Tag Archives: review

6 Classic Television Episodes To Watch On Halloween

Posted on by Lisa Marie Bowman

If you want to celebrate Halloween but you don’t necessarily want to spend the entire day watching horror movies …. well, what the Hell’s wrong with you?

No, no!  I’m just joking!  I actually understand where you’re coming from!  Well, fear not — here are six wonderful shows for Halloween and I believe they’re all streaming somewhere.  So, if you need some quick Halloween entertainment, take a look at this list below!

(The episodes below are listed in chronological order.)

  1. Saved By The Bell 3.26 “Mystery Weekend” (first aired on December 21st, 1991)

Desperate to spend a weekend away from Bayside High School and Mr. Belding, Zack and the gang head off to a mansion for a mystery weekend!  The plan is to solve the murders and win …. something.  To be honest, I’ve never really understood the point of the mystery weekend and I’ve always found it weird that the a bunch of underage high school kids were allowed to participate without the presence of their parents.  Like I would think most murder houses would have an age requirement.  Of course, an even bigger question is why would they bring Screech with them?

Anyway, it soon appears that the mystery weekend has taken a dangerous turn as people start to turn up dead for real!  Or are they?  And then Lisa Turtle disappears! Or does she?  Only Zack Morris can solve this case!  This episode is dumb but entertaining in the typical Saved By The Bell manner.

2. Boy Meets World 5.17 “And Then There Was Shawn” (February 27th, 1998)

The entire season 5 cast is in detention because they interrupted class to have a debate over Cory and Topanga breaking up.  Good Lord, did these people not have a life outside of Cory and Topanga’s creepy relationship?  Anyway, it soon turns out that there’s a murderer in the school and, one by the one, the entire cast is murdered!  Who could it be!?

Complete with a random guest appearance from Jennifer Love Hewitt (who was dating BMW’s Will Friedle at the time), And Then There Was Shawn was a parody of films like Scream and I Know What You Did Last Summer.  It’s surprisingly well-done and I say this as someone who isn’t really a huge fan of this show.  (Cory’s love for Topanga was a bit too stalkerish for me.  Even worse was everyone’s insistence that Topanga was obligated to love him back, regardless of how she felt.)  In fact, this episode is a macabe classic in its way.  One gets the feeling that the writers had been discussing how they would like to kill off the cast for a while before this episode was written.

3. King of the Hill 7.9 “Pigmalion” (January 12th, 2003)

Luanne (voice by the much-missed Brittany Murphy) is dating Trip Larsen (voice by Michael Keaton), the owner of Larsen Pork Products and one of the richest men in Texas.  Yay!  Trip is totally and completely insane and only Peggy (Kathy Najimy) realizes it.  Uh-oh!  My favorite thing about this episode is that, even though Trip is trying to kill everyone and he’s literally in love with a pig, no one but Peggy and eventually Luanne ever notices.  Instead, they just shrug off his behavior as him being an eccentric Texas millionaire.  Michael Keaton does a wonderful job voicing Trip and fear not, Trip does eventually get his sanity back.  Of course, as soon as he regains his sanity, he notices that he’s on the conveyer belt in a slaughter house and well …. things don’t end well for him.  But, as Luanne pointed out, at least he sounded happy before he died.

This episode was originally meant to air during Season 5 but was delayed because Fox thought it would be too controversial.  (The episode takes place during Halloween but aired in January.)  When it did air, it would be the only King of the Hill episode to get a “parental discretion advised” warning slapped on it.  It’s a good episode, though.  Family Guy wishes it could come up with something as good as Pigmalion.

4. The Office 2.5 “Halloween (October 18th, 2005)

Poor Michael!  He just wans to celebrate Halloween and he’s even come up with a pretty cool costume.  Unfortunately, corporate expect him to spend the day finding someone to fire.  Will it be Creed or will it be Devon?  When this episode was being shot, the writers weren’t sure who Michael would fire.  But after the scene where Creed Bratton argues with Michael in his office, it was decided to keep Creed and the eccentric energy that he brought to the show.  Don’t worry, though.  Devon Abner the actor was already planning on leaving the show because he had gotten a role in a play and Devon the character was hired back in the final episode.

