SHANE (The TV Series) – Episode 2: The Hant (aired September 17th, 1966)


Shane (David Carradine) is awakened in the night by the sound of someone outside his bunk. He sees an old man (John Qualen) looking in the window. He grabs his gun and gets outside in time to see the old man driving off over the ridge in a horse drawn buggy. The next morning Shane is telling Mr. Starett (Tom Tully), Marian (Jill Ireland) and Joey (Chris Shea) about what had happened during the night. At this point, Shane seems unsure if it was even real. They muse that it may have been a “hant,” or a ghost.

Shane takes Joey to Grafton’s General store. While he’s trying on some new leather boots, he accidentally bumps into a drunk cowboy (Carl Reindel) causing his whiskey to spill. The drunk confronts Shane. Shane is able to beat up the cowboy without having to kill him. And then the same old man from the night before comes in and just looks at every man in the bar. He appears to be searching for someone. He comes up to Shane and says, “You’re Shane.” Shane doesn’t remember the old man, and the old man just turns and leaves. 

That night, Marian, unable to sleep walks outside and sees Shane talking to the old man. Shane tells her he’s an old friend that she should go back to bed. Shane invites him into his bunkhouse. That night the old man tells Shane that he killed his son 4 years earlier in Black Falls, CO. He even shows Shane a picture of his son. Shane doesn’t remember him at first. As he looks at the picture, he begins to have short flashbacks of the young man. He’s eventually able to remember the entire exchange with the young man in a saloon in Colorado. He did kill the man, but it was in self defense. He tells the old man that he did kill his son and that he’s sorry. He tells him that it was either his son or him, and that’s the only reason he killed him. Shane then asks the old man what he wants…. I won’t spoil it for you, but the answer was surprising! 

Episode 2 is all about Shane being haunted by his past. David Carradine does the heavy lifting as his character tries to come to terms with the fact that he’s killed so many men that he can’t even remember them all. He even considers leaving the Starett ranch because he’s concerned that other people could show up in the future wanting to get vengeance on him. Old man Starett isn’t involved in the action at all in this episode. Marian is mostly there to encourage Shane to not be so hard on himself. There is a scene where he puts a blanket on her when he’s about to leave the ranch for good. She’s sleeping and takes Shane by the hand like she’s touching her husband’s hand. It will be interesting to see how far the series takes their relationship, but that will be for another episode. And Joey is not very involved outside of telling the family about Shane kicking the drunk cowboy’s butt early in the episode. I could hear “Linus” a little bit in his voice since I know that he would be voicing the character that same year in “It’s the Great Pumpkin, Charlie Brown.” That was pretty cool. John Qualen is good in his guest starring role as the old man whose son was killed by Shane in the past. Qualen has been in so many TV shows and movies in his career going back to the early 30’s. He’s a very recognizable actor. 

All in all, I thought this was a solid episode. There was some real tension built up at the end of the when Shane is confronted again by that same drunk cowboy, and I was a little surprised by the resolution. 

Late Night Retro Television Review: Pacific Blue 1.1 “Pilot”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network!  It’s currently streaming everywhere, though I’m watching it on Tubi.

Last month, we finished up Baywatch Nights.  For our next show, we have Pacific Blue, which was often described as being Baywatch On Bikes.  Before watching the episode reviewed below, I had only seen one previous episosde of Pacific Blue.  I was in Rome and the episode was dubbed into Italian.

As I sit here typing this, it is currently 32 degrees and windy outside.  On Thursday, we’re supposed to get hit with ice and snow.  Fortunately, on Pacific Blue, it’s forever summer!  Let’s dive right in with the first episode!

Episode 1.1 “Pilot”

(Dir by Ralph Hemecker, originally aired on March 2nd, 1996)

Welcome to Santa Monica in the 90s!

The skies are sunny, the ocean is blue, everyone’s wearing a bikini or a swimsuit, and the cops are on bikes!

The pilot for Pacific Blue opens with Officers Victor Del Toro (Marcos A. Ferraez) and Cory McNamara (Paula Trickey) riding their bikes down the boardwalk and talking about how criminals and even citizens often don’t pay them enough respect because they’re on bicycles.  And, to be honest, they do look pretty silly riding their bicycles with their grim “I am the Law” facial expressions.  Judge Dredd would never be caught dead on a bicycle.

