Late Night Retro Television Reviews: Monsters 1.19 “Rain Dance”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing Monsters, which aired in syndication from 1988 to 1991. The entire show is streaming on Tubi.

This week, a rather predictable story is saved and elevated by one truly impressive monster!

Episode 1.19 “Rain Dance”

(Dir by Richard Friedman, originally aired on April 22nd, 1989)

Tonight’s episode of Monsters deals with a couple living in a shack in the middle of the desert.  Tom Solo (Kent McCord) is a self-styled treasure hunter who thinks that he can get rich by swindling the indigenous people out of their valuable artifacts.  His wife, Vanessa (Teri Copley), is sick of living in the desert and just wants to return to civilization.  Vanessa is extremely vain.  Tom is extremely smug.  It’s easy to imagine how they got together but it’s bit more difficult to understand why they’re still together.  

When an angry old woman (Betty Carvalho) shows up at the shack, she spends a few minutes yelling at Tom for trying to take advantage of her people and then complains about the drought that is destroying their land.  She says that her people found and tamed the land and that some day, the land will again belong to them.  She also gives Tom an artifact, a statue of what Tom assumes he’ll be able to get a few bucks for.  Myself, I would probably turn down the statue because it is seriously creepy.

Yikes!

Of course, it turns out that Tom is wrong about having any chance of making money of the statue.  The statue is a rain idol, one that comes to life in the middle of the night to stalk both Tom and his wife.  When confronted by the statue, both Vanessa and Tom are transformed into statues that crumble into dust.  The next morning, the old woman comes by to retrieve her idol and happily says that the rains will now come to wash away the dusty particles that were once the Solos.

Again, yikes!

Seriously, this was not a particularly complicated episode of Monsters.  From the start, it was obvious that Tom and Vanessa were going to pay for their exploitation of the natives and it was also obvious that, since neither one of them had any redeeming qualities, neither would survive the night.  And, as soon as the old woman showed up with that statue, it was pretty obvious what the instrument of their doom would be.  Vanessa was established early on as being obsessed with keeping her skin from drying out in the desert heat so I wasn’t surprised when she eventually started turning into sand.

It wasn’t surprising but it still worked because the monster was scary!

Seriously!

The end result was an effective morality take about the perils of greed and assuming you’re more clever than you actually are.  In many ways, this could have been a particularly macabre episode of The Twilight Zone or Night Gallery.  Monsters is at its best when it offers a scary monster and a dark ending and this episode certainly did that.

Retro Television Review: The Love Boat 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986!  The series can be streamed on Paramount Plus!

This week, come aboard for season 4!

Episode 4.1 “Sergeant Bull/Friends and Lovers/Miss Mother”

(Dir by Roger Duchowny, originally aired on October 25th, 1980)

Well, it’s time for the fourth season of The Love Boat and let’s see who is going to be taking a cruise this week….

Hey, we know that guy!

Yes, it’s a young Tom Hanks, making one of his first television appearances on The Love Boat.  Tom had a sitcom coming out so ABC decided to promote the then-unknown actor by giving him a guest role on one of their most popular series.

Who does Tom play?  He plays a complete a total douchebag named Rick Martin, a former fraternity brother of Gopher’s who enjoys giving Gopher a hard time about his reputation for being “Strike-Out Smith.”  Rick makes Gopher feel so uncomfortable that Gopher impulsively claims that Julie is his girlfriend.  Julie plays along with Gopher.  This not only leads to sleazy Rick trying to steal Julie away from Gopher but it also causes Julie and Gopher to have real feelings for each other.

Yes, it is interesting to watch Tom Hanks play a sleaze but what is even more interesting, for longtime watchers of the show, is that Julie and Gopher make a surprisingly credible couple.  They actually do have a very likable chemistry together and it never seems improbable that they might end up together.  Of course, in the end, they decide to just stay friends because anything else would have upset the balance of the show.

Tom’s presence overshadows the rest of the show but there are two other stories to deal with.  Vic Tayback plays a former dill sergeant who reunites with his former recruits (Nipsey Russell, Harvey Lembeck, and Jack Somack) and who turns out to still be such a hardass that they bribe their cabin stewardess (Doris Roberts) to pursue a romance with him.  Of course, the two of them fall in love for real.  This was all a bit silly and Tayback’s drill sergeant was a bit annoying but it was nice to see him drop his guard around Doris Roberts and admit that he was only acting like a drill sergeant because that was all he had ever been.

