Song of the Day: La Resa by Ennio Morricone


Today’s selection in our on-going tribute to the memory of Ennio Morricone comes to us from the score for Sergio Sollima’s 1966 film, The Big Gundown.

Even though Morricone may be best known for his work with Sergo Leone, he provided scores for several different Spaghetti western directors.  The epic grandeur of the Italian westerns has as much to do with Morricone’s music as it does with any individual director or even any individual star.  For many, Morricone was the composer of the mythological old west.

Here is La Resa:

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)
  6. So Alone (What Have You Done To Solange?)
  7. The Main Theme From The Mission (The Mission)
  8. The Return (Days of Heaven)
  9. Man With A Harmonic (Once Upon A Time In The West)
  10. The Ecstasy of Gold (The Good, The Bad, and the Ugly)
  11. The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
  12. Regan’s Theme (The Exorcist II: The Heretic)
  13. Desolation (The Thing)
  14. The Legend of the Pianist (The Legend of 1900)
  15. Theme From Frantic (Frantic)
  16. La Lucertola (Lizard In A Woman’s Skin)
  17. Spasmodicamente (Spasmo)
  18. The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
  19. My Name Is Nobody (My Name Is Nobody)
  20. Piume di Cristallo (The Bird With The Crystal Plumage)
  21. For Love One Can Die (D’amore si muore)
  22. Chi Mai (various)

Lifetime Film Review: Deadly Daughter Switch (dir by Ben Meyerson)


Does it never occur to anyone in a Lifetime movie to not let a stranger move into their house?

That was my main thought as, earlier today, I watched Deadly Daughter Switch.  Deadly Daughter Switch, which I DVR’d off of the Lifetime Movie Network back in April, tells the story of two families.  One family is rich and lives in a really nice house and sends their daughter to a really nice school.  The other family is not rich, which means that they live in a slightly smaller house and the mother has to work at a coffee shop.

When Brooke (Lindsay Hartley) and Carter Jenkins (Matthew Pohlkamp) discover that their teenage daughter, Hailey (Tu Morrow), is not actually their daughter, they take their story to the media.  They ask that anyone who was born on the same night and at the same hospital as Hailey take a DNA test.  It turns out that Hailey is actually the daughter of Alexis (Hannah Barefoot) and that Alexis has been raising Brooke’s biological daughter, Breanne (Jane Widdop)!

If that’s not complicated enough, a counselor at the hospital comes up with the bright idea that Hailey should spend time with Alexis while Breanne should spend time with Brooke and then the girls can decide by whom they ultimately want to be raised.  Alexis points out, quite reasonably in my honest opinion, that Brooke obviously has more money than her and that she probably lives in a better school district and that the end result of this experiment will probably be Brooke having two daughters and Alexis having no one.  Still, they all agree to take the counselor’s advice because I guess the counselor is the voice of God or something and you have to do what she says even if it doesn’t make any sense.

Anyway, it turns out that Alexis was right about Breanne wanting to get away from her.  However, it’s not just that Alexis has less money than Brooke and Carter.  It’s also that Alexis is a little bit insane.  Alexis loses her job at the coffee shop after she kills her boss.  Then Alexis kills the volleyball coach who she claims is Breanne’s biological father.  Then Alexis kills her alcoholic, white trash boyfriend.  Alexis, of course, manages to make all of these deaths look like accidents because Alexis may be poor-ish and she may be dangerously unstable but she’s not stupid.

Anyway, seeing as how everyone in her life is dead, the Carters invite Alexis to come stay with them.  “Do you think we trust Alexis too much?” Brooke asks Carter.  Gee, Brooke, why would you ask that?  Is it because Alexis is obviously plotting to murder you?

Anyway, if it sounds like I’m being critical of Deadly Daughter Switch, I’m not.  I actually rather enjoyed it.  A part of loving Lifetime films is that you come to accept all of the strange premises and the melodramatic plot twists.  You don’t ask why.  You don’t question logic.  You just accept it and follow it to its conclusion.  These films are meant to be the cinematic equivalent of a paperback novel that read over the course of an afternoon.  Hence, the more melodramatic the better.  Hannah Barefoot was an energetic killer and the Carter house was really big and nice and it looked like it would be a fun place to live.  And really, isn’t that all you need?

Seriously, though, don’t invite just anyone to come live with you.  You never know what they might be secretly plotting.

Song of the Day: Chi Mai by Ennio Morricone


Today’s song of the day is one of Ennio Morricone’s most popular compositions, Chi Mai.  Chi Mai has actually appeared in several different productions, including 1971’s Maddelana, 1981’s The Professional, 1978’s An Englishman’s Castle, and 1981’s The Life and Times of David Lloyd George.

