Retro Television Review: St. Elsewhere 4.16 “Family Affair”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Daily Motion.

This week, Bobby Caldwell faces his future.

Episode 4.16 “Family Affair”

(Dir by Bruce Paltrow, originally aired on February 12th, 1986)

This episode deals with the fallout of the assassination of Sen. Gordon Endicott. As I watched it, I found it surprising that the doctors and the patients didn’t seem too shaken by the fact that a presidential contender had been shot in the chapel. One could argue that this was meant to show that violence in the United States had become so commonplace that people barely noticed it. I think it has more to do with bad writing. There is no real emotional impact to the Endicott family drama because the Endicotts themselves never come across as actual human beings. They’re thin stand-ins for the Kennedy family, and the show doesn’t seem to know what it wants to say about them. St. Elsewhere was an undeniably liberal show, and the Endicotts, with their sense of noblesse oblige, are clearly meant to evoke nostalgia for the Kennedy era. At the same time, the show can’t quite convince itself that the Kennedy era was all it was cracked up to be.

The Endicott story comes to an end here. Augusta survives her heart surgery. Her granddaughter goes into labor and gives birth to the first Endicott of the next generation. Augusta’s grandsons argue over who will lead the family. It falls flat. That’s especially true in 2026, when the Kennedys are no longer deified. Today the name Kennedy is just as likely to bring to mind vanity congressional campaigns as it is Camelot.

(For all the effort St. Elsewhere put into recreating the Kennedy family, no effort is made to recreate Mary Jo Kopechne.)

Far more compelling is the story of Bobby Caldwell, who struggles to carry on as a doctor despite his AIDS diagnosis. At first, only Westphall, Auschlander, and Morrison know. Morrison tells Fiscus, mostly to get Fiscus to stop giving Caldwell a hard time about his scar. Westphall tells Dr. Craig. Craig confronts Caldwell, says “Tough break,” and then asks him to leave the hospital. Craig also says he had no idea Caldwell was, in Craig’s words — not mine — “a fag.”  Caldwell says that he’s not but the implication is clear.  In Craig’s eyes, the virus is a punishment.

Caldwell’s illness makes Fiscus hesitant about sleeping with Clancy, at least until Fiscus’s own AIDS test comes back. Bobby’s ex, Joan Halloran (Nancy Stafford), gets tested and is relieved to discover she’s negative. When Joan complains that she’s never done anything to deserve getting sick, Morrison tells her that AIDS is a disease, not a metaphysical judgment. I’m glad someone finally pointed that out.

Caldwell resolves to kill himself in his apartment, but just as he’s about to take a lethal objection, someone knocks on his door. The young daughter of the woman who lives above him needs help with a leak in their bathroom. Caldwell realizes that having AIDS doesn’t mean he can’t help people.

In the end, Caldwell does leave St. Eligius. He tells Westphall that he’s moving to California to work at an AIDS hospice. He takes one last look around the hospital and then exits both St. Eligius and the show.

I have to admit I was really moved by the episode’s final image of Caldwell stepping outside. He hasn’t always been my favorite character. When he was first introduced in the second season, he seemed bland. During the third season, the show didn’t know what to do with him. He spent much of the fourth season treating everyone else terribly. But in this episode, Caldwell finally seemed like a real person. Mark Harmon’s performance, especially in those last moments, was outstanding.

Goodbye, Bobby Caldwell.

Late Night Retro Television Review: Friday the 13th: The Series 2.25 “The Prisoner”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, Johnny goes to prison!

Episode 2.25 “The Prisoner”

(Dir by Armand Mastroianni, originally aired on June 5th, 1989)

After Johnny Ventura’s father is killed by an invisible man….

Wait, what’s Johnny doing here?

No, don’t get me wrong.  I understand why Johnny’s there, mostly because I have the benefit of hindsight.  I know that Johnny is going to replace Ryan during the third season and this episode was obviously designed to get the audience used to the idea of Johnny being a part of the show.  The majority of the episode follows Johnny as he’s sent to prison, having been framed for murdering his own father.  The culprit is another prisoner, Dayton Railsback (Larry Joshua).  Dayton has a kamikaze pilot’s jacket that allows him to turn invisible whenever blood is spilled on it.  Whenever Dayton’s invisible, he sneaks out of the prison and searches for some money that he stole ten years earlier. Johnny is the only person in the prison who knows what Railsback is doing so soon, he’s being targeted by the invisible man.

While Johnny is dealing with life in prison, Micki, Ryan, and Jack are attempting to prove that Railsback is the murderer.  It’s a bit odd because the three of them — our stars! — are barely in the episode and, when they do appear, they’re just hanging out in the antique shop.  They talk about all of the investigating that they’ve been doing but we don’t actually see them doing it.  Watching the episode, one gets the feeling that John D. LeMay, Robey, and Chris Wiggins all shot their scenes in one day and then left on an extended vacation.  They showed up just long enough to establish this as being an episode of Friday the 13th, despite the fact that almost the entire episode is about Johnny.

Needless to say, it was a bit of a disjointed episode.  The show kept jumping from Johnny in prison to Railsback killing people outside of prison to everyone hanging out in the antique shop and it was a bit difficult to keep track of who was planning what.  Myself, I was surprised at how quickly the show went from Johnny’s father being murdered to Johnny getting tossed into prison.  We don’t even see Johnny’s trial.  Johnny was passed out when his father was shot and, quite frankly, it seems like he could have made a very credible argument that he was framed.  (The invisible Railsback puts the gun in Johnny’s hands but he doesn’t manipulate Johnny into pulling the trigger so it’s not like there would have been any powder residue on Johnny’s fingers.)  Johnny and his father appeared to have a pretty good relationship so you really have to wonder what type of case the prosecution made.  The episode ends with Johnny killing Railsback and then being released from prison.  So, is Johnny going to have to on trial again?  I mean, he just stood there while Railsback burned to death.