5. Community 3.5 “Horror Fiction in Seven Spooky Steps” (October 27th, 2011)

After Britta gives all the members of the Study Group an anonymous personality test, she is shocked to discover one of them is a psychopath!  But who?  Perhaps the best way to find out would be to have everyone tell a scary story.  Shirley’s story involves her wild friends getting “left behind.”  Pierce’s story is reactionary, violent, and kind of disturbing.  Abed’s story is extremely meta while Troy’s story is, of course, about him and Abed.  My favorite story was Annie’s rather violent vampire story.  Eventually, it turns out that Britta misread the test results.  Only one member of the group is sane but I won’t spoil who it is.

The great thing about this episode is not just that it perfectly parodies so many horror films but that each story is also perfectly tailored for the character telling it.  Only Annie could have come up with that vampire story.  Only Troy would have found the positive in being sewn together with Abed.  Season 3 of Community was one of the best.  For proof, just consider that this episode that preceded this one was Remedial Chaos Theory.

6. South Park 16.12 “A Nightmare on FaceTime” (October 24th, 2012)

Long before he became a marijuana farmer, Randy Marsh tried to force his family to help him run the last Blockbuster in Colorado.  It turned out to be a haunted Blockbuster and, not surprisingly, Randy ends up going crazy and turning into Jack Nicholson from The Shining.  Fortunately, it all worked out in the end!

Happy Halloween!

Bonus Horror on TV: The Curse of Degrassi (dir by Stefan Brogren)

Posted on by Lisa Marie Bowman

How about a bonus installment of Horror on TV?

This is a special episode of my favorite TV show of all, Degrassi!  Originally airing on October 28th, 2008, The Curse of Degrassi features Degrassi’s main mean girl, Holy J Sinclair (Charlotte Arnold), getting possessed by the vengeful spirit of deceased school shooter, Rick Murray (Ephraim Ellis).  Chaos follows!  Fortunately, Spinner (Shane Kippel) is around to save the day.  As any true Degrassi fan can tell you, only Spinner has a chance against the forces of the undead.

What I like about this episode is that, in the best tradition of Degrassi, it goes there.  Holly J does get possessed.  Just about the entire cast end up dying horribly.  Spinner has to battle the undead spirit of Rick Murray and he has to do it without the help of Drake.  And, as far as we know, this episode is canon.  So, yes, Rick Murray’s ghost actually does haunt Degrassi Community School and yes, only Spinner can save us all.

Go Spinner!

Enjoy!

Horror On The Lens: Carnival of Souls (dir by Herk Harvey)

Posted on by Lisa Marie Bowman

Well, we’re nearly done with October and, traditionally, this is when all of us in the Shattered Lens Bunker gather in front of the television in Arleigh’s penthouse suite, eat popcorn, drink diet coke, and gossip about whoever has the day off.

Of course, after we do that, I duck back into my office and I watch the classic 1962 film, Carnival of Souls!

Reportedly, David Lynch is a huge fan of Carnival of Souls and, when you watch the film, it’s easy to see why.  The film follows a somewhat odd woman (played, in her one and only starring role, by Candace Hilligoss) who, after a car accident, is haunted by visions of ghostly figures.  This dream-like film was independently produced and distributed.  At the time, it didn’t get much attention but it has since been recognized as a classic and very influential horror film.

This was director Herk Harvey’s only feature film.  Before and after making this film, he specialized in making educational and industrial shorts (some of which we’ve watched on this very site), the type of films that encouraged students not to cheat on tests and employees not to take their jobs for granted.  Harvey also appears in this film, playing “The Man” who haunts Hilligoss as she travels across the country.

Enjoy Carnival of Souls!

And remember, don’t stop for any hitchhikers!

The TSL’s Grindhouse: Spiral: From the Book of Saw (dir by Darren Lynn Bousman)

Posted on by Lisa Marie Bowman

I can imagine the pitch sessions for Spiral: From The Book Saw.

“What do people really like the Saw movies?”

“The Jigsaw Killer!”

“Right!  So let’s make a Saw movie without the Jigsaw Killer.  What else do people like about the Saw movies?”

“The gory but clever torture scenes!”

“Right!  So, let’s only have a few torture scenes that are gory but not particularly clever.  What else would make this a good Saw film?”

“A star in the leading role!”

“Right!  So, let’s cast a comedian who is a notoriously terrible actor.”

“YAY!”

Anyway, Spiral features Chris Rock as a hard-boiled homicide detective who spends almost the entire movie with a scowl on his face.  He does make a few jokes but they’re all of the “This is a New Jack city!” variety.  Rock is living in the shadow of his wildly popular police chief father, played by Samuel L. Jackson.  Rock is a tough cop who does things HIS WAY!  And he can’t trust anyone else on the force because he’s just so honest.

