On the one hand, I know that the critics have never exactly embraced the songs of Phil Collins. I mean, there’s a reason why it’s such a brilliant joke that, in American Psycho, the vacuous wannabe serial killer Patrick Bateman is a rabid Phil Collins fan. On the one hand, Collins’s music is representative of an era. On the other hand, it’s often used to illustrate everything that was supposedly wrong with that era.
But you know what?
Screw it. I like this song. It’s effective. It works. It’s fun to listen to and I’ll probably find myself singing it sometime tonight. Earlier, I watched a 1984 film called Against All Odds and, when this song played over the final freeze frame, it was a perfect moment.
The video for Take A Look At Me Now was directed by the same guy who directed Against All Odds, Taylor Hackford. Of course, the video itself is mostly made up of clips from the film. In between Phil doing his thing, we get scenes of Jeff Bridges looking young and sexy, Rachel Ward looking sultry, and James Woods looking dangerous.
The song itself was nominated for an Oscar, though it lost to I Just Called To Say I Love You from The Woman In Red.
I have long contended that the most annoying serial killer of all time was Paul Michael Stephani, a resident of Minneapolis who killed three women in 1980.
Stephani was known as The Weepy-Voiced Killer. (Even his nickname was annoying.) Whenever Stephani committed a murder, he would promptly call 911 and confess while sobbing. As you might expect would happen to someone who was enough of a dumbass to call the police right after murdering someone, Stephani was eventually captured and convicted. Sentenced to 40 years, Stephani died of cancer while in prison and nobody misses him.
Unfortunately, because all of Stephani’s 911 calls were recorded, he’s recently become a very popular subject for true crime shows. It’s not there’s anything particularly interesting about Stephani’s crimes. It’s just that it’s easy (and cheap) to build a show around the sound of him whining on the phone. As someone who probably spends too much time watching true crime realty television, I’ve had to listen to Stephani’s voice more than anyone should ever have to. Making it even worse, there’s currently a show called Evil Calls, which uses a recording of Stephani in its commercials. I’ve actually stopped watching Investigation Discovery just because I’ve gotten so sick of hearing that loser whining, “Please don’t talk, just listen… I’m sorry I killed that girl. I stabbed her 40 times…”
However, the Stephani tapes do provide one valuable service. The sound of Stephani’s pathetic voice reminds us that most serial killers are not the urbanely witty and intelligent figures that we’ve gotten used to seeing in the movies. Most real-life killers are whiny losers who kill for very basic reasons and who are stupid enough to call 911 and confess. Movie killers are a different breed all together.
Take the 1997 mystery Deceiver, for instance.
In Deceiver, Renee Zellweger plays a world weary prostitute. We only see her in flashbacks, largely because she was murdered before the film’s opening scene. Her name was Elizabeth, which brings to mind Elizabeth Short, the legendary Los Angeles murder victim who is better known as the Black Dahlia. Much like the real-life Black Dahlia, Elizabeth’s body was cut into two pieces and left in a park. (According to the film’s imdb trivia section, Elizabeth was also named after Elizabeth Loftus, a psychologist who pioneered the study of false memories.)
Suspicion immediately falls on James Walter Wayland (Tim Roth). The youngest son of a wealthy and powerful South Carolina family, Wayland is an infamous alcoholic. Wayland admits that he knew Elizabeth. He even took Elizabeth with him to a fancy party, all the better to offend his parents. Wayland may be a black-out drunk with a history of erratic behavior but he also swears that he didn’t kill Elizabeth.
Two detectives are determined to trick Wayland into confessing. Detective Edward Kennesaw (Michael Rooker) is a respected veteran, the type of detective who can get a confession out of almost anyone. His partner is Detective Philip Braxton (Chris Penn), who is a bit less impressive. As we’re informed early in the film, Braxton graduated at the bottom of his high school class and has been waiting for a promotion for quite some time.
From the minute that Kennesaw and Braxton start to interrogate Wayland, it becomes obvious that Wayland is hardly your typical murder suspect. He’s certainly more impressive than the Weepy-Voiced Killer. He’s witty. He’s smart. He’s cocky. He admits to being an alcoholic and to suffering from black outs and seizures but he also claims that, unlike every other man who Elizabeth dealt with, he actually cared about her. Wayland also reveals that he knows some details about Kennesaw and Braxton. He knows about Kennesaw’s troubled marriage to a woman (Rosanna Arquette) who has a history of cheating on him. He knows that Braxton is in debt to a local bookie (Ellen Burstyn). And, as the interrogation continues, Wayland starts to suggest that one of the interrogators is hiding an even darker secret.