Weird episode.  It didn’t do too much for me.  I’m going to miss Ryan once season 3 starts.

Retro Television Reviews: T and T 1.21 “Private Eyes”


Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing T. and T., a Canadian show which ran in syndication from 1987 to 1990.  The show can be found on Tubi!

This week, T.S. Turner searches for a missing teenage boy and finds Vernon Wells instead.

Episode 1.21 “Private Eyes”

(Dir by Stan Olsen, originally aired on May 30th, 1989)

“On tonight’s episode,” Mr. T informs us during the pre-credits, “the mob hunts for a young kid to prevent his father from testifying in court.”

Now, I understand that it’s tempting to roll your eyes at the mention of the mob, seeing as how this is a Canadian show.  But what many Americans don’t know is that the Mafia is actually very active in Canada and they have been since the days of Prohibition.  All that liquor that Al Capone was selling on the streets of Chicago?  It came from Canada!

Tonight’s episode opens with Frank (Angelo Pedari), who has an impressive flat top, walking and then driving down the snowy streets of Canada.  He’s on a mission to prevent a married couple from testifying in court.  As the local mob boss puts it, the couple will be less likely to testify if their son is missing.  Interestingly, these two important witnesses do not have any police assigned their house so Mr. Flaptop and his criminal associate are able to walk right in and announce that they’re taking young Steve (Noam Zylberman) hostage.  In his bedroom, Steve overhears and slips out the window.  The mobsters decide to chase after Steve as opposed to kidnapping (or doing something even worse) to his parents.  I mean, if their goal is to keep the parents from testifying and Canada won’t even send a patrol car to check on the house, I’m not sure why the mob is wasting their time on some teenager.

At the courthouse, Officer Jones (Ken James) gives Amanda a picture of Steve and then asks if T.S. Turner can hit the streets and look for him.  (So, why not just give the picture to Turner?)  Turner agrees to look for the kid, even though he and Amy agree that they’re obviously only getting half the story.

Turner heads to down to the local pool hall, where the local pool hustler says that someone already came into the place looking for the kid.  “He talked like that Alligator guy in the movie.”

“Australian!?”  Turner asks, as if this is the first time that an Australian has ever been spotted in Toronto.

Now fully aware that there is an Australian searching for the kid, Turner reminds everyone in the pool hall to “call me” and not the Australian.

Who is the Australian?  Why, it’s veteran screen tough guy, Vernon Wells!  (Wells played played Wez in The Road Warrior.)  In this episode, Vernon is playing Nigel and he is determined to find that kid.  When T.S. stumbles across Nigel at the local Canadian high school, showing the students picture of Steven, Turner demands to know what’s going on.

“I’m not talking to you, mate!” Nigel replies.

“Yes, you are.” T.S. replies.

“No, I’m not!”

“Yes, you are!”

“No, I’m not!”

Okay, guys, come on now….

Eventually, the police are called and Nigel and T.S. are both dragged down to the police station.

“When I get out of these cuffs, my friend!” Nigel says to T.S.

“You ain’t my friend, brother!” T.S. replies.

Detective Jones tells them to stop both yelling at each other.  He explains that Nigel has been hired by Steven’s parents to find their son.  He suggests that T.S. and Nigel work together.

“I work alone,” Nigel says before storming out of the police station.  However, Nigel changes his mind, returns, and says that maybe he and T.S. should work together.

“No hard feelings, mate?” Nigel asks.

“I guess not,” T.S. replies, “I can always beat on your later.”

“That won’t be a easy from a hospital bed, mate.”

“I ain’t your mate, brother.”

Guys, come on now.  The machismo is getting almost overwhelming.

At the gym, T.S. and Nigel meet a taxi driver who gave Steve a ride to the hotel where he is currently hiding out.  T.S. and Nigel decide to head over to the hotel but the mob has already learned where Steve is hiding out.  (Somehow, Steve’s disguise of a trench coat and dark glasses has failed to fool anyone.)

While T.S. and Steve head over to the gym, Amy confronts Detective Jones about the fact that there was supposed to be a police car in front of Steven’s parents house on the day that Steven disappeared.  Someone called off the car.  Jones admits that there is a mafia informant in the police department and that’s why he had to hire T.S. to look for the kid.  Jones demands to know where Amy got her information.  Amy says that she never reveals her sources.  Then Sophie (Catherine Disher) wanders into the office and reveals that she got the information from a guy in fingerprinting that she’s dating.  Go Sophie!

Meanwhile, at the hotel, T.S. and Nigel discover that Steve is not in his room.  Nigel suggests that maybe one of them should wait outside in case Steve returns.

“That’s a good idea, brother!” T.S. says.

“I’m not your brother,” Nigel replies.

Okay, guys, come on, everyone is supposed to be working together here….

Anyway, the kid and the mob show up at the same time so Nigel and Turner get to beat some people up and save the kid.  Yay!

Steven’s parents testify against the mob and then enter Witness Protection, which I guess means moving from Toronto to North York.  At the courthouse, Nigel and T.S. finally find something that they can agree on, American football.

“Greatest football team ever made!” T.S. announces.

“The Redskins!” Nigel agrees.

Uh-oh.  Guys, you might want to stop bonding….

Anyway, this episode was actually kind of fun, due to the bickering between Mr. T and Vernon Wells.  They made for a fun team.  Once again, it doesn’t really do anyone any good to try to tell an hour’s worth of story in only 30 minutes but Vernon Wells made me smile.  That’s the important thing!

Vernon Wells, in Commando