Spiral does not feature Tobin Bell, though we do briefly see a picture of him when someone mentions that the latest round of murders seem like they may have been committed by a Jigsaw copycat.  The thing with copycats is who cares?  They can’t even come up with an original idea.  They have to copy another killer.  I mean, there’s a lot of movies about killers in the woods but people remain loyal to Jason Voorhees because he was the original.  Just like with Halloween. Every reboot, except for the third one, has featured Michael because without Michael, who cares?  You can lose everyone else but Michael, and how people react specifically to Michal, is what the franchise revolves around.  So, with Saw, if Jigsaw is not there …. WHO CARES!?

Listen, I don’t even like the Saw movies but even I was annoyed by this film’s lack of Jigsaw.

Anyway, it’s a dumb movie.  It tries for a bit of political relevancy by making almost all of the victims crooked cops but it’s like Defund Copycat Serial Killers, not the police.  Chris Rock and his new partner are investigating all the murders and Rock tries so hard to give a convincing performance that it becomes painful to watch.  Seriously, if you’re good at comedy, do comedy.  Be proud of it because a lot of people are not good at comedy.  If playing a dramatic character is that much of a struggle for you, don’t do it.  That’s why we’ve got actors like …. uhmmm, that guy who was in that really dramatic movie, whatever it was called.  It was really good and dramatic.  He would have been good for the lead in Spiral.  Actually, Ethan Hawke would have been good as the lead too.  Or maybe Denzel Washington.  But good luck getting them to agree to be in a Saw movie that doesn’t feature Tobin Bell.

Anyway, Spiral was pretty disappointing.  Chris Rock is funny and likable in comedies so maybe that’s what he should stick with for now.  Leave the dramatic crime stuff to the cast of the latest Dick Wolf show, y’know?  And if there is another Saw movie, Jigsaw better come back to life because otherwise, what’s the point?

Horror TV Review: Fear the Walking Dead 7.2 “Six Hours” (dir by Michael E. Satrazemis)

Posted on by Lisa Marie Bowman

Earlier today, I finally got around to watching the most recent episode of Fear The Walking Dead.  Before I write this review, I should probably take a minute to remind everyone that this show is somewhat new to me.  Here’s what I know, after watching two episodes.  Strand and Morgan dislike each other.  Someone bombed Texas with nuclear warheads.  Strand is hiding out in an office building.  Morgan is living on a submarine with Grace.  They are caring for an adopted baby named Mo.

This week’s episode focused on Grace and Morgan.  Apparently, due to the fallout, they can only leave the submarine for six hours at a time.  This episode followed them over the course of one such trip, so we got a lot of yellowish fall-out cinematography and all of the usual abandoned stores that always show up in The Walking Dead and its spin-offs.  It all moved fairly slowly, though Grace and Morgan did eventually run into two survivors, Fred and Bea.  Fred and Bea were dying of radiation sickness.  They’re baby was already dead and had turned into one of the undead, which was pretty depressing.  In fact, it was so depressing that it reminded me of why I stopped watching the original Walking Dead in the first place.

That said, as much as I complain about the grim tone of these shows, a real-life zombie apocalypse would be pretty damn grim so, even if I don’t always enjoy the scenes of misery, I do have to respect the shows for saying true to their theme.  The end of civilization is not something that’s going to be fun, especially when you’re having to shoot your loved ones in the head to keep them from reanimating a zombies.

In the end, the most important thing is that Grace and baby Mo finally bonded.  Yay!  Having a baby is already stressful.  Imagine having to take care of one while facing both a zombie and a nuclear apocalypse!

Bea did mention that there is a place called “Padre,” which, since the show is set in Texas, I’m going to assume that she’s referring to South Padre Island, which is a great place to go for Spring Break.  Before Strand tossed him over the side of the wall last week, it was revealed that Will was also somehow connected to Padre.  At the time, I assumed that was just a joking reference to South Padre but apparently, it’s going to be the season’s big destination.  (Spring Break of the Walking Dead!)  I guess the other big revelation of the episode is that Morgan’s got a stalker who is obsessed with trying to kill him.  I’m not ashamed to say that I had to use Wikipedia to find out that the stalker is apparently the brother of someone who Morgan killed previously.  Morgan kills a lot of people, apparently.

