Horror Film Review: Mary Shelley’s Frankenstein (dir by Kenneth Branagh)

Oh my God, this is an exhausting movie.

Directed by and starring Kenneth Branagh, the 1994 film Mary Shelley’s Frankenstein sticks pretty closely to the plot (if not the tone) of Mary Shelley’s original novel.  What that means is that this movie includes a lot of the good stuff that often seems to get left out of other Frankenstein adaptations.  For instance, we learn more about the life of Victor Frankenstein (Kenneth Branagh) before he created his monster.  We find out about his family and his troubled romance with Elizabeth (Helena Bonham-Carter).  Victor’s good friend Henry Clerval (Tom Hulce) is included and so is Professor Waldman (John Cleese) and Captain Robert Walton (Aidan Quinn).

It also means that we get to watch as the Monster (Robert De Niro) flees into the wilderness and later befriends a kindly blind man (Richard Briers).  The Monster, as always, is happy until mankind interferes and treats him unfairly.  The Monster learns to speak and, after it learns to read, it discovers who created it and it sets out for revenge.  We watch as everyone that Victor Frankenstein cares about dies, all as a result of his desire to play God.

And yet, while you have to respect the fact that Branagh tried to stay (more or less) true to the plot of the original novel, Mary Shelley’s Frankenstein is a bit of a chore to sit through.  A huge part of the problem is that Kenneth Branagh cast himself to play Victor Frankenstein.  In the book, Victor is a rather sickly character and his desire to create life is probably as much inspired by his own poor health and the death of the people close to him.  In the film, Branagh plays Victor as being almost a Byronic figure, with the camera emphasizing his flowing hair and his muscular physique.  Even when Victor does push himself to the point of death in his research, you never really believe it because Branagh the director isn’t willing to let Branagh the actor look weak or malnourished.  However, turning Victor into an alpha male also turns him into a jerk.  Unlike say Colin Clive or Peter Cushing in The Curse of Dracula, you never find yourself sympathizing with Kenneth Branagh’s Victor.

And then you have Robert De Niro as the Monster.  Now, really, I imagine that — in 1994 — the idea of De Niro playing the Monster seemed like an obvious one.  I mean, the Monster is a great role and De Niro’s one of the greatest actors who ever lived so if anyone could find a new and interesting way to play Frankenstein’s Creation, it would have to be De Niro, right?

But no.  First off, De Niro may be a great actor but it’s hard to accept the idea that a monster created in Germany would speak with a New York accent.  Even under tons of makeup, De Niro does an okay job of projecting the Monster’s rage but, unlike Karloff or Christopher Lee, De Niro never seems to really connect with the character.  You never forget that you’re watching a heavily made-up Robert De Niro.  De Niro often seems to be rather detached from what’s happening on screen.

Branagh’s directs in a manner that can only be called operatic, which turns out to be a mistake.  The story is already dramatic enough without Branagh spinning the camera around every few moments.  There’s not a subtle moment to be found in the film but unfortunately, Frankenstein is a story that needs just a little bit of subtlety.  It all gets to be a bit overwhelming and, by the time the Monster is literally ripping a heart out of a body, you’re just like, “Enough already!”

It’s just a really tiring movie.

Trailer: Cockneys vs. Zombies (Red Band)

What better way to kick-off Through the Shattered Lens’ tradition of the horror-themed month of October than a trailer that brings my favorite horror monster of all-time: the zombie horde.

Most zombie films try to be of the horrific and social-conscious variety. Let’s call this the Romero-effect. The grandfather of this horror subgenre was and is known to inject a dose (both subtle and heavy-handed) of social commentary to the scenes of apocalyptic gore and horror that others have tried to copy, mimic and emulate his style of varying degrees of success or failure. Then there are the zombie films that goes for the funny bone in addition to the usual gore and flesh-eating. This first started with the initial Return of the Living Dead film during the 80’s which spoofed the zombie genre without sacrificing the horror and gore. This type of zombie film is even more rare until the arrival of Edgar Wright’s Shaun of the Dead during themid-2000’s. Since then the success of this zombie-comedy there’s been more and more of this type of zombie film and most of them, to be honest, stinks to high heaven. It does make the adage that doing comedy is ultimately much harder to do than drama.

One such zombie-comedy that looks to be cashing in on the success of Wright’s film even now is another release from our cousins across the Pond with Cockneys vs. Zombies. It had made an appearance at this year’s Fantastic Fest and the reaction to the film has been quite positive and with this crowd of genre superfans with discerning taste this means just very good news for fans of the zombie genre looking for something new sink our teeth into.

While this is the type of film that never truly gets a wide release in the US I think it’ll be good for people to check it out once it comes out on video and On-Demand. I mean it has the geriatric and young bank robbers fighting zombies.