDWALK EMPIRE
    4. JULIA STILES DEXTER
    5. SOFIA VERGARA MODERN FAMILY
  • BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN A SERIES, MINI-SERIES OR MOTION PICTURE MADE FOR TELEVISION
    1. SCOTT CAAN HAWAII FIVE-O
    2. CHRIS COLFER GLEE
    3. CHRIS NOTH THE GOOD WIFE
    4. ERIC STONESTREET MODERN FAMILY
    5. DAVID STRATHAIRN TEMPLE GRANDIN
  • Who the Hell Are These People?


    With the Golden Globe nominations set to be announced on Tuesday, I figured now would be a good time to recap which films and performances have already been honored by the various critics groups. 

    One thing that I discovered as I researched this is that there are a lot of critics groups out there!   I don’t know who half these people are and most of them probably won’t have any bearing at all on who is actually nominated come Oscar time.  But since I’m a lover of trivia and lists, there you go.

    The following films and performances were honored by either The National Board of Review, the D.C. Film Critics, the Boston Society of Film Critics, The New York Film Critics Online,The Los Angeles Film Critics, The Indiana Film Journalists, The Southeastern Film Critics, The New York Film Critics Circle, or the San Francisco Film Critics.

    Best Picture:

    The Social Network (All.  That’s right, it’s a clean sweep for an above average film.)

    Best Director:

    Darren Aronofsky for Black Swan (S.F)

    Olivier Assayas for Carlos (LAFC)

    David Fincher for The Social Network (BSFC, DC, NBR, NYFCC, NYFCO, SEFC, S.F.)

    Christopher Nolan for Inception (IFJ)

    Best Actor:

    Jesse Eisenberg (BSFC, NBR)

    Colin Firth for The King’s Speech (DC, LAFC, NYFCC, SEFC, S.F.)

    James Franco for 127 Hours (IFJ, NYFCO)

    Best Actress:

    Annette Bening for The Kids Are All Right (NYFCC)

    Kim Hye-ja for Mother (LAFC)

    Jennifer Lawrence for Winter’s Bone (DC)

    Lesley Manville for Another Year (NBR)

    Natalie Portman for Black Swan (BSFC, IFJ, NYFCO, SEFC)

    Michelle Williams for Blue Valentine (S.F.)

    Best Supporting Actor:

    Niels Arestrup for A Prophet (LAFC)

    Christian Bale for The Fighter (BSFC, DC, IFJ, NBR, NYFCO)

    John Hawkes for Winter’s Bone (S.F.)

    Mark Ruffalo for The Kids Are All Right (NYFCC)

    Geoffrey Rush for The King’s Speech (SEFC)

    Best Supporting Actress:

    Melissa Leo for The Fighter (DC, NYFCC, NYFCO)

    Juliette Lewis for Conviction (BSFC)

    Hailee Steinfeld for True Grit (IFJ, SEFC)

    Jacki Weaver for Animal Kingdom (LAFC, NBR, S.F.)

    Best Documentary:

    Exit Through The Gift Shop (DC, IFJ, NYFCO)

    The Inside Job (NYFCC, SEFC)

    Last Train Home (LAFC)

    Marwencol (BSFC)

    The Tillman Story (S.F.)

    Waiting For Superman (NBR)

    Best Animated Feature:

    How To Train Your Dragon (IFJ)

    The Illusionist (NYFCC)

    Toy Story 3 (BSFC, DC, LAFC, NBR, NYFCO, SEFC, S.F.)

    Best Adapted Screenplay:

    The Social Network (BSFC, DC, IFJ, LAFC, NYFCO, SEFC, S.F.)

    Best Original Screenplay:

    Inception (DC)

    The Kids Are All Right (NYFCC)

    The Kings Speech (SEFC, S.F.)

      

    The New York Toadsuckers Have Spoken


    As I mentioned in my last post, the New York Film Critics Circle voted on and announced their picks for the best films of the year today.  Looking over the winners, all I can say is — YAWN!