Finally, Gwen Hutchins (Shelley Smith) boards the boat and tells Doc Bricker that she is two-months pregnant.

“Your husband must be very proud!” Doc replies, without missing a beat.

No, Gwen explains, she’s not married.  Once again, we are reminded that Doc is a walking HR nightmare.

Anyway, Gwen falls for a guy named Dennis (Dennis Cole) but she worries how Dennis will react to learning that she’s pregnant.  At first, Dennis does not react well, even asking her if she considered getting an abortion.  (She explains that she doesn’t support abortion, which definitely would not fly if this episode were made today.)  It all works out in the end but, seriously, I think she deserves better than Dennis.  Dennis Cole is an actor who I have seen in quite a few of these shows and he always seem kind of lost.  That was certainly the vibe that he gave off here.

This was an entertaining-enough episode, though almost all of the credit for that goes to the presence of Tom Hanks and the likable chemistry between Fred Grandy and Lauren Tewes.  It was definitely a good way to start off the fourth season.

Late Night Retro Television Review: Baywatch Nights 1.13 “Payback”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing Baywatch Nights, a detective show that ran in Syndication from 1995 to 1997.  The entire show is currently streaming on Youtube!

This week …. eh, I don’t know.  This is a messy episode.  Geraldo Rivera is in it for some reason.

Episode 1.13 “Payback”

(Dir by Reza Badiyi, originally aired on February 17th, 1996)

This episode was a mess.  It’s hard to know where to even start.

In a reminder that Baywatch Nights, during the second half of its first season, was trying to be more like the show it was spun off from, this episode begins with an extended sequence featuring a woman in a yellow bikini.  She swims.  She walks along the beach.  She washes the sand out of her hair in one of those beach showers.  And then an unseen person shoots her in the neck and the camera lingers on her body for an uncomfortable amount of time.  The mix of sex and violence doesn’t feel particularly appropriate for a show that, at its best, is essentially just a goofy detective show.

After this opening, we are presented with Ryan and Mitch at some sort of party.  Ryan has just come back from Catalina and, just as I would do, she took some Dramamine so she wouldn’t get car sick.  Unfortunately, she has a little bit too much champagne at the party and is soon in a daze.  Mitch takes her back to his place where Ryan demands to know why he’s never tried to “jump all over” her.  Ryan then strips down to her underwear and ends up in Mitch’s bed.

Mitch, it should be said, is a total gentleman and sleeps on the couch.  But, the next morning, he decides that it would be fun to keep Ryan in suspense as to whether or not they had sex the night before.

To any men reading: DO NOT DO THIS!

Seriously, this joke is totally out of character for Mitch.  For that matter, it’s a bit out of character for Ryan as well.  (Everything we’ve learned about Ryan would suggest that she would be smart enough to know better than to mix Dramamine and champagne.)  David Hasselhoff and Angie Harmon did have a likable chemistry.  It’s a shame that the show tried to rush things with stuff like this instead of letting it develop naturally.

As for the show’s plot, there are actually two cases.  The lesser of the two features Garner helping out a young photographer named Griff Walker (Eddie Cibrian).  Griff accidentally got a picture of a model’s murder and he’s worried that murderers are after him.  Garner confronts the model’s ex and tells him to back off on trying to intimidate Griff.  It’s a weird plotline that was obviously only included to introduce the character of Griff.  (This is the third episode to feature Cibrian in the opening credits but the first to actually feature his character.)

Meanwhile, a reporter named Albert Romero (Geraldo Rivera …. yes, the one and only) comes to Mitch after some mobsters kidnap his wife, Bobbie (Meilani Paul).  Bobbie was previously being used to smuggle drugs.  Now, they want to use her to smuggle a bomb.  Fortunately, the mobsters are pretty dumb and Mitch is easily able to thwart them.  Unfortunately, this storyline features a lot of Geraldo.  As anyone who has ever watched him do anything can tell you, Geraldo Rivera is a person who is incapable of sounding natural or sincere.  Everything about him is calculated and over-rehearsed and that certainly comes through in his performance here.  Only Geraldo Rivera could make overacting boring.

As I said, this was a messy and way too busy episode.  It’s also one that nearly sabotaged the most appealing part of the show, Ryan and Mitch’s friendship.  I can’t wait until the UFOs and the sea monsters and the Vikings show up during the second season.

Retro Television Review: Fantasy Island 4.12 “The Heroine/The Warrior”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1986.  Almost the entire show is currently streaming on Daily Motion.

