Book Review: The Beast Within by Edward Levy


Way back at the end of August, in anticipation of the TSL’s Horrorthon, I went down to my local Half-Price Books and I explored their collection of old horror paperbacks.  Among the books that I pulled off the shelf was the 1981 horror novel, The Beast Within by Edward Levy.

The book opens, in the 1920s, on the Arkansas farm of Henry Scruggs.  Henry is a cruel religious fanatic, one who views fornication as being such a sin that he refuses to even have sex with much younger wife, Sarah.  (Sarah, for her part, was practically sold to Henry by her father.)  One day, an Englishman named Connors shows up at the farm.  He’s a traveling bible salesman who specializes in seducing farm girls.  When he attempts to do just that to Sarah, they both end up getting caught by Henry.  Henry sets his wife on fire and then chains up Connors in the basement.  That’s where Connors spends the next 20 years, while Henry prays for his soul.

By the time Henry dies and Connors manages to escape, Connors is no longer human.  He’s been turned into a savage beast, who lives in the woods and eats anything that he comes across.  The beast eventually attempts to catch a snake and ends up getting a poisonous bite as a result.  However, before it dies, the Beast rapes Carolyn McCleary.

When Carolyn subsequently gives birth to a son named Michael, both she and her husband, Eli, convince themselves that Michael is Eli’s child, even though there’s no physical resemblance.  As a child, Michael has a terrible temper and is sometimes violent.  He has terrible dreams and sometimes wakes up covered in the blood of other animals.  After Eli and Carolyn are forced to resort to extreme measures to control Michael’s impulses, it seems as if Michael has recovered.  He grows up to be a relatively normal boy.

But then puberty hits….

The Beast Within is a grim, dark, and occasionally depressing little book.  It’s also compulsively readable.  Though many of the scenes between Henry, Sarah, and Conners verge a bit too much towards the cartoonish side, the book picks up once Henry’s out of the way and the focus shifts to the McClearys.  You find yourself hoping the best for Eli, Carolyn, and Michael, even though you know it’s doubtful that this story is going to have a happy ending.  The Best Within is short, sordid, pulpy as can be, and undeniably effective.

Italian Horror Showcase: Torso (dir by Sergio Martino)


Oh my God, this film freaks me out!

Listen, I’ve watched a lot of Italian horror films.  I know how violent they can be.  I know how gory they can be.  I know how sordid they can be.  I know how disturbing they can be.  It’s not like I sat down and watched Torso with virgin eyes.  But with all that in mind, Sergio Martino’s 1973 giallo still totally freaks me out!

Why does it freak me out?

Well, it’s going to be hard to really explain it without spoiling the movie’s biggest twist.  It occurs about halfway through the film and it totally took me by surprise when it happened.  Suddenly, Torso went from being just another film about a seemingly unstoppable murderer to becoming a tension-filled game of cat and mouse.  So, I’m going to discuss the movie but I’m going to give a spoiler alert before I talk about the twist and, if you’ve never seen Torso before, you should stop reading and you should discover what happens for yourself.

Torso takes place in Perugia, Italy.  During the day, it’s a beautiful city that’s surrounded by a beautiful countryside.  The nearby University of Perguia seemse to be exclusively populated by beautiful students, including American exchange student Jane (Suzy Kendall) and her best friend, the wealthy Daniela (Tina Aumont), and beautiful instructors, like the rather opinionated Art History teacher, Franz (John Richardson).

But at night, Perugia changes.  The countryside around the university becomes considerably less beautiful.  A masked killer stalks through the fog-covered woods, carrying with him a knife and an endless supply of red scarves.  He kills anyone that he comes across in the wilderness, including one of Jane and Daniela’s friends!

With everyone panicking about the serial killer in their midst, the ineffectual police investigate the usual sordid collection of suspects but with little success.  Daniela, meanwhile, thinks that she may have seen the killer and, for her own safety, she, Jane, and their friends all go to her family’s villa for the holiday weekend.

And then….

(SPOILER ALERT)

(SPOILER ALERT)

(SPOILER ALERT)

Jane breaks her ankle and is given a sedative by the local doctor.  This knocks Jane out for the night and when she finally wakes up, she discovers that all of her friends have been murdered and the killer is still in the villa!  Fortunately, he doesn’t realize that Jane’s in the villa as well.  Unfortunately, he’s also locked all the doors and the windows, so that he can have the privacy necessary to dispose of the bodies.  For the rest of the film, Jane has to try to get someone to notice that she’s trapped in the villa without drawing the attention of the killer.  Needless to say, this proves even more difficult than it sounds.

Torso is often dismissed as being a lesser giallo, particularly when it’s compared to some of Sergio Martino’s later contributions to the gnre.  While Torso might not feature as complex a plot as some of Martino’s other films (and you’ll probably guess the killer’s identity long before the film reveals it), it does feature a second act that is so nerve-wracking and suspenseful that I barely breathed while watching it.  Visually, Martino does an excellent job of contrasting the beauty of the outside world with the horrors inside the villa and both Suzy Kendall and Tina Aumont give good and sympathetic performances in the lead roles.

Torso totally gave me nightmares but I’d watch it again.

Horror Film Review: The Curse of the Werewolf (dir by Terence Fisher)


The 1961 Hammer film, The Curse of the Werewolf, is a good example of a film that could succeed on casting alone.