Deceiver‘s a frequently fascinating film to watch, even if it’s not always easy to follow. If there’s any film that would seem to demand multiple viewings, it’s this one. The majority of the movie takes place in one darkened room and directors Joan and Josh Pate do a wonderful job capturing the claustrophobia of that setting. (Fortunately, there’s enough flashbacks to keep the film from getting too stagey.) Roth, Rooker, and Penn all give intensely stylized performances. They may not feel realistic but they fit in perfectly with the fever dream atmosphere of the film. Roth, in particular, gives a performance that is both mannered and intriguing. It even feel appropriate that his Southern accent is in no way convincing. It just makes sense that Wayland wouldn’t sound like anyone else in the world.
It’s a heavily stylized film, full of odd dialogue and skewed camera angles. It’s a film that often feels like a journey right to the center of an extremely twisted mind. (Of course, the movie is designed so that you’re never quite sure whose mind you’ve entered.) There’s nothing realistic about it but that’s okay. It’s certainly preferable to watching a movie about The Weepy-Voiced Killer.
Though I’m really hesitant to admit it and I’ll probably deny it if anyone asks me in the future, last night I watched the first episode of the new ABC “reality dating” show, The Proposal. How soul-searingly bad was The Proposal? It was so bad that I am now convinced that not only is our current world about to end but also whatever world comes along to replace it is probably doomed as well.
Why Was I Watching It?
Because I’m an idiot.
What Was It About?
If you’ve ever watched The Bachelor, you know that it’s pretty much a tradition for the women (and the men, in the case of The Bachelorette) to announce that they can see themselves marrying the Bachelor after only knowing him for three days. Of course, the audience at home always rolls their eyes when they say that. We know they’ve probably been pressured to say that by the show’s producers, just like we know that there’s little chance that anyone on the show’s actually going to end up getting married to anyone else on the show. It’s a fantasy and it’s kinda fun to get lost in it.
Well, The Proposal is basically The Bachelor on cheap steroids. Now, instead of taking a whole three days to fall in love, The Proposal suggests that it can be done in an hour! Woo hoo!
Here’s how last night’s show worked. A man named Mike was sitting in a pod, hidden from the view of the audience. Host Jesse Palmer assured us that Mike was a good guy and a police officer who deserved a good wife. We were also told that, as the result of getting hit by a drunk driver, Mike lost part of his right leg but he was still an athlete who loved to go on hikes. The message was clear: “If you think what’s happening is totally regressive and problematic, then you’re a terrible person who is saying that a one-legged first responder doesn’t deserve a chance at happiness.”
Ten heartbreakingly insecure women were brought out on stage. While wearing swimsuits, each one made a pitch to Mike (who, keep in mind, was hidden from view the whole time). Mike proceeded to cut five girls, all of whom were promptly ordered to get off the stage. Mike then asked the five remaining girls a question. Based on their answers, two girls were cut and three were left on stage.
From the beginning, it was obvious that the final three were going to be Jessica, Monica, and Kendal. Jessica and Monica were the most attractive while Kendal was the only one who had a real job. In fact, Kendal was a neuropsychologist who spoke movingly about how happy it made her to help stroke victims. Given Mike’s own stated to desire to want to inspire people and create something good from his accident, Kendal seemed like the perfect choice…
Until, Mike’s best friend, Andrew, asked some questions! Andrew wanted to know if the women were interested in having children. Kendal said that she didn’t want to have children. The audience gasped in horror and Kendal got this panicked look on her face. Oh my God, I’ve missed out on my chance to get proposed to by a man I’ve never seen before because I was honest about not wanting to have children!
Mike announced that the final two would be Monica and Jessica. Sorry, Kendal! I guess you should have lied until you got that ring!
Once Kendal was gone, the pod opened and Mike emerged. Everyone breathed a sign of relief as Mike turned out to be a generically handsome guy who basically looked like a cop. (He even sported the shaved head look that is oddly popular among police officers.) At this point, I was sure that Monica and Jessica would get a chance to ask a question but no. That’s not the way The Proposal works. The fact that Mike looked like he might be distantly related to Wentworth Miller was good enough. There was no need to know how he voted or if he was religious or if he drank or anything else. Instead, Moncia and Jessica were sent backstage to work on their final plea and change into a nicer outfit.