When Victor and Cory catch a couple of graffiti-spraying vandals, they get to show off what they can do with their bicycles.  “They can run but we can fly,” Victor says as he takes off after the fleeing vandals.  And …. no, sorry.  The bikes still look dorky.  I don’t care how many bad guys the bike cops capture.  The dark shorts and the crisp white t-shirts and the Schwinn bicycles, none of it is intimidating.

Chris Kelly (Darlene Vogel) was once a hotshot Navy pilot until her eyesight dipped below 20/20 and she was discharged.  (You have to have 20/20 eyesight to fly a plane?  Well, I’ll add that to my list of things that I will never be allowed to do!)  Chris joined the Santa Monica police force and found herself assigned to tell kids not to go off with strangers while wearing a milk carton costume.  After Chris catches some drug dealers (again, while dressed up like a milk carton), she is transferred out of public relations and over to …. BIKE PATROL!

Her new boss, Tony Palermo (Rick Rossovich), explains that Chris will require three days of bicycle training before she’s officially a member of Bike Patrol.  In one montage, Chris learns how to ride a bike like a …. well, I would say like a “badass,” except for the fact that she’s on a dorky Schwinn.  She is then partnered up with TC Callaway (Jim Davidson), who orders her to lose the attitude when it comes to riding her bike.  No one is too good for bike patrol!

TC’s girlfriend, Sandy (Cindy Ambuehl), thinks TC should get a job working for his wealthy father.  TC’s younger brother agrees.  But TC loves the beach.  He loves chasing criminals.  He loves riding his bike!  TC was born to work with ocean in the distance and sand getting stuck in the spokes of his bike,

Speaking of criminals, someone has stolen Mayor Mickey Dolenz’s car.  (Mickey Dolenz appears as himself.)  The Bike Patrol takes down a bunch of car thieves and closes down their chop shop.  It’s a standard cop show plot but keep in mind that this is just the first episode.  The purpose of a first episode is to introduce all the characters and explain the premise of the show.  And that’s what this pilot did so technically, this episode has to be considered a success.

The only problem — and I have a feeling that I’ll be coming back to this point frequently over the next two years or so — is that the Bike Patrol looks incredibly dorky.  Pacific Blue was obviously meant to capitalize on the success of Baywatch but the thing with Baywatch is that, as incredibly dumb as that show could be, the slow motion running looked cool.  The members of the Bike Patrol riding their bikes up and down the beach just look silly.

That said, the beach scenery was nice to look at and this show does seem like it might have the potential to be fun in a so-bad-it’s-good sort of way.  So, we’ll see what happens.  By the end of this month, I’ll either be happy that I picked this show to review or I’ll be cursing my terrible judgment.  We’ll find out soon enough.

Retro Television Review: Fantasy Island 5.22 “The Ghost’s Story/The Spoilers”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984.  Unfortunately, the show has been removed from most streaming sites.  Fortunately, I’ve got nearly every episode on my DVR.

This week, season 5 comes to an end.

Episode 5.22 “The Ghost’s Story/The Spoilers”

(Dir by Don Chaffey, originally aired on May 8th, 1982)

The latest batch of guests are arriving and Julie is nowhere to be seen!  Perhaps that’s because, as Mr. Roarke explains to Tattoo, Julie is helping out a guest who has an invisibility fantasy.  Tattoo and Roarke watch as the guest walks by.  His body may be invisible but his pants are not.

This is the final episode of the fifth season and it’s also the final episode in which Wendy Schaal will be credited as a part of the cast.  I wasn’t a huge fan of the Julie character but it still seems like a bit of a shame that she didn’t get to do anything in the finale.  Then again, this episode doesn’t really feel like a finale.  I don’t know what was going on behind the scenes during the fifth season but it’s hard not to feel, with the way that Julie and Tattoo have randomly shown up in different stories, that the season’s episodes were not shown in the order in which they were filmed.  Maybe all the Julie episodes were filmed at one time, while Herve Villechazie was off doing something else.  Who knows?  It’s just been a strange season.

That’s all wonderful and interesting, Lisa …. But what about this week’s fantasies!? you may be asking.

