96 years ago today, the English director Peter Yates was born in Aldershot, Hampshire. Yates would go on to direct films in almost every genre but today, he’s perhaps best-remembered for directing what is considered to be one of the first great cop films, 1968’s Bullitt. I already shared the film’s classic car chase film for Steve McQueen’s birthday so today, I’m going to share the airport showdown.
4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!
Today the Shattered Lens wishes a happy birthday to one of the pioneers of American independent cinema, Gus Van Sant!
It’s time for….
4 Shots From 4 Gus Van Sant Films
Drugstore Cowboy (1989, dir by Gus Van Sant, DP: Robert Yeoman)
To Die For (1995, dir by Gus Vant Sant, DP: Eric Alan Edwards)
Gerry (2002, dir by Gus Van Sant, DP: Harris Savides)
Elephant (2003, dir by Gus Van Sant, DP: Harris Savides)
Today’s music video is this slightly creepy one from Bat For Lashes. Seriously, bicycling after dark is not safe!
Enjoy!
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing 1st and Ten, which aired in syndication from 1984 to 1991. The entire series is streaming on Tubi.
This week, the football season begins!
Episode 1.2 “The Opener”
(Dir by Bruce Seth Green, originally aired on December 2nd, 1984)
The opening game of the season is approaching. The Bulls have trader their former quarterback (who was played, briefly, by Robert Logan in the pilot) for a new quarterback, Bob D0rsey (Geoffrey Scott). Bob Dorsey is a notorious womanizer and a veteran player with a strong arm and a bad knee. So, basically, he’s just like their former quarterback except he’s played by Geoffrey Scott instead of Robert Logan.
Dana has decided that Bob will start on opening day, instead of the quarterback that they drafted out of BYU, the ultra-religious Bryce Smith (Jeff East). (Opening Day, quarterback, drafted — look at me using all the football terminology!) Bryce is fine with not starting because he feels that it is God’s will for Bob to start.
However, the Mafia (represented by Michael V. Gazzo and Robert Miranda) is not happy! It turns out that general manager Roger Barrow has been doing business with the Arcola Brothers. He’s been giving them tickets and allowing the Arcolas to scalp them in return for a 20% commission. Dana puts an end to that, saying that all the tickets will now be sold through the box office as opposed to being held for VIPs. The Mafia wants Roger to make sure that Bob does not start. Roger convinces one of the other players to injure Bob during practice so that Bryce will be the starter.
Uh-oh! Bob injures his knee. Bryce is going to have to play …. except, right before the team hits the field, the team doctor suddenly says that Bob’s knee is at 80% and he can play if he wants to. Of course, Bob wants to! Bob takes the field and, after several minutes of stock footage, we’re told that the Bulls have won the game.
This show feels so strange. On the one hand, I get the feeling that this episode probably was realistic about the physical toll that playing football takes on a player. Bob is 35 and can barely walk. I imagine that the episode’s portrayal of the locker room being a mx of stupidity and testosterone was probably accurate as well. I’ll even give the episode credit for showing that all of the players resent the team’s owner and that Coach Denardo uses that to his advantage when it comes to motivating them. Everyone — well, almost everyone — resents their boss. (Not me! I love everyone I’ve ever worked with!)
On the other hand, the first two episodes have been so low-budget that it appears there’s only five or six players on the team and the mix of comedy and drama feels rather awkward. Dana’s friend Mona (Ruta Lee) starts drinking in the morning and tossing out pithy one liners. Meanwhile, the Mafia is threatening to kill Roger. It really doesn’t fit together. The whole thing just looks and feels cheap.
But, hey, the Bulls won! Good for them!
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Wednesdays, I will be reviewing the original Love Boat, which aired on ABC from 1977 to 1986! The series can be streamed on Paramount Plus!
Come aboard….
It’s a holiday….
THE LOOOOOOOOOOVE BOAT
Episode 6.9 “The Thanksgiving Cruise/The Best of Friends/Too Many Dads/Love Will Find A Way”
(Dir by Richard Kinon, originally aired on November 20th, 1982)
It’s Thanksgiving and the Love Boat crew is not getting along!
