October True Crime: Sins of the Mother (dir by John Patterson)


In the city of Spokane, Washington, Kevin Coe (Dale Midkiff) is a real estate agent who always tries to come across as being the slickest guy in the room.  With his quick smile and his moderately expensive suits, Kevin certainly seems to fit the stereotype.  It’s only when you start to look a little closer that the surface starts to crack.

For someone who goes out of his way to come across as being confident, Kevin is actually very immature and more than a little whiny.  He’s living with a perfectly nice young woman named Ginny (Heather Fairfield) but it’s obvious that he’s keeping secrets from her.  He comes home one morning with scratches on his face and, when she asks about them, he claims that 1) he got mauled by a dog and 2) he doesn’t need any sort of medical attention.  Kevin is someone who frequently loses his job because he’s just not that good at it.  When one boss fires him, Kevin replies that he’s going to start his own business and someday, maybe he’ll be the one doing the hiring and firing.  It’s classic empty cope.

And then there’s Kevin’s mother.  Ruth Coe (Elizabeth Montgomery) is someone who likes to present herself as being a grand diva, in the manner of a Golden Screen star.  She’s extremely close to her son, at times overprotective and at times overly critical.  Kevin often goes from yelling at his mom to dancing with her within minutes.  Ruth makes it clear that she doesn’t like Ginny and Ginny eventually grows to dread seeing Ruth wandering around their house, uninvited.  And yet, despite all of the time that Kevin spends talking about how wants to get away from his mother and to live his own life, Kevin doesn’t really make much of an effort to do that.

Meanwhile, Detective Liz Trent (Talia Balsam) is investigating a series of rapes that have been committed in Spokane.  When she comes to suspect that Kevin is the rapist, Kevin claims that it’s not true and it’s just another case of the world treating him unfairly.  Ruth stands by her son and eventually shocks everyone with just how far she’s willing to go to try to keep him out of prison.

Sins of the Mother is based on a true story.  Kevin Coe may have only been convicted of four rapes but he is suspected of having committed at least 41.  In prison, he insisted he was innocent and refused to attend any counseling programs.  He also refused to apply for parole, even after he became eligible.  After his criminal sentence was completed in 2008, he was sent to the Special Commitment Center on Washington’s McNeil Island, which is a institution that houses sexual predators who are likely to reoffend.  I’m writing this review on September 15th.  Coe, as of this writing, is scheduled to be released from McNeil on October 3rd so, by the time you’re reading this, he could already be out.  Coe is 78 and is reported to be in fragile health.

As for the movie, it’s mostly memorable for Elizabeth Montgomery’s over the top performance as Ruth Coe.  Sweeping into every scene and delivering her lines in what appears to be a deliberately fake-sounding Southern accent, Montgomery chews the scenery with gusto.  While the rest of the cast often seems to be going through the motions, Montgomery grabs hold of this movie and refuses to surrender it.

Horror Song of the Day: Main Theme From Cannibal Holocaust by Riz Ortolani


One of the great oddities of the horror genre and the world of grindhouse films is that 1980’s Cannibal Holocaust has got one of the most beautiful soundtracks ever recorded.  Composed by Riz Ortolani, here is the amazing Main Theme From Cannibal Holocaust.

4 Shots From 4 Horror Films: 1990s Part Three


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we complete the 90s!

4 Shots From 4 Horror Films

I Know What You Did Last Summer (1997, dir by Jim Gillepsie)

I Know What You Did Last Summer (1997, dir by Jim Gillepsie)

Vampires (1998, dir by John Carpenter)

Vampires (1998, dir by John Carpenter)

The Sixth Sense (1999, dir by M. Night Shyamalan)

The Sixth Sense (1999, dir by M. Night Shyamalan)

The Blair Witch Project (1999, dir by Daniel Myrick and Eduardo Sanchez)

The Blair Witch Project (1999, dir by Daniel Myrick and Eduardo Sanchez)

Horror On The Lens: Summer of Fear (dir by Wes Craven)


Today’s horror on the lens is a 1978 made-for-TV movie that was directed by Wes Craven.  Originally entitled Stranger In Our House, it was retitled Summer of Fear when it was released into theaters in Europe.  Personally, I think Summer of Fear is a better title.  It has a fun R.L. Stine feel to it.