They both feel a bit familiar.  That’s not always a bad thing, of course.  Fantasy Island is a comfort show and a part of the comfort is knowing that things are always going to play out in a certain way.  But, with this episode, both fantasies felt as if they had been done better in the past.

Harry (Bo Hopkins) is a bounty hunter who comes to the Island to track down fugitive Nick Tanner (Robert Fuller).  Nick has been accused of robbing a bank and is hiding out on a nearby island.  Harry goes to the island but he soon discovers that Nick is innocent and that the real bank robbers have also come to the island in search of Nick.  Luckily, there’s a widow named Juliet (Jo Ann Pflug) who is also living on the island.  Harry and Nick hide out at her place before they all team up to defeat the real bank robbers.  Nick and Juliet fall in love and Mr. Roarke performs one of his trademark wedding ceremonies.  Nick and Juliet then board the plane back to America and …. wait a minute, what about Harry?  It was his fantasy!  We don’t ever see Harry leave Fantasy Island.  Maybe he’s still living there.

(Personally, I think he married Julie and that’s why she was no longer working there once season six began.  I like that.  Consider it to be canon.)

The other fantasy is a haunted house story.  Amanda Parsons (Tanya Roberts) comes all the way from Baltimore to spend 24 hours in one of Fantasy Island’s many haunted houses.  Two other paranormal investigators attempt to do it before Amanda but they end up fleeing after two minutes.  I’m not sure why.  The manor looks creepy but it turns out that the ghost is a rather wimpy and not at all frightening guy named Timothy Black (Dack Rambo).  Cursed by his own father after Timothy refused to fight a duel with Captain Fitzhugh Ross (John McCook), Timothy has spent two hundred years haunting the old manor.  Amanda takes sympathy on him.  It turns out that Ross’s descendant is also on the Island.  Timothy challenges him to a duel, causing the latest Ross to run in fear.  Timothy and his ghost dad (John Myhers) realize it’s okay to be scared of getting shot.  Ghost Dad asks Roarke to bring Timothy back to life so that he can pursue his romance with Amanda.  Roarke does just that, despite the fact that, in many previous episodes, Roarke has specifically said that he cannot bring the dead back to life.

Usually, I enjoy Fantasy Island‘s haunted house fantasies but this one didn’t do much for me.  I think it’s because the ghost was just too wimpy.  There’s nothing more annoying than a whiny a dead guy,

And so ends this very odd season.  Next week, we being season 6!

Late Night Retro Television Review: CHiPs 3.3 “Valley Go Home!”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch and Jon go to the beach!

Episode 3.3 “Valley Go Home!”

(Dir by Barry Crane, originally aired September 29th, 1979)

There’s been a string of thefts at the beach.  Someone is stealing radios out of cars and then making a fast getaway.  Somehow, this thief is able to blend in so well with everyone else that no one even notices him breaking into the cars until it’s too late.  Jon and Ponch have been assigned to patrol the beach and keep the radios safe.

Of course, Jon and Ponch don’t just worry about radio thieves.  When two women lose control of their car while towing a sailboat, Jon and Ponch are there to not only help them stop the car but also to ask them out on a windsurfing date.  (Every episodes of CHiPs found a way to promote the so-called “California lifestyle.”  It was probably one of the most effective tourism commercials ever filmed.  I don’t even swim and this episode still made me want to go wind surfing.)  They also get involved in the rivalry between three local white surfers and a group of Latino teenagers from the Valley.  Both groups drive Chevy vans with ornate decals.  One gets the feeling that the blonde surfers call their van the “Second Base Mobile.”

This is an episode of CHiPs that takes place at the beach so you’ve probably already guessed that it doesn’t take long for Ponch to find an excuse to put on a speedo.  Baker and Ponch not only work together but they also hang out together.  On the show, they’re best friends.  (Behind-the-scene, Larry Wilcox and Erik Estrada were not quite so close.)  They spend a lot of time at the beach, eating ice cream.  Baker wears modest swim trunks.  Ponch walks around in his speedo and shows off his dazzling smile.  One gets the feeling that, if this episode had been made in 1999 instead of 1979, Ponch would have been handing out AOL CDs to everyone he met and saying, “When you sign up, I get fifteen free minutes to talk to you.”

