Retro Television Review: Homicide: Life On The Street 3.14 “Dead End”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sundays, I will be reviewing Homicide: Life On The Street, which aired from 1993 to 1999, on NBC!  It  can be viewed on Peacock.

This week, the elusive Glenn Holton is captured but is really the shooter?  Read on and find out!

Episode 3.13 “Dead End”

(Dir by Whitney Ransick, originally aired on February 3rd, 1995)

There’s a truly remarkable moment in this week’s episode of Homicide.

Glenn Holton (Steve Hofvendahl) has finally been arrested and is sitting in the Box.  Holton is the pedophile who is suspected of murdering a child.  Last week, Felton, Bolander, and Howard were all shot while trying to serve a warrant for his arrest.  Bayliss and Pembleton are interviewing him, attempting to get him to confess to shooting the detectives.

At first, Holton is adamant that he did not shoot anyone.  But as Pembleton and Bayliss shout at him and tell him about all the things that are going to happen to him as a sex offender in prison, Holton’s demeanor starts to change.  He becomes desperate and confused and suddenly, he confesses to shooting the detectives.  The only problem is that the story Holton comes up with doesn’t match the facts of the case.  He claims that he shot the detectives on the roof of his apartment building.  He claims they were coming at him.  When asked what type of gun he used, Holton says it was just some gun that he bought on the street.  The more Holton talks, the more obvious it becomes that, while he did murder the child, he didn’t shoot the detectives.

It’s an interesting scene because it shows just how easy it could be to get a false confession out of a suspect.  It’s left ambiguous as to whether or not Holton was lying because he preferred to be sent to prison for shooting a cop instead of killing a kid or if maybe Holton actually had deluded himself into thinking he was the shooter.  If Bayliss and Pembleton hadn’t asked him follow-up questions about the shooting, Holton probably would have been charged with the shooting.  He did, after all, confess.

Holton’s going to jail for murder but the shooter is still out there.  Who fired the gun?  I suspect I know, just because next week’s episode features a special guest star.  But we’ll talk about that next week!

The interrogation scene was the highlight of this week’s episode.  Still, I enjoyed the scenes of Munch working with Bolander’s ex-partner Mitch and struggling to hide his jealousy.  (Bolander is always complaining that Mitch was a far better partner than Munch.)  I was a bit less interested in this week’s Russert plot.  Megan was told to investigate whether or not Giardello was at fault for the detectives going to the wrong apartment.  She discovered Giardello did approve and initial the warrant without double-checking the address.  Giardello  was prepared to take the blame but Russet instead lied and claimed that, because of budget cuts, she and Giardello were both often rushed into signing things without getting a chance to fully examine them.  I’m not sure that’s a particularly good excuse but it worked.

At the hospital, Howard woke up from her coma.  Bolander is still in his coma and was not present during this episode.  (From what I’ve read, Ned Beatty was apparently not happy with the whole shooting storyling, feeling that it went against the realism that was supposed to be Homicide’s calling card.)  Lewis and Felton had a heart-to-heart about what it’s like to lose one’s partner.  It was an effective scene, even if Felton has become a bit of a one-note character.

This was a good episode and a marked improvement on last week.  I look forward to seeing how things conclude (or if they even do conclude) in the next episode.

A Blast From The Past: The Fake Blood Simple Trailer Starring Bruce Campbell


Way back in 1984, the Coen Brothers were trying to raise the $75,000 that they would need to produce and direct their first film, Blood Simple.  Sam Raimi, with whom the Coen Brothers had worked on Evil Dead, suggested that they put together a fake trailer to draw the interest of investors.

The Coens and their cinematographer, Barry Sonnenfeld (who would later go on to have his own directorial career), took Raimi’s advice and put together a trailer that, to be honest, has more in common with Evil Dead than with Blood Simple.  Then again, that was a smart move on their part.  Evil Dead made a lot of money.

Bruce Campbell appears in the trailer, playing the role that was later played by Dan Hedaya in the actual film.  (It’s hard to imagine Campbell playing that role, just because Hedaya gave such a perfect performance as Julian Marty.  That said, I could very well see Campbell in the role played by John Getz.)

Here is the fake Blood Simple Trailer, featuring Bruce Campbell!  (Admittedly, because of the way the trailer is shot, you don’t actually see Bruce’s face.  But you’ll recognize the hair immediately.)

And, for the sake of comparison, here’s the trailer for the actual film:

4 Shots From 4 Films: Special Bruce Campbell Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we celebrate Bruce Campbell’s birthday!  It’s time for….

4 Shots From 4 Bruce Campbell Films

Evil Dead II (1987, dir by Sam Raimi, DP: Peter Deming)

Army of Darkness (1992, dir by Sam Raimi, DP: Bill Pope)

Escape From L.A. (1996, dir by John Carpenter, DP: Gary B. Kibbe)

Bubba Ho-Tep (2002, dir by Don Coscarelli, DP: Adam Janiero)

 

Scenes I Love: Bruce Campbell in Army of Darkness


Today, the Shattered Lens wishes a happy birthday to the one and only Bruce Campbell!