Today, I discovered that the YouTube account that was home to every episode of Fantasy Island has been taken down.  This frustrated me.  Fantasy Island is no longer on Tubi or Prime.  In both cases, the original has been pushed to the side to make room for the reboot.  So now, Daily Motion appears to be the only platform to have every episode.  Bleh!  Daily Motion includes so many commercials that it takes forever to get through one hour-long show.

*Sigh*

That said, I’m dedicated to this show.  If I have to watch it on Daily Motion, I’ll shudder and do it.

Episode 4.12 “The Heroine/The Warrior”

(Dir by George McCowan, originally aired on January 24th, 1981)

This week, two more guests come to Fantasy Island with a desire to discover and prove who they really are.

For instance, Bob Graham (James MacArthur, who I just previously saw on The Love Boat) may seem like a rather mild-mannered fellow but he’s actually obsessed with the martial arts and his fantasy is to challenge and defeat the world’s greatest martial artist, Kwong Soo Luke (played by Mako).  Bob wants to impress his wife, Linda (Shelley Fabares).  Personally, I think it’s kind of sad that Bob thinks that beating someone up is the only way that he can impress his wife, especially since Linda seems to be pretty impressed with her husband already.  Mr. Roarke also explains to Bob that Kwong Soo Luke traditionally kills his opponents after he defeats them.  Again, you have to wonder why anyone would volunteer to go up against Kwong Soo Luke.

Anyway, this fantasy suffers from the fact that we know, from the start, that there’s no way that Bob is going to die on Fantasy Island.  But again, there’s no way that, after all of the build-up, Bob isn’t going to get his fight.  As a result, Bob’s survival and his victory are pretty much guaranteed.  It brings Bob and Linda closer together but I get the feeling that divorce is still waiting for them in the future.  “Remember that time you took me to an island and then spent the whole time fighting some guy I didn’t even know?”  Bob better get used to hearing that.

Meanwhile, when Florence Richmond (Mary Ann Mobley) steps off the plane, Tattoo immediately guesses that she must be a teacher.  Roarke explains that Florence is actually a writer, one who has had a good deal of success with a series of trashy romance novels.  However, the prim and proper Florence feels that she’s never experienced a grand romance of her own so her fantasy is to be the heroine of one of her own books.  Roarke grants her fantasy and soon, Florence is falling in love with the enigmatic and possibly duplicitous Brent Hampton (Cesare Danova) and nearly getting raped by the vile Porter Brockhill (Robert Loggia).  Florence is shocked to discover that her novels take place in a world where lust is more important than love and true romance does not exist.  Suddenly, Florence understands why her latest books were so uninspired and she leaves Fantasy Island determined to write about true romance.

This storyline featured nice performances from Mary Ann Mobley, Cesare Danova, and Robert Loggia.  For me, it was mostly interesting as an examination of a fantasy that I’m sure every writer has, the fantasy of living inside of one of their own stories.

Next week …. hopefully, someone will have been kind enough to upload the show back onto YouTube!

Late Night Retro Television Reviews: CHiPs 1.13 “One Two Many”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Freevee!

This week, Baker has a double!

Episode 1.13 “One Two Many”

(Dir by Paul Krasny, originally aired on January 5th, 1978)

This week’s episode of CHiPs opens with a member of the California Highway Patrol pulling over a woman on the highway.  From a distance, he looks a bit like Jon Baker.  However, it soon becomes obvious that he’s not Baker when the fake highway patrolman (played by William Whitaker) says something offensive to the woman in the car.  We don’t hear what he said but the woman announces that she’s never been spoken to so crudely and drives back into traffic.  She also causes a crash as another car swerves to avoid her.  Inside the car, a woman is about to give birth.  Her husband begs for the fake patrolman’s help.  Instead, the suddenly panicked faker drives away.

Fortunately, Baker and Ponch then roll up and they get their day started by helping to deliver a baby.  As usual, it’s Baker who actually knows what to do while Ponch stands around and flashes that blinding grin of his.

Back at headquarters, the woman from the car has filed a complaint against the obscene patrolman.  When she takes a look at the pictures of all of the patrolman who were on duty at the time, she selects Baker.  Knowing that Baker isn’t turned on by anything outside of memories of his life Montana, Sgt. Getraer figures out that there’s a fake cop out there, one who looks just like Jon Baker!