Ponch has a theory that the radio thief is disguising himself as someone who works at the beach.  (Needless to say, Ponch comes up with the theory while Baker agrees because, on CHiPs, everything was much pretty much about Ponch.)  Ponch suspects that the thief might be the local ice cream man.  Ponch and Baker eat a lot of ice cream in this episode.  Eventually, it turns out to be the local trash collector.  The ice cream man is off the hook!

As far as the surfers and the Valley kids are concerned, it all works out.  Of course, it works out in the most dangerous way possible, with the surfers and the Valley kids chasing each other in their vans and both crashing their vehicles.  After 48 hours in jail, all of them are back on the beach.  The surfers agree to teach the Valley kids how to handle a board.  The Valley kids agree to take the surfers to Mexico.  Ponch and Jon have a good laugh before going windsurfing.  How can you not love California?

This was a pretty silly episode but the beach scenery was nice.  It’s hard for me to not enjoy a show that features not one but two vans.  All hail the 70s!

Retro Television Review: Miami Vice 3.12 “Down For The Count: Part One”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week, Miami Vice says goodbye to a friend.

Episode 3.12 “Down For The Count: Part One”

(Dir by Richard Compton, originally aired on January 9th, 1987)

Larry Zito finally gets his own episode!

Played by John Diehl, Larry Zito was a part of the show from the very beginning.  Occasionally, it’s easy to forget that Diehl was a part of the ensemble because his character was rarely given anything to do and we rarely learned that much about Zito.  He was Switek’s partner and he seemed to have a quirky sense of humor.  Occasionally, he had long hair and a beard and he seemed to enjoy wearing elaborate disguises while working undercover.  That said, Zito was always a bit of an enigma.  Even the rare episodes that centered on the Switek/Zito partnership seemed to feature Zito mostly in the background.

In this episode, though, we finally learn a bit about Zito.  We learn that he has a background as a boxer and he’s good at training other fighters.  We learn that he takes it seriously whenever he hears about a crooked promoter manipulating a boxer.  We learn that Zito is a recovering alcoholic.  In this episode, we learn that Zito is more than just goofy comic relief.  He’s got a heart as gold.  When the Vice Squad investigates a crooked promoter named Guzman (Pepe Serna), Zito takes it upon himself to train an up-and-coming boxer named Bobby Sykes (Mark Breland).  Bobby’s previous trainer (played by Randall “Tex” Cobb) was a friend of Zito’s and was murdered by Guzman.  For Zito, this case is personal.  He even helps Bobby win a championship.  Yay, Zito!  That’s not bad for a supporting character!

Unfortunately, this also leads to Zito dying.  After the fight, Zito is confronted by Guzman and his men.  Switek later finds Zito’s body in the gym with a hypodermic needle sticking out of his arm.  Guzman gave Zito a fatal overdose of heroin.

This really depressed me!  I mean, Zito finally gets a chance to handle a serious case and, even more importantly, John Diehl finally gets a chance to show off the fact that he’s a very good actor and then, at the end of the episode, Zito’s dead!  Poor Zito!

(From what I’ve read, John Diehl wanted off the show because he felt his role was underwritten and he also preferred doing theater to weekly television.  That’s understandable.  At least he got one turn in the spotlight before he was written off the show.)

Needless to say, this episode is dominated by the death of Zito.  The scene with a tearful Switek cradling Zito’s dead body makes such an impression that it’s easy to forget that this episode also featured the odd spectacle of Don King playing Mr. Cash, an ex-con turned honest fight promoter who disapproves of Guzman’s tactics.  Somehow, Don King being the voice of integrity makes sense in the topsy-turvy world of Miami Vice.  King says that Guzman is in Miami because it’s a brand new territory and a place where anyone can make it rich.  That’s been one of the recurring themes of this show since it began.  Anything can happen in Miami.  Including Larry Zito dying….

Give me a moment to wipe away the tears.  Seriously, the end of this episode really depressed me!

Next week, Switek is out for revenge.  I hope he gets it!

Late Night Retro Television Review: Degrassi High 4.6 “Nobody’s Perfect”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube!

Oh Romeo, Romeo….

