Late Night Retro Television Review: CHiPs 4.4 “The Poachers”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing CHiPs, which ran on NBC from 1977 to 1983.  The entire show is currently streaming on Prime!

This week, Ponch brings us all closer together.

Episode 4.4 “The Poachers”

(Dir by Barry Crane, originally aired on October 19th, 1980)

In the beautiful hills surrounding Los Angeles, Jon and Ponch (but mostly Ponch because, as of the start of season four, this is The Ponch Show) pursue two poachers (Robert F. Lyons and Michael Gwynne).  However, Ponch is not the only one after the poachers.  A Native American grandfather named Nathan (Michael Ansara) is in the hills with his grandson (Tony Raymond) and, together, they shoot arrows at the poachers.

Hey, that’s attempted murder!

Well, no matter.  No one like poachers, least of all me.

While Ponch captures the poachers and befriends the grandfather, the rest of the Highway Patrol spend their time at the drag strip and try to win races and set records.  Ponch insists that he should be the one allowed to represent the force on the track and he’s probably right because he’s Ponch and this is The Ponch Show.  Instead, Sgt. Getraer — who technically outranks Ponch but who knows how long that will last — takes to the track himself and amazes everyone with his speed.  Woo hoo!  Meanwhile, poor Baker stands in the background and perhaps remembers how, when the show started, he actually got to do stuff other than follow Ponch around.

This episode was nothing special.  It was well-intentioned with its anti-poaching storyline but it also featured even more cliches than usual.  Michael Ansara was himself not Native American.  He was born in Syria.  The actors who played his son and his grandfather were also not Native American, at least not as far as I could detect from their IMDb profiles.  In short, this was an episode about the wisdom of Native Americans that doesn’t appear to have featured any actual Native Americans.

All that said, it was nice to Robert Pine get to have some fun with the role of Sgt. Getrear.  Pine’s tough-but-fair performance as Getraer has often been this show’s secret weapon and, in this episode, he at least got to smile for once.  He earned it!

Retro Television Review: Miami Vice 4.12 “The Cows of October”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Mondays, I will be reviewing Miami Vice, which ran on NBC from 1984 to 1989.  The entire show can be purchased on Prime!

This week …. I don’t even know how to describe it.

Episode 4.12 “The Cows Of October”

(Dir by Vince Gillum, originally aired on February 5th, 1988)

A cannister of bull seamen has been stolen from a Miami lab and the feds (represented by Harry Shearer) want it back before it falls into the hands of the Cubans.  Switek assists.  Izzy shows up to broker the deal.  Gerrit Graham plays a shady person who we are told is from Texas.  (His accent is more Arizona.)  Philip Michael Thomas wears a cowboy hat.  Don Johnson is largely absent until the final scene.  One gets the feeling that Johnson hated every minute of this episode while Thomas just seemed to be having fun.

This episode was, without a doubt, the stupidest episode of Miami Vice ever filmed.  And listen, I will admit that I haven’t seen every episode.  I’ve still got a season and a half to go.  There seems to be a general online consensus that the final two seasons of Miami Vice were not good at all.  I’m sure I have many dumb episodes ahead of me.  But I cannot — as much as I try — imagine any episode that could be as a dumb as the Vice Squad abandoning the war on drugs so that they could keep the Cubans from getting their hands on a cannister of bull semen.

Miami Vice has always been as its best when its been surrealistic, cynical, and gritty.  I would argue that Miami Vice really does not need to do comedic episodes.  For the first three seasons, nearly every episode ended with an innocent person either dead or forever embittered.  At its best, Miami Vice was not a happy show.  It was a show where Crockett and Tubbs drove around in the dark, loaded their guns, and Phil Collins sang in the background.  When Collins sang, “I can feel it coming in the air tonight,” he was not talking about bull semen.  At least, I hope he wasn’t.  (Oh, Lord….)

I really don’t know what to make of season 4.  Trudy’s going to space.  Crockett’s married.  The Vice Squad is searching for bull semen.  Yet somehow, through it all, Castillo continues to just stare at the floor and speak through gritted teeth.  Like seriously, shouldn’t Castillo be concerned about all this weird stuff going on?

I didn’t care much for this episode.  Searching for bull semen is a Pacific Blue thing.  Miami Vice needs to handle real cases and leave all that other stuff for the bike cops.

Join #MondayMuggers For MANHUNTER!


Hi, everyone!  Brad and his wife Sierra are on vacation so guess is who is guest hosting the #MondayMuggers live tweet tonight?  That’s right …. me!

Tonight’s movie will be MANHUNTER (1986), the classic Michael Mann-directed thriller that introduced the world to the characters of Will Graham, Jack Crawford, Francis Dollarhyde, and Hannibal Lecter!  (Though it’s spelled Lektor in this film.)  Check out the trailer!