After a commercial break, both Jessica and Monica returned and made their final pleas but it didn’t really matter what they had to say. Mike was staring at Monica even while Jessica was talking. Mike announced that he had been smitten with Monica from the first time he saw her an hour ago. He got down on his one knee and proposed to her. She said yes. While Jessica silently headed backstage, Monica and Mike shared their first kiss.
“You’re a wonderful kisser,” she told her bald pod person, before adding, “Just wait until later!”
What Worked
Oh God.
Actually, let’s give credit where credit is due. The off-stage announcer was properly snarky as each women was introduced. The tone basically said, “Yeah, I can’t believe this is actually happening, either.”
Plus, I had a lot of fun live tweeting the event! My anxiety was acting up something awful all day yesterday but making fun of The Proposal on twitter helped me calm down.
What Did Not Work
Every single moment of this show was icky and regressive. Imagine The Bachelor without any of The Bachelor‘s goofy charm and you’ve got The Proposal.
“OH MY GOD! Just like me!” Moments
None. Absolutely none. Well, okay — I did relate to the women’s obvious terror when, at the beginning of the show, they were forced to walk down a steep staircase in high heels. I’m amazed that everyone made it down safely.
Lessons Learned
The world is doomed.
Also, I’ll apparently watch anything. What’s really sad is I know I’m probably going to watch next week’s episode, too.
It’s become a bit of a cliché to compare Jake Bugg to Bob Dylan but then you hear a song like Trouble Town and you really don’t have any choice. Fortunately, it’s a favorable comparison. The Dylan influence is obvious but Jake Bugg still makes every song his own.
This video was shot in Bugg’s hometown of Clifton, Nottingham.
You’ll recognize this song from the closing credits of the 1996 film, Trainspotting. This video was done for the 2015 re-release of Underworld’s 1996 album Second Toughest In The Infants.
The 1978 film Jaws 2 poses a question that has been asked many times under many different circumstances:
When will people learn?
Seriously, you would think that after everything that happened during the first Jaws, the people of Amity Island would be a little bit smarter when it comes to sharks. I mean, did Ben Gardner, the Kintner Boy, Quint, and Chrissie Watkins all die in vain? If I lived on Amity Island, I would be so paranoid about another shark attack that I would probably move to Manitoba. At the very least, I would demand that the beach be closed if there was even the slightest chance that another great white shark was somewhere out there, eating anyone foolish enough to get back in the water.
It’s just common sense!
But no. In Jaws 2, when another shark shows up and eats two divers and a water skier before blowing up a motor boat, no one is even willing to consider shutting down the beach. Even after Chief Brody (Roy Scheider) insists that another shark has shown up, no one is willing to listen to him. “I know something about sharks!” Brody insists but the town council just shrugs him off. Maybe they think that Quint and Hooper did all the work the last time and that Brody was just along for the ride.
Of course, Brody does bring some of his problems on himself. Brody spends a lot of this film sitting in the dark, brooding about sharks. When he sees a shadow in the ocean, he runs down to the beach and starts shooting at it. “It’s just blue fish!” someone yells while Brody looks a little confused. How shocked can we really be when the town council fires Brody? He was a loose cannon.
Before he gets fired, Brody orders his teenage son, Mike (Mark Gruner) to stay out of the water. Of course, Mike doesn’t listen. He goes sailing with his friends and his younger brother, Sean (Marc Gilpin). That’s a big mistake, of course. As soon as Mike and company are a good distance away from Amity Island, the shark attacks and leaves them all stranded at sea. Mike is knocked unconscious. Sean is trapped on a boat all by himself. One of the teenage girls, Jackie Peters (Donna Wilkes), totally freaks out while her older sister, Brooke (Gigi Voran), suggests that they all play charades to pass the time. Everyone dismisses her idea but you know what? I have it on very good authority that sharks love charades. I think Brooke was on to something…
Jaws 2 is a strange, strange movie. It’s really two films in one. Jaws 2 starts out as an almost by-the-book remake of Jaws. True, Quint’s dead. And Richard Dreyfuss had just won an Oscar so there’s no way Hooper was going to come back. But Brody’s back and he’s once again an island police chief who is afraid of the water and who can’t get anyone to listen to him. Just as Jaws started out as almost a small town comedy, Jaws 2 has an early scene where Brody has to deal with the quirky citizens of Amity Island. (Unfortunately, Harry and his really bad hat don’t make a return appearance.) A scene where a dead killer whale washes up on the beach is shot to remind us of the scene in the first in which Hooper and Brody examine a dead shark.