From Ennio Morricone, here is Chi Mai:

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)
  6. So Alone (What Have You Done To Solange?)
  7. The Main Theme From The Mission (The Mission)
  8. The Return (Days of Heaven)
  9. Man With A Harmonic (Once Upon A Time In The West)
  10. The Ecstasy of Gold (The Good, The Bad, and the Ugly)
  11. The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
  12. Regan’s Theme (The Exorcist II: The Heretic)
  13. Desolation (The Thing)
  14. The Legend of the Pianist (The Legend of 1900)
  15. Theme From Frantic (Frantic)
  16. La Lucertola (Lizard In A Woman’s Skin)
  17. Spasmodicamente (Spasmo)
  18. The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
  19. My Name Is Nobody (My Name Is Nobody)
  20. Piume di Cristallo (The Bird With The Crystal Plumage)
  21. For Love One Can Die (D’amore si muore)

What Lisa Watched Last Night #212: Her Deadly Groom (dir by Jared Cohn)


Last night, I turned over to Lifetime and I watched Her Deadly Groom!

Why Was I Watching It?

How couldn’t I watch it?  It was on Lifetime.

Last night, I realized that it had bee forever since I last watched and live tweeted a Lifetime film.  Some of that was due to some changes in my schedule.  On Saturday night, I now co-host the Scary Social live tweet, which means that I usually have to DVR and watch Saturday’s Lifetime movie at a later date.  And, admittedly, some of my absence from the Lifetime front just had to do with just pure exhaustion at the state of the world.  When you spend 7 days straight hearing about how the world is going to end, you often just want to spend Sunday meditating or sleeping or, at the very least, dancing.

But, regardless of what else may be happening, I love Lifetime movies and I always have.  Last night, I was determined to watch Her Deadly Groom and I’m glad that I did.

What Was It About?

Allison (Kate Watson) is divorced from George (Eric Roberts), an alcoholic and a serial philanderer.  She now lives with her daughter Nicky (Elyse Cantor) and Nicky’s boyfriend, Jake (Jacob Michael) and she has a nice specialty peanut butter business going with her friend Brenna (Kelly Erin Decker).  One thing that Allison says she doesn’t need in her life right now is another man.  Brenna, however, disagrees and creates an account for Allison on a dating site.

Soon, Allison has met Vincent Black (Michael DeVorzon), who is handsome, charming, and psychotic.  Fear not, that’s not a spoiler.  You know that Vincent is dangerous from the minute you first see him because 1) he pushes his previous girlfriend off a cliff and 2) this is a Lifetime movie.  Anyway, Vincent is soon dating Allison and it looks like they’ll soon be married.  What Allison doesn’t know is that Vincent has taken out a huge life insurance policy on her….

What Worked?

Eric Roberts was in this film!  Admittedly, he had a small role but still, he’s Eric Roberts and he’s always a lot of fun to watch.  Plus, in this film, there was a neat little twist involving his character and Roberts did a great job playing it.

One thing I liked about this film is that Vincent may have been charming and lucky but he wasn’t always the most clever con artist around.  He wasn’t one of those super villains who you occasionally come across in a film like this.  Instead, he was just a con man who knew how to manipulate people but who also understood that he would only be able to successfully fool people for a limited amount of time.  As a result, he didn’t waste any time when it came to putting his plans into action and that created some suspense.  We knew he wasn’t going to wait forever to make his move.  Vincent was a wonderfully hissable villain.

The mother-daughter relationship between Nicky and Allison felt real and both Kate Watson and Elyse Cantor did a good job of bringing their characters to life.  I appreciated the fact that, even though Allison may have been naive when it came to Vincent, she wasn’t stupid.  She was just someone who got legitimately conned by a sociopath.

Finally, this was a Lifetime film so all of the house were to die for.  Seriously, never underestimate the importance of a big house in a Lifetime film.

What Did Not Work?

It all worked.  This was a fun Lifetime movie.

“Oh my God! Just Like Me” Moments

I related to Brenna, mostly because we’ve both fallen down a flight of stairs.  Of course, nobody had to push me.  I’m just a klutz when it comes to stairs.

Lessons Learned

If something seems too good to be true, it probably is.  Oh!  And always check to see if your man has taken out a life insurance policy on you.

Song of the Day: For Love One Can Die by Ennio Morricone


Today’s song of the day comes from a 1972 Italian film called D’amore si muore.  I haven’t seen this film and I really don’t know much about it.  As far as I can tell, it appears that it might not even be available here in the U.S.  If anything, the film appears to be best-known for Ennio Morricone’s theme music.

