Retro Television Review: St. Elsewhere 2.8 “All About Eve”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past! On Fridays, I will be reviewing St. Elsewhere, a medical show which ran on NBC from 1982 to 1988.  The show can be found on Hulu and, for purchase, on Prime!

This week, everyone’s got the blues.

Episode 2.8 “All About Eve”

(Dir by David Anspaugh, originally aired on December 14th, 1983)

What a depressing episode!

With tension rising between Boston’s Catholics and its Protestants, threats are being called into the hospital because young Protestant Eddie Carson (Eric Stoltz) is still a patient.  (Last week, I assumed Eddie was Catholic but apparently, he’s supposed to be a Protestant.  I also assumed his parents were blown up in the pub bombing.  In this episode, it was made clear that the victims were his aunt and uncle.)  A group of masked, IRA-style terrorists break into Joan Halloran’s home.  Joan’s gone at the time but Bobby Caldwell is in the shower and he ends up getting beaten into unconsciousness.

(Wow, did someone on the writing staff have an issue with Irish Catholics?)

Meanwhile, Dr. Westphall has to explain to his several autistic son Tommy (Chad Allen) that their beloved housekeeper has quit and moved away.  Westphall’s daughter says she’s going to skip college and stay home to help take care of her brother.  While I’ve always known that the widowed Westphall had an autistic son, this was the first episode to actually show us Westphall interacting with Tommy.  And, with no disrespect meant to the autistic community, I can understand why Westphall always seems so depressed.  Tommy runs and hides in a corner.  Tommy hits his father.  Tommy demands to know if everyone is going to leave him.  By the end of the episode, Westphall was exhausted and I was even more exhausted from watching him.

But Westphall’s angst was not the most depressing thing about this episode.  On top of everything else, Eve Leighton died!  She didn’t die as a result of the heart that Dr. Craig transplanted into her.  The heart was working fine.  Instead, the rest of Eve’s body gave out.  Being in the hospital initially saved her life but it also shut her off from everything that inspired her to keep living.  Dr. Craig was in surgery when Eve coded.  By the time he was able to get to her room, she was already gone.  And with Eve’s death, that also means that the heart that once belonged to Morrison’s wife is gone as well.

I mean, seriously …. GOOD LORD!  It was a well-acted episode.  Both William Daniels and Ed Flanders broke my heart.  But I seriously had to rewatch Happy Gilmore after watching this show.  That’s how depressed it left me!

But that’s life and death in a hospital.  Every hospital is home to hundreds of different stories and the majority of them do not have happy endings.

Live Tweet Alert: Join #FridayNightFlix for Attack of the Killer Tomatoes!


As some of our regular readers undoubtedly know, I am involved in a few weekly watch parties.  On Twitter, I host #FridayNightFlix every Friday and I co-host #ScarySocial on Saturday.  On Mastodon, I am one of the five hosts of #MondayActionMovie!  Every week, we get together.  We watch a movie.  We tweet our way through it.

Tonight, at 10 pm et, I will be hosting #FridayNightFlix!  The movie?  1978’s Attack of the Killer Tomatoes!

If you want to join us this Friday, just hop onto twitter, start the movie at 10 pm et, and use the #FridayNightFlix hashtag!  I’ll be there happily tweeting.  It’s a friendly group and welcoming of newcomers so don’t be shy.

Attack of the Killer Tomatoes is available on Prime and Tubi!

See you there!

10 Films For The Weekend (7/25/25)


Leaving Soon

With the end of July approaching, I decided to take a look at what would soon be leaving Tubi.  I should mention that just because these films are leaving Tubi, that doesn’t mean they’re not going to start streaming somewhere else.  In fact, I imagine the reason that they’re leaving is because they’re going to start streaming somewhere else.  Here’s a few worthwhile films that are currently listed as “leaving soon” on Tubi.

Sweet Smell of Success (1957) stars Burt Lancaster as a viscous columnist and Tony Curtis as his henchmen.  When Lancaster discovers that his sister is dating a jazz musician, Lancaster decides to destroy the man’s life.  One can view this film as a satire on the tabloids, a metaphor for McCarthyism, or a commentary on cancel culture.  All those interpretations are legitimate.  Then again, it can also be viewed as just being a tremendously enjoyable and endlessly quotable pulp masterpiece, a noir where the damage isn’t done by bullets but instead by words.  Here’s the link on Tubi.