But then, halfway through, Jaws 2 turns into a totally different movie. Suddenly, the teenagers are trapped out in the middle of the ocean and the shark is circling them and Brody is searching from them and the whole movie just goes insane. Roy Scheider abandons any attempt at subtlety as he becomes as obsessed with shark as Donald Pleasence was with Michael Myers in Halloween. The shark turns out to be incredibly sneaky. He’s never around until you stick your hand in the water and then suddenly — SHARK!
How powerful is this shark? He’s so powerful that he eats a freaking a helicopter! Seriously, a coast guard helicopter tries to rescue the kids and ends up getting eaten by the shark! That scene alone is worth whatever’s led up to it. (I think Jaws 2 might be the first film to feature a shark eating a helicopter.) The film only gets crazier from there, with Brody eventually reduced to verbally taunting the shark while clutching onto a power cable.
Now, admittedly, those stranded teenagers aren’t the most developed characters in the world. There’s a lot of them and it’s sometimes difficult to keep track of who is who. Fortunately, this is a 70s films and that means that Jaws 2 is all about the hair. You may not know their names but you’ll never forget their hair:
Check out some of the members of the Jaws 2 hair club:
Jaws, come out to play…
(Okay, Luther wasn’t actually in the movie but just imagine if he had been!)
Anyway, Jaws 2 cannot begin to hold a candle to the original Jaws but it’s still a lot of fun. Admittedly, there are a few parts, especially during the first hour, that drag in a way that Spielberg, the consummate story teller, would not have allowed. I could have done without some of the lengthy scenes where Brody tries to convince the city council that there’s another shark in the water, if just because we already know that the shark’s there and we can guess that the beach isn’t going to be closed. (After all, if the beach was closed, there wouldn’t be a movie…)
But once the teenagers are stranded in the ocean and the shark is eating the helicopter and Brody is calling it a bastard while hanging onto a power cable, there’s no way that you can resist the charms of this sequel. Jaws 2 isn’t exactly good but it’s just so entertaining!
Jaws 2 frequently shows up on AMC so keep an eye out for it!
We’re not even halfway through 2018 yet and I’m already prepared to declare that today’s music video of the day is the best of the year! Now, you’ll notice that I didn’t say that it’s the best song of the year but really, the song’s not that important. What’s important is that, with this video, Drake and director Karena Evans gives us the Degrassi reunion that we’ve all been waiting for!
(Okay, maybe not everyone. Apparently, some people aren’t as obsessed with Degrassi as the rest of us are. But you know what? I love Degrassi. I’ve got almost the entire series on DVD and I’ve watched and rewatched every episode so many times that I can quote most of them from memory.)
Before he found superstardom as Drake, Aubrey Graham was best known (by people like me) for playing Jimmy Brooks. When Degrassi first started, Jimmy was something of a random jock. He got into fights. He played basketball. He dated Ashley Kerwin and dumped her after she took ecstasy and ended up making out with Sean. He dated Hazel until she graduated. He dated Ashley again until she betrayed him to get a recording contract. And, of course, he ended up in a wheelchair after a mean-spirited prank led to Rick Murray shooting him in the back. Jimmy eventually left Toronto for Amsterdam and possibly law school but, as we see in this video, he’s back and so are all of our old favorites.
Admittedly, before this video, there was a previous Degrassi reunion. Back in 2016, the 500th episode of Degrassi featured a class reunion and several old characters did return. Unfortunately, everyone’s favorites — like Paige, Spinner, Marco, and Emma — didn’t get much screen time. Instead, Mo — who really shouldn’t have even been at the reunion since it had only been a year since he graduated — got most of the screen time and seriously, who ever cared about Mo? Meanwhile, beloved graduates like Ellie, Craig, and Manny didn’t even show up. In short, the official Degrassi reunion was a huge disappointment!
Fortunately, this video does a better job of bringing back almost all of our favorites. I guess that’s the power of Drake. True, it’s hard not to be disappointed that Sean Cameron, Joy Hogart, Alex, J.T. Yorke, Johnny DiMarco, and Bruce the Moose didn’t show up. (If you ever had any doubt that Degrassi was a Canadian show, just consider the fact that a major supporting character was named Bruce The Moose.) But check out who did return!
