Lisa Marie’s Week In Television: 10/20/24 — 10/26/24


Wow, the story of Aaron Hernandez gets less and less interesting with each week.  American Sports Story got off to a strong start but, this week, I found myself watching the latest episode and wondering why anyone should care about Aaron and his problems.  Seriously,  I get that Aaron Hernandez was abused as a child.  I get that he struggled as a gay man in a hypermasculine, homophobic industry.  I get that he didn’t grow up privileged.  I’ll even agree with the show’s criticisms of the NFL.  But in the end, who cares?  As portrayed on this show, Aaron Hernandez comes across as being an idiot.  Beyond the fact that he played professional football, there’s nothing particularly interesting about Hernandez or his crimes.  He’s not a compelling character at all.

I was far more entertained by Hell’s Kitchen this week.  Gordon Ramsay and his terrified chefs are compelling characters.  Ramsay was in a surprisingly supportive mood this week.  That’s fine with me.  I like it when Chef Ramsay’s nice.  No one went home this week.  Yay!

Let’s see, what else did I watch this week?  I watched that old episode of Dragnet where Friday and Gannon went on the talk show.  I actually watched that episode several times.  It amused me.  Plus, the episode’s debate was a lot more interesting than any of the real debates that are currently going on.

I watched and reviewed Miami Vice, The Love Boat, and Homicide.  I watched a Halloween episode of Friday the 13th.  I watched and shared several episodes of One Step Beyond.  And, finally, I watched an episode of Dr. Phil where a man said his wife had run off with a cult.

And that’s it!  Most of my attention was devoted to horror films this week.

Horror on TV: One Step Beyond 3.23 “Justice” (dir by John Newland)


Tonight’s episode of One Step Beyond takes us to Wales.  A man confesses to murdering his mistress.  The only problem is that he has an airtight alibi for the time of the attack.  Everyone in his village swears they saw him asleep in church when the murder occurred.

Could the man be capable of being in two places at once?

Watch to find out!  And, as always, can you prove it didn’t happen!?

This episode originally aired on March 7th, 1961.

Retro Television Review: Welcome Back, Kotter 4.5 “The Sweatmobile”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing Welcome Back Kotter, which ran on ABC  from 1975 to 1979.  The entire show is currently streaming on Tubi!

This week, the Sweathogs share a story about the time that they all tried to buy a car together.

Episode 4.5 “The Sweatmobile”

(Dir by Norman Abbott, originally aired on October 9th, 1978)

Barbarino, Washington, Epstein, and Horshack sit outside of the classroom and look at the lunches that their mothers prepared for them.  Epstein has a liver burrito.  Barbarino has corn flakes and he’s happy about that because his mother is saint.  Horshack has peanut butter and prunes and he’s not happy about that because he hates peanut butter.

(For those trying to keep track of the fourth season’s already confusing continuity, this episode features Barbarino as a student at the school, even though the previous two episodes insinuated that he was no longer attending classes.  Even though Babarino now lives in an apartment by himself, his mother apparently still makes his lunch.  As for the new Sweathog, Beau is neither mentioned nor seen in this episode, which leads me to suspect that this episode was originally meant to air even earlier in the season than it did.)

Carvelli and Murray walk up to the Sweathogs and Carvelli taunts them by revealing that he was able to drive to a fast food restaurant for his lunch.  Seeing how desperate the Sweathogs are for real food, Carvelli offers to sell them his used car so that they too can actually get hamburgers.  However, the Sweathogs tell him that they learned their lesson the last time they tried to buy a used car.

Flashback time!

The Sweathogs all pooled their money so that they could buy a used car from Vinnie’s uncle.  Vinnie insisted that he would be the one who would drive the car, as he had the most experience in cars.  Everyone warned the Sweathogs about the difficulty of multiple people owning and using one car.  But the Sweathogs were determined to do it.  They arranged to meet with Vinnie’s uncle at the hospital where Vinnie works as an orderly.  However, once they arrived at the hospital, they watched as Vinnie’s uncle was wheeled in on a gurney after having wrecked the car that he was going to sell.  Vinnie’s aunt mentioned that his uncle couldn’t wait to cheat whoever was dumb enough to buy a used car from him.

This was an odd episode.  It was nice to see the original Sweathogs together again but the whole flashback structure felt strange.  Usually, a flashback means that the audience is about to see something that happened long ago.  But, in this episode, it appears that we’re watching a flashback to something that happened maybe a day or two ago.  In the flashback, Barbarino is working at the hospital, Gabe is vice principal (and away at a teacher’s conference due to the fact that Gabe Kaplan was sick of doing the show), and Julie was already Woodman’s administrative assistant.  As well, Julie has her terrible new haircut in the flashbacks.  This is all stuff that didn’t happen until the start of the fourth season.  Again, it’s hard not to feel that this was an episode that was meant to air much earlier in this season but, for some reason, it was held back and a flashback framing device was awkwardly added.

Fortunately, the original Sweathogs, despite being clearly too old to be even remedial high school students, still have the chemistry that made this show a hit during its first season.  Given everything that I’ve read about just how difficult things got behind-the-scenes on this show, it was nice to see them having fun and obviously enjoying themselves.  Though the episode’s structure was weird, this episode still presents viewers with one last chance to see the chemistry and comradery that made Welcome Back, Kotter a hit in the first place.