You can find the movie on Prime and then you can join us on twitter at 9 pm central time!  (That’s 10 pm for you folks on the East Coast.)  See you then!

Monday Live Tweet Alert: Join Us for Tripwire!


As some of our regular readers undoubtedly know, I am involved in hosting a few weekly live tweets on twitter and occasion ally Mastodon.  I host #FridayNightFlix every Friday, I co-host #ScarySocial on Saturday, and I am one of the five hosts of Mastodon’s #MondayActionMovie!  Every week, we get together.  We watch a movie.  We snark our way through it.

Tonight, for #MondayActionMovie, the film will be 1989’s Tripwire!

It should make for a night of fun viewing and I invite all of you to join in.  If you want to join the live tweets, just hop onto Mastodon, pull up Tripwire on YouTube, start the movie at 8 pm et, and use the #MondayActionMovie hashtag!

Enjoy!

 

Scenes That I Love: Everything’s Alright from Norman Jewison’s Jesus Christ Superstar


In honor of the late Norman Jewison, today’s scene that I love comes from my favorite film to have been directed by him.

In this scene from 1973’s Jesus Christ Superstar, Mary Magdalene (Yvonne Elliman) attempts to comfort Jesus (Ted Neeley) while Judas (Carl Anderson) tries to pull Jesus away from her.  This scene showcases both Elliman’s angelic voice and Anderson’s ferocious intensity as Mary and Judas present two very different sides of a spiritual journey.

4 Shots From 4 Films: Special Norman Jewison Edition


4 (or more) Shots From 4 (or more) Films is just what it says it is, 4 (or more) shots from 4 (or more) of our favorite films. As opposed to the reviews and recaps that we usually post, 4 (or more) Shots From 4 (or more) Films lets the visuals do the talking.

Today would have been Norman Jewison’s birthday.  It’s time for….

4 Shots From 4 Norman Jewison Films

In The Heat of the Night (1967, dir by Norman Jewison, DP: Haskell Wexler)

Fiddler on the Roof (1971, dir by Norman Jewison, DP: Oswald Morris)

Jesus Christ Superstar (1973, dir by Norman Jewison, DP; Douglas Slocombe)

The Hurricane (1999. dir by Norman Jewison, DP: Roger Deakins)

Late Night Retro Television Review: Degrassi High 2.11 “Showtime, Part 2”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Sunday, I will be reviewing the Canadian series, Degrassi High, which aired on CBC and PBS from 1989 to 1991!  The series can be streamed on YouTube and Tubi

In yourself, you must believe….

Episode 2.11 “Showtime Part 2”

(Dir by Kit Hood, originally aired on January 28th, 1991)

The students of Degrassi High struggle to move on from the suicide of Claude Tanner.  The talent show goes on, with all of the money raised being given to Claude’s parents.  Snake, for his part, goes to therapy and stays home from school.  When Joey visits him, Snake mentions that, when he found Claude, half of his face was missing.  Meanwhile, Caitlin is haunted by visions of Claude, smiling and trying to hand her a flower.

This episode was not quite what I was expecting.  Instead of embracing the melodrama (as Degrassi: The Next Generation would have), this episode is low-key and realistic about showing the ways that people deal with grief and trauma.  Snake is understandably shaken but what makes his scene so poignant is that he’s obviously struggling to pretend like he isn’t or that life can go back to normal after what he’s seen.  I spent this entire episode waiting for Caitlin to breakdown.  She didn’t and really, I have to commend the show for that because I sometimes think we put too much pressure on people to release all of their emotions before they’re ready to do so.  Caitlin is still emotionally number and it’s going to be a while before she’s ready to really talk about what happened.  And that’s okay!  Sometimes, it takes a while.  It’s only now, nearly a year after he died, that I’m really starting to realize how depressed I’ve been over the past year.  All those times that I thought I was moving on, I was really just distracting myself from the pain.  And now, with that one year anniversary approaching, I find myself crying at the most random of times.  It’s not pleasant.  My heart hurts on most days.  But I know that eventually, I’ll make it through.  Everyone grieves in their own way and apparently, this is the way that I grieve.

This was a good Joey episode.  Not only did Caitlin agree to tutor him in his science class but Wheels finally paid back the money that he stole from Joey’s mother.  During their study session, Joey and Caitlin talked about the suicide, with Joey asking if Caitlin knew Claude.  I guess the show’s writers forgot that, last season, Joey was intensely jealous over Caitlin and Claude’s relationship.  Still, regardless of that continuity error, the scenes between Joey and Caitlin were well-written, well-acted, and emotionally honest.

In other words, this was a good episode.  I’ve seen a lot of shows that have dealt with suicide.  I’ve rarely seen any that dealt with it as well and as honestly as Degrassi High.