First off, here’s Spinner (Shane Kippel)!
Seriously, it’s not a Degrassi reunion if Spinner isn’t there. Despite the fact that Degrassi was a four-year school, Spinner was enrolled for seven seasons. Okay, so Spinner wasn’t that good of a student but so what? He was the heart and soul of Degrassi! Not only was he the drummer for Toronto’s greatest band, Downtown Sasquatch, but he was also Jimmy’s best friend, except for that time when Jimmy was angry over Spinner’s part in the prank that led to Jimmy getting shot in the back. (Fortunately, they made up.) I’ve seen some people online wondering why Spinner spends so much of this video throwing up. My theory is that it’s an homage to the seventh season episode, Pass the Dutchie. That’s the episode where Spinner, while undergoing chemotherapy, throws up on his English teacher.
(That episode also features one of the greatest lines in Degrassi history, when a stoned Spinner realizes that he’s about to fail English for the third time and exclaims, “What kind of idiot fails his own language three times!?”)
Four of my favorites all showed up together. Getting out of the stylish white car: Paige (Lauren Collins), Ellie (Stacey Farber), Marco (Adamo Ruggiero), and Craig (Jake Epstein). I always related to Ellie, largely because we both had red hair and always wore black to school. I also always felt bad that Craig and Ellie could never quite seem to make things works romantically, though Ellie and Sean were actually a better couple. But I’m just kind of rambling now…
Hey, it’s Terri (Christina Schmidt) and Hazel (Andrea Lewis)! Terri was on the first three seasons of Degrassi, until she was put into a coma by her abusive boyfriend, Rick Murray. (This was the same Rick who would later shoot Jimmy in the back.) Hazel was Jimmy’s girlfriend, until she eventually realized that Jimmy was actually in love with Ellie. It’s probably not a coincidence that Drake is rapping about his ex at the same time that Hazel shows up.
Then the teachers show up! Ms. Kwan (Linlyn Lue) was the tyrannical English teacher who was driven to tears when Jimmy and Spinner egged her car. As for Archie “Snake” Simpson (Stefan Brogren), he’s been the one constant over the course of all the different versions of Degrassi. He started out as a student on Degrassi Junior High and Degrassi High. In School’s Out, he was the first character to say “fuck” on Canadian television. Finally, Mr. Simpson taught the school’s media immersion class and eventually became principal of the school.
About halfway through the video, we learn that Mr. Simpson buys his drugs from Jay (Jason Mewes) and Silent Bob (Kevin Smith).
A longtime fan of the Degrassi franchise, Kevin Smith appeared as himself during season 4 and 5 and also in the second Degrassi movie, Degrassi Goes Hollywood. Smith came to Degrassi to shoot his latest movie, Jay and Silent Bob Go Canadian, Eh? Of course, he brought Mewes with him. While Kevin Smith did end up contributing to the break-up of Caitlin and Joey, he also helped to track down Craig, who was having a manic episode and living on the streets at the time. Later, Smith would return to Degrassi to encourage Paige to take a chance with Alex and to also help launch the acting career of Manny Santos (Cassie Steele).
Speaking of Manny, she returns for Drake’s reunion and, appropriately enough, she’s seen hanging out with Emma (Miriam McDonald). Interestingly, in Degrassi Takes Manhattan, Emma ended up marrying Spinner in a plot twist that caused thousands of Degrassi fans (like me) to roll their eyes in unison. (Seriously, Emma and Spinner barely spoke to each other for 9 seasons and then they suddenly got married.) In this video, Spinner and Emma don’t even seem to acknowledge each other. Maybe they got divorced.
Among the other former Degrassi cast members to make an appearance: Melissa McIntyre (a.k.a. the one and only Ashley Kerwin), Nina Dobrev (who played teen mom-turned-super model Mia), A.J. Saudin (a.k.a. Simpson’s autistic godson, Connor), Sarah Barrable-Tishauer (a.k.a., class President Liberty Van Zandt), Jake Goldsbie (a.k.a. adorable nerd Toby Isaacs), Marc Donato and Dalmar Abuzeid (a.k.a. dorky friends Derek and Danny), and Paula Brancati (who played Jane, the girl who Spinner probably should have married.)