A true American success story, Bruce Campbell first met and befriended Sam Raimi when the two of them were high school students in Michigan.  Campbell first gained attention in Raimi’s Evil Dead films and he’s been a mainstay in Raimi’s films ever since.  He’s also been a favorite of the Coen Brothers, Don Coscarelli, William Lustig, and scores of other director.  Few actors can balance both drama and comedy with the adroitness of Bruce Campbell.

Campbell, of course, is best-known for his performance as Ash Williams, the S-Mart store clerk who lost his hand while spending the weekend at a cabin, spent some time in the past, and later earned the right to tell us all to say “hail to the king, baby.”  Campbell’s ability to do often violent slapstick comedy, along with his ability to deliver the most absurd of dialogue with a straight face, came together to make him into a true pop cultural icon.  Though Campbell has since announced his retirement from playing Ash (saying that, at his age, he can no longer physically spends hours a day getting beaten up), he remains a beloved actor to horror fans everywhere.

Today’s scene that I love comes from 1992’s Army of Darkness and it features Bruce Campbell at his best.  All Ash has to do is remember three simple words and say them before taking the Necronomicon from its place.  Of course, Ash being Ash, things don’t quite work out that simply….

Late Night Retro Television Review: Check it Out! 3.19 “Losing It”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing the Canadian sitcom, Check it Out, which ran in syndication from 1985 to 1988.  The entire show is currently streaming on Tubi and Peacock!

This week, Howard and Leslie go into business together!

Episode 3.19 “Losing It”

(Dir by Alan Erlich, originally aired on January 30th, 1988)

After Howard refuses to give Leslie a raise and suggests that Leslie instead explore other ways to make extra money, Leslie ends up inviting Howard to a franchise convention.  Howard agrees and, one scene later, Howard and Leslie are in charge of a weight loss franchise!

Howard is thrilled, especially after a group of overweight individuals comes to the store for a meeting.  Howard can’t wait to start making money off of them but Leslie is concerned.  He’s worried that the diet and the dietary supplements that come with it are a sham.  He doesn’t want to cheat anyone.  Leslie shares a story about being sent to the “husky” department when he was a teenager looking for a jacket.  Howard comes to realize that he doesn’t have it in him to cheat the people who are coming to the store in hopes of losing weight.  At the next meeting, Howard announces that the product is a sham.  The group forgives him and they decide to continue meeting at the store in order to give one another moral support.

Awww!

Listen, when I saw that Check It Out! was going to do an episode about weight loss, I was expecting the worst.  Check It Out! has rarely dealt sensitively with body issues.  But I have to say that this was really a heartfelt and surprisingly sweet episode.  The jokes were not mean-spirited and the show’s message was one of acceptance and empowerment.  I was stunned!

A lot of the credit goes to Aaron Schwartz, who was often underused on this show but who always shined whenever he was given a chance.  The scene where Schwartz, as Leslie, talked about the insecurity that he felt over his teenage weight was beautifully acted.

This was a good episode.  As I’ve said before, as uneven as this series often is, the third season has been a marked improvement over the two that came before.  This episode was a perfect example of that.

Only three more episodes to go!

Retro Television Review: The American Short Story #3 “The Jolly Corner”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Saturdays, I will be reviewing The American Short Story, which ran semi-regularly on PBS in 1974 to 1981.  The entire show can be purchased on Prime and found on YouTube and Tubi.

This week, we have an adaptation of a Henry James short story.

Episode #3 “The Jolly Corner”

(Dir by Arthur Barron, originally aired in 1975)

In 1906, Spencer Brydon (Fritz Weaver) returns to America from Europe, where he’s spent the majority of his adult life.  Brydon has specifically returned to oversee some properties that he has inherited, including his childhood home and an adjacent building that’s going to be turned into an apartment complex.  The middle-aged Brydon reconnects with his old friend, Alice Shaverton (Salome Jens), and finds himself wondering what type of man he would have come if he had stayed and worked in America as opposed to living a life of leisure in Europe.

Soon, Spencer comes to feel that his alternate “American” self is actually haunting his childhood home, his so-called “Jolly Corner.”  His American self haunts him like a ghost, a menacing shadow that continually forces him to ask “what if?”  He becomes obsessed with both his former home and his shadowy alter ego.  But is this American version of Spencer Brydon real?  And if it is real, what does it want from the Spencer Brydon who went to Europe?