It was an okay episode.  A little slow.  A little depressing.  But the fact that Grace and Mo finally bonded made up for a lot of it.  Even at the worst of times, there is still hope.

Horror Novel Review: The Knife by R.L. Stine

Posted on by Lisa Marie Bowman

I thought I was done with reading R.L. Stine this October when I finished up Trapped but then I noticed that his 1991 YA novel, The Knife, was still sitting on my desk. Being a completest, I decided to go ahead and read it now, as opposed to leaving it for next year’s Horrorthon. Afterall, it was short and the title promised all sorts of grisly Fear Street fun. It’s not like a title would be misleading, right?

Well, there is indeed a knife in The Knife. It’s being wielded by a man who is chasing the book’s main character, Laurie, at the start of the story. And, later on, a bitchy nurse ends up getting a scalpel shoved in her throat and a scalpel is a type of knife so I guess the title isn’t completely misleading. That said, the book’s use of knives is actually a fairly minor detail. Stine could have just as easily called the book “The Teddy Bear” after the gift that Laurie tries to give to the boy at the center of the book’s plot.

Laurie is volunteering at Shadyside Hospital. She works in the Fear Wing, named after the Fear Family. She becomes attached to a patient named Toby. When Toby is discharged, Laurie is happy that he didn’t die but she is disturbed when Toby tells her that the woman taking him home is not his mother. Laurie decided to investigate Toby’s homelife on her own and, after doing a lot of stalking and basically repeatedly beaking the law, she stumbles across one of those huge crime rings that always seemed to popping up all over Shadyside.

It’s an okay book. If you’ve seen enough Lifetime films, you’ll be able to figure out what’s going on with Toby and his fake mother. And you’ll also figure out who murdered the nurse. There aren’t many surprises to be found but it’s a quick read and it’s kind of fun to watch Laurie try to balance getting a new boyfriend with cracking the case of an international crime ring. It’s like those weird episodes of Saved By The Bell where Lisa Turtle worked at her mom’s hospital. Technically, there are knives in the book so let’s give Stine credit for that.

And now, I think I’m done with reading about Fear Street for this month.

Book Review: If Chins Could Kill: Confessions of a B-Movie and many other books by Bruce Campbell

Posted on by Lisa Marie Bowman

Everyday, we should give thanks to Bruce Campbell is not a jerk.

Seriously, can you imagine how disappointing it would be to discover that Bruce Campbell — ASH!  GROOVY BRUCE! — was not a laidback, blue collar actor who appreciated his fans, had a sense of humor about his films, and who enjoyed ending the day with maybe a can of beer and a nicely rolled joint?  It would be awful!  Bruce Campbell going on and on about the method while telling people not to see his early films?  Unthinkable!  Bruce Campbell demanding a huge trailer and bad-mouthing his co-stars?  That’s not our Groovy Bruce!

No, Bruce Campbell is pretty likable and appears to be downright nice.  That’s a huge part of his appeal.  He’s an actor but he’s also a fan.  He’s talented but he’s also level-headed.  He loves his films but he doesn’t pretend that they were anything that they weren’t.  Other actors would hide the chin.  Bruce shows it off every chance he get.  He even named his first memoir after the chin!

And it’s quite a good memoir too, If Chins Could Kill is,  Bruce discusses growing up.  He discusses the first films that he made with Sam Raimi.  The Coen Brothers make an appearance.  There’s stuff about Bubba Ho-Tep and Maniac Cop.  Really, it’s the definitive overview of the first part of Bruce Campbell’s amazing career and it’s a fun read.  Campbell has a sense of humor about both himself and his movies but, at the same time, he also has a deep love and appreciation for indie filmmakers.  It’s the humor that makes the book entertaining but it’s the love that will keep your reading.  And, after you finish the first memoir, move on to Campbell’s subsequent books — How To Make Love the Bruce Campbell Way, Hail to the Chin, and The Cool Side of My Pillow.  They’re all good books.  They’ll make you appreciate not only Bruce and the movies but also the art of writing about yourself without acting like a pompous jackass.  Bruce pulls it off and we’re all the better for it!

International Horror Film Review: Lisa and the Devil (dir by Mario Bava)

Posted on by Lisa Marie Bowman

Originally filmed in 1972 and tragically not seen the way it was intended to be seen until years after Mario Bava’s death, Lisa and the Devil tells the story of Lisa (Elke Sommer), a tourist who is visiting the city of Toledo, Spain with a friend.  From the first minute we see Lisa walking through the streets of the city, something seems to be off.  The city seems strangely deserted.  The streets themselves seem menacing, in much the same way that streets of Vienna did in The Third Man.

