Retro Television Review: Summer of Fear (dir by Wes Craven)

Posted on October 23, 2022 by Lisa Marie Bowman

Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Sundays, I will be reviewing the made-for-television movies that used to be a primetime mainstay. Today’s film is 1978’s Summer of Fear. It can be viewed on YouTube!

In this made-for-TV movie from 1978, Linda Blair (fresh from the first two Exorcist films) plays Rachel. Rachel is a teenager who lives on a ranch in California. She loves horses and she loves her boyfriend and she’s especially happy that her cousin, Julia (Lee Purcell) is coming to live with her. Julia recently lost both of her parents in a tragic auto accident. Though neither Rachel nor her parents have ever met Julia before, they’re all planning on welcoming her into their very nice home.

The only problem is that, once Julia arrives, she seems to be a little bit strange. She speaks with a strange accent that no one on the ranch has ever heard before. The horses all seems to be terrified of her. After Rachel discovers that Julia has stolen minor personal possessions from her new family, Rachel starts to suspect that Julia might be witch and that she might be casting spells! Of course, by this point, Julia is no longer as shy and awkward as she seemed when she first showed up. Instead, she’s now glamorous and every man who meets her becomes intrigued, including Rachel’s boyfriend!

Based on a best-selling novel, Summer of Fear originally aired on NBC. If it were made today, it would probably air on something like Lifetime and it would have a title like, “Deadly Spell” or “Dangerous Seductress.” Seen today, it’s a bit of a slow movie and Linda Blair occasionally seems to be trying too hard to come across as being wide-eyed and innocent in her role but it’s entertaining as long as Lee Purcell is giving people strange looks and chewing up the scenery. The more out-of-control Pucell becomes, the more entertaining the film. Summer of Fear does build to a satisfying conclusion but it’s still hard not to wish that the story itself had moved just a bit quicker. Jaded audiences in 2022 are no longer as shocked at the idea of witch coming to visit as audiences in 1978 may have been. In the end, probably the most interesting thing about Summer of Fear is that it was an early credit for horror master, Wes Craven. This was his third film and his first “major” production, one that he made in order to show that, after directing two independent films, he could be trusted with a mainstream, studio production. As such, you can argue that, without this film, Craven never would have gone on to do Nightmare on Elm Street and Scream. Modern horror would be very different without Summer of Fear.

Ultimately. the film’s a bit too slowly paced to really be successful but if you’re a fan of Wes Craven’s or even Linda Blair’s, you’ll probably want to watch it at least once.

Horror Scenes that I Love: Rabbits From Inland Empire

Posted on October 23, 2022 by Lisa Marie Bowman

Today’s scene is from David Lynch’s Inland Empire.

I’m not even going to try to explain what’s going on here.

International Horror Film: The Deep House (dir by Alexandre Bustillo and Julien Maury)

Posted on October 23, 2022 by Lisa Marie Bowman

The 2021 French film, The Deep House, tells the story of Tina (Camilla Rowe) and Ben (James Jagger). Originally from New York, Tina and James are driving across Europe and filming themselves as they explore haunted houses. They have recently learned of a submerged house in France. With the help of a local guide named Pierre (Eric Savin), they track down the lake that Pierre claims is the location of the house. Tina and James put on their diving gear and jump into the water. Pierre, on the other hand, stays on dry land. In fact, Pierre seems like he might have an agenda of his own.

Tina and James find the underwater house and they continue to film themselves as they explore it. (In fact, with their eagerness to go travel the world and film themselves disrupting their surroundings, you might be tempted to think that this film has something on its mind about American interventionism.) Interestingly enough, the house is in surprisingly good shape despite having been underwater for a few decades. In fact, the house is full of posters, photographs, and graffiti, all of which one would expect to be destroyed by exposure to water. Why, there’s even a fake clown head just kind of sitting there. However, Tina and James are a bit more concerned about why their equipment suddenly seems to be malfunctioning. And then, of course, there’s the two dead bodies that are chained to the walls inside the house.

Now, you may be wondering why Tina and James don’t just leave the house. Believe it or not, they try to leave as soon as they come across the bodies. (Most of my friends would probably immediately try to leave as soon as they saw that clown. You have to feel bad for all the misunderstood and misjudged clowns of the world.) But suddenly, the window that they previously swam through has been blocked by a brick wall. In fact, the house seems to be constantly changing and rebuilding itself, all to keep Tina and James from finding a way out. With their air supply running out, Tina and James try to figure out how to escape the house and, even more importantly, how to escape the zombie that has suddenly shown up.