Terence Malick’s Song to Song (2017) is an intriguing Texas-set film.  It’s a Malick film and, in many ways, it’s Malick at his most self-indulgent.  There are times when the film, with its languorous shots and its multiple narrators, almost becomes a self-parody.  But there are also images that are so strikingly beautiful that they stick with you.  A talented cast — Michael Fassbender, Ryan Gosling, Natalie Portman, Val Kilmer, and others — wanders through the film and offers up tantalizing hints of what’s going on underneath the surface of their ennui-drenched lives.  It’s left to the viewer to decide what it all means.  It’s a Malick film and, because of that, worth taking a chance on.  Here’s the link on Tubi.

Based on a novel by Don DeLillo and directed by David Cronenberg, Cosmopolis (2012) is a surreal film that follows a businessman (Robert Pattinson) as he is driven around New York.  This is one of those films that people seem to either love or hate.  I loved it and I thought this was the first film that showed Pattinson was capable of doing more than just Twilight.  In a key supporting role, Paul Giamatti gives a notably disturbing performance.  Here’s the link on Tubi.

What would you do if you had the chance to live the last day of your life over and over again?  That’s the question asked by one of my favorite films of the past ten years, Before I Fall (2017).  This is a film that brough back memories of me and my friends in high school and left me wondering if I needed to apologize to anyone.  Here’s the link on Tubi.

I’m still annoyed (if not necessarily surprised) that Nightcrawler (2014) was thoroughly ignored by the Academy.  Jake Gyllenhaal definitely deserved, at the very least, a nomination for his performance as a sociopath who finds a successful career in crime journalism.  Bill Paxton and Rene Russo give excellent supporting performances.  This may be a mainstream film but its heart belongs to the grindhouse.  Here’s the link on Tubi.

Finally, what can I say about Chinatown (1974) that hasn’t already been said by a hundred other critics?  It’s one of the best noirs ever made and it’s debatable whether or not Jack Nicholson has ever been better than he was here.  Along with an intriguing mystery, the film features one of the most loathsome villains of all time, John Huston’s Noah Cross.  Faye Dunaway is excellent as the femme fatale with a devastating secret.  Here’s the link on Tubi.

Odds and Ends

After watching Chinatown, why not check out Francis Ford Coppola’s The Conversation (1974)?  I have to admit that I envy those who were alive in 1974 and who got to see the second Godfather, Chinatown, and The Conversation when they were all first released.  What’s it like to live during a cinematic golden age?  The Conversation is a brilliant thriller, featuring Gene Hackman at his best.  This is a true masterpiece of paranoia and it can be viewed on Prime.

If you’re in the mood for something completely different, the dramedy Class (1983) features Andrew McCarthy as a nerdy student who has an affair with the mother (Jacqueline Bisset) of his roommate (Rob Lowe).  It’s a very 80s film and definitely a guilty pleasure.  It can be viewed on Prime.

Speaking of Rob Lowe, he plays a bad guy in the enjoyably melodramatic Bad Influence (1990).  James Spader plays the good guy for once, an adorably nerdy guy who discovers that his new best friend doesn’t exactly have his best interests at heart.  Directed by Curtis Hanson, Bad Influence is sordid fun.  It can be viewed on Prime.

Finally, I should mention that I bought a copy of Gianni Russo’s autobiography this week.  Russo is the entertainer who played Carlo Rizzi in The Godfather and who appeared in a handful of other films, usually playing a gangster.  I’m disappointed to say that Russo did not write about the experience of co-starring in the gloriously absurd, totally 70s sci-fi flick, Laserblast (1978).  Fortunately, you can watch the film for yourself.  Russo’s role is actually pretty small but the Claymation aliens are just adorable!  This is also probably the only film ever made to feature Eddie Deezen as a bully.  Laserblast is on Prime.

You can check out last week’s films but clicking here!

 

A Book For The Weekend (7/25/25)


Yesterday, I received Daniel Budnick’s 80s Action Movies On The Cheap and I’m already in love with this book!

This book features 284 reviews of the 80s action films that tend to be ignored by those who now sing the praises of Stallone and Schwarzenegger.  We’re talking about the films of Michael Dudikoff here.  We’re talking about the directorial efforts of Cirio Santiago, Nico Mastorakis, Sam Firstenberg, and so many others.  We’re talking Italian action cinema.  In short, we’re talking about some of the most entertaining and unfairly overshadowed films of all time.