As for the film itself, it tells the story of what happens when the recently orphaned Julia (Lee Purcell) moves in with her distant relations in California.  At first, Julia fits right in with her new family but, slowly and surely, her cousin Rachel (Linda Blair) comes to suspect that Julia might be a witch.  And hey, who can’t relate to that?  Seriously, everyone has that one cousin…

 

October Positivity: Forgiving God (dir by Jason Campbell and Aaron Dunbar)


2022’s Forgiving God opens with a seance.

Jon Moore (Matthew Utley) and his foster sister are fooling around with a Ouija board.  Jon wants to contact the spirit of his little brother, Tommy (Jacob Pitoniak).  Jon blames himself for his brother’s death and many of his subsequent problems can be linked back to the day that Tommy was killed in a mass shooting.  The Ouija board seems to have a mind of its own, with the little pointer tool moving even when Jon takes his fingers off of it.  Tommy’s face appear in a candle’s flame, blain Jon for his death and encouraging Jon to take his own life.  Jon freaks out.  Jon’s foster sister asks him if he’s stoned but otherwise, doesn’t seem to be too concerned about Jon’s suicidal tendences.

Jon’s subsequent attempt at suicide fails but it does lead to a both a huge fire and Jon getting sent to yet another foster family.  Feeling lost and alienated and struggling to fit in with his religious community, Jon soon starts spending all of his time in the woods.  Eventually, he meets a Native American girl named Isaka (Alexandra Sertik).  At first, Jon fears that Isaka might be another demon sent to destroy him.  Pastor Mark (Dean Cain) puts his mind at ease.

Jon is soon convinced that he’s in love with Isaka.  He tells everyone about his new girlfriend and no one believes him.  (That said, they’re rather tolerant of someone who claims to be spending all of his time with someone who they say doesn’t exist.)  Jon starts to wonder why he never sees Isaka outside of the woods.  Why has he never met Isaka’s parents?  Why is Isaka always wearing the same clothes?  Why does every picture that he takes of Isaka fail to develop?  You can probably guess why.  Isaka has a tragic story of her own and a lesson to teach Jon.

Forgiving God is a faith-based film that has a lot in common with the horror genre, from the Ouija-dominated opening to Jon’s fear that Isaka might be an otherworldly being sent to lead him astray.  It’s actually a fairly intriguing story and, compared to most faith-based films, it’s actually told pretty well.  Yes, there’s a few moments of awkward humor (faith-based films always seem to have at least one scene of awkward adult-teen dialogue) and some of the performance feel more professional than others.  (Dean Cain, it must be said, classes up the joint in his small role.)  There’s a sequence set at “bible camp,” which really made me happy that, when I was growing up, my family never stayed long enough in one place for anyone to suggest that my sisters and I should go to camp.  That said, the cinematography is impressive, Matthew Utley gives a good performance as Jon, and there’s a fairly effective scene involving a grizzly bear.  As far as indie religious films go, Forgiving God isn’t that bad at all.  If anything, it continues Pennsylvania’s tradition of giving us independent cinema.  George Romero gave us zombies.  This film gives us bears and mysterious forest girls.

Horror On TV: The Dead Don’t Die (dir by Curtis Harrington)


For today’s horror on television, we have a 1975 made-for-television movie called The Dead Don’t Die!

The Dead Don’t Die takes place in Chicago during the 1930s.  George Hamilton is a sailor who comes home just in time to witness his brother being executed for a crime that he swears he didn’t commit.  Hamilton is convinced that his brother was innocent so he decides to launch an investigation of his own.  This eventually leads to Hamilton not only being attacked by dead people but also discovering a plot involving a mysterious voodoo priest!

Featuring atmospheric direction for Curtis Harrington and a witty script by Robert Bloch, The Dead Don’t Die is an enjoyable horror mystery.  Along with George Hamilton, the cast includes such luminaries of “old” Hollywood as Ray Milland, Ralph Meeker, Reggie Nalder, and Joan Blondell.  (Admittedly, George Hamilton is not the most convincing sailor to ever appear in a movie but even his miscasting seems to work in a strange way.)

And you can watch it below!

Enjoy!