Oh, did I forget the mention the zombies? Well …. there’s a zombie.

Well-directed by Julien Maury and Alexandre Bustillo, The Deep House is an atmospheric horror film, one that doesn’t waste any time launching into its story. While there have been plenty of horror films about people exploring haunted houses and accidentally filming their own demise, The Deep House adds a new wrinkle by having almost all of the action occur underwater. Even if Tina and James manages to escape the house and the zombies, you still have to wonder if they’ll have enough air left to make it to the surface. Maury and Bustillo do a good job of generating suspense and the film has more than enough jump scares to keep most horror fans happy. The Deep House is worth the dive.

4 Shots From 4 Horror Films: 2005 — 2007

Posted on October 23, 2022 by Lisa Marie Bowman

4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

This October, I’m going to be doing something a little bit different with my contribution to 4 (or more) Shots From 4 (or more) Films. I’m going to be taking a little chronological tour of the history of horror cinema, moving from decade to decade.

Today, we take a look at 2005, 2006, and 2007!

4 Shots From 4 Horror Films: 2005 — 2007

Land of the Dead (2005, dir by George Romeo, DP: Mirosław Baszak)

The Descent (2005, dir by Neil Marshall, DP: Sam McCurdy)

Inland Empire (2006, dir by David Lynch, DP: David Lynch)

Halloween (2007, dir by Rob Zombie, DP: Phil Parmet)

Horror Film Review: 47 Meters Down: Uncaged (dir by Johannes Roberts)

Posted on October 23, 2022 by Lisa Marie Bowman

Let us take a moment or two to give some thought to the poor, misunderstood shark.

Sharks have a reputation for being the most dangerous predators in the ocean but, for the most part, sharks just swim around and eat whatever is in front of them. They are certainly not harmless but they’re also not the clever, calculating monsters that they’ve been made out to be. As opposed to what all the sequels to Jaws have told us, sharks do not stalk people. They do not seek revenge. They do not look at certain humans and think, “That is my mortal enemy.” A shark will not follow you from New England to the Caribbean just because you’re the widow of the man who killed its cousin. Sharks look scary and, certainly, you should stay out of the water if one of them is swimming nearby. But, for the most part, the only thing that one needs to have to avoid being attacked by a shark is common sense.

Unfortunately, none of the characters in the 2019 film, 47 Meters Down Uncaged, have any common sense. The film tells the tale of Mia (Sophie Nelisse) and her stepsister, Sasha (Corrine Fox). Mia and Sasha are both students at a new school in Mexico. Their father, Grant (John Corbett), has been exploring a submerged Mayan city. Along with their two friends, Alexa (Brianne Tju) and Nicole (Sistine Stallone), Mia and Sasha decide to spend the weekend scuba diving and exploring the ancient city. The girls have a good time looking at all of the mummies and the sacrificial chamber. Unfortunately, a great white shark shows up to ruin their fun. The simplest solution would probably be too leave the city but, because the girls keep screaming and accidentally knocking stuff over, they soon find themselves trapped in the newly collapsed city. Not only have they upset a shark but they’ve managed to destroy a bunch of valuable historical artifacts. Way to go!

47 Meters Down: Uncaged was sold as being a sequel to 47 Meters Down, the Mandy Moore/shark film that came out in 2017. However, other than having the same director, the only thing that the two films have in common is that they both spend a lot of time underwater and they both feature a shark. In fact, I’m not even sure if they get down to the 47 meters in Uncaged but that’s just because, as an American, I find the metric system to be extremely confusing. The original 47 Meters Down also had a slightly interesting premise and a good performance from Mandy Moore. 47 Meters Down: Uncaged, on the other hand, is just about four girls who did something incredibly stupid and then did something else incredibly stupid and then just kept on doing every stupid thing that came to mind. Most people will be cheering for the shark.

That said, it should be noted that Johannes Roberts definitely uses that shark for all that its worth. The film’s characters may be stupid but the shark itself is scary and generates its share of effective jump scares. This is one of those diabolically clever sharks that knows how to hide behind corners until someone swims by. As I mentioned at the start of this review, that’s not exactly realistic shark behavior but it’s definitely effective movie behavior. The scenes where the shark suddenly emerged from the darkness definitely made jump. The scene where one of the girls attempted to climb out of the cave and then fell into the water in super slow motion made me laugh. There’s something to be said for a film that can make you both jump and laugh.