Yes, the American Ninja films are reviewed (or, at least, the ones that came out in the 80s are).  Yes, there’s a review of The Last Hunter and Space Mutiny and the Deathstalker films.  Much like me, Daniel Budnik appreciates Red Brown even if Reb’s habit of shouting during his action scenes does seem to be a bit weird.  But what I truly love about this book is that it also features reviews of films that even I previously didn’t know about.  I mean, honestly, there are hundreds of film guides out there.  What sets the great film guides apart from the good ones is how many previous unknown titles you can discover by just randomly flipping through it.  And when it comes to film reviews, the most important question is whether or not the review inspires you to try track down a film that you may not have seen or even heard about before.  The best film reviews inspire you to watch so that you can judge for yourself.  I’ve discovered a lot just by randomly opening this book.  And I now have a long list of cheap 80s actions films that I want to watch and which I will be watching and hopefully reviewing myself.

With 80s Action Movies On The Cheap as my guide, I look forward to all sorts of new discoveries.

(Click here for my previous entry in weekend books!)

Scene That I Love: Bob Barker Beats Up Happy Gilmore


Happy Gilmore 2, the sequel to my favorite golf movie, is currently available on Netflix.  I’ll be watching it later today.  I have no idea if it’s any good or not.  I’m hoping for the best, though.

Anyway, this seems like a good time to share the best scene from the original Happy Gilmore.  In this scene, Happy and Bob Barker team up for a celebrity tournament.  It does not go well.  Reportedly, Barker initially turned down this cameo and only changed his mind after he was assured that he would win the fight.

4 Shots From 4 Films: Special 1974 Edition


4 Or More Shots From 4 Or More Films is just what it says it is, 4 shots from 4 of our favorite films. As opposed to the reviews and recaps that we usually post, 4 Shots From 4 Films lets the visuals do the talking!

Today, we pay tribute to a great year in cinema.  It’s time for….

4 Shots From 4 1974 Films

The Godfather Part II (1974, dir by Francis Ford Coppola, DP: Gordon Willis)

Chinatown (1974, dir by Roman Polanski, DP: John A. Alonzo)

The Conversation (1974, dir by Francis Ford Coppola, DP: Bill Butler and Haskell Wexler)

The Texas Chainsaw Massacre (1974, dir by Tobe Hooper, DP: Daniel Pearl)

Late Night Retro Television Review: Highway to Heaven 4.6 “Playing for Keeps”


Welcome to Late Night Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Highway to Heaven, which aired on NBC from 1984 to 1989.  The entire show is currently streaming on Tubi and several other services!

This week, Highway to Heaven makes a mockery of legitimate theater.

Episode 4.6 “Playing for Keeps”

(Dir by Michael Landon, originally aired on November 4th, 1987)

Jonathan and Mark are directing a play!

The play stars movie star Rhett Clark (Eric Douglas, the least talented son of Kirk Douglas).  Rhett plays a young man who is struggling to come to terms with the impending death of his father.  In the play, Rhett’s father is played by his actual father, Jackie Clark (Donald O’Connor), a old-time comedian who can’t get work anymore.

It’s not an easy rehearsal process.  Rhett resents his father.  Jackie wants to tell jokes.  He wants to put on  a dress and a wig because, according to him, all of his fans will want to see him play “Aunt Jackie.”  Rhett explains that the play is not a comedy.  There’s no room for Aunt Jackie.  Really, explaining all of that should have been Jonathan’s job.  He’s the director!

The problem with this episode is that we’re supposed to be angry at Rhett for not supporting his father’s attempts to turn the play into a vaudeville comedy but actually, Jackie’s a jerk.  Rhett’s a jerk too but he’s a jerk who understands that, when you’re doing a dramatic play, the actor playing a dying man can’t suddenly get out of his hospital bed, duck into a closet, and then come out as Aunt Jackie.  An actor ad-libbing dialogue and then turning the play into a comedy because he’s petulant and insecure is not the type of behavior that would be tolerated in all-volunteer community theater, much less on a professional stage.  The fact that Jackie is getting paid to appear in the show makes his unprofessional conduct all the more annoying.

This episode puts on the blame on Rhett.  We’re meant to see Rhett as the ungrateful son who refuses to see things from his father’s point of view.  Because Rhett is being played by Eric Douglas, an actor who did not exactly have the most likable screen presence, it’s easy to blame him.  I mean, everyone loves Donald O’Connor,  But honestly, Jackie is the jerk here.

How big of a jerk is Jackie?  On opening night, he gets mad at his son and does his Aunt Jackie schtick.  Somehow, this leads to Rhett and Jackie reconciling and hugging it out while the audience applauds.  Honestly, though, it should have led to Jackie being fired.  If you’re not going to be professional, you have to go.  This episode would have been far more touching if Jackie had been willing to put his ego aside and actually allow his son to have the spotlight for once.