Episode 4.6 “Nobody’s Perfect”

(Dir by Eleanore Lindo, originally aired on December 5th, 1989)

This week’s episode is all about relationships, good and bad.

Patrick (Vincent Walsh), a student from Ireland, sees that Spike is wearing a Pogues t-shirt and asks her out.  Spike replies that she wants to but she can’t because she has to take care of baby Emma at night.  Patrick suggests a day date instead.  Spike agrees, even if she’s still struggling to deal with her feelings about Shane.

(Shane, having suffered brain damage after a bad LSD trip, is not enrolled at Degrassi High.  We won’t see him again until the third season premiere of Degrassi: The Next Generation.)

Meanwhile, despite having broken up with him so that she can date “Clode,” Caitlin still volunteers to be Joey’s scene partner for home room.  They’re supposed to perform a scene from Romeo and Juliet and …. yeah, there’s no way that’s going to be awkward, right?  Caitlin tells Joey that, even though they’ve broken up, she hopes they can still be friends.  Joey awkwardly says, “Yeah.”  They talk about why they broke up.  Caitlin even says, “It’s not you, it’s me.”  Those of us who know our Degrassi history know that this is a scene that’s going to be frequently repeated over the next twenty years or so.

Finally, Kathleen has convinced herself that she’s totally in love with Scott.  Afterall, Scott is always telling Kathleen how much he loves her.  He gives her jewelry.  He sends her flowers.  He wants her to spend all of her free time with him.  Of course, when Scott isn’t doing all of that, he’s beating on her and telling her that she’s stupid for wanting to have any interests outside of being his girlfriend.  When Kathleen is disappointed to discover that she hasn’t been cast in the school play, Scott informs her that she’s just not a very good actress and she shouldn’t worry about it.  When Kathleen says that she wants to try out for a play at the community center, Scott tells her that she needs to make time for him.  When Kathleen tries to have lunch with her friends, Scott drags her away so that she can have lunch with him.  When Kathleen stays after school to practice a scene with her scene partner (who happens to be Luke, the guy who gave Shane the acid), Scott goes absolutely crazy and beats her up in the classroom.

“Kathleen,” Scott insists as Kathleen finally walks away from him, “I love you!”

Kathleen turns to look at him.  We get a freeze frame of her bruised face and then the insanely cheerful Degrassi theme music starts playing.  It makes for an interesting juxtaposition.  (Combining cheerful music with depressing freeze frames was a Degrassi tradition.)

This episode deserves a lot of credit for realistically portraying Kathleen and Scott’s relationship and Scott’s abusive personality.  Everything that an abuser does — from the gaslighting to the subtle insults and the sudden accusations to the desperate begging for forgiveness — is present in this episode and Kathleen’s reactions (“I can change him!”) are all too real.  Degrassi High was a show that dealt with real issues and it usually managed to do it without resorting to melodrama or false hope.  The thing that makes this episode so powerful is that we don’t know if Kathleen had the courage to reject Scott after that freeze frame or, if like so many other girls and women in the same situation, she once again forgave her abuser.  Rebecca Haines deserves a lot of credit for her performance here, as does Byrd Dickens, who is terrifying as Scott.  This episode was Degrassi High at its best and most important.

Retro Television Review: Homicide: Life on The Street 2.2 “See No Evil”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, no one’s innocent.

Episode 2.2 “See No Evil”

(Dir by Christopher Menual, originally aired on January 13th, 1994)

Watch out!  Stanley Bolander’s whining about his divorce again!

Ned Beatty was one of the great character actors and he is certainly convincing in the role of Stanley Bolander, the veteran Baltimore homicide detective who has seen the worst that humanity has to offer and who spends most of his time annoyed with his partner, John Munch.  But, as good as Beatty is, I still groan whenever Bolander starts to talk about his ex-wife and his divorce.  His bitterness was a recurring theme during the first season.  It was annoying but it was understandable because the divorce was still recent.

But now, we’ve started the second season.  It’s time move on, Big Man!