Appropriately enough, Baker and Ponch are the ones who finally arrest him.  Actually, they cross paths with the guy several times, suggesting that God himself means for them to meet.  At one point, Baker and Ponch see a woman named Jobina (Trish Stewart) who is struggling with the fake cop.  They assume that she’s resisting arrest and they grab her.  The fake cop runs off while another real cop — this one from the LAPD — shows up and demands to know what’s going on.  It’s all a bit messy but let’s give credit where credit is due.  William Whitaker is effectively creepy as the fake cop while Trish Stewart gives a strong and emotionally realistic performance as the most prominent of his victims.  After everything she’s been through, she doesn’t want to spend time with any cops, whether they’re real or fake.  The show seems to understand that she has a point.

While this is going on, Ponch is getting on Baker’s last nerve.  Ponch’s RV is being fixed for numerous electronic problems so Ponch moves into Baker’s tastefully decorated apartment.  It turns out that Ponch is not easy to live with, as he really likes to listen to music while he’s sleeping.  As well, Ponch keeps hitting on all of Baker’s neighbors.  In the end, Baker decided to say in Ponch’s damaged RV while Ponch stays in the apartment so let’s just hope the building manager doesn’t find out because next week, both Baker and Ponch might be homeless!

We’ll find out next Monday!

Retro Television Reviews: Miami Vice 1.22 “Lombard”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi!

The 21st episode of Miami Vice is Evan.  It’s regularly listed as being one of the best episodes of the show and it’s not available to stream online.  Apparently, this is due to someone referring to another character as being a “faggot.”  Yes, it’s a dirty word but I’m an adult and I do think that I could handle hearing the word and figuring out the context of why it was used.  Censorship sucks so shame on Prime, Tubi, NBC, and everyone else who is involved in not streaming Evan.

With Evan not available to be viewed, I moved on to the first season finale.

Episode 1.22 “Lombard”

(Dir by John Nicollela, originally aired on May 10th, 1985)

The first season of Miami Vice comes to an end with a rather simple story.  Lombard (Dennis Farina) is a crime lord, a first-generation Italian-American whose father lived an honest life and who died poor as a result.  Lombard did what he had to do to get ahead and, as a result, he’s now a very rich man who lives on a boat.

He’s also being targeted by both rival gangsters and the law.  When Lombard agrees to testify against the Mafia in return for immunity, Crockett and Tubbs are assigned to babysit him until the trial.  Crockett and Tubbs are both weary of Lombard but Lombard turns out to be a charming guy with a sense of ethics.  He cooks them a big Italian dinner.  He entertain them with stories.  Crockett and Tubbs start to like the guy, even if guarding him means that they get involved in a few mob shootouts.

However, when it comes time to testify, Lombard refuses.  Under the immunity deal, he’s no longer qualified to plead the fifth but Lombard does just that.  Repeatedly, he pleads the fifth and, as a result, he gets enough contempt citations that he’s probably looking at least a decade in jail, regardless of the fact that he didn’t admit to any of the major crimes that he committed.

Sonny and Tubbs are impressed.  Lombard may be a criminal but he has a sense of honor.  He doesn’t snitch.  He’s not a rat.  Of course, that doesn’t make a difference to the criminals who apparently gun him down in the episode’s final ambiguous freeze frame.

The story was simple and, to be honest, it wasn’t anything that Miami Vice hadn’t already done.  But the episode works, because of Dennis Farina’s charismatic performance as Lombard and John Nicolella’s stylish and moody direction.  The first season of Miami Vice ends much as it began, with ambiguity and defeat.  Lombard scores a moral victory but is gunned down minutes afterwards.  Crockett and Tubbs keep Lombard alive just long enough for him to double-cross the authorities.  In the end, the ruthless gangster turns out to have more honor than the people prosecuting him and Crockett and Tubbs are again forced to consider that there’s not a lot of difference between them and the people that they’re chasing.

Next week …. it’s time for Season 2!

Retro Television Reviews: Welcome Back, Kotter 3.8 “What A Move”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the Kotters find a new apartment!  Say goodbye to that iconic closet.

Episode 3.8 “What a Move”

(Dir by Nick Havinga, originally aired on October 20th, 1977)

At school, Gabe asks Mr. Woodman if he ever told him about his uncle who went to a psychiatrist because he thought he was a radiator and he needed help to stop hissing.

“I can hiss too, Kotter!” Woodman snaps.

Why is Gabe telling his joke to Mr. Woodman?  Well, Julie hates his jokes and she’s also busy trying to find a new apartment.  The babies cannot grow up in a one-room apartment, especially one that is continually being broken into by the Sweathogs.  But this is New York in the 70s and a rent-controlled place is not easy to find.  Thanks a lot, Mayor Beame!