    Best Film:
    The Social Network

    Best Director:
    David Fincher, The Social Network

    Best Screenplay:
    The Kids Are All Right

    Best Actress:
    Annette Bening, The Kids Are All Right

    Best Actor:
    Colin Firth, The King’s Speech

    Best Supporting Actress:
    Melissa Leo, The Fighter

    Best Supporting Actor:
    Mark Ruffalo, The Kids Are All Right

    Best Cinematography:
    Black Swan

    Best Animated Film:
    The Illusionist

    Best Non-fiction Film:
    Inside Job

    Best Foreign Language Film:
    Carlos

    Best First Feature:
    Animal Kingdom

    Over on Awardsdaily.com, the response to the New York Critics was: “NO ONE  wrote a better screenplay than Aaron Sorkin this year.” 

    (And yes, they specifically put that statement in bold print with NO ONE capitalized, just to make sure that the point came through.)

    Really?  NO ONE?  It’s time to admit the truth — The Social Network has gone from being a movie to being a cult.  Apparently, even suggesting that any other movie might deserve an honor or two this year is an act of heresy.  Sorry, New York Film Critics.  Prepare yourself to be eaten by lions while the Sorkinites watch and cheer.

    That said, the screenplay for The Kids Are All Right had all the depth of a sitcom.  And Mark Ruffalo’s supporting performance was good but nothing that couldn’t have been done by just about any other scruffy actor in Hollywood.  And while Annette Bening did a good job with her role, this is the year of Natalie Portman in Black Swan, Noomi Rapace in The Girl With The Dragon Tattoo, Katie Jarvis in Fish Tank, and Jennifer Lawrence in Winter’s Bone.  This was a year in which so many actresses gave unique, unexpected performances in roles that redefined the stereotypical cinematic female lead.  Annette Bening was good but so many were great.

    It’s also interesting to note that The Illusionist (which I haven’t seen and know very little about) was named best animated feature as opposed to the presumed favorite, Toy Story 3.  Just a few months ago, the general assumption seemed to be that Toy Story 3 would easily pick up a best picture nod but it seems like that storyline’s been forgotten in all the hype surrounding The Social Network.

    The L.A. Film Critics Have Spoken


    A whole lot of critics’ groups announced their picks for the best films and performances of the year today and the New York Film Critics are voting as I type.  I’m on lunch from work right now so a full list will have to wait until later tonight.  For now, I’m just going to share the choices made by the Los Angeles Film Critics.  The L.A. Critics are one of the big three as far as critics groups are concerned. 

    As I’ve said before, I think professional film critics are overrated but I just love awards.  And, of course, all of these December awards tend to serve as a precursor for who and what will receive Oscar nominations next year.  At their best, these groups can remind Academy voters of films and performances that they might otherwise overlook.  Certainly, if Jacki Weaver receives a deserved nomination for Animal Kingdom, it’ll be largely due to organizations like the National Board of Review and the L.A. Film Critics.

    Anyway, since my time is limited, I’m going to simply post the winners and then add a few comments on my own.

    PICTURE:

    • “The Social Network”
    • Runner-up: “Carlos”

    DIRECTOR:

    • Olivier Assayas, “Carlos,” and David Fincher, “The Social Network” (tie)

    ACTOR:

    • Colin Firth, “The King’s Speech”
    • Runner-up: Edgar Ramirez, “Carlos”

    ACTRESS:

    • Kim Hye-ja, “Mother”
    • Runner-up:  Jennifer Lawrence, “Winter’s Bone”

    SUPPORTING ACTOR:

    • Niels Arestrup, “A Prophet”
    • Runner-up: Geoffrey Rush, “The King’s Speech”

    SUPPORTING ACTRESS:

    • Jacki Weaver, “Animal Kingdom”
    • Runner-up: Olivia Williams, “The Ghost Writer”

    SCREENPLAY:

    • Aaron Sorkin, “The Social Network”
    • Runner-up: David Seidler, “The King’s Speech”

     

    FOREIGN LANGUAGE FILM:

    • “Carlos”
    • Runner-up: “Mother”

    ANIMATION:

    • “Toy Story 3″
    • Runner-up: “The Illusionist”

    DOCUMENTARY / NON-FICTION FILM:

    • “Last Train Home”
    • Runner-up: “Exit Through the Gift Shop”

    CINEMATOGRAPHY:

    • Matthew Libatique, “Black Swan”
    • Runner-up: Roger Deakins, “True Grit”

    MUSIC/SCORE:

    • Alexandre Desplat, “The Ghost Writer,” and  Trent Reznor and Atticus Ross, “The Social Network” (tie)

    PRODUCTION DESIGN:

    • Guy Hendrix Dyas, “Inception”
    • Runner-up: Eve Stewart, “The King’s Speech”

    NEW GENERATION:

    • Lena Dunham, “Tiny Furniture”

    DOUGLAS E. EDWARDS INDEPENDENT/EXPERIMENTAL FILM/VIDEO:

    • “Film Socialism”

    LEGACY OF CINEMA AWARDS:

    • Serge Bromberg, “Henri-Georges Clouzot’s Inferno,” and the F.W. Murnau Foundation and Fernando Pena for the restoration of “Metropolis”

    CAREER ACHIEVEMENT:

    • Paul Mazursky

    The main news here, I guess, is just how well foreign language films did in the voting.  I haven’t seen Carlos and seeing as how I’m basically in fly-over country, I doubt I’ll get a chance to see it before the Oscar nominations are announced.  I do have Mother on DVD and I’m going to watch it sometime before the start of the new year.  It’s also nice to see some attention being given to A Prophet.

    Obviously, I’m disappointed not to see more love for Black Swan but I guess it’s to be expected as Black Swan is one of those films that people either love madly or hate with a passion.  I think that’s why The Social Network will win big at the Oscars this year.  It’s well-made and offensive only if you’re 1) female or 2) Mark Zuckerberg.

    The National Board Of Review: I Give Up!


    The rather enigmatic National Board of Review announced their selections for the best films of 2010 today.  The NBR is traditionally considered to be the first precursor to how the actual Oscar race will shape up.  Typically, those honored by the NBR are, at the very least, nominated by the Academy.  Strangely, nobody seems to be sure just who exactly makes up the membership of the NBR.  As far as I can tell, it appears to be a collection of film professors and cable tv executives.  It wouldn’t surprise me to discover that the NBR is actually some sort of Illuminati conspiracy or MK-Ultra experiment designed to keep American filmgoers from thinking for themselves.

    Anyway, as I look over this year’s award winners, all I can say is that I give up.  If my reaction to Avatar indicated to me that I’m totally out-of-step with mainstream opinion, then the current Pavlovian acclaim of the Social Network proves it.  I will never be a part of the mainstream and it’s not by choice.  It’s just I am apparently thoroughly incapable of understanding how the mainstream brain works. 

    So, that’s what the National Board of Review taught me today.  I am destined to always be alone, railing against the dying of the light.  Thank you for the insight, assholes.

    Anyway, here’s this year’s award winners:

    Best Picture: The Social Network (Don’t get me wrong, the Social Network is a good movie.  It’s just not that good.) 

    Best Director: David Fincher, The Social Network

    Best Actor: Jesse Eisenberg, The Social Network (I am so sick of hearing that this is Jesse’s “breakthrough” role.  Jesse’s breakthrough was in Adventureland, long before the mainstream ever decided to embrace him.)

    Best Actress: Lesley Manville, Another Year (Haven’t seen it yet)

    Best Supporting Actor: Christian Bale, The Fighter (Another movie that I will see when it opens later this month.  Still, Bale should have been nominated for American Psycho back in the day.)

    Best Supporting Actress: Jacki Weaver for Animal Kingdom (Yay!  This award gives me hope.)

    Best Animated Feature: Toy Story 3 (yay!)

    Best Documentary: Waiting For Superman (Yes, my favorite movie of the year —Exit Through The Gift Shop — was totally ignored.)

    Best Ensemble Cast: The Town (Bleh.  So I guess that would include Jon Hamm, who gave such an amazingly bad performance in this film?)

    Breakthrough Performance: Jennifer Lawrence, Winter’s Bone (Another yay but you know all the mainstream is going to offer her is a role in a Twilight rip-off and maybe a Maxim cover shoot.)

    Best Adapted Screenplay: Aaron Sorkin for The Social Network (Fuck Aaron Sorkin and his elitist, sexist, technophobic script.)

    Best Original Screenplay: Chris Sparling for Buried (which I didn’t see, mostly because I’m claustrophobic and the movie is called Buried.)

    Ten Best Films Of The Year (in alphabetical order):

    Another Year

    The Fighter

    Hereafter (which sucked!)

    Inception (yay!)

    The King’s Speech (I’m actually really looking forward to seeing this)

    Shutter Island (kinda bleh but enjoyable)

    The Town

    Toy Story 3

    True Grit (another one I can’t wait to see)

    Winter’s Bone (yay!)