This episode finds Bolander very reluctantly taking part in sensitivity training.  He avoids meeting with Dr. Carrie Weston (Jennifer Mendenhall) until Giardello threatens to suspend him without pay.  Bolander is stunned when Dr. Weston turns out to be sympathetic to his anger over his divorce.  Bolander ever tries to ask Dr. Weston out, just for Weston to inform him that she’s just gotten out of a bad relationship and that she believes “birds of a feather should flock together” and, speaking of birds, did you know that there are lesbian seagulls?  Bolander gets the hint.  Myself, I would probably lie about being a lesbian just to get out of having to spend any more time listening to him cry about his divorce.

Far more interesting than Bolander’s angst were the two cases at the center of this week’s episode.  Chuckie Prentice (Michael Chaban) shoots his dying father (played, in a powerful and intimidating performance, by Wilford Brimley) in the head.  Though Chuckie claims that his father committed suicide, Lewis has his doubts and takes Chuckie to the station for interrogation.  Detective Beau Felton just happens to be Chuckie’s best friend and, after Chuckie tells him that his father specifically asked to be put out of his misery, Felton tries to convince Lewis to say that the shooting actually was a suicide.  At first, Lewis refuses but eventually, he agrees to look the other way while Felton takes Chuckie to wash his hands and destroy any evidence of gunpowder residue on his skin.  Without any definite evidence proving the he fired the gun, Chuckie is free to go and his father’s death is ruled a suicide.

This was a powerful story and it was all the more effective because it refused to come down on one side or the other.  Both Felton and Lewis presented their positions well and the episode ended not on a note of triumph but on a note of weary resignation.  Chuckie is free to go on with his life and his father is no longer in pain but Lewis is going to be haunted by his decision to allow evidence to be destroyed.  Personally, I’m against assisted suicide and I felt it was selfish for Chuckie’s father to ask Chuckie to pull the trigger.  But, having spent the previous few months trying to come to terms with my own father’s passing, I could understand what Chuckie was feeling.  There really are no easy answers.

As for the other case, it involved the shooting of a drug dealer.  The dealer was shot in the back.  A patrolman claimed that he slipped and his gun accidentally fired during the pursuit of the dealer.  Pembleton had his doubts about whether the shooting was really an accident or a case of police brutality.  Even after Giardello warned him that pursuing the case would turn “brother against brother” in the police force, Pembleton insisted on asking every police officer on the scene to turn in their guns for testing.  “You son of a bitch, Pembleton,” Giardello muttered.

And again, this was a storyline that worked because it refused to present an easy solution.  The dead man was a criminal and he was shot while fleeing the cops.  Even though the cop that slipped was eventually cleared of having fired the shot that killed the dealer, it was obvious that the shot did come from a cop.  Pembleton, with his black-and-white view of his job, was determined to find the truth, regardless of the professional consequences.  Giardello, with years more experience than Pembleton, spoke from the heart when he told Pembleton that investigating the case would bring harm not just to the cop who shot the dealer but to every cop working the streets, regardless of whether they were involved or not.  Felton could convince Lewis to look the other way.  Pembleton was not willing to do the same thing.

It was a strong episode, even with all of Bolander’s nonsense.  Perfectly acted, morally ambiguous, and fiercely intelligent, this is an episode that I’ll be thinking about for a while.

Late Night Retro Television Review: Check It Out 3.2 “Hey, Take Me Over”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Howard continues to dream of a better job.  Good luck with that, Howard.

Episode 3.2 “Hey, Take Me Over”

(Dir by Alan Erlich, originally aired on  October 10th, 1987)

Cobb’s has been sold!  Because the new owner is a huge corporation that owns several luxury resorts, Howard convinces himself that he’s going to be promoted to running a hotel in Tahiti.  (Howard’s background in hotel management has been one of the few consistent things in Check It Out.)  Instead, corporate vice president T.C. Collingwood (Elizabeth Hanna) comes down to the store and tells Howard that he needs to start wearing a smock that says “Howie, Store Manager” on it.

Howard does what any reasonably immature, 50ish man would do.  He quits.  But then Edna explains that Howard will lose his pension if he quits so Howard decides that maybe wearing the smock won’t be so bad.  “You’re throwing away your future,” Edna says at one point, as if Howard isn’t clearly approaching the age when most people retire.