As you can probably guess from the title, this film is about a werewolf.  And there was never an actor more perfect for the role of a werewolf than Oliver Reed.  Set aside Reed’s legendary reputation for wild off-set behavior.  Set aside the fact that Reed specialized in playing men who often seemed to have a beast lurking deep within them, a beast that was constantly bursting out.  With his handsome but scarred face and his burly physique, Oliver Reed looked like a wolf.  If I had to sit down and paint a picture of how I visualized a man who transformed into a beast, the picture would probably end up looking like Oliver Reed.

In fact, Reed is so perfectly cast in this film that it’s easy to overlook the fact that he doesn’t even show up until the last quarter or so of the film.  Clocking in at a relatively leisurely-paced 91 minutes, The Curse of the Werewolf plays out more like an extremely grim fairy tale than a traditional horror film.

It begins in 18th century Spain, with a beggar stumbling across the wedding of a cruel nobleman.  When the beggar asks for food, he’s mocked.  He’s cruelly forced to beg and then, for his trouble, he’s thrown into jail.  Isolated from the world, the beggar’s only human contact comes from his kindly jailer and the jailer’s mute daughter.  When the nobleman tries to force himself on the daughter, he’s rejected.  As a result, he throws the jailer’s daughter into the cell with the now animalistic beggar.  When she’s eventually released, she promptly murders the nobleman but she’s now pregnant with the beggar’s child.

That child is named Leon Corledo and eventually, he’ll become Oliver Reed.  But first, we watch as he grows up, the adopted son of the kindly Don Alfredo (Clifford Evans).  Alfredo’s housekeeper considers Leon to be cursed because he was born on Christmas Day and his mother died in childbirth.  Alfredo may dismiss that as a silly superstition but, as Leon grows up, strange things do happen.  Goats are murdered and, even though a dog is blamed, we know that it has something to do with Leon.

Yes, Leon is a werewolf but interestingly enough, it’s not the full moon that transforms Leon into a beast.  Instead, it’s stress and depression.  When Leon grows up and goes to work in vineyard, he’s fine until he realizes that he’ll probably never be a rich man like his boss and he’ll never have enough money to marry Christina (Catherine Feller).  That’s when he loses control and transformed.

The Curse of the Werewolf is a dark and moody film, directed in an appropriately atmospheric fashion by Terence Fisher.  Leon is one of the more tragic Hammer monsters, having been born with an affliction that he can’t control and which no one else is capable of understanding.  Oliver Reed gives a wonderful performance, revealing the tortured soul that lurks underneath the fearful exterior.  This Hammer film may not be as well-known as the Dracula or Frankenstein films but it’s definitely one that deserves to be seen.

Horror on the Lens: Killers From Space (dir by W. Lee Wilder)


Today’s horror on the lens is Killers From Space, a 1954 film about …. well, killers from space!

Like a lot of 1950s sci-fi films, this one features Peter Graves as a properly grave-voiced scientist.  It’s about some googly-eyed aliens who abduct people and force them to reveal America’s nuclear secrets!  This low-budget, independent film has quite a pedigree.  It was directed by Billy Wilder’s brother and written by his nephew, Myles.

Enjoy!

Horror On TV: Kolchak: The Night Stalker 1.6 “Firefall” (dir by Don Weis)


It appears that YouTube is finally back up (for the sake of future historians, YouTube was down for several hours on the night of Tuesday, October 16th, 2018, leading to great panic on twitter) so I can share tonight’s episode of Kolchak: The Night Stalker!

In this episode, our favorite neurotic journalist investigates several cases of spontaneous human combustion.  It all appears to have something to do with the spirit of a dead gangster, one who is wandering around in the form of a famous (and still living) conductor.

I swear, Chicago was a crazy place to live in the 70s.

This episode originally aired on November 8th, 1974.

Enjoy!

Horror On The Lens: The Cloning of Clifford Swimmer (dir by Lela Swift)


Today’s horror on the lens is 1974’s The Cloning of Clifford Swimmer.

This short but entertaining sci-fi film may be a bit obscure but it’s a personal favorite of mine.  Check out my review here and then be sure to enjoy the show!

Horror On TV: Kolchak: The Night Stalker 1.5 “The Werewolf” (dir by Alan Baron)


What a day!

Hi, everyone.  If today’s horrorthon seemed to be missing some of the usual contributions, that’s because today has been a crazy day.  It’s been raining in Dallas since last Friday and it’s supposed to continue to do so for the next week.  This morning, the storms brought lightning and that lighting struck a building and set it on fire.  The building’s roof proceeded to collapse.  That building belonged to AT&T and it’s destruction let to what those of us in Dallas have christened the Great ATT Outage of 2018.

Basically, for the past 11 hours, the Texas Bureau of the Shattered Lens has had no internet access!  So, I’m sorry to say that I was not able to write and post all of the reviews that I wanted to post today.  I’ll have to play catch up later this week.  I do want to say thank you to Gary, Jeff, and Case for their contributions today!  It’s nice to know that you can depend on your partners in crime!

Fortunately, things are back up and running once again.  And just in time for me to share the fifth episode of Kolchak: The Night Stalker.  In this one, our favorite nervous reporter deals with a — you guessed it! — a werewolf!  This episode originally aired on November 1st, 1974.

Enjoy!

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)


Well, we are halfway through October and, traditionally, that’s when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts, the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!