Fortunately, Epstein has a solution.  His uncle Mo owns a building and has a place to rent.

“You don’t want to move to Puerto Rico!” Woodman exclaims but Epstein explains that Mo is from “the other side” of the family.

It’s a nice apartment and with the help of the Sweathogs (because apparently, neither Julie nor Gabe know anyone outside of those four students), Julie and Gabe pack up and leave their old place.  They nearly leave the babies behind but, after Julie yells at Gabe, they go back and get them.

The new apartment seems like a great place except Uncle Mo (Herb Edelman) has a strict no baby policy and no sooner have the Kotters moved in than Mo is telling them to get out.  Epstein is so upset about his uncle’s behavior that he uses it as an excuse to start skipping school.  This is a crisis!  However, when an offended Julie and Gabe inform Mo that they will be leaving immediately, Mo asks if they wouldn’t rather threaten to sue him.  It turns out that Mo fights with his tenants for fun and he doesn’t mean half the stuff he says.  Gabe obliges by pretending to yell at him and Mo allows Julie, Gabe, and the babies to all stay.  Personally, I’m not sure I would want to live with a landlord who threatens to illegally evict me for snots and giggles but whatever.  I guess in Mayor Beame’s New York, you took what you could find.  Damn you, Mayor Beame!

Having taken care of all that, Gabe tells Julie about his Uncle Ellwood.  Julie dramatically rolls her eyes as the new apartment is christened with Gabe’s sense of humor.

Weird episode.  Watching it, one gets the feeling that the producers were trying desperately to find a way to renew the spark of Julie and Gabe’s marriage.  Marcia Strassman was notoriously unhappy with the the first two seasons of the show, going so far as to speak publicly about her dissatisfaction.  Season 3 seems to feature a lot more of Julie and Gabe’s marriage and Julie is getting to do a lot more than she did in the previous seasons but there’s such a visible hostility between Gabe Kaplan and Strassman that it’s a bit awkward to watch.  It makes one wish that the show could just return to Gabe telling the Sweathogs not to steal or fight other gangs.  The new apartment is nice but it takes more than moving to save a marriage!

Retro Television Reviews: T and T 2.15 “Jump Start”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

Wait a minute!  This isn’t Friday afternoon!  This is Saturday morning!  Why am I posting my review of this show now?

I’m only human.  After a long week, I was so exhausted on Friday that I couldn’t even find the strength to former coherent thoughts about a show as simple as T and T.  So, I put off the review until this morning.  Of course, I’m still tired.  All of this thinking is exhausting.  Roll the opening credits so I can take a 90 second nap.

Episode 2.15 “Jump Start”

(Dir by Don McCutcheon, originally aired on February 20th, 1989)

In a rare nod to maintaining some sort of continuity from episode to episode, this week’s episode of T and T opens with a flashback to a previous story.  We once again witness how two hapless crooks — Fritz (Dominic Cuzzocrea) and Finn (Ron Gabriel) — tried to pull a gun on T.S. and Decker, just for the clip to fall out of the weapon.  At the time, my feeling was that the two crooks were both too incompetent to be viewed as a legitimate threat and this follow-up episode proved me right.

Fritz and Finn are back on the streets, having had their criminal charges dismissed on a technicality.  They want revenge on Turner for sending them to jail so they decide to steal his car.  However, because they’re both incredibly incompetent, they have to ask Max (Kathleen Laskey, who also played Marlene on Check It Out!) to steal it for them.  Just as with so many episodes of Check It Out!, Laskey was this episode’s saving grace.  She brought so much badass attitude to the character that you couldn’t help but cheer Max on as she stole Turner’s car.

Unfortunately, Laskey really isn’t in much of this episode.  For that matter, Alex, Decker, and even Turner have reduced roles.  The majority of the episode is devoted to Fritz and Finn and their total and complete incompetence.  I get that it was meant to be comedic but these two characters were so stupid and so foolish and so obviously doomed to failure that there was absolutely no tension as to whether or not Turner would be able to get his car back.  As far as I could tell, Turner didn’t even bother to report that his car had been stolen.  He just tracked the two guys down and took it back.  That’s the power of T and T!

Anyway, this was a throw away episode.  I’m not sure why, out of all the villains that have been on this show, T and T decided to bring back the least impressive of them.  Episodes like this leave little doubt that all of the serious criminals left Toronto as soon as Mr. T showed up.