It all starts when Gopher makes a joke about Doc being a womanizer. Doc, who has spent five seasons bragging about being a womanizer, gets offended and stops talking to Gopher. Isaac tries to give Gopher some advice but Gopher offends him by saying that he’s sick of hearing stories about the wisdom of Isaac’s grandfather. (I have never heard Isaac mention his grandfather in the past.) Julie gets mad when Doc says that he didn’t care much for some of her past hairstyles. (Julie’s hair does look terrible this episode.) Everyone is fighting …. except for Captain Stubing and Vicki. They do have an argument but Stubing refuses to take it personally and Vicki says she could never stay angry with her father. Awwwww!
(I think it’s seriously irresponsible to raise someone on a cruise ship but I still tear up at the Stubing/Vicki scenes. Can you tell I’m missing my Dad?)
I have to admit that it kind of upset me to see the Love Boat crew fighting. The passengers come and go but the crew has remained the same for six seasons and their likable chemistry has always been one of the show’s greatest strengths. Julie getting mad at Doc? No, it can’t happen! We all know Julia and Doc are secretly in love! I was really concerned that the crew was going to have a bad Thanksgiving but luckily, everyone forgave everyone else in time for Thanksgiving.
I was so worried about the crew that I barely paid attention to the other two stories. Lorne Greene and Dorothy McGuire played parents who were initially alarmed when their daughter (Wendy Schaal) announced that she was going to marry a paraplegic (Jim Knaub). Luckily, they saw the error of their ways. Meanwhile, Michael Lembeck boarded the boat with a court order that stated that he had been given legal custody of B.J. Lewis (Christian Jacobs), who was traveling with his stepfather, Roger (Richard Hatch). In the end, everyone agreed that Roger was the better father and B.J.’s biological father gave up custody which …. I don’t know. That doesn’t seem like something that would happen in real life. I mean, if you go through the trouble of hiring expensive lawyers and then storm a cruise ship, I don’t think you’re just going to shrug and give up.
“Now I have two Dads!” BJ announces.
Kid, one of your Dads just rejected you.
Oh well! It’s Thanksgiving! And I’m giving thanks that the Love Boat crew all learned an important lesson about friendship. That’s what life is all about.
Since today is Raymond Chandler’s birthday, it seems appropriate that our song of the day should come from the best of the Philip Marlowe films.
Today would have been Philip Seymour Hoffman’s 58th birthday.
Here he is in 2002’s Punch-Drunk Love, yelling at Adam Sandler and showing how a good actor can make the simple act of yelling compelling.
The Long Goodbye (1973, dir by Robert Altman, DP: Vilmos Zsigmond)
4 Shots From 4 Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films is all about letting the visuals do the talking.
Today is the anniversary of the birth of Raymond Chandler. That means that it’s time for….
4 Shots From 4 Philip Marlowe Films
Murder, My Sweet (1944, dir by Edward Dmytryk, DP: Harry J. Wild)
The Big Sleep (1946, dir by Howard Hawks, DP: Sidney Hickox)
The Long Goodbye (1973, dir by Robert Altman, DP: Vilmos Zsgimond)
The Big Sleep (1978, dir by Michael Winner, DP: Robert Payner)
Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing Pacific Blue, a cop show that aired from 1996 to 2000 on the USA Network! It’s currently streaming everywhere, though I’m watching it on Tubi.
This week, TC is pissed off because he’s expected to do his job.
Episode 2.12 “Wheels of Fire”
(Dir by Gary Winter, originally aired on November 17th, 1996)
Two Russian mobsters are shaking down businesses on the boardwalk. Only Ed Tarlow (Richard Redlin), a paraplegic who owns a “head shop,” is willing to testify against them. This means that he gets two undercover bicycle cops assigned to his shop to provide protection. TC and Cory get the assignment but it turns out that TC doesn’t want to protect Ed because he feels that Ed is selling drug paraphernalia and that Ed “is a cop hater.”
Hey, TC — it’s your job, idiot. You’re supposed to help everyone on the boardwalk, regardless of how you feel about them personally.
Still, TC spends most of the episode pouting. It’s mentioned that he’s also worried about studying for his upcoming sergeant’s exam but if TC is too immature to protect Ed without bitching about it than maybe TC doesn’t deserve a promotion. TC is also upset because his girlfriend wants to go out-of-state so that she can enroll in a graduate program, become a sex abuse counselor, and help rape victims. Because how dare she try to help other women without checking with TC first, right? TC IS THE WORST!