And then there’s Rick Murray (Ephraim Ellis). Despite the fact that Rick was reported to have died shortly after shooting Jimmy, he still showed up for the reunion. Of course, not everyone was happy to see him:
So, for those of you keeping track: Jimmy regained his ability walk, Emma and Spinner are divorced, Rick Murray apparently didn’t die after all, and J.T. Yorke is still dead. Poor J.T.
(Then again, if Rick’s still alive then you have to wonder how his ghost was able to possess Holy J in The Curse of Degrassi. Maybe I’m overthinking this. Anyway…)
In this time of division and conflict, can we all agree that Game Night is a damn funny movie?
The film tells the story of three couples who regularly get together for, as the title suggests, a game night. Ryan (Billy Magnussen) and Sharon (Sharon Horgan) are quirky and a little bit daffy. Kevin (Lamorne Morris) and his wife, Michelle (Kylie Bunbury) are generally dependable and Michelle has a really interesting story about the time that she met a man who may have been Denzel Washington but probably wasn’t. Meanwhile, Annie (Rachel McAdams) and Max (Jason Bateman) are an ultracompetitive married couple, frustrated in their attempts to conceive a child but always confident in their ability to win any game that they play. At one time, Gary (Jesse Plemons) and his wife used to be a part of the group but, after they got divorced, Max and Annie stopped inviting him. You really can’t blame them. Gary’s seriously creepy.
And then there’s Brooks Davis (Kyle Chandler).
Brooks is Max’s brother and, at first glance, he would appear to be everything that Max isn’t. Brooks appears to have a lot of money. He claims to have a successful career, even if no one’s quite sure what he does for a living. He drives a nice car. When he comes to town to visit his brother, he rents out a mansion. Brooks is the type of older sibling who always has an embarrassing story or two to share about his younger brother. In fact, Max feels so inadequate when compared to Brooks that it’s even interfering with Max and Annie’s efforts to have a child. When Brooks invites everyone to come to his house for a very special game night, Annie and Max are determined to beat Brooks at whatever game he’s planning on having them play.
It turns out that Brooks has hired a company to put on an interactive role-playing game. While listening to a fake FBI agent (Geoffrey Wright) explain the background of the mystery that they’re about to solve, the couples are shocked when several masked men burst into the house. Everyone’s impressed as the men beat the fake FBI agent unconscious. When the men start beating up Brooks, everyone praises Brooks for the realism of his game. After Brooks is dragged out of the house, the couples set out to solve the mystery of who is behind this kidnapping. As for the fake FBI agent, he lies on the floor motionless. Even when Ryan kicks his body, the agent doesn’t move. Everyone agrees that the agent is a really good and committed actor.
Of course, the joke is that Brooks really has been kidnapped but nobody realizes it. It’s a good joke but, to the film’s credit, it’s not the only joke. In fact, Game Night actually get funnier after everyone eventually realizes that they’re no longer playing a game. Ever after they realize that Brooks actually has been kidnapped, Annie and Max are so competitive that they still keep trying to outdo everyone else.
Annie and Max also discover that they have no choice but to involve their creepy neighbor and former friend, Gary. Jesse Plemons doesn’t have a lot of screentime but he gives a performance that is so exquisitely strange and awkward that he ends up stealing the entire movie. Watching Plemons, you both feel sorry for Gary and understand why no one wants to play with him. His desperation to be apart of the group is both exasperating and somewhat touching.
In fact, the entire cast does a good job, bringing their often clueless characters to life. Max and Annie are a likable couple and Bateman and McAdams have a natural chemistry that makes them a lot of fun to watch. There’s a great scene where Max and Annie, still thinking that they’re just playing a game, subdue a group of criminals in a bar. Max and Annie’s clueless joy is intoxicating. They’re having fun playing at being tough and we’re having fun watching them. Of course, it eventually turns out that the gun that Annie thought was a toy is real and loaded and … well, things get a little bit messy. While the scene where Annie and Max try to figure out how to dig a bullet out of a man’s arm may have made me cringe a little, it also made me laugh. That’s a credit to both Bateman and McAdams, who made the scene both real and funny at the same time.
Anyway, I really enjoyed Game Night. Clocking in at 100 minutes, it’s a briskly paced and good-natured comedy that never makes the mistake of lingering for too long over its own cleverness. Director Jonathan Goldstein and John Francis Daley both redeem themselves for 2015’s Vacation. If, earlier this year, you missed this one when it was in theaters, see it now and have a good time.
Through the Shattered Lens 