Today’s music video of the day is sure to haunt your nightmares. Chucky has got nothing on Alfie!
Enjoy!
Today’s music video of the day is sure to haunt your nightmares. Chucky has got nothing on Alfie!
Enjoy!
Welcome to Retro Television Reviews, a new feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Half Nelson, which ran on NBC from March to May of 1985. Almost all nine of the show’s episodes can be found on YouTube!
Last week, I took a look at the sixth episode of Half Nelson, which was called Nose Job and which featured Rocky (Joe Pesci) dealing with an obsessed plastic surgeon who was stalking a former girlfriend. That episode featured not only two villains (it turned out that the plastic surgeon wasn’t the only homicidal stalker in Hollywood) but is also ended with Victoria Jackson’s Annie O’Hara starting a romantic relationship with Gary Grubbs’s Detective Hamill.
Nose Job was followed by an episode called Chariots For Hire. It apparently aired on April 26th, 1985 and that’s really all I can tell you about the episode. Chariots For Hire is the only episode of Half Nelson that has not been uploaded to YouTube. I can’t even find a plot summary for it on the imdb. Chariots For Hire is apparently the lost episode of Half Nelson.
Fortunately, the eighth episode of Half Nelson is on YouTube. So, let’s pick up the adventures of Rocky Nelson in Malibu Colony!
Episode 1.8 “Malibu Colony”
(Dir by James Sheldon, originally aired on May 3rd, 1985)
Rocky, Annie, Beau (Dick Butkus), and Kurt (Bubba Smith) have been assigned to guard what Rocky claims is “one of the most valuable art collections in the world.” Fortunately, this job means that they get to spend a few days hanging out in a fabulous beach house in Malibu! Standing out on the deck of the beach house, Annie looks out at the ocean and says that she can hardly believe that China is on the other side of it.
“I wonder how the egg rolls stay fresh crossing over from that far,” Kurt says.
Before anyone can ponder that question for too long, a half-naked woman runs screaming down the beach while being pursued by two thugs in suits. Rocky saves the woman from the thugs and sends her into the beach house so that she can borrow some clothes from Annie. Once dressed, the woman explains that she’s Nancy Norton (Shari Shattuck) and that she was fleeing from a nearby yacht club. She claims that the owner of the club has some naked pictures of her and she needs to get them back. Rocky, deciding that the art can protect itself, helps Nancy sneak back into the club so that she can retrieve her photographs. However, when she sees the club’s president, Crane (John Beck), she suddenly holds up a gun and shoots at him. Rocky is able to push Crane out of the way of the bullets and then he chases after Nancy.
Fortunately, both Rocky and Nancy make it out of the club without anyone realizing that they’re together. Despite the fact that she nearly made him an accessory to murder, Rocky still wants to help Nancy. Nancy explains that there are no pictures and she wasn’t trying to kill Crane. (“I just wanted to scare him.”) Nancy’s father lost a lot of money while playing poker with Crane and now Crane is threatening to kill him if he doesn’t pay. But Nancy is convinced that the poker game was rigged. The reason she was in club earlier was to take a look at Crane’s cards.
(For some reason, she thought it would be smart to do that while wearing a bikini, the top of which was somehow lost while she was fleeing Crane’s guards. That explains that partial nudity, which I am sure was definitely viewed as being important to the plot and not just as an attempt to boost the show’s ratings.)
Having saved Crane’s life, Rocky is able to get Annie, Kurt, and Beau jobs at the club. Annie models clothes. Kurt and Beau work as waiters. Rocky’s boss, Chester (Fred Williamson), shows up at the club with Dean Martin and is shocked to see all of his employees working there. Dean demands that Chester give them all raises so that they can quit their second jobs.
Eventually, Rocky finds his proof that Crane is a criminal and, with Chester’s help, he takes Crane down. After being stuck in the office for the past few episodes, Chester actually gets to do something in this episode. It’s always nice to see Fred Williamson in action and making it even better is that he smokes a big cigar while he’s taking down the bad guys. Finally, after eight episodes, Half Nelson reminded everyone of why Fred Williamson was so cool to begin with.
This episode definitely earns some points for allowing the entire supporting cast — from Fred Williamson to Victoria Jackson to Dean Martin — to play a role in solving the case of the week. One of Half Nelson‘s biggest flaws was that the appealingly quirky supporting characters often felt underused and Malibu Colony finally gives them a chance to show what they could have done as an ensemble. The mix of Pesci’s wise guy nerve, Jackson’s spaciness, Williamson’s effortless coolness, and Butkus and Smith’s comedic relief is actually pretty entertaining. Unfortunately, as good as the heroes are, Crane is pretty boring villain and the case of the week isn’t particularly interesting. In particular, Nancy’s actions never really make that much sense.