This episode will definitely not be remembered as one of my favorites of the series.  In the past, I’ve defended this show’s tendency to go for sentimentality over realism but this episode just pushed things a little too far.

Retro Television Review: Malibu CA 2.23 “The Houseguest”


Welcome to Retro Television Reviews, a feature where we review some of our favorite and least favorite shows of the past!  On Thursdays, I will be reviewing Malibu CA, which aired in Syndication in 1998 and 1999.  Almost the entire show is currently streaming on YouTube!

Yes, this is from the first season. I don’t care. I refuse to waste my time looking for a second season advertisement.

This week, it’s competition to see who can be the worst character.

Episode 2.23 “The Houseguest”

(Dir by Gary Shimokawa, originally aired on April 29th, 2000)

A recurring theme for these reviews is that Lisa (the character, not me) is the worst.  Amazingly, in this episode, she’s only the third worse.

The second worse is Jason.  When Murray announces that he’s going to be spending the week at a convention for surfers, he leaves the key to his apartment with Lisa at the Surf Shack so that Lisa can give the key to the house sitter.  Jason and Scott, wondering why they’ve never been invited to Murray’s apartment, steal both the key and the note that Murray left.  Along with Lisa, they go to his apartment and break in.  It turns out that Murray, who is the son of a multi-millionaire, has a really nice apartment that has a hot tub in the living room!  In other words, he’s a rich guy with a rich apartment.

Now, there’s a few things to consider, when it comes to deciding who is the worst of these three.  First off, all three of them are breaking into Murray’s apartment despite the fact that he’s made it clear that he doesn’t want them there.  Secondly, thanks to Jason and Scott, Murray’s house sitter is now out of a job because they didn’t get the key or the note telling them where the apartment was located.  Third, Jason decides to move into the apartment and pretend that he owns it because he has a crush on the lingerie model living next door.

When Murray comes back unexpectedly, Jason tells Murray that Peter’s aunt just died and Peter would appreciate it if Murray spent a week living at the Collins house.  Jason then tells Peter and Scott that Murray’s aunt died and that he needs a place to stay for a week.  This is the dumbest freaking thing I have ever seen.  Why would Jason come up with two lies that would definitely fall apart as soon as Murray or Peter or Scott, for that matter, had any sort of casual conversation?

Regardless of his logic (or lack of it), it’s all enough to position Jason as being worse than both Scott and even Lisa.

And yet,  of all the character in this particular episode, Jason is only the second worse.  Alex (Suzanne Davis) is even more terrible than Jason in this episode.  When soap opera star Traycee says that she needs to hire an assistant, Alex volunteers for the job.  At first, Traycee tells Alex to fill in for Lisa at the Surf Shack so Traycee can take Lisa to the new Matt Damon movie.  (I hope they enjoyed The Talented Mr. Ripley.)  Then Tracyee orders Alex to “detail” Peter’s car.  That all made me laugh but then Alex insisted on helping Traycee out on the show.  Traycee lets Alex read the latest script for her show.  Alex gets offended by the script, telling Traycee that, since she’s playing a doctor, she needs to stand up for herself and tell the producer that she’s not going to wear a bikini in all of her scenes.  Even though Traycee doesn’t want to, she tells the producer exactly what Alex told her to say.  And Traycee gets fired.

Why is Alex the worse?  Alex is correct that the soap opera is exploitive and sexist and not a realistic portrayal of life in hospital.  However, Alex is not the one on the show.  Traycee is one on the show and she’s happy with her job and she’s certainly making more money as an actress on a soap opera than Alex is making as lifeguard or Lisa is making as a waitress.  It’s not Alex’s place to tell Traycee to refuse to do a scene, especially when Traycee herself doesn’t have any objection to anything in the script.  Traycee does get her job back, on the condition that she fire Alex.  “Okay,” Traycee said, “you’re fired.”  YAY, TRAYCEE!

(To be honest, there’s something a little hypocritical about Malibu CA criticizing a show for featuring women in bikinis when every episode of Malibu CA might as well have been shot with ogle cam.)

This was a bad episode but, to give credit where credit is due, Brandon Brooks and Priscilla Inga Taylor once again showed that they were the only two consistently good things about Malibu CA.  Even though they were playing caricatures, both Brooks and Taylor brought a lot of energy and sincerity to their performances.  It made Murray and Traycee the only likable characters on both this particular episode and the series overall.

Only three more episodes to go!  My nightmare will soon be over.