    Yep, you read that right.  No awards for such presumed favorites as James Franco and 127 Hours, Black Swan, or The Kids Are All Right.  But you better believe they found room to honor a shallow, pandering film like Hereafter.

    Finally, here are the Top Ten Independent Films of 2010, according to the toadsuckers at the National Board of Review:

    Animal Kingdom (yay!)

    Buried (Now I guess I have to see it)

    Fish Tank (yay!)

    The Ghost Writer (yay — kinda)

    Greenberg (bleh)

    Let Me In (another kinda yay)

    Monsters (shrug)

    Please Give (yay!)

    Somewhere (going to see it when it opens down here, Sofia Coppola is my role model)

    Youth in Revolt (shrug, it’s neither bleh nor yay)

    You can read the full list of winners at The Wrap.

    Anyway, in order to show just how exactly I feel when confronted with mainstream thought and opinion, here’s an old picture of me with a tampon stuck up my nose.

    The 2010 Oscars: Best Animated Feature: The Toadsuckers Have Spoken


    The Hollywood Mainstream Establish Toadsuckers (aka., the HMETS) who hand out the Academy Awards (and, even though I rarely agree with them, I still love them for it because I love tacky award shows), have announced the 15 films that are eligible for this year’s Best Animated Feature Oscar.

    Those films are:

    “Alpha and Omega”
    “Cats & Dogs: The Revenge of Kitty Galore”
    “Despicable Me”
    “The Dreams of Jinsha”
    “How to Train Your Dragon”
    “Idiots and Angels”
    “The Illusionist”
    “Legend of the Guardians: The Owls of Ga’Hoole”
    “Megamind”
    “My Dog Tulip”
    “Shrek Forever After”
    “Summer Wars”
    “Tangled”
    “Tinker Bell and the Great Fairy Rescue”
    “Toy Story 3”

    A few things to note:

    In order to be nominated, the eligible films (which, apparently, are submitted for official consideration by their studios) must play in Los Angeles by the end of the year.  So far, Tangled, The Illusionist, Summer Wars, and The Dreams of Jinsha have yet to open.  Don’t get me wrong.  They all will open but until they actually do, they’re only theoretically eligible to be nominated.

    Number two, Toy Story 3 and How To Train You Dragon aside, it’s been kind of a crappy year for animated films, hasn’t it?  What the Hell is My Dog Tulip?

    Number three, I should give credit for most of this information to the Awards Daily web site.  It’s a good site for tracking the Oscar race but it’s a terrible site if you’re interested in anything beyond a middle class, mainstream perspective on film.  It’s the type of site where Roger Ebert’s word is God and William Goldman is quoted without a hint of irony.  Just from a critical perspective, I like to think of Through The Shattered Lens as being the anti-Awards Daily. 

    Number Four, under Academy rules, there will only be three nominees for Best Animated Feature.  (If 15 films are eligible, the Academy can nominate up to 3 films.  If more than 15 are eligible, the Academy can nominate 5.)  Since Toy Story 3 and How To Train Your Dragon would appear to be locks, that only leaves one space open.  My personal choice for that slot would be A Town Called Panic — oh, wait!  It’s not eligibile!  Bleh.

    Okay, then out of the eligible films, I personally would give the third nomination to Megamind and the actual Oscar to Toy Story 3.

    2010: The Year In Film So Far


    Everyone views history in their own individual way.  Some people remember past years by what they saw on the evening news (hence, 2004 becomes “the year Bush was reelected”) but I define them by what was playing at the nearest movie theater.  Ask me when I was born and I won’t tell you, “1985.”  Instead, I’ll tell you that I was born the same year that Terry Gilliam’s Brazil was butchered by Sid Shienberg.  For me, the quality of a year is determined by the quality of the movies that were released during those twelve months.  You may have hated 2009 because of the economy.  I hated it because it was the year of the overrated movie, the year in which otherwise sensible people ignored great films like An Education, A Serious Man, District 9, and Inglorious Basterds (which, praised as it was, deserved considerably more) in favor of Avatar and The Hurt Locker.

    2010, however, is shaping up to be a far better year.  Though a final judgment can’t be passed on 2010 until 2011, here’s a few thoughts on the year so far.