Late Night Retro Television Reviews: Highway to Heaven 1.19 “A Match Made In Heaven”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Jonathan and Mark visit their friend, Scotty.

Episode 1.19 “A Match Made In Heaven”

(Dir by Michael Landon, originally aired on February 20th, 1985)

Jonathan and Mark pay a visit to both Mark’s cousin, Diane (Margie Impert), and their friend, Scotty (James Troesch), a quadriplegic attorney.  (Scotty previously appeared in the One Fresh Batch of Lemonade double-parter.)   Mark is shocked and a little concerned when he discovers that Scotty is also their latest assignment.

However, it turns out that the assignment also involves Diane.  Diane, an outspoken architect who quits her job when her chauvinist boss refuses to give her credit for her work, meets and falls in love with Scotty.  When Scotty asks her to marry him, she says yes.  Mark is concerned that Scotty, as a quadriplegic, won’t be able to take care of his cousin.  It’s a concern that Scotty comes to share after they have a car accident and Scotty can only wait helplessly for someone to discover him and Diane.

Fortunately, Jonathan is a bit more open-minded than Mark and he has more confidence in Scotty than Scotty has in himself.  Jonathan introduces Scotty to another quadriplegic, one who is married and has a wonderful family as a result.  Scotty realizes that it would be foolish for him to give up on his dreams and Mark realizes that Scotty is stronger than he realized.

This was an extremely earnest and well-intentioned episode of Highway to Heaven.  You can’t doubt the sincerity of the message, even if the message is often delivered in the most heavy-handed fashion possible.  James Troesch was a writer on the show and he and his wife co-wrote this episode’s script with Michael Landon.  Troesch was a bit of a stiff actor but you still can’t help but be happy for Scotty at the end of the episode.

Retro Television Review: So Here’s What Happened 1.1 “Pilot”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing So Here’s What Happened, which aired on CBS in 2006.  The entire show is currently streaming on YouTube!

The first and only episode of this show has one message for all the mooks out there.  And that message is …. NEW YORK, BABY!

Episode 1.1 “Pilot”

(Dir by Michael Lembeck, aired on May 1st, 2006)

What to say about Vince Brophy (Bobby Cannavale)?  Hey, he’s a New Yorker, you know what I mean?  Hey, he starts every sentence by saying, “Hey,” y’know?  He knows the name of every single athlete who ever played for a New York sports team, y’know?  He meets a woman named Rochelle Jeter (Rashida Jones) and immediately asks her if she’s related to Derek Jeter, you know what I’m saying?  She says, “Yeah,” and she’s being sarcastic but Vince thinks that she’s being serious because who in their right mind would come into the old neighborhood and make a sarcastic joke, y’know?

Vince is such a New Yorker that he narrates the entire episode while sitting in his favorite barber chair.  His barber (Hector Elizondo) hangs on his every word, which is good since he presumably can’t see the flashbacks that the audience is forced to sit through.  Vince works at his family’s car lot and he wears solid suits and pinky rings and the pilot finds several excuses for him to say the word “Escalade.”  He’s not smart but he’s a stand-up guy, that Vince.  His co-worker asks him to be the godfather to his newborn and Vince agrees but then he nearly drowns the kid at the christening because he gets distracted when someone tells him that Derek Jeter don’t have no sister named Rochelle.  What a New Yorker!, y’know what I’m saying?

There’s a lot of talented people in this show.  Rashida Jones was months away from appearing on The Office.  Hector Elizondo is a comedy veteran.  Steve Park, a favorite of the Coen Brothers, appeared as Vince’s boss.  Mercedes Ruehl plays Vince’s mother.  And then you’ve got Bobby Cannavale in the lead role.  Cannavale is one of my favorite actors, a guy who is as good at playing sensitive as he is at playing tough.  Cannavale can play drama and he can play comedy and he’s easy on the eyes.  Unfortunately, all of these talented people were let down by a script that was written by none other than Paul Reiser.

The main problem with the show is that none of the characters have much of a personality beyond being from New York.  Obviously, New Yorkers are a unique group of people but every New Yorker I’ve met has also had their own individual personality to go along with their identity of being a citizen of America’s largest city.  The characters in this episode, on the other hand, have no identity beyond being a New Yorker in the most cliched ways possible.  Even worse, none of the jokes are particularly funny.  Vince crosses the line from being amiably dumb to being a buffoon far too quickly.

Perhaps not surprisingly, this was the only episode of this show.  The pilot did not lead to a series.  Fortunately, everyone involved went on to better things, y’know?