Lisa leaves her tour group and goes in a store.  A menacing, bald man (Telly Savalas) gives Lisa a strange look as he buys a dummy.  The man resembles a portrait of the devil that Lisa saw earlier.  Running from the shop, Lisa runs into another man (Espartaco Santoni) who appears to be following her.  The man appears to fall to hi death but, despite that, the man will return later.  People have a way of returning in Lisa and the Devil.

Lisa’s tour group appears to have vanished.  She eventually runs into a seemingly friendly couple (Sylvia Koscina and Eduardo Fajardo) who, along with their driver (Gabriee Tinti), agree to take Lisa back to her hotel.  But instead, they somehow end up outside of a dilapidated, mannequin-filled mansion.  When the car breaks down, the group is invited to spend the night by the Countess (Alida Valli, who also appeared in The Third Man), who lives in the mansion with her strange but handsome son, Maximilian (Alessio Oriano).  Maximilian is still mourning his ex-girlfriend, Elena.  Elena, we’re told, bore a striking resemblance to Lisa.

However, it turns out that the Countess and Maximilian are not alone in the mansion.  Also living in the house is the Countess’s second husband, Carlos, who just happens to be the same man that was following Lisa in the city!  And finally, there’s the butler, Leandro, who is the same man who Lisa earlier saw in the shop!

Lisa and the Devil is one of my favorite Italian horror films.  Yes, some of that is because I shared the same name as the movie’s main character and I love it when people say my name a lot.  But I would love this film even if Elke Sommer was playing someone named Annalise or Tiffany.  Mario Bava said that this film, or at least his version of the film, was one of his most personal works and the entire movie does feel like a puzzle that only one person could possibly solve.  In the movie, only Leandro seems to full understand what’s happening in both the city and the house.  In real life, it’s likely that only Mario Bava understood everything that happened in the film.  The film mixes a giallo mystery (because people do soon start to die the mansion) with a surreal exploration of memory, regret, sin, and guilt.  The movie plays out like a waking dream, leaving us to wonder just who exactly Lisa truly is and who the Devil of the title might be.  It’s easy to spot the Devil.  It’s less easy to spot which parts of the film are meant to be reality and which parts might simply be happening in Lisa’s mind.

Unfortunately, the film’s producer had no idea what to do with Bava’s surreal masterpiece.  The few people who saw the film were baffled.  The Italian censors demanded massive cut for both sex and violence and, as a result, Lisa and the Devil was one of the few Bava films not to get a theatrical release in his native country.  It apparently did play in South Korea and Spain, though the Spanish version did not feature Bava’s original, mind-twister of an ending.

Even worse, for the film’s American release, the film’s producer requested that Bava add some exorcism scenes so that the film could take advantage of the popularity of The Exorcist.  By now realizing that his preferred version of the film would probably never be seen, Bava agreed.  With the help of his son, Lamberto, Mario Bava shot several scenes featuring Elke Sommer acting possessed while a priest played by Robert Alda tried to exorcise the demon.  The original Lisa and the Devil footage was presented as being scenes from the dimension Lisa’s soul had been sent to while the demon controlled her body.  The film was retitled House of Exorcism in Amercia.  And here’s the thing — House of Exorcism is hardly a bad movie.  Bava is Bava, afterall.  Sommer does a convincing job acting possessed and the mix of new and old footage is edited together fairly well.  But it’s still not the film that Bava set out to make.

Sadly, Bava’s original version of Lisa and the Devil would not get a proper video release until decades after his death.  It’s not always an easy film to follow.  I’ve seen it several times and there are still things about it that I still don’t fully understand.  It’s a surreal masterpiece, one that is perhaps not meant to be fully understood and the type of dream-film that shows why Bava is one of the few directors that David Lynch has regularly cited as being an influence on his own work.  Lisa and the Devil is a trip through a world dominated by dark and disturbing things and it’s one of the best Italian horror films to come out of the 70s.  Thankfully, it can now be seen the way that Bava intended.