This was a really well-done adaptation of a Henry James short story, one that was full of gothic atmosphere and which featured a compelling lead performance from Fritz Weaver.  As directed by Arthur Barron, this episode did a good job of portraying the story’s horror elements while also reminding us that James’s story, for all of its talk of ghosts and alternate realities, is ultimately a portrait of a really bad midlife crisis.  Spencer did what a lot of rich Americans do.  He went to Europe to escape the responsibilities of his home country.  And now, in middle-age, he’s asking himself, “Is this all there is?”

If nothing else, watching this episode might inspire the viewer to read more Henry James.  That’s a good thing.

 

Live Tweet Alert: Join #ScarySocial for A Quiet Place: Day One!


As some of our regular readers undoubtedly know, I am involved in a few weekly live tweets on twitter.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 9 pm et, Deanna Dawn will be hosting #ScarySocial!  The movie?  A Quiet Place: Day One!  

If you want to join us this Friday, just hop onto twitter, start the movie at 9 pm et, and use the #ScarySocial hashtag!  It’s a friendly group and welcoming of newcomers so don’t be shy.

The film is available on Prime!

Late Night Retro Television Review: Friday the 13th: The Series 3.16 “My Wife As A Dog”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing Friday the 13th: The Series, a show which ran in syndication from 1987 to 1990. The entire series can be found on YouTube!

This week, it’s all about a man and his dog.

Episode 3.16 “My Wife As A Dog”

(Dir by Armando Mastroianni, originally aired on February 19th, 1990)

I knew I was going to dislike this episode as soon as I saw the title.

While Johnny and Micki spend their time trying to get the store up to code so that it can pass a fire inspection (and good luck doing that when there’s a literal portal to Hell located in the basement), Jack searches for a cursed leash.  Jack has no idea what the leash does.  He just knows that it’s cursed.  However, the leash’s owner — fireman Aubry Ross (Denis Forest, making his fourth appearance on the show) — has figured out that, by using the leash to strangle people, he can transport the mind of his dying dog into the body of his estranged (but not dying) wife.

Or something like that.  To be honest, I had a hard time following the particulars of this curse.  Fortunately, so did Jack.  This is the first episode that I can think of where Jack admits that he has no idea how a cursed objects works.  Even when he retrieves the leash at the end of the episode, he admits that he’s still not sure what Aubry actually did with it.  Jack being confused made me feel a little bit less dumb so I was happy with that.  The episode ends with Aubry in jail, being visited his panting wife.  She brings him his slippers because she’s now a dog in a human body.

Ugh.  This was an attempt to do a light-hearted episode and I respect the show for trying to do something different.  At the same time, it also featured four murders and a woman, who simply wanted to get a divorce from her creepy husband, being transformed into a dog.  Our regulars were barely in this episode and, when they did appear, we had to suffer through some awkward flirting between Johnny and Micki.  Denis Forest did a good job as Aubry but otherwise, this was an episode that I could just as soon forget.

Retro Television Review: St. Elsewhere 2.3 “Newheart”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, things get dark.

Episode 2.3 “Newheart”

(Dir by Mark Tinker, originally aired on November 9th, 1983)

What a depressing episode!

It doesn’t start out on a particularly depressing note.  It opens with a bachelor part for Dr. Vijay Kochar, who is about marry a woman that he’s never actually met.  (It’s an arranged marriage.)  The bachelor party, which appears to have been held in Fiscus’s apartment, is a bust.  Dr. White shows up with a sex doll.  Victor Ehrlich shows up with a short film called “Sally Takes a Ride,” which turns out to be not the pornography he was expecting but instead, a short film about astronaut Sally Ride.  Vijay mentions that he’s a virgin and soon, with the help Dr. White and Nurse Daniels, the news is all over the hospital.  Kathy Martin decides to give Vijay an early wedding gift by having sex with him.

Since this episode aired in 1983, there’s a random aerobic class being held in the hospital, which leads to a lengthy scene of spandex and dancing.  It’s a bit of a silly scene for what was, for the first half hour, shaping up to be a silly episode.

Fran and Jerry Singleton finally check out of the hospital.  Fran has regained the ability to speak and can stiffly walk.  Jerry has learned to stop being such an overbearing jerk.  Dr. Morrison is not there to say goodbye to the Singletons because….

…. and here’s where things start to get dark….

….his wife is in another hospital!  Jack Morrison’s wife has an offscreen cerebral hemorrhage and, as evidenced by Morrison’s tears at the end of the episode, she does not survive.  At the same time that she’s dying, Dr. Craig gets a call telling him that there is finally a heart available for the transplant.  And, though it wasn’t explicitly stated, it seems pretty obvious that the heart in question belonged to Morrison’s wife.

AGCK!

Seriously, how much more depressing can one episode get?  And for all this to happen to Jack Morrison, who is probably the most decent character on the show, it’s just not fair!  I mean, he was literally the only married intern who had a happy marriage.  He has a newborn son.  And now, he’s going to have to balance being a single father with being a resident.

Poor guy!  I hope next week finds some sort of relief for him.