From Morricone, here is a beautiful composition called For Love One Can Die:

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)
  6. So Alone (What Have You Done To Solange?)
  7. The Main Theme From The Mission (The Mission)
  8. The Return (Days of Heaven)
  9. Man With A Harmonic (Once Upon A Time In The West)
  10. The Ecstasy of Gold (The Good, The Bad, and the Ugly)
  11. The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
  12. Regan’s Theme (The Exorcist II: The Heretic)
  13. Desolation (The Thing)
  14. The Legend of the Pianist (The Legend of 1900)
  15. Theme From Frantic (Frantic)
  16. La Lucertola (Lizard In A Woman’s Skin)
  17. Spasmodicamente (Spasmo)
  18. The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
  19. My Name Is Nobody (My Name Is Nobody)
  20. Piume di Cristallo (The Bird With The Crystal Plumage)

Scene That I Love: Tom Cruise Crashes The Party in Eyes Wide Shut


Eye Wide Shut (1999, directed by Stanley Kubrick)

Stanley Kubrick would have been 92 years old today!

In honor of this visionary and his career, here is a wonderfully creepy scene from his final film, 1999’s Eyes Wide Shut.  Like so many of Kubrick’s films, it took a while for people to really appreciate Eyes Wide Shut.  It’s an odd and, at times, frustrating film but still a film touched by genius.

In this scene, Tom Cruise discovers that it’s not quite as easy to crash a super secret party as he thought it would be.

Rest In Peace, Olivia De Havilland


I woke up today to the news that Olivia De Havilland, the last of the great Golden Age stars, had died.  She was 104 years old and she spent all of those years as the epitome of a type of grace and class that we really don’t see much nowadays.  Her famous feud with her sister Joan Fontaine aside, it’s impossible to imagine an actress like Olivia de Havilland getting caught up in a silly twitter fight.

Here she is with one of her most frequent co-stars, Errol Flynn.  This short but sweet scene is from The Adventures of Robin Hood.

Olivia de Havilland, R.I.P.

Song of the Day: Piume di Cristallo by Ennio Morricone


Today’s song of the day comes from the soundtrack of Dario Argento’s 1970 film, The Bird With The Crystal Plumage.  Not only was this film Argento’s first as a director but it was also his first collaboration with the great Ennio Morricone.

From Ennio Morricone, here is a piece of music that perfectly matches the creepy and twisty feel of Argento’s first film.  Here is Piume di Cristallo:

Previous Entries In Our Tribute To Morricone:

  1. Deborah’s Theme (Once Upon A Time In America)
  2. Violaznioe Violenza (Hitch-Hike)
  3. Come Un Madrigale (Four Flies on Grey Velvet)
  4. Il Grande Silenzio (The Great Silence)
  5. The Strength of the Righteous (The Untouchables)
  6. So Alone (What Have You Done To Solange?)
  7. The Main Theme From The Mission (The Mission)
  8. The Return (Days of Heaven)
  9. Man With A Harmonic (Once Upon A Time In The West)
  10. The Ecstasy of Gold (The Good, The Bad, and the Ugly)
  11. The Main Theme From The Good, The Bad, and the Ugly (The Good, The Bad, and the Ugly)
  12. Regan’s Theme (The Exorcist II: The Heretic)
  13. Desolation (The Thing)
  14. The Legend of the Pianist (The Legend of 1900)
  15. Theme From Frantic (Frantic)
  16. La Lucertola (Lizard In A Woman’s Skin)
  17. Spasmodicamente (Spasmo)
  18. The Theme From The Stendhal Syndrome (The Stendhal Syndrome)
  19. My Name Is Nobody (My Name Is Nobody)

Lifetime Film Review: I Was Lorena Bobbitt (dir by Danishka Esterhazy)


In 1993, a woman named Lorena Bobbitt made national news when she used a kitchen knife to chop off her husband’s penis, which she then tossed into a field, where it was later found and reattached.  During Lorena’s trial, both the defense and the prosecution conceded that John Wayne Bobbitt (and what a name, right?) was an abusive and selfish husband who probably deserved a lot worse than just losing his penis for a few hours.  Lorena, meanwhile, was portrayed as being a crazed psycho, with many claiming that she was motivated not by years of abuse but instead by jealousy.  After spending months at the center of a media freakshow, Lorena was eventually found not guilty by reason of temporary insanity.  John Wayne Bobbitt was subsequently acquitted on charges that he had raped Lorena the night that she castrated him.

Subsequently, John Wayne Bobbitt held a number of jobs, was charged with more crimes, and had a brief career as an adult film actor.  Lorena attempted to stay out of the spotlight, reverted to using her birth name of Gallo, and was only briefly in the news in 1997 when she was arrested for striking her mother.