Eventually, Palermo rolls up and tells TC that Ed is a decorated veteran who was paralyzed by a cop during an anti-war protest. TC realizes that he misjudged Ed and he finally stops pouting enough to catch the Russian mobsters. But you know what? It shouldn’t matter how Ed ended up in wheelchair and it also shouldn’t matter whether or not he’s a veteran. TC’s job is to protect people from crime! Ed has got two Russian mobsters trying to kill him. TC should be protecting Ed because that’s HIS. DAMN. JOB!
Meanwhile, three woman are secretly beating up creepy men on the boardwalk. One of the women is a rape survivor and the other two women claim that they are getting vengeance for her. What is the deal with this show not only using rape as a plot point but also trivializing it in the process? Chris Kelly eventually arrests the women and does her thing where she glares at everyone.
Palermo’s 15 year-old daughter goes to Del Toro and asks “type of condom do guys like.” It turns out that she’s thinking about having sex with her 19 year-old boyfriend. Del Toro’s answer should have been, “Your boyfriend is old enough to buy his own condoms.” Instead, Del Toro convinces her to hold off on having sex until he can check out her boyfriend. Her boyfriend turns out to be a nice guy but still, a 19 year-old dating a 15 year-old is kind of weird. (It’s less the age difference and more the maturity difference. Four years isn’t that big a deal when it’s something like a 26 year-old and a 22 year-old. But this is the difference between someone starting high school and someone starting college.) It’s also statutory rape, though no one seems to be too concerned about that.
Anyway, Palermo finds out so guess which couple isn’t going to be having sex for a long time?
This was another stupid episode of Pacific Blue. Again, the problem isn’t just that the cops all look stupid on their bicycles. It’s also that the cops represent everything that people hate about cops. Chris and TC are both self-righteous and immature. (When someone complains about Chris nearly running someone over on her bicycle, Chis replies that she’s doing her job.) It gets annoying after a while.
This week’s episode served as a reminder to never depend on anyone riding a bike.
Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Tuesdays, I will be reviewing the original Fantasy Island, which ran on ABC from 1977 to 1984. Unfortunately, the show has been removed from most streaming sites. Fortunately, I’ve got nearly every episode on my DVR.
This week, the tyranny of Laurence continues.
Episode 7.2 “The Big Switch/Hooker’s Holiday”
(Dir by Bob Sweeney, originally aired on October 15th, 1983)
Shelley James (Melinda Culea) is a high-priced call girl who comes to Fantasy Island looking for an escape from her life. For one weekend, she wants not only a normal life but also a chance to meet a man who will love her without paying her for sex. Luckily, Brad Jacobs (Richard Hatch) is also on the Island!
This is the type of fantasy that Fantasy Island handled well in the past. It doesn’t work out quite as well this episode became Mr. Roarke’s new servant (there’s no other word for him), Laurence, makes some rather snarky and judgmental comments about Shelly and her profession (asking at one point whether she’s on the Island for a fantasy or to give someone a fantasy) and it just feels totally wrong. One of the good things about Fantasy Island was that Roarke never judged the people asking for fantasies. He may have warned them about what they would discover. Sometimes, he manipulated them to help them discover something important about themselves. But once you were allowed to come to the Island, Roarke didn’t judge you and neither did Tattoo. In fact, Tattoo was probably even less judgmental than Roarke. Tattoo knew what it was like to be judged. Laurence, on the other hand, is a snooty British butler and seems personally offended by Shelley’s presence on the Island. (Eventually, after she shares her tragic backstory, he comes around but still, it shouldn’t take a sad story to get people to treat each other with decency.) Laurence is the type of employee who would keep me from wanting to visit the Island. I fear he would tell me that my skirt was too short or something.
As for the other fantasy, Laura Walter (Katharine Helmond) feels that her husband George Walter (Vic Tayback) is a chauvinist and she’s right. She wants him to experience what it’s like to be a woman so Roarke arranges for them to switch bodies. Laura is in George’s body and George is in Laura’s body but for some reason, the show dubs their voices so, whenever George speaks, we hear Laura’s voice and whenever Laura speaks, we hear George’s voice. It’s a bit awkward. Why would their voice switch too? Anyway, Laura discovers that women tend to toss themselves at George and George discovers that his business partner is a lech.
It’s the final season and final seasons often feel uninspired. That was certainly the case with this episode. Even the reliable Ricardo Montalban seemed bored with it all. In the end, it’s just not as much fun without Herve Villechaize around.
Through the Shattered Lens 