Horror Scene of the Day: “Chop Chop” from The Wicker Man


Today would have been the 97th birthday of British director Robin Hardy.

Hardy was best-known for directing the original The Wicker Man.  Indeed, his subsequent films — including the long-delayed sequel — achieved nowhere near the acclaim as 1973’s Wicker Man.  A film in which a Christian detective (Edward Woodward) is lured to an island so that he can be tricked into becoming a pagan sacrifice, The Wicker Man is remembered for Christopher Lee’s chilling performance of Lord Summerisle and, of course, the burning man.

At the risk of being accused of heresy, I’ve always found The Wicker Man to be good but a bit overrated.  Woodward’s detective is portrayed as being such a fool that the film’s ending is nowhere near as shocking as it should be.  (The Wicker Man was written by Anthony Shaffer who, just as he would later do with 1978’s Absolution, lets his own issues with religion bleed a bit too heavily into the film.)  That said, the film is full of wonderfully creepy scenes, like the one below.

“Chop!  Chop!” the villagers say and it may seem like it’s all good fun but the look of relief on some of the people’s faces clue us into the fact that the blades have not always remained motionless.  It’s the supreme act of trust on an island where no one really has any reason to trust anyone.

Horror Scenes That I Love: The Opening of Suspiria


The opening of Dario Argento’s 1977 masterpiece, Suspiria, is about as perfect an opening as one could hope for.  American ballet student Suzy Banyon (Jessica Harper) arrives in Freiburg, Germany.  Both Argento and Harper perfectly capture Suzy’s confusion as she makes her way through the airport and, as torrential rain drenches her, attempts to hail a taxi and get a ride to the dance academy.  (What Suzy doesn’t know, of course, is that the dance academy is home to the ancient witch known as The Mother of Sighs.)

With this opening scene, Argento both immediately establishes the off-center, nightmarish atmosphere of Suspiria and establishes Suzy as a character who we, as the audience, relate to and care about.  Suspiria is a great film and it all begins with this brilliant opening.

(And just as Suzy is starting her  journey to the school, we are just starting Horrothon!  Get ready for the best 31 days of the year!)

Scenes That I Love: Naomi Watts in Twin Peaks: The Return


Yesterday was the birthday of the great Naomi Watts!

In this scene from 2017’s Twin Peaks: The Return, Watts tells off to low-level hoodlums who have been demanding money from her husband.

Scenes That I Love: Tony Soprano Dreams Of A House In The Sopranos


With our annual Horrorthon starting in three days, I thought that this would be an appropriate time to share a creepy scene that I love from The Sopranos.

The Sopranos was well-known for its dream sequences. For me, this dream from the season 4’s Calling All Cars is one of the best and scariest of the series. It’s full of menace and ominous atmosphere, from the minute we see Tony being led to the house by the deceased Ralphie. And then, when that mysterious shadow appears on the staircase — AGCK!

I look forward to inviting you inside the TSL House of Horrors this October.

Scene That I Love: The Story of Bonnie and Clyde


In this scene, from Arthur Penn’s 1967 film Bonnie and Clyde, Bonnie Parker (played by Faye Dunaway) writes a poem and tries to craft the future image of Bonnie and Clyde.  Though it has none of the violence that made Bonnie and Clyde such a controversial film in 1967, this is still an important scene.  (Actually, it’s more than one scene.)  Indeed, this scene is a turning point for the entire film, the moment that Bonnie and Clyde goes from being an occasionally comedic attack on the establishment to a fatalistic crime noir.  This is where Bonnie shows that, unlike Clyde, she knows that death is inescapable but she also knows that she and Clyde are destined to be legends.

(Of course, Dunaway and Warren Beatty — two performers who once epitomized an era but who are only seen occasionally nowadays — are already legends.)

Scenes That I Love: Linda Hamilton in The Terminator


Today, the Shattered Lens wishes a happy birthday to actress Linda Hamilton.

This scene that I love is the haunting conclusion of the original Terminator.  Even with the Terminator (momentarily) vanquished, there’s still a storm coming.

Scenes That I Love: “Greed is Good” from Wall Street


Today, the Shattered Lens wishes a happy 82nd birthday to actor and producer Michael Douglas!

For today’s scene that I love, we have a scene from Oliver Stone’s 1987 film, Wall Street.  In this scene, Michael Douglas plays Gordon Gekko.  Gekko is supposed to be the film’s villain but he’s actually a lot more compelling and, at times, sympathetic than the film’s heroes.  He’s not a judgmental jerk like the union leader played by Martin Sheen.  Nor is he a snitch like his protegee, played by Charlie Sheen.  Instead, Gordon Gekko is honest about who he is.

This is the scene that won Michael Douglas an Oscar.  Watching him in this scene, it’s easy to see why Douglas’s performance supposedly inspired a lot of people to get a job working on Wall Street.  Douglas is so charismatic in this scene that he makes this movie into one of the best advertisements for capitalism ever filmed.

Scenes That I Love: Coyote Shivers and Renee Zellweger perform “Sugar High” in Empire Records


It’s not Rex Manning Day but it is Coyote Shivers’s birthday!

Here, he and Renee Zellweger do their part to save the store by performing Sugar High on the roof.

Scenes That I Love: Giovanni Lombardo Radice Dances in The House on The Edge of the Park


Today, the Shattered Lens celebrates what would have been the 72nd birthday of the great Italian actor (and my friend), Giovanni Lombardo Radice!

I’ve shared this scene before but I’ll happily share it again.  In Ruggero Deodato’s The House On The Edge of the Park, Giovanni Lombardo Radice shows a bunch of rich jerks how he can dance.  Dancing with Radice is his frequent co-star, Lorraine De Selle.  Wearing the yellow suit is the equally iconic David Hess.