This episode really drove home one of the biggest issues with Check It Out!, which is that Howard was written to be an ambitious man in his 40s but he was played by Don Adams who, when the show began, was already in his 60s.  Now, it should be admitted that Adams looked about ten years younger than his actual age but still, Howard comes across as a bit too old to still be fantasizing about suddenly changing careers.  There’s a principle that everyone rises to their level of incompetence.  They keep getting promoted until they reach a job they can’t do and then, they get stuck there.  Howard’s level of incompetence appears to be working as a general manager of a grocery store.

Howard eventually does put on the smock and agrees to keep working at his job.  What’s odd about this is that Howard was already wearing the smock during the previous episode.  Obviously, the episodes that made up the final season of Check It Out! were not aired in their intended order.

For all of the flaws to be found in this episode, it was still better than the majority of the second season.  It would appear that, with season 3, the show’s producers and writers finally settled on Howard being an incompetent manager and the store being a mess.  That’s definitely the right way to go.  When it comes to workplace sitcoms, incompetence is always funnier than hypercompetence.  (Just consider the U.S. version of The Office, in which the funniest episodes featured the office in chaos and the cringiest episodes were always the ones the centered on how good Jim was at selling paper.)  No one respects Howard and Howard has no idea how to do his job.  That’s a lot funnier than whatever the second season was trying to do.

Finally, I should mention that T and T‘s Sean Roberge has a small role in this one, playing the new bagboy.  If I’ve learned anything from doing these retro television reviews, it’s that, in the late 80s, syndicated Canadian television shows really did seem to share the same small pool of actors.

Lisa Marie’s Week In Television: 12/29/24 — 1/4/25


It’s a new year but there’s still much to watch.  Here’s some thoughts on what I viewed during the first week of 2025!

CHiPs (Prime)

Freevee may be dead but CHiPs continues on Prime.  My reviews of the show will return on Monday.

Cobra Kai (Netflix)

I watched the 2nd part of the final season of Cobra Kai on Friday.  I know the regular complaint about Cobra Kai is that every season is pretty much the same and there’s actually some validity to that comment.  But I don’t care.  It’s a fun show and William Zabka is a joy to watch.  From the start, I know this latest set of episodes would end with yet another huge brawl but, at this point, I’d be disappointed if they didn’t.  The showrunners know exactly why people watch this show.

Dark (Netflix)

Case and I have been watching this atmospheric German show on Netflix.  This week, we finished up the first three episodes.  Case has watched the show before.  He said it would appeal to my “analytical mind” and so far, he’s very much correct about that!  I’m enjoying uncovering the mysteries of this macabre mystery.

Days of Our Lives (Peacock)

On Saturday, I got caught up with Days of Our Lives on Peacock.  One thing that I like about this show is that you can go for six months without watching and still feel like you can jump right back into the storylines when you come back!  I enjoyed watching all of the citizens of Salem celebrate Christmas and New Year’s.  And I’m glad to see that Patch is still with us.

Dick Clark’s New Year’s Rockin’ Eve with Ryan Seacrest (Tuesday Night/Wednesday Morning, ABC)

Jeff and I spent New Year’s Eve at my BFF Evelyn’s annual “Screw The Year That Was” party.  The big annual countdown was playing on the television in one of the rooms at Evelyn’s place and I glanced in on the show occasionally.  I’ve never really gotten into any of the televised New Year’s Eve celebrations.  I don’t really have the attention span for them.  I just find it interesting that it’s still Dick Clark’s New Year’s Rockin’ Eve, even though Mr. Clark passed away quite some time ago.  It’s like Ryan Seacrest is a medium or something, letting us hear from Dick Clark from beyond the grave.

Going Dutch (Thursday Night, Fox)

After getting barraged by commercials for this show on an almost nonstop basis, I felt as if I had to watch the premiere.  Denis Leary plays an army officer sent to enforce discipline on a base in the Netherlands.  The base’s former commander?  His daughter!  I was glad that this show didn’t use the tired mockumentary format that is so popular nowadays but, overall, it still didn’t do too much for me.  The mix of family drama and goofy humor just didn’t work,

Hell’s Kitchen (Thursday Night, Fox)

Hell’s Kitchen returned this week, with both Joe and Anne-Marie being eliminated from the competition.  Like Chef Ramsay, I was surprised that Joe didn’t last long enough to receive a black jacket.  As for Anne-Marie, she probably should have been eliminated weeks ago.  She’s just too scatterbrained to be the head chef.  (For the record, she would still do a better job in the position than I ever would!)