Oh well. This was a flawed episode but it still offered up a hint of what Half Nelson could have been. Next week, I will be reviewing this show’s final episode. Until then, L.A. — you belong to me!
As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter. I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie! Every week, we get together. We watch a movie. We tweet our way through it.
Tonight, at 10 pm et, #FridayNightFlix has got 2002’s Bend It Like Beckham!
This film is a favorite of both me and my sister’s and I can’t wait to watch it with everyone!
If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag! It’s a friendly group and welcoming of newcomers so don’t be shy.
Bend It Like Beckham is available on Prime! See you there!
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today is the 82nd birthday of Greek filmmaker, Nico Mastorakis. And that means that it’s time for….
4 Shots From 4 Nico Mastorakis Films
According to who you ask, the building in this video is either supposed to be an abandoned mental hospital or it actually was an abandoned mental hospital. Either the way, the band certainly made it into a home.
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Thursdays, I will be reviewing City Guys, which ran on NBC from 1997 to 2001. The entire show is currently streaming on YouTube!
This week, the kids have another subway adventure and it’s time for midterms!
Episode 4.18 “Who Da Man”
(Dir by Frank Bonner, originally aired on November 18th, 2000)
This is a weird episode.
I guess because the producers didn’t want to waste their subway set, Al, Dawn, and Cassidy had yet another adventure on a train. This time, the three of them were approached by two muggers who demanded Al’s jacket. Despite all of his brave talk, Al meekly surrendered his jacket. Fortunately, Dawn remembered her self-defense training and somehow managed to flip the main mugger to the ground. Dawn saved Al’s life but, in his eyes, she also robbed him of his dignity. Of course, those of us who have been watching this show from the beginning know that Al never had any dignity to begin with.
After Cassidy tells the editor of the school newspaper about what happened, everyone at the school knows that Al needed Dawn to save his jacket. Al demands that Dawn start acting more “like a girl.” Dawn reacts by acting so girly that Al has a mental breakdown and says he wishes that thing could go back to the way they were, with Dawn dressing like a Portland antique store owner and Al presumably getting mugged every time he rode the subway.
Meanwhile, Ms. Noble asks L-Train, Jamal, and Chris to hold a ladder steady while she attempts to hang a picture of her husband in her classroom. Unfortunately, because she stupidly asked the three most easily distracted people in the school for help, she falls off the ladder. The next time we see Ms. Noble, she’s in a wheelchair and L-Train is pushing her around New York. (How this became L-Train’s job is never really explained.) L-Train, however, suspects that Ms. Noble can really walk and, as such, he keeps trying to put her into situations designed to get her out of the chair. He even rolls her up to the roof of the school so that she can watch a limbo contest. To L-Train’s shock, she doesn’t take part in the contest. L-Train leaves the roof to try to figure out how his life has come to center around pushing around Ms. Noble. When he returns to the roof, he is shocked to discover that Ms. Noble can walk and is doing the limbo, albeit by herself. Ms. Noble taunts L-Train with the fact that she can walk but, when Chris and Jamal step out on the roof, she sits back down.
Seriously, what the heck? I mean, let’s ignore the fact that Dawn is suddenly a kick ass martial artist. What’s going on with Ms. Noble!? This episode actually proves my theory that Ms. Noble is essentially a cult leader who enjoys manipulating her followers. After three years of her offering encouragement to L-Train, this episode finds her not only manipulating him but also going out of her way to make him look like a liar. What a terrible principal! That said, Ms. Noble’s action were just weird enough to make this episode entertaining.
Let’s move on!
Episode 4.19 “Get to Preppin'”
(Dir by Frank Bonner, originally aired on November 25th, 2000)
It’s mid-term time again!
When Chris gets a less than impressive grade on his first test, his father sends him back to prep school. When Chris realizes that he doesn’t have to work hard in his classes because of his father’s influence, he gets upset because it makes him feel like a spoiled brat and apparently, that’s a bad thing. Chris demands to go back to Manny High, where he’s actually held responsible for actions.
Ha! Like that would happen.
Seriously, if I was told that I didn’t have to work at anything when I was 17, crying about it is the last thing I would ever do.
Anyway, Chris’s father returns him to Manny High because, if he didn’t, the name of the show would be changed to City Guy and Jamal would have to host the radio show alone. As always, the important thing is maintaining the status quo.