However, this previous Memorial Day, Lorena Gallo returned to the public eye as the host of I Was Lorena Bobbitt.  One of Lifetime’s “ripped from the headlines” features, the film’s format is similar to 2017’s I Am Elizabeth Smart, which featured the real Elizabeth Smart talking about her kidnapping along with dramatized scenes feature Alana Boden in the title role.  I Was Lorena Bobbitt features scenes of Lorena (played by Dani Montalvo) both before and after what the film refers to as being “the incident.”  We watch as she first meets John Wayne Bobbitt (Luke Humphrey) and how she is initially charmed by the handsome marine just to discover, after their marriage, that he’s actually a porn-addicted, abusive monster.  The real Lorena appears on-screen to provide context for what we’ve just seen.  For instance, when the movie’s Lorena gives her statement to the police, the real Lorena appears and explains that the reason why the statement was so awkward was because she was still struggling to learn how to express herself in English.  The film makes the very good and too often overlooked point that Lorena’s statement was subsequently used to paint her as being a psychopath by reporters who should have understood that not only was Lorena in shock but she was also being forced to describe a very personal experience in a language in which she wasn’t fluent.

Unfortunately, despite those few moments that do provide some valuable context to what really happened that night and afterwards, I Was Lorena Bobbitt is still a bit of a mess.  The filmmakers tell the story out of chronological order, mixing in flashbacks with flashforwards and, while I can understand why they made that narrative choice, it doesn’t really add much to the story.  In fact, it gets a bit distracting as we try to keep track of where we are in Lorena’s story.  Luke Humphrey gives a properly loathsome performance as John and Dani Montalvo gives a good performance as the young Lorena but the actual Lorena is not a particularly compelling narrator.  One gets the feeling that the film would have worked better if the real Lorena had stayed off-screen.

In the end, despite its flaws, I Was Lorena Bobbitt deserves credit for examining the real issues underneath a story that feels as if it was tailor-made to appeal to America’s tabloid sensibility.  The film shows how Lorena was gaslighted and brainwashed into believing that the abuse she suffered was her fault.  It shows how an abuser can be charming when he feels that he needs to be and it also show how Lorena was more vilified for her actions than John was for his.  It’s a film with an important message, even if the execution is sometimes lacking.

Lifetime Film Review: Psycho Yoga Instructor (dir by Brian Herzlinger)


Oh hell yeah!

This Lifetime film had me as soon as I saw the title.  Psycho Yoga Instructor?  Seriously, is that not the most brilliant title of all time?  Apparently, this film was originally called The Perfect Pose and that’s an okay title.  I mean, “perfect” is always a good word to use in a title.  But you know what’s an even better word to use?  Psycho!

Plus, the fact that the title promised not just a psycho but a psycho yoga instructor made me even more excited to see the film.  There’s been countless Lifetime film about yoga instructors who ended up getting stalked.  But this film’s title shakes things up.  This time, it’s the yoga instructor who is the stalker!

Anyway, Psycho Yoga Instructor tells the story of Justine (Ashley Wood).  Justine is married to Tom (Brady Smith), who is the type of guy who stays at work late and then, when he gets home, doesn’t even bother to join his wife in bed.  Instead, he collapses on the couch, where she inevitably finds him the next morning.  Justine is eager to adopt a baby.  Tom barely seems to care.  Justine is haunted by nightmares in which she’s drowning in the tub and, instead of trying to save her, Tom takes a call from work.

Justine’s best friend, Ginnie (Lily Rains), thinks that Tom is cheating on Justine.  She also thinks that Justine should come to her yoga class and ogle the hot yoga instructor, Dominic (Panos Vlahos).  Justine is reasonably sure that Tom is not cheating but she still decides that yoga might help her deal with some of her stress.

Dominic, it turns out, is a very good yoga instructor.  He’s got wild hair and he spends a lot of time talking about toxins and the barriers that people set up to their own happiness.  He takes an interest in Justine and soon, he’s even coming to Justine’s house to give her one-and-one lessons.  Justine thinks that Dominic is helping her get in touch with what she really wants out of life.  Dominic, meanwhile, spends most of his time staring down Justine’s shirt.  Like, seriously, Dom — eyes up!

Tom starts to get jealous and with good reason.  Justine is having all sorts of dreams about Dominic and, for the most part, they never end well for Tom.  Still, it’s just yoga, right?  And Dominic’s not any more quirky than the typical yoga guy, right?  Wrong.  It turns out that Dominic is more than just a somewhat spacey hot guy.  He’s also a …. PSYCHO YOGA INSTRUCTOR!

Admittedly, it does take a while to get around to the psycho part of Psycho Yoga Instructor but I still liked the film.  The character of Dominic was so hilariously vapid and Panos Vlahos seemed to be having so much fun smirking and talking about toxins that it was impossible not to enjoy his performance.  Justine’s recurring dreams were also well-shot and genuinely creepy.  The one where Justine was under water while her husband laughed at her especially got to me.  The film was as cheerfully trashy as you would hope that a film with a title like Psycho Yoga Instructor would be.  In the end, that’s what really matters.