King of the Hill (Hulu)

On Sunday, after the news broke about the death of Jimmy Carter, my sister Megan and I watched the episode of King of the Hill in which Carter attempted to broker peace between Hank and his father.  It turned out to be too big a job for even Jimmy.  This was a classic episode and it featured one of my favorite King of the Hill lines.  Upon meeting Carter, Hank says, “You ran our country …. (voice filled with reverence) America.”

Miami Vice (Prime)

I got back to watching Miami Vice this week.  Watch for my review on Monday!

Saved By The Bell (Prime)

I wasn’t feeling well on Sunday night so Megan and I watched a few episodes from the Ms. Bliss era.  We both agreed that Ms. Bliss was kind of a bitch.

The Twilight Zone (SyFy, Tuesday and Wednesday)

I caught a few episodes of the annual New Year’s marathon.  This is a classic show and I always try to find times to catch my favorites, like The Monsters Are Due On Maple Street, Eye Of The Beholder, Shadowplay, and that one with the nurse saying, “Room for one more, honey!”

Retro Television Review: Welcome Back Kotter 4.12 “A Little Fright Music”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show can be purchased on Prime.

Welcome back to Brooklyn.

Episode 4.12 “A Little Fright Music”

(Dir by Norman Abbott, originally aired on December 2nd, 1978)

Sick and tired of Mr. Woodman insisting on ending the monthly “Parents’ night” meeting by singing the old and outdated school song, Freddie takes it upon himself to rewrite the school song.  He keeps the original melody but updates the lyrics to make it clear that Buchanan High is a “groovy alma mater.”  When recording star J. Bubba-Hampton (Sip Culler) overhears Freddie singing the song, he decides he wants to buy it and release a disco version on his next album,

The only problem is that Woodman wrote the original song and, since Freddie kept the melody, Freddie has to get Woodman to sign off on selling the new version of the song.  At first, Woodman refuses but then he realizes that he could make a lot of money off the deal.  Woodman agrees and puts on a scarf and sunglasses.  He’s a star now, after all.

For some reason, J. Bubba-Hampton agrees to bring the contracts over to the Kotter apartment so that Woodman and Freddie can sign.  However, when Bubba-Hampton mentions that Woodman actually plagiarized the song from a 1930s tune written by Irvine Russell, Woodman is stunned.  It turns out that Woodman had no idea that he did that. Woodman feels that it would be unethical to sell the song.  Freddie agrees.  J. Bubba-Hampton says, “I’ll just have to find another song for my album,” and leaves the apartment.  Julie suggests that maybe the school could have two songs.  Everyone ignores her.  Gabe then says that maybe the school could have two songs and everyone agrees.  The look of absolute hatred that Julie directed towards Gabe was one of the funniest things about this episode.

For a fourth season episode of this show, A Little Fright Music was not that bad.  For one thing, it featured Mr. Kotter from beginning to end and, watching this episode, I realized that, even if he wasn’t exactly the greatest actor in the world, Gabe Kaplan’s presence really was one of the keys to the show’s earlier success.  Kaplan was naturally funny whereas Marcia Strassman, who filled the role that Kaplan normally would have filled for many of the fourth season episodes, was not.  This episode also gave John Sylvester White and Lawrence Hilton-Jacobs a chance to take center stage.  John Sylvester White’s unhinged Woodman has always been one of the best things about this show.

Horshack is not present in this episode and he’s not missed.  Unfortunately, Barbarino is also not present.  Seriously, this would have been a perfect episode for Barbarino.  Julie is also present, which means we get another chance to watch Gabe Kaplan and Marcia Strassman struggle to pretend to like each other.  Julie’s new short haircut always makes it appear as if Kotter has divorced his wife and is now sharing his apartment with a teenage boy.

Gabe gets to tell a joke at the end of this episode.  His Uncle Seymour dug up Schubert to see if he could find the Lost Symphony.  Shubert said, “Go away.  Can’t you see I’m decomposing?”