One final note: the sharks lived in that submerged Mayan city for over a hundred years without damaging anything. Mia, Sasha, and their friends visit the city for less than an hour and manage to destroy the place. Remember that the next time anyone says anything against the sharks.

Horror On The Lens: The Student of Prague (dir by Stellan Rye and Paul Wegener)

Posted on October 23, 2022 by Lisa Marie Bowman

For today’s horror on the lens, we have a film from 1913! A German adaptation of Edgar Allan Poe’s William Wilson, The Student of Prague is often considered to be the first feature-length horror film. Featuring Paul Wegener (who also co-directed the film) in the lead role, this is the story of what happens when the popular but poor Balduin attempts to get rich by dealing with the dark arts. These things never work out well, as Balduin discovers once his reflection steps out of a mirror and goes out of its way to make Balduin’s life difficult.

Of course, to watch the film today, audiences have to adjust both their expectations and the way that they take in and process cinematic storytelling. As of this writing, The Student of Prague is 109 years old and it’s definitely a film of its time. The camera largely remains stationary and, from a modern perspective, the film is rather slow-paced. And yet, the film’s story remains rather intriguing. Despite the static camera work, the film manages to create and maintain a properly ominous atmosphere and a scene in which Balduin and Margit attempt to meet in a cemetery is effectively creepy. Paul Wegener’s performance holds up well. Largely eschewing the overly theatrical acting style that we usually tend to associate with silent cinema, Wegener gives a nuanced and effectively subtle performance as both Balduin and his doppelganger. When he’s acting opposite of himself, you don’t think about the fact that you’re witnessing an early camera trick. Instead, Wegener creates two separate but believable versions of the same character. The doppelganger represents all of Balduin’s undesirable impulses and everything that has kept Balduin from achieving happiness. By the end of the film, Balduin can’t live with his doppelganger but he can’t live without him as well.

The Student of Prague is an interesting piece of history and one that every true student of horror should watch and learn from at least once.

And here’s your chance!

Enjoy!

October Positivity: The Perfect Stranger (dir by Jefferson Moore and Shane Sooter)

Posted on October 22, 2022 by Lisa Marie Bowman

The 2005 film, The Perfect Stranger, opens with Nikki Cominsky (Pamela Brumley) feeling very stressed and underappreciated.

She’s an attorney and she really should be heading off for work but first, she has to make her daughter’s school lunch. (Her daughter is not extremely appreciative.) Meanwhile, her husband has just informed her that he’s canceling their date night because he has to go to a baseball game with a client! Nikki was so looking forward to going to a nice restaurant. Finally, to top all off, the neighbors are religious and they keep inviting Nikki to church. Argggh! The frustration!

Nikki gets to work and the aggravation continues. Her administrative assistant calls her “Mrs. Cominskey,” making Nikki feel old. (“Mrs. Cominskey is my mother-in-law!” Nikki snaps.) Plus, there’s a weird note on Nikki’s desk. The note is inviting her to dinner and it is signed Jesus. At first, Nikki is convinced that her neighbors somehow broke into the office and left the note on her desk. But then she realizes how weird that sounds. Instead, she decides that the note is from her husband. Obviously, he canceled his plans and they’re going to go out to dinner. Yay! But why would her husband sign the letter as Jesus? “He must be joking,” Nikki says, with a laugh. Okay, then. Everyone has their own sense of humor.

Nikki heads to the restaurant straight after work and discovers …. that her husband is not there. Her husband went to the baseball game. Her husband was not playing a joke on her. He really is the type of insensitive idiot who would break a date with his wife and go to a baseball game with client. (You deserve better, Nikki!) However, her neighbors aren’t there either. Instead, there’s a blonde man (Jefferson Moore) wearing a suit who says that his name is Jesus and he wants to have a conversation with her. Nikki’s first instinct is to leave but Jesus offers to pay for dinner. That changes Nikki’s mind and I guess that’s understandable. A free dinner is a free dinner!

Nikki and Jesus go on to have the most awkward dinner date ever. Nikki wants to talk about how annoyed she is with her life. Jesus wants to talk about Heaven. Nikki complains about religion. Jesus tells her that her problem is not with religion but with religious people. Nikki says that she feels like she could get just as much out of being a Hindu or Muslim as she could out of being a Christian. Jesus laughs at her. There’s one long stretch of time when we just see Jesus and Nikki talking but we don’t actually hear what they’re saying. Maybe they’re discussing the food, which does look pretty good.