Horror Scenes That I Love: The Man Behind The Dumpster From Mulholland Drive


It’s not usually described as being a horror film but this scene from David Lynch’s 2001 Mulholland Drive literally made me jump the first time I saw it.

Personally, I think this is the scariest moment that David Lynch ever directed.

October True Crime: Too Close To Home (dir by Bill Corcoran)


The 1997 film Too Close To Comfort tells the disturbing story of the Donahues.

Nick Donahue (Rick Schroder) is a young attorney, a law school grad who has just joined the bar and who is still making a name for himself as a defense attorney.  He’s good at his job and if you have any doubts, his mother Diane (Judith Light) will be there to tell you why you’re incorrect.  Diane and Nick still live together.  They have the type of relationship where Diane casually walks into the bathroom to talk to Nick while he’s in the shower.

In short, they have a very creepy relationship.

Nick talks about needing to get a place of his own but his mother says that it’s too soon for him to spend all that money.  Nick wants to fall in love and marry a nice girl and start a family.  Diane doesn’t want Nick to have a life separate from her.  When Nick does end up marrying the sweet-natured Abby (Sarah Trigger), Diane snaps.  One night, Abby is abducted and is later found murdered.  Nick sobs and Diane holds her son and she doesn’t mention the fact that she’s the one who arranged for Abby to be killed.

The police figure it out, of course.  Diane wasn’t that clever.  When Diane is arrested and put on trial for murder, Nick is shocked.  With his mother facing the death penalty for murdering his wife, Nick steps forward to defend his mother in court.

Agck!  This movie!  Admittedly, this is a made-for-TV movie but it’s still creepy as Hell.  If anything, the fact that it was made for television make it even creepier than if it was a uncensored feature film.  Held back by the rule of television, the film has to hint at what would probably otherwise be portrayed as explicit.  That makes all of the little moments that indicate Diane’s madness all the more disturbing and frightening because they could be read several different ways.  This is a film where every line is full of a very icky subtext.  Diane is more than just an overprotective mother.  Her feelings for Nick are on a whole other level.

Fortunately, Judith Light is one of those actresses who excels at communicating subtext.  She delivers every line with just enough of an inflection that we know what she’s saying even if she doesn’t actually say it.  From rolling her eyes when Nick asks her to turn around when he gets out of the shower to the scene where she flirts with Nick’s new landlord, Light leaves little doubt as to what really going through Diane’s mind.  Rick Schroder has a far more simpler role as Nick but he still does a good job with the role.  He’s sympathetic, even when he’s refusing to accept the truth about his mother.

This film is all the more disturbing due to being loosely based on a true story.  The real Diana Donahue was named Elizabeth Ann Duncan and she was convicted of killing her son’s wife in the 1950s.  (Too Close To Home is set in the 90s.)  Her son really did defend her, all the way until her execution.  In real life, her son continued to practice law until 2023, when he was disbarred by the state of California.

As for the film, it’s a classic true crime made-for-TV movie that features Judith Light at her disturbing best.

Horror Song Of The Day: The Lions and the Cucumber by The Vampires’ Sound Incorporation


Today’s song of the day comes from the 1971 film, Vampyros Lesbos.  The Vampires’ Sound Incorporation was a band specifically formed to do the soundtrack for Jess Franco’s classic portrait of Eurotrash decadence.  This song found renewed popularity in the 90s when Quentin Tarantino included it on the Jackie Brown soundtrack.

I like this song.  It’s great driving music and it sounds like something that a vampire would actually listen to.

4 Shots From 4 Horror Films: The 1990s Part Two


This October, I’m going to be doing something a little bit different with my contribution to 4 Shots From 4 Films.  I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we continue the 90s!

4 Shots From 4 Horror Films

Dellamorte Dellamore (1994, dir by Michele Soavi)

Dellamorte Dellamore (1994, dir by Michele Soavi)

In the Mouth of Madness (1994, dir by John Carpenter)

In the Mouth of Madness (1994, dir by John Carpenter)

Scream (1996, dir by Wes Craven)

Scream (1996, dir by Wes Craven)

From Dusk Till Dawn (1996. dir by Robert Rodriguez)

From Dusk Till Dawn (1996. dir by Robert Rodriguez)