Jonathan Wacks | Through the Shattered Lens

After the death of his mother (Miriam Margoyles), shy Ed (Steve Buscemi) inherits the family hardware store. Even though Ed now has his own business and maybe even a chance at having a relationship with Storm Reynolds (Sam Jenkins), Ed simply cannot leave the memory of his mother behind. One day, he is approached by a salesman named A.J. Peddle (John Glover). Peddle explains that he can bring Ed’s mother back to life for a thousand dollars. Ed agrees and soon, Ed’s mother is once again living with Ed and Ed’s Uncle Benny (Ned Beatty). Benny is upset because he doesn’t think that it’s proper to tamper in matters of morality and he never liked his sister to begin but, at first, Ed is happy to have her back. However, Ed soon discovers that his mother has changed now that she’s come back to life. She now has a craving for blood and soon, she’s chasing the neighborhood dogs while holding a knife. Ed’s mom has returned as a zombie! Can Ed finally move on and commit to sending his mother back to the grave?

This quirky comedy came out in 1993, a few years too early to take advantage of either the zombie boom or the horror comedy boom. The movie never really find the right balance between scares and laughs. The script is full of funny lines and Steve Buscemi and Ned Beatty are a good comedic team but the direction is as flat and as lifeless as Ed’s mom before she was resurrected. Today, the movie is mostly interesting as a precursor for later trends in horror. It’s also a chance to see Steve Buscemi is rare starring role. Buscemi is ideally cast as the gentle Ed, who eventually learns the importance of letting go, accepting death, and moving on. Buscemi is good, even in a misfire like this one.

Just two years after starring in this movie, Buscemi would appear on Homicide: Life on the Streets, playing a white supremacist murderer named Gordon Pratt. Among the detectives assigned to arrest Pratt was Stanley Bolander, played by Ned Beatty. As far as I know, that’s the only other pairing of Buscemi and Beatty and there wasn’t much to laugh about in that episode of Homicide. It’s too bad because, judging from their interactions in this movie, Ned Beatty and Steve Buscemi could have been one of the great comedy teams.

What’s an Insomnia File? You know how some times you just can’t get any sleep and, at about three in the morning, you’ll find yourself watching whatever you can find on cable or Netflix? This feature is all about those insomnia-inspired discoveries!

If you were having trouble getting to sleep last night, around one in the morning, you could have turned over to the HBO Family channel and watched the 1991 comedy, Mystery Date!

A young and extremely adorable Ethan Hawke plays Tom McHugh, a college student who is in love with Geena (Teri Polo), the housesitter next door. The only problem is that Tom is extremely shy and can’t even work up the nerve to ask Genna out. It sure would help if he was rich and charming like his older brother, Craig (Brian McNamara). Eventually, Craig helps his brother out. He gives Tom his credit card and his car so that Tom can take Geena out on a date. What an nice brother! Soon, Tom and Geena are hitting the town and having a great time. They even see Gwar perform which …. well, okay. That probably would not be my ideal first date but whatever.

Unfortunately, it turns out that Craig has gotten involved with some pretty bad things and, as a result, there are two dead bodies in the trunk of the car! Uh-oh, that could be awkward. Plus, the Chinese mafia (led by B.D. Wong) are determined to kill Tom because they think that he’s Craig. And finally, to top it all off, Tom has got a crazed flower delivery guy (played by Fisher Stevens) following him all over the city. Can Tom possibly survive the night and still get a second date!?

Mystery Date starts out nicely. Ethan Hawke is cute in a non-threatening sort of way. Teri Polo is likable. They seem like they would make a cute couple. You want things to work out for them. Unfortunately, once the date actually starts, the film gets frantic without getting any funnier. It becomes a case of the film just trying too hard and you feel as if the film is demanding that you laugh as opposed to offering up a reason to laugh. You watch the film and you don’t so much think about what you’re watching as you think about films like Risky Business and Better Off Dead, both of which told similar stories with a lot more energy and imagination. You have to kind of imagine that whenever Ethan Hawke gives one of his interviews where he talks about why he’s not interested in doing typical mainstream films, this is probably the type of movie that he was talking about. Among the many other things for which we have to thank Richard Linklater, he ensured that Ethan Hawke would never have to star in Mystery Date 2.