I am broken-hearted to learn that the Italian horror icon, Giovanni Lombardo Radice, has passed away. RIP, Johnny. He was a good actor, a fascinating intellect, and a witty conversationalist, one who was always willing to take the time to talk to his fans. I once wrote about a dream that I had after watching one of the films in which he appeared. (I think it was Cannibal Apocalypse, if just because the DVD included a lengthy interview with him in which he made quite an impression as a well-read and well-spoken actor who just happened to appear in very graphic horror films.) I was having to look after two hyperactive children who, in the dream, were apparently his kids. (Before anyone reads too much into the dream, I was not the mother. I was just the babysitter.) He replied, “Perhaps actors in monster movies have monster children.” He also loved animals, followed politics, translated Shakespeare, spoke glowingly of Fulci and Deodato, and never hesitated to talk about how much he hated Cannibal Ferox. I always hoped that he would one day get the comeback he deserved. He had a small role in Gangs of New York and a slightly bigger one in The Omen remake. Tarantino raved about him. A true gentleman, he will be missed by all.
For once last time, here is Giovanni Lombardo Radice dancing with Lorraine De Selle in The House on The Edge of the Park.
Robyn has got the right idea. Try to be more like Robyn.
Enjoy!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Let’s set sail for adventure!
Episode 2.11 “Heads or Tails/Mona of the Movies/The Little People”
(Dir by George Tyne, originally aired on November 25th, 1978)
The Love Boat crew is super excited because the glamorous movie star, Mona Maxwell (Rhonda Flemming), is going to be on the cruise. Apparently, this is not her first time to sail on the Love Boat. Captain Stubing can’t wait to get reacquainted with her. The walking HR nightmare that is Doc Bricker can’t wait to flirt with her. Artie D’Angelo (Orson Bean), a passenger who owns a chain of garages, is shocked to see that his favorite movie star in on the boat.
Artie may be a big fan of Mona’s but, whenever he tries to talk to her, he finds that he simply cannot find the words. With Doc’s help, Artie finally works up the courage to ask Mona to have dinner with him. Mona accepts and the two of them soon find themselves falling in love. The only problem is that Artie just cannot bring himself to believe that a big movie star like Mona would be interested in a guy like him. Really, Artie is being way too hard on himself. He’s a likable guy! And, fear not, he and Mona leave ship arm-in-arm.
Meanwhile, two frat dudes — Alex (Adam Arkin) and Wally (Richard Gilliand) — have made a bet over who will be the first to sweep Julie off of her feet. When they start the betting, it’s for money but eventually, they decide to just bet a pizza. Julie spends time with both of them and has fun, especially with Alex. But then a jealous Wally reveals the truth about the bet and Julie announces that she doesn’t want anything else to do with either of them. Gopher tells Julie that she should actually be flattered that the two guys were both so determined to date her. Apparently deciding that she’s not really bothered by the fact that both of her suitors just spent an entire weekend lying to her, Julie forgives them and then says that she’s going to spend an equal amount of time with both Alex and Wally so neither one of them will win or lose the bet.
Finally, Doug Warren (Edward Albert) is on the cruise with his parents, who are celebrating their anniversary. Coincidentally, Doug’s co-worker, Beth (Patty McCormack), is also on the cruise! Doug and Beth quickly fall in love but then Beth is freaked out when she sees two little people in the ship’s lounge. She explains to Doug that little people make her nervous. She always worries about what would happen if her child turned out to be a little people. What she doesn’t know is that the little people — Ralph (Billy Barty) and Dottie (Patty Maloney, who also guest-starred on the famous disco-themed episode of The Brady Bunch Hour) — are Doug’s parents!
Without telling Beth why, Doug says that he can no longer see her. A heart-broken Beth goes to the Acapulco Lounge where she gets into a conversation with Ralph and Dottie. She discovers that Ralph and Dottie are just like everyone else and she also finds out that Doug is their very tall son. She tells Doug that she’s no longer worried about their potential children being little people and …. you know, this plot line is just ridiculous. Beth is prejudiced against people based on their height and she’s basically told Doug that she would freak out if her child was anything other than “normal.” And yet, Doug and his parents act all excited when Beth announces that she still loves Doug, regardless of who his parents are. Doug, sweetie — you can do better!
I definitely had mixed feelings about this episode. Orson Bean and Rhonda Fleming were both perfectly charming in their storyline but the other two stories were both pretty icky. I spent the entire episode waiting for Julie to tell off Alex and Wally and for Doug to tell off Beth and, in both cases, it didn’t happen. This was definitely not one of the better cruises of the Pacific Princess.
Hopefully, next week’s destination will be a bit nicer.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
126 years ago, on this date, Douglas Sirk was born in Germany. He would start out his career as a stage director in Germany before coming to the United States in 1937. In the U.S., he made his mark as the director of a series of lushly visualized and often over-the-top melodramas. Never a critical favorite, Sirk was rediscovered and his reputation rehabilitated when film students and critics started to reexamine his work in the late 60s and the 70s. Once dismissed as the maker of tawdry (if popular) melodramas, Douglas Sirk is now seen as a subversive master of irony, one who used his melodramas to comment on American society. It’s fair to say that, without the films of Douglas Sirk, there would be no Lifetime today.
It’s time for….
4 Shots From 4 Douglas Sirk Films