Bonus Horror Song of the Day: Season of the Witch by Donovan


Since I’m going to be rewatching Suspiria in a few hours, it only seems appropriate to share what may be the most famous (and perhaps the most covered) song about witchcraft, Donavon’s Season of the Witch!

This song was originally recorded in 1966 and it’s gone on to become a Halloween mainstay.  One fan of the song was future director Martin Scorsese, who originally planned to borrow the song’s title for one of his own films.  However, George Romero beat Scorsese out the gate with a film called Season of the Witch and Scorsese ended up renaming his film, Mean Streets.

Horror Scenes I Love: “Names that Start With S” from Suspiria


Suspiria (1977, dir by Dario Argento, DP: Luciano Tavoli)

I can’t wait to re-watch Dario Argento’s Suspiria tonight!  Today’s horror scene of the day is one of my favorite scenes from that film.

As you probably guessed from the title of this post, that scene is the famous “Names that start with S” scene.  This is the scene in which dance student Suzy Banyon’s new roommate explains that names that start with S are often the names of snakes!  Suzy’s new best friend, Sarah, disagrees.

When I first saw Suspiria, this was a scene to which I, as a dance student, could immediately relate.  As odd as the dialogue may have sounded and as silly as the two students may have appeared to be, it actually felt very authentic.  By nature, dancers are competitive and we are dramatic.  If anyone is going to accuse you of having the name of a snake, it’s probably going to be dancer.

Admittedly, no one ever told me that I had the name of the snake.  But there was the girl who told me that I was “soooooo pretty,” or at least I would be pretty if I got the nose job that I obviously required if I ever had any hope of being happy or successful.  “But,” she added as she turned away from me, “I guess you’d have to figure out how you could possibly pay for it.”  Of course, she was also quick to explain that she was only telling me the truth and that she had the best of intentions.  I had about the same reaction to her advise as Sarah has to be calling a snake.

(Sarah stuck out her tongue.  I may have said something about her boyfriend not having any issue with the size of my nose when he was hitting on me the night before.  But basically, it was pretty much the same reaction…)

This scene made such an impression on me that, in the months after I first saw Suspiria, I would often randomly launch into the name of snakes monologue.  Unfortunately, I had failed to take into account that I was literally the only student at my high school who would actually take the time to watch an Italian horror film from the 1970s.  As such, no one knew what I was talking about and I lost a few friends named Susan and Sarah as a result.

Oh well!

Anyway, you can watch the scene below!  Pay special attention to the way Jessica Harper reacts to being caught in the middle of the conversation.  Dario Argento will probably never be known as a great director of actors but Jessica Harper is great in Suspiria!

4 Shots From 4 Films: Special Jacques Tourneur Edition!


4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.

Today’s director: Jacques Tourneur!

4 Shots From 4 Films

Cat People (1942, dir by Jacques Tourneur, DP: Nicholas Musuraca)

I Walked With A Zombie (1943, dir by Jacques Tourneur, DP: J. Roy Hunt)

The Leopard Man (1943, dir by Jacques Tourneur, DP: Robert De Grasse)

Night of the Demon (1957, dir by Jacques Tourneur, DP: Ted Scaife)

Live Tweet Alert: Join #ScarySocial For A Halloween Double Feature


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, we’ve got a special Halloween double feature!  First up, we’ve got 1977’s Suspiria, directed by Dario Argento and hosted by me!

After Suspiria, we will watch the original Terrifier, starring Art the Clown!

Along the way, we will have tricks, treats, trivia, and prizes!  The Halloween season is always fun at #ScarySocial!

If you want to join us on Saturday night, just hop onto twitter, start Suspiria at 9 pm et, and use the #ScarySocial hashtag!  The films are available on Prime!  I’ll be there co-hosting and I imagine some other members of the TSL Crew will be there as well.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Horror On The Lens: Silent Night, Bloody Night (dir by Theodore Gershuny)


The 1974 film Silent Night, Bloody Night is an oddity.

On the one hand, it’s pretty much a standard slasher film, complete with a menacing mansion, a horrible secret, a twist ending, and John Carradine playing a mute newspaper editor.

On the other hand, director Ted Gershuny directs like he’s making an underground art film and several of the supporting roles are played by actors who were best known for their association with Andy Warhol.

Personally, I like Silent Night, Bloody Night.  It has a terrible reputation and the film’s star, Mary Woronov, has gone on record calling it a “terrible movie” but I like the surreal touches the Gershuny brought to the material and the sepia-toned flashbacks have a nightmarish intensity to them.  The film makes no logical sense, which actually makes it all the more appealing to me.  As the saying goes, your mileage may vary.

Watch and decide for yourself!

Horror Song of The Day: Main Theme From Suspiria by Goblin


Suspiria (1977, dir by Dario Argento, DP: Luciano Tovoli)

You knew this was coming!

Today’s horror song of the day is the classic main theme to Dario Argento’s Suspiria!  (The Argento version is the only version that matters.)  The iconic soundtrack was composed by Goblin.  I saw an interview with Claudio Simonetti in which he said he wanted the song to be “almost annoying” in its intensity.  While I could never be annoyed this song, I do understand Simonetti’s point.  The score is designed to be as overwhelming as the evil at the center of the film.

All together now: “WITCH!”

Music Video of the Day: Aquamarine by Addison Rae (2024, dir by Sean Price Williams)


This video has a decadent feel to it, one that makes it perfect for the scary season.  It may not be about vampires but perhaps it should be.

Enjoy!