    Best Film (so far): Exit Through The Gift Shop, a quasi-documentary that might just be one of the most perfectly executed mindfucks in modern history.  Runners-up: The Girl With The Dragon Tattoo, Fish Tank, Please Give, Winter’s Bone, A Prophet, Toy Story 3, and Inception.

    Best Male Performance of the year so far: John Hawkes, in Winter’s Bone.  Hawkes has been overshadowed by Jennifer Lawrence but he dominates every scene that he appears in.  Just consider the scene where he “talks” his way out of a traffic stop. Runners-ups: John C. Reilly in Cyrus, Ben Stiller in Greenberg, Leonardo DiCaprio in Inception and Shutter Island, and Sam Rockwell in Iron Man 2.

    Best Female Performance of the year so far: Noomi Rapace as the Girl With The Dragon Tattoo and The Girl Who Played With Fire.  Rapace is my new role model, a Ms. 45 for the 21st century.  Runners-up: Jennifer Lawrence in Winter’s Bone, Katie Jarvis for Fish Tank, Rebecca Hall in Please Give, Greta Gerwig in Greenberg, and Chloe Grace Moretz in Kick-Ass.

    Best Ending: The final shot of Inception.

    Best Horror Film: The Wolf Man, which should have been oh so bad but instead turned out to be oh so good with Anthony Hopkins and Hugo Weaving both giving brilliant supporting performances. 

    Best Bad Movie: Sex and the City 2.  Yes, if I’m going to be honest, it was a horrible movie.  But it was fun. the clothes were to die for, and the film managed to bring new depths of shallowness to the examination of the oppression of women in the Middle East.

    Worst Film Of The Year (so far): Chloe.  Oh, Atom Egoyan, poor baby, what have you done, sweetheart?  You made a trashy, campy softcore movie and then you forgot that these things are supposed to be fun!  Runner-up: Robin Hood, because the entire freaking movie was a lie.  However, it did feature Oscar Isaac screaming, “Outlawwwwww!” and that saves it from being named the worst.

    Worst Horror Film So Far: The Black Waters On Echo’s Pond.  So.  Fucking.  Bad.

    The Get-Over-It-Award For The First Half Of 2010: The makers of Prince of Persia, who just had to try to turn an otherwise entertainingly mindless action film into yet another half-assed cinematic allegory for the Invasion of Iraq.  Ben Kingsley will probably be playing thinly disguised versions of Dick Cheney for the rest of his life.  I was against the Invasion of Iraq from the start but seriously, I’m so bored with every movie released using it as a way to try to fool the audience into thinking that they’re seeing something more worthwhile than they are.

    The Read-The-Freaking-Book-Instead Award: The Killer Inside Me.  A lot of viewers are disturbed by the violent way that the main character deals with the women in his life.  I’m more disturbed by the fact that all the women in his life are presented as being simpering idiots.  The original novel is by Jim Thompson and it is a classic.

    The worst ending of 2010 so far: Splice with the Killer Inside Me as a strong runner-up.

    Future Film I’m Not Looking Forward To: Roland Emmerich’s Gusher, an ecological thriller based on the BP oil spill, starring Will Smith as the President, Dev Patel as the governor of Louisiana, Paul Bettany as the head of the evil oil company, and Ben Kingsley as Dick Cheney who will be seen cackling as oil-drenched doves wash up on the shores of California.  (How did the oil get to California?  Emmerich magic.)  Of course, the nominal star of the movie will be Jake Gyllenhaal as the young engineer who says stuff like, “This well is going to blow!” and who is trying to reconcile with his estranged wife (played by — does it really matter?  Let’s just say Emily Blunt gets the role this time around).  And let’s not forget Robert Duvall, who will play a grizzled old-timer who says a lot of grizzled old-timer stuff.  Look for it in 2012.

    My prediction for which film will be the most overrated of 2010: The Social Network, which has not opened yet but Sasha Stone at awardsdaily.com seems to think that it’s a slam dunk for greatness which is usually a pretty good indication that the end result is going to be a predictable, bourgeois crapfest.

    So, that’s 2010 so far.  It’s shaping up to be a good year.  I’m still looking forward to the release of Blue Valentine, Animal Kingdom, Get Low, The Disappearance of Alice Creed, The Last Exorcism, Wall Street, and the rerelease of Godard’s classic Breathless, which is one of my favorite movies and now I’m going to get a chance to see it in a theater!  Life is good.