The Perfect Stranger is an example of a popular sort of faith-based film, one in which Jesus has dinner or coffeewith an unbeliever and basically spends an hour telling them that they’re stupid. Jesus always has the advantage in these films, largely because the screenwriter is on his side and the non-believers are usually limited to repeating a bunch of clichés about all the bad things in the world. That’s certainly the case with The Perfect Stranger, in which Nikki is not only an agnostic but also a bit of a flake. One gets the feeling that many of these films was made less to reach nonbelievers and more to give believers a chance to laugh at the other side. Then again, consider how negatively most people of faith are portrayed in mainstream films, one could argue that the faith-based film industry is basically looking at Hollywood and yelling, “I learned it from watching you!”

Anyway, the important thing is that Nikki felt better about her life and she got a free dinner. Good for Nikki.

Lisa Marie’s Week In Television: 10/16/22 — 10/22/22

Posted on October 22, 2022 by Lisa Marie Bowman

I watched very little television this week because I’ve been preparing for Halloween! I’ll have to get caught up on what I’ve missed later. Or, I’ll just shrug off the previous two episodes of Bachelor in Paradise. These are the difficult life choices that we all face.

Abbott Elementary (Wednesday Night, ABC)

Janine’s insistence that the kids drink more juice leads to a crisis at Abbott! Meanwhile, Ava continues to be the best character on the show. This was a funny episode, though Gregory is going to have to tell Janine how he feels at some point soon or I’m going to start to lose respect for him. Melissa and her teacher’s aide provided a lot of good laughs. I have a feeling I would be a pretty annoying teacher’s aide, as well.

The Amazing Race (Wednesday Night, CBS)

The Amazing Race goes to Jordan! The scenery was lovely and, after struggling over the last two legs of the race, Claire and Derek finally had another good day. Yay! I wrote about the latest episode of The Amazing Race here!

Atlanta (Thursday Night, FX)

Earn, Van, and Lottie go camping! After last week’s wild episode, this week was definitely a bit more low-key. This episode was a funny, well-acted, but somewhat melancholy exploration of Earn and Van’s relationship. Earn wants Van to go to Los Angeles with him. Van said that she loves Earn but the episode ended without a decision on moving to L.A.

Bubblegum Crisis (Nightflight Plus)

I watched the second episode of this anime on Saturday morning. There were robots and a lot of explosions and the bad guys were referred to as being “boomers,” which made me smile. I have no idea what’s going on but the visuals are impressive.

Fantasy Island (Tubi)

Check out this week’s review of Fantasy Island here!

Ghosts (Thursday Night, CBS)

The ghosts tried to save a tree and Thor became an environmentalist. It was funnier than it sounds.

Hell’s Kitchen (Thursday Night, FOX)

For the first time this season, it was men vs. women. And shockingly enough, the men pretty much destroyed the women during the service. Usually, it’s the opposite on Hell’s Kitchen. The women usually come together during their first dinner service while the men struggle. It usually takes a while for the women to start fighting with each other. Chef Ramsay was so angry that he demanded three nominees from the women. Ramsay sent home the chef who he felt had lost her passion to win. No, I cannot remember her name and yes, I’m too lazy to look it up.

The Love Boat (Paramount Plus)

Check out this week’s review of The Love Boat here!

Night Flight (NightFlight Plus)

On Friday night, I watched an episode of this old show, one that featured interviews with music video directors. The video for Duran Duran’s A View To A Kill was discussed. That song, incidentally, is one of my favorite James Bond songs.

Survivor (Wednesday Night, CBS)

I reviewed this week’s episode here!

AMV of the Day: Sunako Nakahara (You’re So Creepy)

Posted on October 22, 2022 by Lisa Marie Bowman

As another week comes to a close, it’s time for another AMV of the Day!

Anime: The Wallflower

Song: You’re So Creepy (by Ghost Town)

Creator: Venny (please subscribe to this creator’s channel)

Past AMVs of the Day

Horror on TV: Circle of Fear 1.22 “The Phantom of Herald Square” (dir by James H. Brown)

Posted on October 22, 2022 by Lisa Marie Bowman

Tonight, on Circle of Fear, Sheila Larken plays Holly Brown, a young artist who meets and falls madly in love with James Barlow (David Soul). Unfortunately, this leads to her being harassed by a frightening old man (Victor Jory) and it turns out that James has got a terrible secret of his own.

This melancholy story was the final episode of Circle of Fear, which was cancelled after its first and only season. This episode makes for a good note for the show to go out on. It originally aired on March 30th, 1973.