 

A Blast From The Past: Halloween Safety (dir by Herk Harvey)

Posted on by Lisa Marie Bowman

Director Herk Harvey

Tomorrow, we will be sharing the classic film Carnival of Souls. That means that today, it’s for us to show our last Herk Harvey short film of the 2021 Horrorthon. And appropriately enough, it’s all about Halloween!

This short film was made in 1977, long after the release of Carnival of Souls. In it, safety tips are offered up to make sure that all the kids have a safe Halloween. Make sure you can see clearly, even if you’re wearing a mask. Don’t wear dark clothing. Grab a flashlight. Don’t trick or treat alone! Hey, it’s all good advice. And Herk Harvey seems like someone who knew a little something about having a good Halloween!

From 1977, here’s some lessons on Halloween Safety!

Horror Film Review: The Terror (dir by Roger Corman, Monte Hellman, Francis Ford Coppola, Dennis Jakob, Jack Hill, and Jack Nicholson)

Posted on by Lisa Marie Bowman

Can you follow the plot of the 1963 horror film, The Terror?

If so, congratulations!  You’ve accomplished something that even the people who made the film have admitted to being unable to do.

The film opens in 19th century Europe.  Andre Duvalier is an earnest French soldier who has somehow gotten lost in Germany.  Andre is played by a youngish, pre-stardom Jack Nicholson.  Nicholson, that most contemporary, sarcastic, and American of actors, is thoroughly unconvincing as an idealistic Frenchman from 1806.  Obviously unsure of what do with the character, Nicholson delivers his lines stiffly and does what he can to downplay the naturally sardonic sound of his voice.  This is probably the only film where Jack Nicholson is a “nice young man.”

Andre meets a mysterious woman named Helene (played by Sandra Knight, who was Nicholson’s wife at the time).  Helene appears to live in a castle with the Baron (Boris Karloff) and his servant, Stefan (Dick Miller, who makes no effort to come across as being, in anyway, European).  However, Helene bears a distinct resemblance to the Baron’s long-dead wife, Ilse, who the Baron killed after discovering her with another man.  However, a witch in the village claims that Ilse’s lover was her son so she put a curse on the Baron and the presence of Helene is a part of that curse.  However, Stefan claims that the Baron isn’t actually the Baron and and that Ilse’s husband isn’t actually dead.  However….

Yes, there’s a ton of plot twists in this movie, which is probably the result of the fact that the film was shot without a completed script.  In fact, the only reason the movie was made was because Roger Corman had access to Boris Karloff and a castle set that he used for The Raven.  When he discovered that he could use the set for two extra days, he shot some random footage with Boris Karloff and then he tried to build a movie around it.  As a result, the cast and the directors largely made up the story as the filmed.

Yes, I said directors.  While Corman shot the Karloff scenes, he no longer had enough money to use a union crew to shoot the rest of the film.  Because Corman was a member of the DGA, he couldn’t direct a nonunion film. So, he assigned the rest of the film to one his assistants, an aspiring filmmaker named Francis Ford Coppola.  Coppola shot the beach scenes and, in a sign of things to come, he went overbudget and got behind schedule.  Coppola was meant to shoot for three days but instead went for eleven.

Though Coppola shot the majority of the film, he got a better job offer before he could do any reshoots.  Coppola suggested that a friend of his from film school, Dennis Jakob, take over.  Jakob shot for three days and reportedly used most of the time to shoot footage for his thesis movie.

Still feeling that the movie needed a few extra scenes to try to make sense of the plot, Corman then gave the film to Monte Hellman and, after Hellman got hired for another job, Jack Hill.  Hellman would later go on to direct films like The Shooting and Two-Lane Blacktop.  Jack Hill would later direct Spider Baby and several other exploitation films in the 70s.  Reportedly, on the final day of shooting, even Jack Nicholson took some time behind the camera.  It was Nicholson’s first directing job.  (Nicholson, for his part, has often said that his original ambition in Hollywood was to become a director and not an actor.)

So, yes, the film’s a bit disjointed.  The plot doesn’t make any sense.  Nicholson shows little of his trademark charisma.  But Dick Miller has a lot of fun as the duplicitous Stefan and Boris Karloff brings his weary dignity to the role of the Baron.  Oddly, even though the Baron’s scene were shot before the script had even been written, they’re the ones that make the most sense.  It’s a messy film but it plays out with a certain hallucinatory style.  It’s a piece of Hollywood history and a testament to Roger Corman’s refusal to waste even two days of shooting.  If you’ve got a star and a set for two days, you’ve got enough for a movie!